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All the spectacle and clamor you crave...without those pesky crowds.
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August 14, 2022: A440 Extended Play - hearing art seeing music seeing art playing music (or something like that)
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Artist | Track | Album | Label | Year | Comments | Images | Approx. start time |
---|---|---|---|---|---|---|---|
Gabriel Iranyi | Klavierzyklus I - Hommage á Paul Klee | Iryani: 20th / 21st century – fin / debut de ciècle | Hungaraton | 2000 | Yoriko Ikeya - piano | 0:00:00 (Pop-up) | |
Violeta Dinescu (b. 1963) | Once Emerged From the Grey of Night | John Kenny, trombone with the Bucharest National Radio Chamber Orchestra, conducted by Roberto Salvalaio. After the painting Einst dem Grau der Nacht enttaucht (1918 - Bern, Kunstmuseum) text from painting: Once Emerged from the Gray of Night Once emerged from the gray of night Then ponderous and prized and strengthened by fire Evenings bowed by the fullness of God Now heavenly showered with blue, vanished over snow-covered mountains to the knowing stars. | 0:19:57 (Pop-up) | ||||
Babette Deutsch | Hommage to Paul Klee | Moore, Marshall, Bogan, Adams & Detusch Read Their Poems | Collection of women poets | 0:34:05 (Pop-up) | |||
Barbara Pentland | 3 Piano Duets After Pictures by Paul Klee, No. 1, Small Fool in Trance / No. 2, Surfaces in Tension / No. 3 Fish Magic | Ruth Lomon (piano), Iris Graffman Wenglin (piano) | 0:35:28 (Pop-up) | ||||
Gunther Schuller | Seven Studies on Themes of Paul Klee (1959) 1. Antique Harmonies / 2. Abstract Trio / 3. Little Blue Devil / 4. Twittering Machine / 5. Arab Village / 6. An Eerie Moment / 7. Pastorale | Boston Symphony Orchestra, conducted by Erich Leinsdorf | 0:56:00 (Pop-up) | ||||
Martin Herchenröder (b.1961) | Paul-Klee-Blatt III: Linien aus Nachtlich for Organ (1991) | Linien aus Nachtlicht - Organ Works | NEOS | 3rd from set of 5 works inspired by Klee's music, the last of which was written in 2011. | 1:27:02 (Pop-up) | ||
John McCabe | Le Poisson Magique: Meditation after Paul Klee (1964) | Le Poisson Magique: Organ Works by John McCabe | Resonus Limited | commissioned by and dedicated to British organist and choral director Brian Runnett. Performed by Tom Winpenny on the Organ of St. Albans Cathedral | 1:34:27 (Pop-up) | ||
J.S. Bach | Violin Concerto No. 2 in E, BWV 1042, I. Allegro (1739) | Hilary Hahn performing. Image is Klee's own part for this concerto, with his markings. | 1:40:15 (Pop-up) | ||||
Sándor Veress | Hommage à Paul Klee for Two Pianos and Orchestra. I. Zeichen in Gelb (1951) | András Schiff, piano. Heinz Holliger conducting the Budapest Festival Orchestra. Painting 1937 | 1:58:40 (Pop-up) | ||||
Sándor Veress | Hommage à Paul Klee, 2. Feuerwind | From the 1922 painting. | 2:01:11 (Pop-up) | ||||
Sándor Veress | Hommage à Paul Klee, 3. Alter Klang | From the 1925 painting. | 2:02:52 (Pop-up) | ||||
Sándor Veress | Hommage á Paul Klee, 4. Unten und Oben | From the 1932 painting. | 2:10:08 (Pop-up) | ||||
Sándor Veress | Hommage á Paul Klee, 5. Steinsammlung | From the 1932 painting. | 2:13:25 (Pop-up) | ||||
Sándor Veress | Hommage à Paul Klee, 6. Grün in Grün | From the 1932 painting. | 2:17:47 (Pop-up) | ||||
Sándor Veress | Hommage à Paul Klee, 7. Kleiner Blauteufel - Blauteufelskopf | From the 1933 painting. | 2:21:52 (Pop-up) | ||||
David Diamond | The World of Paul Klee: Frame: The Dance of the Grieving Child (1957) | Broadcast by New York Philharmonic Live 1960 | 2:32:58 (Pop-up) | ||||
David Diamond | The World of Paul Klee: Frame: The Black Prince | 2:34:55 (Pop-up) | |||||
David Diamond | The World of Paul Klee: Frame: Pastorale | 2:38:05 (Pop-up) | |||||
David Diamond | The World of Paul Klee: Frame: The Twittering Machine | 2:43:21 (Pop-up) | |||||
Francis Poulenc | Le Travail du Peintre (The Painter’s Work) Paul Klee (1956) | Poem by Paul Eluard. Composed August 1956; commissioned by Alice Esty who gave the first performance in Paris in 1957, the composer at the piano | 2:44:47 (Pop-up) | ||||
Eugenio Toussaint (1954 - 2011) | Cinco Miniaturas de Paul Klee Nos. 1-5 (1993) | commissioned by trio Neos-Avante, Piano, Flute, Bass clarinet performed by Ensemble Tres. Eugenio Toussaint Uhthoff was born in México City on October 9, 1954. A self-taught musician, he started his performing career in 1972 as a pianist with the jazz band Odradek. | 2:45:35 (Pop-up) | ||||
Damon Smith / Carla Kihlstedt / Hugh Livingston | For Trio (to Paul Klee) | Innova 2010: Music with Sound | Innova | DS: bass, CK: violin, HL: cello | 3:01:16 (Pop-up) | ||
Ivo Perelman / Matthew Shipp / Gerald Cleaver | Paul Klee | The Foreign Legion | Leo Records | 2012 IP: saxophone, MS: piano, GC: drums | 3:04:16 (Pop-up) | ||
Jennifer Castellano | Images by Paul Klee: No. 1, Twittering Machine | Playing on the Edge | 3:12:13 (Pop-up) | ||||
Jennifer Castellano | Images by Paul Klee: No. 2, Dream City | 3:18:01 (Pop-up) | |||||
Jennifer Castellano | Images by Paul Klee: No. 3, Fugue in Red | 3:18:02 (Pop-up) | |||||
R. Murray Schafer | Concerto for Harpsichord and 8 Wind Instruments, II. Zur Erinnerung an Paul Klee | 3:19:44 (Pop-up) | |||||
J.S. Bach | Sonata No. 6 for Violin and Harpsichord in G Major, IV. Adagio | graphic analysis / representation by Klee 1916 | |||||
J.S. Bach | Sonata No. 6 for Violin and Harpsichord in G Major, IV. Adagio | watercolor 1919 by Klee | 3:28:36 (Pop-up) | ||||
Babette Deutsch | Hommage to Paul Klee | 3:38:28 (Pop-up) | |||||
Tan Dun | Death and Fire, "Dialogue with Paul Klee" I. Portrait | 3:40:15 (Pop-up) | |||||
Tan Dun | Death and Fire, "Dialogue with Paul Klee" Insert 1: Animals at Full Moon | 3:42:47 (Pop-up) | |||||
Tan Dun | Death and Fire, "Dialogue with Paul Klee" Insert 2: Senicio | 3:47:41 (Pop-up) | |||||
Tan Dun | Death and Fire, "Dialogue with Paul Klee" Insert 3: Ad Parnassum | 3:48:52 (Pop-up) | |||||
Tan Dun | Death and Fire, "Dialogue with Paul Klee" II. Self Portrait | 3:50:17 (Pop-up) |
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Listener comments!
listener james from westwood:
Listener Gregory:
StringOFperils:
Revolution Rabbit Nov63:
adamdoesit:
Hautboy, hautboy, A440, here we go!
Doug Schulkind:
Yvang:
coelacanth∅:
arb:
chresti:
spodiodi:
Bethany Ryker:
Jeff Golick:
Bethany Ryker:
Mr. Oxford:
Stork:
arb:
Michael 98145:
Revolution Rabbit Nov63:
...well, only immediately. But I'll still fight you over it...
alanr:
arb:
adamdoesit:
arb, I, for one, am glad you went with the Kandinsky.
Robm:
Revolution Rabbit Nov63:
Robm:
mic_a:
adamdoesit:
<hums happy tune>
WR:
Little Danny:
WM:
Robm:
coelacanth∅:
RR probably remembers
Marshland:
Revolution Rabbit Nov63:
Bethany Ryker:
Revolution Rabbit Nov63:
Robm:
coelacanth∅:
Bethany Ryker:
coelacanth∅:
adamdoesit:
Robm:
Bethany Ryker:
chresti:
WR:
Doug Schulkind:
coelacanth∅:
Little Danny:
Robm:
Bethany Ryker:
Doug Schulkind:
Brian in UK:
Paul Hubert:
Stork:
Stork:
W Trenton Vinny:
adamdoesit:
Revolution Rabbit Nov63:
Revolution Rabbit Nov63:
Brian in UK:
Bethany Ryker:
Little Danny:
StringOFperils:
Little Danny:
Revolution Rabbit Nov63:
Revolution Rabbit Nov63:
WR:
www.nasa.gov...
NASA has posted half a dozen audio clips of X-ray and other energy from celestial bodies where the wavelength of the energy was lowered to frequencies in the human hearing range.
WR:
StringOFperils:
Revolution Rabbit Nov63:
Listening Out There:
coelacanth∅:
Revolution Rabbit Nov63:
StringOFperils:
Revolution Rabbit Nov63:
Bethany Ryker:
Doug Schulkind:
WM:
adamdoesit:
Revolution Rabbit Nov63:
DL in LA:
Bethany Ryker:
Bethany Ryker:
Dean:
Marie:
Bethany Ryker:
Revolution Rabbit Nov63:
coelacanth∅:
if you don't want to or cannot do a weekly show, maybe a 3 or 4-hour show once/month?
doctorjazz:
coelacanth∅:
hey dr.j
Revolution Rabbit Nov63:
coelacanth∅:
ha RR
Revolution Rabbit Nov63:
doctorjazz:
coelacanth∅:
WM:
WM:
doctorjazz:
DL in LA:
DL in LA:
doctorjazz:
adamdoesit:
WM:
WR:
Revolution Rabbit Nov63:
Be informed we are expecting an Encore sooner than later.
chresti:
coelacanth∅:
Jason D:
spodiodi:
W Trenton Vinny:
Brian in UK:
TDK60:
21: