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{"segment":[{"startTime":{"@attributes":{"msec":""}},"title":"Achter de Schermen","artist":"Dick Raaijmakers","album":"Popular Electronics"},{"startTime":{"@attributes":{"msec":""}},"title":"GiAn(ca)rlo CArDini","artist":"Aldo Clementi","album":"Punctum Contra Punctum"},{"startTime":{"@attributes":{"msec":""}},"title":"[untitled]","artist":"Nu Creative Methods"},{"startTime":{"@attributes":{"msec":""}},"title":"Motivational Music for Pedestrians","artist":"Bradford Reed","album":"Live! At Home"},{"startTime":{"@attributes":{"msec":""}},"title":"Duo take 11","artist":"Cooper-Moore","album":"Outtakes 1978"},{"startTime":{"@attributes":{"msec":""}},"title":"n da da uum da","artist":"Anima-Sound","album":"Musik f\u00fcr Alle"},{"startTime":{"@attributes":{"msec":""}},"title":"J'entends Les Avions","artist":"Berthet - Le Junter"},{"startTime":{"@attributes":{"msec":""}},"title":"Your DJ speaks"},{"startTime":{"@attributes":{"msec":""}},"title":"Comment: holy crap, kagel bit it."},{"startTime":{"@attributes":{"msec":""}},"title":"Music for Renaissance Instruments","artist":"Mauricio Kagel"},{"startTime":{"@attributes":{"msec":""}},"title":"Blue's Blue","artist":"Mauricio Kagel"},{"startTime":{"@attributes":{"msec":""}},"title":"Your DJ speaks"},{"startTime":{"@attributes":{"msec":""}},"title":"String Quartet II","artist":"Mauricio Kagel"},{"startTime":{"@attributes":{"msec":""}},"title":"Acustica, part 1","artist":"Mauricio Kagel"},{"startTime":{"@attributes":{"msec":""}},"title":"Acustica, part 2","artist":"Mauricio Kagel"},{"startTime":{"@attributes":{"msec":""}},"title":"Comment:Stuff He Made for AcusticaCastanette-Keyboardwith a scale of diameters from 1 4\/5' to 7 1\/5' which can be 'tuned' by means of double-bass pegs in the action-tention (with the result that even deep-sounding castanettes will sound clearly when played extremely quickly); two sets of Bull-Roarers (one with an aerodynamic profile, the other out of plain pieces of wood), which are wielded by hand and worked by twisted rubber band.Nail-Violina form of the idiophonic friction-instrument invented in the mid-18th century, with 16 iron rods of equal width but of different lengths (between 2 1\/25 and 16 4\/5'; temperature 15√8) which vibrate transversally when played with a cello or double-bass bow.Roundpeg-Violina version of the nail-violin (9 wooden sticks between 3 23\/25' and 3'; temperature 8√9);Scabellaclapper-sandals worn by Ancient Roman choir-leaders, but fitted with a hinge in the middle of the sole, so that the performer can achieve audible results with the minimum of effort;Hinged-board (Crepitacolo),a flat piece of wood with various handles attached which the iron parts hit according to the force with which it is shaken back and forth ( a new version of the original church bell);Five-Tongued Ratchetwith common crankshaft, the cogwheel frequency of which is tuned in five stages, so that the loudness of the noise can be influenced by altering the tongue-setting;Pick-ups and Diaphragmsin as many forms as possible (other than the usual ones), in order to explore the devious route to higher sub-fidelity: e.g. plastic funnel and knife-feather and ukelele, sandpaper and drawing pin, matches with and without boxCross-blowerfor the timbre-modulation of the pages of a book;Balloonsas resonators for wind instruments and as (regained) air-supply in the production of oral processes;Pipe-brancha piece of narrow hose approx. 130' long with connections (on the ends of which organ pipes [mixtures] and penny-whistles are attached), which is fed by a compressed-air cylinder of 27 cubic feet capacity (an 'aerophone' for collective use, where only generously-minded players can play together: should one of the performers divert the air-current for himself alone, all the others will be made silent);Gas blow-lampto produce vibrations in pipes, the fundamental frequency of which is reached by altering its total length;Mutes for wind instruments with built-in loudspeakerswhich permit a perfect diaphony with the simultaneous playback from the tape recorder of the blown notes;Megaphoneslikewise with built-in loudspeakers (also to be used by contestants, in which case power-saving cassette-recorders are switched on to drown the puny volume of the official side);Humming-loudspeaker(the German term 'Summenlautsprecher' derives both from 'Summe' = sum and from 'summen' = to hum), the diaphragm of which is worked on with various articles during the performance (so that the loudspeaker becomes more of an instrument than an actual loudspeaker)."}],"playlist":{"@attributes":{"url":"https:\/\/www.wfmu.org\/playlists\/shows\/28664"}},"@attributes":{"offset":"0:9:25","shareSafe":"0","timestamps":"0"},"audio":{"@attributes":{"url":"rtmpt:\/\/rtmp.wfmu.org\/cfx\/st\/mp4:BK\/bk080919r.mp4"}},"title":"Bryce from 9\/19\/2008","segments":{"@attributes":{"url":"https:\/\/wfmu.org\/playlists\/shows\/28664\/starttimes.xml"}},"info":{"@attributes":{"url":"https:\/\/wfmu.org\/playlists\/shows\/28664"}},"flash_server":"rtmpt:\/\/rtmp.wfmu.org\/cfx\/st\/","mp4_server":"\/\/s3.amazonaws.com\/arch.wfmu.org\/"}

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Bryce from 9/19/2008

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