The Night Owl Show with Owl Sun:
Playlist
from February 17, 2021
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
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| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
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1967 | 0:00:28 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
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0:02:53 (Pop-up) | ||||
| Syd Barrett |
Birdie Hop
|
1989 |
|
0:03:24 (Pop-up) | ||
| Lost and Found |
There Would Be No Doubt
|
1967 |
|
0:05:44 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
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0:07:49 (Pop-up) |
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| The Mothers Of Invention |
No. No. No.
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1968 |
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0:08:09 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
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|
0:11:34 (Pop-up) |
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| SRC |
No Secret Destination
|
1969 |
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0:12:01 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Pay attention to the source, the source is the most available communicator of all. Now accessible is just the thing, To get me wondering if the source is uncommitted. How happy is the bit binary! Are you upset by how minute it is? Does it tear you apart to see the binary so routine? One afternoon I said to myself, |
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0:16:15 (Pop-up) |
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| Kensington Market |
Cartoon
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1969 |
|
0:16:57 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
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|
0:19:28 (Pop-up) |
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| Montage |
I Shall Call Her Mary
|
1969 |
|
0:19:48 (Pop-up) | ||
| Iron Butterfly |
In-A-Gadda-Da-Vida
|
1968 |
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0:22:05 (Pop-up) | ||
| the Electric Flag, an American Music Band |
M-23
|
Original Motion Picture Sound Track: The Trip | 1967 |
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0:39:05 (Pop-up) | |
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro)
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Instant Request |
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0:40:13 (Pop-up) |
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| Bonzo Dog Doo-Dah Band |
The Craig Torso Christmas Show, interpoling: The Lady Is A Tramp, The Last Waltz, Calling All Workers
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1967 | Requested by: The Ayatolluh of Rock 'n Rolluh |
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0:40:16 (Pop-up) | |
| Velvett Fogg |
Owed To The Dip
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Telstar '69 b/w Owed To The Dip | 1969 |
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0:47:23 (Pop-up) | |
Music behind DJ: The Beatles |
Flying
|
How happy is the apparent paucity! Now plain is just the thing, To get me wondering if the paucity is ostensible. Pay attention to the omission, the omission is the most glaring neglect of all. Now blazing is just the thing, To get me wondering if the omission is crying. The lack that's really fat, |
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0:53:26 (Pop-up) |
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| The Ashes |
Is There Anything I Can Do
|
1967 |
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0:54:51 (Pop-up) | ||
| Ronnie McNeir |
Sitting in My Class (Instr.)
|
The Northern Soul Story 10 (Instrumentals) |
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0:58:38 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
|
1:00:27 (Pop-up) |
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| The Millennium |
The Know It All
|
1968 |
|
1:01:04 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
davis are not dishonorable! davis are exceptionally trusty. Davis are unpretentious. davis are trusty, davis are straight, however. How happy is the okay mister! Never forget the alright and all right mister. All that is large is not fletcher, fletcher, by all account is little. |
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1:03:41 (Pop-up) |
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| Skip Bifferty |
Mr. Money Man
|
1968 |
|
1:04:22 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
The Man And Funny Airplane Whose airplane is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his airplane a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
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1:07:03 (Pop-up) |
||
| Jefferson Airplane |
She Has Funny Cars
|
1967 |
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1:07:46 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Automobiles, however hard they try, Will always be newer. Do automobiles make you shiver? do they? Bicycles, however hard they try, Will always be speed. Now upper is just the thing, To get me wondering if bicycles are slow. |
|
1:11:49 (Pop-up) |
||
| The Maze |
Happiness
|
1968 |
|
1:12:39 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Pay attention to the bridget, the bridget is the most lame abbess of all. Never forget the unfit and halting bridget. I cannot help but stop and look at the sweet ernie. Now musical is just the thing, To get me wondering if the ernie is melodious. Tommy is naughty man. naughty man is tommy. |
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1:14:44 (Pop-up) |
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| Willie and the Red Rubber Band |
Mary Jane
|
1968 |
|
1:15:22 (Pop-up) | ||
| Syd Barrett |
Wined and Dined [Take 10]
|
1970 |
|
1:17:14 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
Memory - A Haiku Wintry wintertime A shared, man memory band after the willow |
|
1:20:04 (Pop-up) |
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| Elephant's Memory |
Old Man Willow
|
1969 |
|
1:20:34 (Pop-up) | ||
Music behind DJ: Beaver and Krause |
Another Part Of Time
|
Ypersound - A Haiku Darkness wintertime before man ypersound rock at the perfect psych? |
|
1:27:36 (Pop-up) |
||
| Les Yper-Sound |
Psyché Rock
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
1:28:02 (Pop-up) | |
Music behind DJ: Beaver and Krause |
Walkin'
|
Because I could not throw for plummer, it did kindly throw for me. Plummer, plummer, every where, Yet not a drop to throw. I cannot help but stop and look at the pretty jessie. Down, down, down into the darkness of the jessie, Gently it goes - the fine, the jolly, the beautiful. How happy is the common cryer! |
|
1:30:37 (Pop-up) |
||
| Bill Plummer And The Cosmic Brotherhood |
Lady Friend
|
Bill Plummer And The Cosmic Brotherhood | 1968 |
|
1:31:36 (Pop-up) | |
Music behind DJ: The Beatles |
Flying
|
Because I could not hang for plummer, it did kindly hang for me. Plummer, plummer, every where, Yet not a drop to hang. The zeke is not nonaggressive! the zeke is exceptionally raptorial. Never forget the combative and raptorial zeke. A jared, however hard it tries, |
|
1:36:11 (Pop-up) |
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| SRC |
Up All Night
|
1969 |
|
1:36:53 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
|
1:39:57 (Pop-up) |
|||
| Lost and Found |
Living Eye
|
1967 |
|
1:41:09 (Pop-up) | ||
| The Human Beast |
Circle Of The Night
|
1970 |
|
1:48:39 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Forest - A Haiku Dour wintertime A virgin forest forest before the virgin |
|
1:51:46 (Pop-up) |
||
| the FUGS |
Virgin Forest
|
1966 |
|
1:52:11 (Pop-up) | ||
| Created by Bruce Haack |
Cherubic Hymn
|
1970 |
|
2:03:25 (Pop-up) | ||
| The Move |
Mist on a Monday morning
|
1968 |
|
2:05:41 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Velvet - A Haiku Previous winter A virgin velvet forest before the forest |
|
2:08:08 (Pop-up) |
||
| Velvet Opera |
Raise the Light
|
1970 |
|
2:08:40 (Pop-up) | ||
| The Head Shop |
Listen With A Third Ear
|
1969 |
|
2:12:47 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Documentary - A Haiku Polar wintertime then documentary light on the religion |
|
2:15:17 (Pop-up) |
||
| The Moody Blues |
Candle of life.
|
1969 |
|
2:17:59 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Generation - A Haiku Early wintertime where generation candle above the candle |
|
2:22:14 (Pop-up) |
||
| FUGS |
I Saw The Best Minds Of My Generation Rot
|
1967 |
|
2:22:39 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Perceptions, however hard they try, Will always be own. Do perceptions make you shiver? do they? consciences are not overcast! consciences are exceptionally clear-cut. Are you upset by how unmistakable they are? Does it tear you apart to see the consciences so clear-cut? |
|
2:27:16 (Pop-up) |
||
| Jefferson Airplane |
Today
|
1967 |
|
2:27:58 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
|
2:30:51 (Pop-up) |
|||
| Syd Barrett |
I Never Lied to You [Take 1]
|
1970 |
|
2:31:03 (Pop-up) | ||
| The Wildlife |
New Games To Play
|
1967 |
|
2:32:45 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
How happy is the northern piccadilly! Does the piccadilly make you shiver? does it? Booksellers, however hard they try, Will always be scottish. Do booksellers make you shiver? do they? When I think of the literary, I see musical sketches. |
|
2:34:33 (Pop-up) |
||
| Bloomsbury People |
Gingerbread Man
|
1970 |
|
2:35:14 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Gingerbread - A Haiku Arctic wintertime A warm, gingerbread people by the whispering |
|
2:38:16 (Pop-up) |
||
| The Maze |
Whispering Shadows
|
1968 |
|
2:38:36 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
Pay attention to the dark, the dark is the most silent time period of all. Down, down, down into the darkness of the dark, Gently it goes - the implied, the implicit, the soundless. A doorway, however hard it tries, Will always be tall. Are you upset by how tall-growing it is? Does it tear you apart to see the doorway so magniloquent? |
|
2:43:50 (Pop-up) |
||
| Montage |
Wake Up Jimmy (Something Is Happening Outside)
|
1969 |
|
2:44:34 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Steeplechase - A Haiku Previous winter An old, outside steeplechase on the happening |
|
2:47:29 (Pop-up) |
||
| Steeplechase |
Lady Bright
|
1970 |
|
2:47:54 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
A dest, however hard it tries, Will always be plate. Does the dest make you shiver? does it? How happy is the 1st arg! Does the arg make you shiver? does it? I cannot help but stop and look at the wooly div. |
|
2:51:57 (Pop-up) |
||
| SRC |
The Angel Song
|
1969 |
|
2:52:31 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Angel - A Haiku Depressing winter A second, through angel found betrayed by the will |
|
3:00:28 (Pop-up) |
||
| Lynn Castle with Last Friday's Fire |
Rose Colored Corner
|
1968 |
|
3:00:43 (Pop-up) | ||
| Lost and Found |
When Will You Come Through
|
1968 |
|
3:01:06 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Doing - A Haiku Darkness wintertime A learning, through doing found betrayed by the will |
|
3:03:23 (Pop-up) |
||
| notes from the undergorund |
What Am I Doing Here
|
1968 |
|
3:03:57 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Doing, Part 2 - A Haiku Dismal wintertime A learning, man doing love in spite of the love |
|
3:06:11 (Pop-up) |
||
| Love |
Old Man
|
1967 |
|
3:06:32 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Millennium - A Haiku Dour wintertime A third, millennium love at the old sequence |
|
3:10:04 (Pop-up) |
||
| The Millennium |
Karmic Dream Sequence #1
|
1968 |
|
3:10:32 (Pop-up) | ||
| Clear Light |
She's Ready To Be Free
|
1967 |
|
3:16:23 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Pay attention to the amman, the amman is the most aqaba national capital of all. Does the amman make you shiver? does it? I saw the the canadian nail of my generation destroyed, How I mourned the ace. Does the ace make you shiver? does it? |
|
3:18:18 (Pop-up) |
||
| amon düül II |
rattlesnakeplumcake
|
1970 |
|
3:19:02 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
|
3:22:12 (Pop-up) |
|||
| The Move |
Cherry Blossom Clinic
|
1968 |
|
3:22:27 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
A dancy, however hard it tries, Will always be wimpy. Are you upset by how weak it is? Does it tear you apart to see the dancy so unforceful? The groovy is not distributive! the groovy is exceptionally corporate. Now made-up is just the thing, To get me wondering if the groovy is corporate. |
|
3:24:51 (Pop-up) |
||
| Funkadelic |
Music For My Mother (Instrumental)
|
1969 |
|
3:25:30 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Accompaniment - A Haiku Frigid wintertime For accompaniment mother the instrumental |
|
3:31:39 (Pop-up) |
||
| Electric Banana |
Vocal Version with Accompaniment: Grey Skies
|
More Electric Banana | 1968 |
|
3:32:03 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Accompaniment, Part 2 - A Haiku Severe wintertime when accompaniment people near the yesterday |
|
3:34:28 (Pop-up) |
||
| The Head Shop |
Opera In The Year 4000: Where Have All The people Gone / Yesterday
|
1969 |
|
3:35:06 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
Yesterday - A Haiku Polar wintertime A gone yesterday diamond after the diamond |
|
3:39:26 (Pop-up) |
||
| Velvet Opera |
Eleanor Rigby
|
1970 |
|
3:40:52 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
|
3:46:40 (Pop-up) |
|||
| outsiders |
lying all the time
|
1966 |
|
3:47:09 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
I cannot help but stop and look at the nice elliott. Down, down, down into the darkness of the elliott, Gently it goes - the courteous, the nasty, the dainty. I cannot help but stop and look at the notorious frazier. Now infamous is just the thing, To get me wondering if the frazier is ill-famed. The wooly neil sings like a vaughan change Does the neil make you shiver? |
|
3:50:18 (Pop-up) |
||
| Syd Barrett |
Lanky (Part One)
|
1989 |
|
3:51:20 (Pop-up) | ||
| Benjamin |
Un Train
|
1966 |
|
3:56:47 (Pop-up) | ||
| Egyptian Combo |
Gale Winds
|
Greaser Instrumentals 03 |
|
3:59:04 (Pop-up) | ||
| Ancient Grease |
Freedom Train
|
1970 |
|
4:01:51 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Parchment - A Haiku Early wintertime A thick, ancient parchment grease despite the ancient |
|
4:05:10 (Pop-up) |
||
| Blue Cheer |
Parchment Farm
|
1968 |
|
4:05:33 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Earrings, however hard they try, Will always be dangly. Do earrings make you shiver? do they? I saw the the precious leather of my generation destroyed, How I mourned the kidskin. A kidskin is wanted. a kidskin is valuable, a kidskin is artful, however. |
|
4:11:17 (Pop-up) |
||
| Pearls Before Swine |
Uncle John
|
1967 |
|
4:12:08 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
|
4:15:25 (Pop-up) |
|||
| notes from the undergorund |
Follow Me Down
|
1968 |
|
4:15:47 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
|
4:21:22 (Pop-up) |
|||
| Tryptique |
don't worry
|
1970 |
|
4:21:33 (Pop-up) | ||
| Tim Buckley |
I Can't See You
|
1966 |
|
4:25:09 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Don't belive that omissions are careful? omissions are careless beyond belief. Do omissions make you shiver? do they? How happy are previous prefaces! Are you upset by how old they are? Does it tear you apart to see the prefaces so late? How happy is the fat been! |
|
4:27:45 (Pop-up) |
||
| Love |
The Red Telephone
|
1967 |
|
4:28:28 (Pop-up) | ||
| the Electric Flag, an American Music Band |
M-23
|
Original Motion Picture Sound Track: The Trip | 1967 |
|
4:33:08 (Pop-up) | |
Music behind DJ: Created by Bruce Haack |
Super Nova
|
|
4:34:14 (Pop-up) |
|||
| Iron Butterfly |
In-A-Gadda-Da-Vida
|
1968 |
|
4:34:39 (Pop-up) | ||
| The Move |
Night Of Fear
|
1966 |
|
4:51:39 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
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Listener comments!
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
drowsy:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Mod Mokka Matti:
Owl Sun:
Owl Sun:
Owl Sun: