Irwin Chusid:
Playlist
from January 18, 2023
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Genre-surfing tokenism. (Visit homepage.)
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| Artist | Track | Album | Approx. start time | |||||||
|---|---|---|---|---|---|---|---|---|---|---|
| unidentified Karen |
Parking Like an Idiot
|
TikTok vid | ||||||||
| Crooks & Nannies |
Control
|
No Fun | 0:02:36 (Pop-up) | |||||||
| Flyying Colours |
Running Late
|
Roygbiv | 0:05:50 (Pop-up) | |||||||
| Y Bülbül, Yumurta |
Pay No Attention to That Man
|
Not One, Not Two | 0:09:03 (Pop-up) | |||||||
| The Temple Cloud Country Club |
Bremen is My Name
|
Bremen is My Name | 0:13:32 (Pop-up) | |||||||
| Stone Jazz |
Hidden Era
|
UpTact Music | 0:18:30 (Pop-up) | |||||||
| Gus Bodenheim |
Gus Screws with the Genomes
|
The Bodenheim Better Living Library | 0:29:40 (Pop-up) | |||||||
| Destroy All Monsters |
Bored
|
Destroy All Monsters | 0:33:07 (Pop-up) | |||||||
| Viagra Boys (ft. Amy Taylor) |
In Spite of Ourselves
|
Welfare Jazz | 0:36:57 (Pop-up) | |||||||
| Ben Kearns as Matt Berry as Steven Toast |
Readings from "Spare"
|
Not Toast of London | 0:42:09 (Pop-up) | |||||||
| JD McPherson |
It’s All Over But the Shouting
|
Let the Good Times Roll | 0:43:22 (Pop-up) | |||||||
| Lost Boy? |
Bank
|
Canned | 0:46:01 (Pop-up) | |||||||
| Vero |
She's Scared of Everything
|
Unsoothing Interior | 0:49:38 (Pop-up) | |||||||
| Pneumatic Tubes |
Camp Sunfrost
|
A Letter from TreeTops | 0:52:39 (Pop-up) | |||||||
| Biréli Lagrène (ft. Larry Grenadier & Mino Cinélu) |
Freedom Jazz Dance
|
Storyteller | 1:03:53 (Pop-up) | |||||||
| Mira Cook |
Koto and Smash
|
Eat the Cake | 1:08:09 (Pop-up) | |||||||
| Conspiracy of Owls |
A Silver Song
|
Conspiracy of Owls | 1:10:52 (Pop-up) | |||||||
| Beabadoobee |
Fairy Song
|
Beatopia | 1:16:46 (Pop-up) | |||||||
| Suddenly, Tammy! |
Lamp (alternate)
|
Suddenly, Tammy! | 1:19:24 (Pop-up) | |||||||
| The Ivy League |
Tossing and Turning
|
Cameo-Parkway C-377 | 1:22:06 (Pop-up) | |||||||
| OTE |
Monumental Funk Up
|
Funk Face | 1:24:35 (Pop-up) | |||||||
| Neil Frances & the Undercover Dream Lovers |
Tell Me
|
Tell Me | 1:35:46 (Pop-up) | |||||||
| Sunflower Bean |
Moment in the Sun
|
Moment in the Sun (single) | 1:38:34 (Pop-up) | |||||||
| Junip |
Line of Fire
|
Line of Fire | 1:41:47 (Pop-up) | |||||||
| Aldous Harding |
Designer
|
Designer | 1:47:25 (Pop-up) | |||||||
| Spooky Tooth |
Waitin' for the Wind
|
Spooky Two | 1:51:38 (Pop-up) | |||||||
| Julie London |
Sentimental Journey
|
Julie ... At Home | 1:55:01 (Pop-up) | |||||||
| The Riptones |
Motorcycle Man
|
Extra Sauce | 2:01:28 (Pop-up) | |||||||
| Alabama Shakes |
Hold On
|
Boys & Girls | 2:03:44 (Pop-up) | |||||||
| Meirelles & Os Copa 5 |
Casa Forte
|
Esquema Novo | 2:07:22 (Pop-up) | |||||||
| Skullcrusher |
Day of Show
|
Skullcrusher | 2:12:52 (Pop-up) | |||||||
| Alexi Murdoch |
Through the Dark
|
Towards the Sun | 2:17:06 (Pop-up) | |||||||
| Jeremy Wallace |
Cold October
|
She Used to Call Me Honey | 2:22:44 (Pop-up) | |||||||
| Gus Bodenheim |
Hardly Hamster™
|
Another Fine Delbarton Product | 2:29:39 (Pop-up) | |||||||
| Sonny Rollins |
Love Walked In
|
Rollins in Holland | 2:30:50 (Pop-up) | |||||||
| Galt MacDermot |
Marsh Gas
|
Shapes of Rhythm/Woman Is Sweeter | 2:37:11 (Pop-up) | |||||||
| Six Living Hats |
Domingo Flamingo
|
Healing | 2:39:32 (Pop-up) | |||||||
| Tommy Guerrero |
A Distant Closeness
|
Road to Knowhere | 2:42:07 (Pop-up) | |||||||
| unknown classroom instructor |
Functions Describe the World
|
math video | 2:46:13 (Pop-up) | |||||||
| Human Radio |
Hole in My Head
|
Human Radio | 2:46:16 (Pop-up) | |||||||
| Shutups |
World
|
I Can't Eat Nearly as Much as I Want to Vomit | 2:48:47 (Pop-up) | |||||||
| unknown |
You Are the Best Thing in the World
|
demo tape | 2:51:49 (Pop-up) | |||||||
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Listener comments!
Theremaniac:
Pierre Delecto:
AnAnonymousParty:
Listener Robert:
Listener Robert:
Listener Robert:
Laura L:
Irwin:
βrian:
Laura L:
Phillippe:
Handy Haversack:
Irwin. Irwinners.
PaulRobeson1923:
common:
rsj:
Marie:
common:
Hubig Pie:
Quinn02:
Phillippe:
Handy Haversack:
Howard & the Cats:
brainiac:
Marie:
βrian:
sydnius:
Dean:
HyperDose:
PaulRobeson1923:
illpuzzlehead:
MONEYBAG$:
Smacky:
mt hairy:
rsj:
Phillippe:
Phillippe:
egould:
Listener Robert:
Chris from Bro:
I consider the life best lived as the one with no lawyers or court appearances.
And the only lawyer ever (at 18) was court appointed. « Just say nothing and not until you say yes thank you your honor «
Happiness
βrian:
Marie:
Pax:
tim from washington:
Marie:
egould:
sydnius:
KingOfJunk:
Phillippe:
Handy Haversack:
PaulRobeson1923:
ironybread:
Phillippe:
Cooh John:
Rich in Washington:
Like transcripts of actual Karen rants turned into lyrics over a backing band!
Mark:
Pax:
Hubig Pie:
Phillippe:
HyperDose:
Rich in Washington:
Phillippe:
Dean:
Handy Haversack:
Rich in Washington:
Phillippe:
Mark Hurst:
Handy Haversack:
Crosby in KC:
Fredericks:
Ochre Ogre:
Bryant in TO:
This salad here, is it a regional thing?
AnAnonymousParty:
Irwin:
Ochre Ogre:
DjLorraine:
Carmichael:
Handy Haversack:
Rich in Washington:
Rich in Washington:
Matt from Springfield:
That salad seems like those gross '50s hors d'oeuvres we sees recipes and photos of.
Ochre Ogre:
HyperDose:
Matt from Springfield:
AnAnonymousParty:
Marie:
G:
Dean:
Matt from Springfield:
Marie:
Dean:
AnAnonymousParty:
?:
Craig fitch:
egould:
Dean:
Mark Hurst:
Listener Robert:
Matt from Springfield:
They may finally clutch forks and knives, to eat their bacon.
βrian:
Rich in Washington:
Bryant in TO:
Marie:
Ochre Ogre:
egould:
DjLorraine:
Marie:
Listener Robert:
Matt from Springfield:
Miss G:
Irwin:
abbazabba:
rrg:
Matt from Springfield:
Ochre Ogre:
chris in the redwoods:
Hubig Pie:
βrian:
?:
He ain't been laid in a month of Sundays..
caught him one day sniffing my undies ..
Crosby in KC:
brainiac:
morphe':
Not Mysterious "?"
Faith:
HyperDose:
Ochre Ogre:
Andrew_in_WI:
KingOfJunk:
egould:
AnAnonymousParty:
Matt from Springfield:
Pax:
Handy Haversack:
PaulRobeson1923:
Andrew_in_WI:
Irwin:
Fredericks:
Fredericks:
Fredericks:
Handy Haversack:
brainiac:
Andrew_in_WI:
Handy Haversack:
Miss G:
Miss G:
JetBoy of Astoria:
Andrew_in_WI:
Matt from Springfield:
It's a good thing, it was, ringworm, and not, something else..
morphe':
Handy Haversack:
Thanks, Irwin! Hopefully I'll catch the last hour back on the home island.
Later on, all!
mb:
::nods::
Juli:
AnAnonymousParty:
?:
PaulRobeson1923:
Matt from Springfield:
Revolution Rabbit Nov63:
...oh - 'Astral Weeks'
...well that's different
...I shall listen in silence easy for a minute then...
HyperDose:
PaulRobeson1923:
Dean:
Irwin:
BH:
PaulRobeson1923:
Juli:
Brian Auger:
JetBoy of Astoria:
PaulRobeson1923:
Revolution Rabbit Nov63:
Anyway, I've heard it in fact.
Hubig Pie:
I hate that part where he goes "you breathe in, you breathe out, you breathe in.........."
morphe':
Fredericks:
Revolution Rabbit Nov63:
Fredericks:
PaulRobeson1923:
Irwin:
Juli:
She was hiding in Washington State
DjLorraine:
JetBoy of Astoria:
Juli:
bobsmart567:
12539:
PaulRobeson1923:
Irwin:
Juli:
Right before we met at FMU lol
And my manager called and told him about me moving to JC
Revolution Rabbit Nov63:
en.wikipedia.org...
...Irwin 'First Time Hearing' YouTube would be rich - don't you think ?
Juli:
Revolution Rabbit Nov63:
Revolution Rabbit Nov63:
Revolution Rabbit Nov63:
...I'm describing this Program (awlready)
...nevermind...
Marie:
PaulRobeson1923:
Clermont:
franklinstower:
Irwin:
Juli:
I thought so
I didn’t believe him when he told me lol
markinbrooklyn:
Ken From Hyde Park:
Dean:
Fredericks:
Fredericks:
Fort Hill!
Matt from Springfield:
In the meantime I'll be sitting on a cornflake, waiting for the Van to come!
Feldy:
Feldy:
PaulRobeson1923:
Andrew_in_WI:
βrian:
Revolution Rabbit Nov63:
...but ! ...Is it Mobile Fidelity Sound 180gm vinyl - ?!
From exclusive & direct proprietary digital analog sources...
Matt from Springfield:
The potential prob w/ "180 g" vinyl - esp. RSD releases - someone pointed out the label may just be charging you more for a pressing made from the digital CD mix. Hopefully a "reissued" 180 g will have the original mix.
Spankyflop:
Jeff Moore:
But this is nonetheless a Radio Event!
Hopatcong Doug:
Matt from Springfield:
Wonderful, though how will I find out what Gus Bodenheim is shilling without them??
mndave:
Fredericks:
Sean:
Revolution Rabbit Nov63:
Revolution Rabbit Nov63:
βrian:
Revolution Rabbit Nov63:
<+>
Matt from Springfield:
(While journeying towards the negative, that is)
Irwin:
βrian:
wendy del formaggio:
sydnius:
Irwin:
Matt from Springfield:
Juli:
JohnEBGood:
Revolution Rabbit Nov63:
...but no one takes my advice
...really you are all so jaded...
Jeff Moore:
wendy del formaggio:
And yes. We may.
Irwin:
Dean:
Scott67:
Matt from Springfield:
Interesting take, new vinyl would prob be engineered a little differently than the past, but you detect maybe too much "cleaning", "sterile" sound?
Revolution Rabbit Nov63:
Irwin:
Irwin:
Revolution Rabbit Nov63:
Mr. Pumpy:
PLZZZZZ:
Matt from Springfield:
Ah, "MFS" = Mobile Fidelity Sound Lab. And yes, despite still doing different mixes, at least they seem to be very careful in reissuing vinyl.
sydnius:
Irwin:
coelacanth∅:
Revolution Rabbit Nov63:
Matt from Springfield:
PLZZZZZ:
Revolution Rabbit Nov63:
coelacanth∅:
good
Fredericks:
Dean:
Here's my go-to example. Was haunting the marvelous, alas now departed Analog Room in San Jose. A guy strolls in with a moderately beat-up copy of Close to the Edge. Brian Hartsell, the proprietor, examined the matrix and determined that it was an early pressing. He played it on damn fine gear. He then played his store copy of MFS's remaster. It was glorious in its own way, but it lacked edge or oomph. (No audiophile nerd here, though I love the gear. Words can only do so much.) I hear a similar difference between my plain old Pink Floyd Meddle CD and the MFS redo, but in this case I prefer the MFS, no doubt due to compression issues with old CD mastering.
βrian:
Revolution Rabbit Nov63:
Dean:
Soule:
T in Diego:
Matt from Springfield:
Fredericks:
Dean:
PaulRobeson1923:
Soule:
Dean:
Matt from Springfield:
Irwin:
coelacanth∅:
...and the remastering of the ramones' first 4 albums (the good ramones albums) a year or 3 ago are absolute shit.
Fredericks:
coelacanth∅:
Revolution Rabbit Nov63:
Dean:
I played my MFS copy of Waiting for Columbus for the (now departed) Warren Dewey, one of its engineers. He smiled and proclaimed it better sounding than he remembered.
Carmichael:
Will thee Sound Guy:
Revolution Rabbit Nov63:
Dean:
Revolution Rabbit Nov63:
coelacanth∅:
just kidding but i don't know what it's an initialism for. i scrolled up, got no answer but yeah that "house" sound. shallow and empty sounding , for today's youth.
this is why so much great music is being remastered to sound like shit -because a millennial, or even a gen-xer, who grew up with shitty sound (80s; 90s) is remastering it.
coelacanth∅:
Revolution Rabbit Nov63:
sydnius:
Irwin:
Dean:
By "house" sound, I didn't mean the electronic music genre. I meant house sound, like a house style for a magazine. There's a quality to MFS records not unlike ECM's. On many occasions it can be pleasing, but sometimes it seems overdone. The result is etiolated music.
coelacanth∅:
dave miss:
Will thee Sound Guy:
PaulRobeson1923:
coelacanth∅:
dave miss:
Revolution Rabbit Nov63:
Has been posited the history of the 20th Century was sound getting Larger all the time ...then Digital hit, & it become about making it Smaller - for Storage & transmitting over the Internet. How much can we take out & get away with ? So an awful lot of Digital Music has been about Compression in the first place...
coelacanth∅:
here, try; it's got a real kick!
Matt from Springfield:
sydnius:
Matt from Springfield:
Handy Haversack:
dave miss:
Karl Ward:
dave miss:
PaulRobeson1923:
sydnius:
chris in the redwoods:
dave miss, i was only recently thinking of a rewatch of the Lost Boys. your avatar seals the deal!
Dean:
coelacanth∅:
...so, mastered for subwoofers, not for a solid bass.
Matt from Springfield:
As for me, I agree that modern masters have gotten too compressed sounding, but older recordings seem to have gotten the proper "space" with fewer tracks - maybe a "simplification" or mixing down of tracks, but not as loud could make a good balance.
Revolution Rabbit Nov63:
Handy Haversack:
A Yellow: 1:1:1 lemon : Suze : gin.
Or 2:2:2 in extreme cases such as this.
formerly known as the soundguy at the Court Taver:
coelacanth∅:
Revolution Rabbit Nov63:
Jeff Moore:
Some shade about his preference for high sampling rates?
chris in the redwoods:
Matt from Springfield:
Revolution Rabbit Nov63:
chris in the redwoods:
sydnius:
dave miss:
sydnius:
dave miss:
Revolution Rabbit Nov63:
PaulRobeson1923:
Matt from Springfield:
Feldy:
Will thee Sound Guy:
coelacanth∅:
sell out.
Chris frolyn:
Not to be confused with Acme.
Our dynamite actually kills road runners. And our anvils NEVER miss or go awry.
Del Barton.
Chris frolyn:
Irwin:
coelacanth∅:
Revolution Rabbit Nov63:
coelacanth∅:
well i can't blame a guy for makin' a few bucks.
sydnius:
Will thee Sound Guy:
Matt from Springfield:
coelacanth∅:
sung by the chipmunks.
Karl Ward:
Soule:
Irwin:
Dean:
coelacanth∅:
Revolution Rabbit Nov63:
'Technique is just a way of arriving @ a Statement.'
- Pollock
So :
1.) Does it Arrive ?
2.) What is the Statement ?
sydnius:
Revolution Rabbit Nov63:
Matt from Springfield:
Revolution Rabbit Nov63:
- Dolby Atmos which plays over your head in four dimensions or something - I dunno...
sydnius:
Dean:
Dean:
wind:
Revolution Rabbit Nov63:
Laura L:
Jeff Moore:
Sampling at 96k should do a fine job of handling the raw frequency response people usually find that human ears can register, certainly at least with hearing tests which involve the ability to discern or not steady state sines at various frequencies.
But... there's strong evidence that the human hearing apparatus was evolved to be immensely sensitive to tiny timing / phase variations, as part of the ability to detect where a suspicious possibly-dangerous little noise might be coming from. And perhaps some improved ability to encode really subtle timing relationships might be why some listeners have preferred really high-sampling-rate recordings, even though those formats seem to use a wasteful number of bits relative to understood needs for high frequency reproduction...
It's always important to trust (well designed and executed) listening tests over theory, because often people's applications of theory include simplifying assumptions which don't match aspects of the real world use case or limitations of the equipment as implemented...
Picante Mint:
spacecadet:
Matt from Springfield:
Coffee is definitely a function, then.
Jack:
Revolution Rabbit Nov63:
Dean:
Jody H. Klein? https://www.discogs.com/release/1797948-Rolling-Stones-Through-The-Past-Darkly-Big-Hits-Vol-2
Matt from Springfield:
Dean:
12539:
mb:
Dean:
coelacanth∅:
Revolution Rabbit Nov63:
rrg:
sydnius:
rrg:
coelacanth∅:
Dr katz:
best song ever
mndave:
Matt from Springfield:
Laura L:
chris in the redwoods:
paddy in matawan:
spodiodi:
rrg:
Revolution Rabbit Nov63:
Handy Haversack:
Fredericks:
Revolution Rabbit Nov63:
coelacanth∅:
but that doesn't automatically mean there's no difference in how i *sense* it.
...
Matt from Springfield:
Have a fine evening, Irwinners!
Will thee Sound Guy:
2. Make sure the pitch is correct.
I use an old Cardbus EMU 1616m that has a RIAA phono preamp and grounding lug.
I use 24bit 48000 for most everything I record these days. Bands multi track live. Records stereo 24bit 48000. I record into Sonic Foundry Sound Forge. concert to MP3s later using LAME with VBR q=0...
you can use Audacity for stereo WAV files too
Handy Haversack:
Dean:
https://archive.org/details/TheWorstDemoTapeCompilationInTheWorldEver
listener 126464:
radioronan:
Will thee Sound Guy:
sydnius:
Matt from Springfield:
spodiodi:
chris in the redwoods:
herb.nyc:
Revolution Rabbit Nov63:
paddy in matawan:
Elvin:
coelacanth∅:
from a cd there's no point in 48000, true? (as it's already less than that)
Elvin:
Dean:
coelacanth∅:
(i thought this was the astral week)
Revolution Rabbit Nov63:
Matt from Springfield:
Will thee Sound Guy:
Irwin: