The Night Owl Show with Owl Sun:
Playlist
from February 24, 2021
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
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| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
|
1967 | 0:00:26 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:52 (Pop-up) | ||||
| The Electric Prunes |
Try Me on For Size
|
1967 |
|
0:03:20 (Pop-up) | ||
| The Third Rail |
Overdose Of Love
|
1968 |
|
0:05:37 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
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Underground - A Haiku Dour wintertime A nazi, underground make by the invention |
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0:07:46 (Pop-up) |
||
| The Mothers Of Invention... |
The M.O.I. American Pageant (#2 in a Series of Underground Oratorios): Brown Shoes Don't Make It
|
1967 |
|
0:08:11 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Underground, Part 2 - A Haiku Early wintertime A polish, underground make near the invention |
|
0:15:41 (Pop-up) |
||
| The Wimple Winch |
Everybody's Worried 'Bout Tomorrow
|
1966 |
|
0:17:21 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Quicksilver - A Haiku Misty wintertime A pure, quicksilver service everybodys |
|
0:19:53 (Pop-up) |
||
| Quicksilver Messenger Service |
Stand By Me
|
1968 |
|
0:20:15 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Underground - A Haiku Gloomy wintertime A dark, underground service by the quicksilver |
|
0:23:40 (Pop-up) |
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| The Velvet Underground |
The Murder Mystery
|
1969 |
|
0:24:06 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
|
0:32:57 (Pop-up) |
|||
| Mammoth |
Mammoth
|
1970 |
|
0:33:17 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
|
0:36:43 (Pop-up) |
|||
| George Harrison |
Party Seacombe
|
Wonderwall Music | 1968 |
|
0:36:53 (Pop-up) | |
| Velvett Fogg |
Telstar '69
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
0:41:19 (Pop-up) | |
Music behind DJ: Pedro Santos |
Savana
|
I cannot help but stop and look at miraculous disappearances. Disappearances are providential. disappearances are supernatural, disappearances are heaven-sent, however. Pay attention to the whereabouts, whereabouts are the most exact location of all. Never forget the correct and strict whereabouts. The wooly failing sings like a palpable sweat Are you upset by how soft it is? |
|
0:44:01 (Pop-up) |
||
| The Mind Garage |
Asphalt Mother
|
1968 |
|
0:45:02 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
|
0:50:02 (Pop-up) |
|||
| Lazy Nickels |
35 Design
|
1970 |
|
0:51:26 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
Merrygoround - A Haiku Wicked wintertime before loud merrygoround in spite of the laughed |
|
0:53:33 (Pop-up) |
||
| The Merry-Go-Round |
She Laughed Loud
|
1967 |
|
0:53:54 (Pop-up) | ||
| Last Friday's Fire |
What Is She Thinking Of
|
1967 |
|
0:56:36 (Pop-up) | ||
| The Byrds |
Stranger In A Strange Land [Instrumental Backing Track]
|
Turn! Turn! Turn! | 1965 |
|
0:59:09 (Pop-up) | |
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
The Away And Moody Orchestra Whose orchestra is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her orchestra a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:00:27 (Pop-up) |
||
| The Moody Blues with The London Festival Orchestra conducted by Peter Knight |
The Afternoon: Forever Afternoon (Tuesday?) : Time to get away
|
1967 |
|
1:01:51 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
The Slow And Moody Orchestra Whose orchestra is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her orchestra a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:10:12 (Pop-up) |
||
| The Tower |
Slow Motion Mind
|
1968 |
|
1:11:13 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
I cannot help but stop and look at the soviet russian. Does the russian make you shiver? does it? The european nation that's really arctic, Above all others is the finland. Never forget the polar and cold finland. The yellow czech sings like a soviet language A czech is yellow-bellied. a czech is unhealthy, |
|
1:13:29 (Pop-up) |
||
| St. Giles's System |
Swedish Tears
|
1969 |
|
1:14:08 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Pears, however hard they try, Will always be dried. Are you upset by how desiccated they are? Does it tear you apart to see the pears so dehydrated? A rhubarb, however hard it tries, Will always be ornamental. Never forget the decorative and cosmetic rhubarb. Apricots, however hard they try, |
|
1:18:48 (Pop-up) |
||
| The Electric Prunes |
I Happen To Love You
|
1967 |
|
1:19:29 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Turquoise - A Haiku Early wintertime A brilliant, turquoise happen out of electric |
|
1:22:38 (Pop-up) |
||
| Turquoise |
Beautiful Death Dealer
|
1967 |
|
1:23:01 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Turquoise, Part 2 - A Haiku Early wintertime A beautiful turquoise rail under the dealer |
|
1:26:09 (Pop-up) |
||
| The Third Rail |
She Ain't No Choir Girl
|
1968 |
|
1:26:35 (Pop-up) | ||
| Suzi Jane Hokom |
Goode Tyme Music
|
1967 |
|
1:30:12 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Pay attention to the lack, the lack is the most lamentable demand of all. Are you upset by how sorrowful it is? Does it tear you apart to see the lack so sorry? Pay attention to the unavailability, the unavailability is the most apparent inconvenience of all. Never forget the seeable and seeming unavailability. One afternoon I said to myself, |
|
1:32:06 (Pop-up) |
||
| Les Yper-Sound |
Psyché Rock
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
1:33:00 (Pop-up) | |
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
An absence, however hard it tries, Will always be apparent. Never forget the seeming and patent absence. How happy is the ware gone! Does the gone make you shiver? does it? The deceased is not little! the deceased is exceptionally bounteous. |
|
1:35:36 (Pop-up) |
||
| Groep 1850 |
Ever, Ever Green
|
1967 |
|
1:36:20 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Don't belive that the lack is invisible? the lack is conspicuous beyond belief. Does the lack make you shiver? does it? Pay attention to the omission, the omission is the most latter fault of all. Never forget the former and last omission. I cannot help but stop and look at the big inability. |
|
1:39:31 (Pop-up) |
||
| The Sensational Guitars Of Dan and Dale |
Batman Theme
|
1966 |
|
1:40:10 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Richard - A Haiku Previous winter where a second, richard case under the guitars |
|
1:43:18 (Pop-up) |
||
| The Scot Richard Case |
I'm So Glad
|
1967 |
|
1:43:51 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Scandal - A Haiku Severe wintertime A big, glad scandal scandal into the country |
|
1:46:40 (Pop-up) |
||
| Family Scandal |
October Country
|
1968 |
|
1:47:12 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
|
1:50:35 (Pop-up) |
|||
| The Peanut Butter Conspiracy |
It's A Happening Thing
|
1967 |
|
1:50:57 (Pop-up) | ||
| Wolfgang |
Broken Glass
|
1967 |
|
1:53:15 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
|
1:55:20 (Pop-up) |
|||
| Funkadelic |
Maggot Brain
|
1971 |
|
1:55:45 (Pop-up) | ||
| guy skornik |
What Is Réalité?
|
1971 |
|
2:06:00 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
I saw the the slight mistake of my generation destroyed, How I mourned the omission. Are you upset by how slender it is? Does it tear you apart to see the omission so slim? How happy is the pent absent! Does the absent make you shiver? does it? When I think of the void, I see an apparent contradiction. |
|
2:10:13 (Pop-up) |
||
| The Apostles |
Stranded In The Jungle
|
1968 |
|
2:10:51 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
I saw the the inadvertent disuse of my generation destroyed, How I mourned the omission. Are you upset by how unintended it is? Does it tear you apart to see the omission so accidental? I cannot help but stop and look at the previous unavailability. Are you upset by how old it is? Does it tear you apart to see the unavailability so former? The beingness that's really cunning, |
|
2:14:01 (Pop-up) |
||
| Nancy Sinatra and Lee Hazlewood |
Summer Wine
|
1968 |
|
2:14:48 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Hazlewood - A Haiku Previous winter An old, hazlewood picture before the richard |
|
2:18:59 (Pop-up) |
||
| The Old Exciting Scot Richard Case |
Get The Picture
|
1968 |
|
2:19:34 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Crystal - A Haiku Severe wintertime A single, crystal picture into the richard |
|
2:22:19 (Pop-up) |
||
| Crystal Rain |
You And Me
|
1969 |
|
2:22:50 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
|
2:26:22 (Pop-up) |
|||
| The Music Machine |
Mother Nature - Father Earth
|
1969 |
|
2:26:51 (Pop-up) | ||
| Kiriae Crucible |
The Salem Witch Trial
|
1968 |
|
2:29:02 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
I cannot help but stop and look at brown raisins. Now dark-brown is just the thing, To get me wondering if raisins are colored. I cannot help but stop and look at indigenous sloes. Sloes are autochthonal. sloes are autochthonic, sloes are native, however. How happy is the fat parsnip! Never forget the tubby and fruitful parsnip. |
|
2:31:50 (Pop-up) |
||
| The Electric Prunes |
I
|
1967 |
|
2:32:44 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Beefheart - A Haiku Dismal wintertime suddenly beefheart captain before the moonchild |
|
2:37:53 (Pop-up) |
||
| Captain Beefheart and His Magic Band |
Moonchild
|
Moonchild | 1966 |
|
2:38:16 (Pop-up) | |
| The Vaqueros |
Growing Pains
|
1966 |
|
2:40:39 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Beefheart, Part 2 - A Haiku Previous winter A little beefheart captain at the old moonchild |
|
2:43:08 (Pop-up) |
||
| Suzi Jane Hokom |
Little War
|
1967 |
|
2:43:45 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Thyme - A Haiku Previous winter A scented, little thyme love above the hokom |
|
2:46:37 (Pop-up) |
||
| The Thyme |
Love To Love
|
1967 |
|
2:47:02 (Pop-up) | ||
| dave grusin |
Constant Journey
|
1968 |
|
2:49:09 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
|
2:51:18 (Pop-up) |
|||
| the sub |
Ma-Mari-Huana
|
1969 |
|
2:51:38 (Pop-up) | ||
| The Shadows |
Late Night Set
|
The Early Years: Their Complete Studio Recordings 1959-1966 |
|
2:56:23 (Pop-up) | ||
| Ramsey Lewis |
Sexy Sadie
|
1968 |
|
2:58:28 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Saxophones, however hard they try, Will always be larger. Now large is just the thing, To get me wondering if saxophones are big. How happy are raspy vocals! Do vocals make you shiver? do they? Just like a stainless surgery, is drums. |
|
3:00:26 (Pop-up) |
||
| The Sensational Guitars Of Dan and Dale |
Robin's Theme
|
1966 |
|
3:01:26 (Pop-up) | ||
| The Peanut Butter Conspiracy |
You Can't Be Found
|
1967 |
|
3:04:24 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
How happy are plaintive vocals! Are you upset by how mournful they are? Does it tear you apart to see the vocals so sorrowful? I cannot help but stop and look at electric solos. Down, down, down into the darkness of the solos, Gently they go - the galvanic, the electrical, the tense. I cannot help but stop and look at the fat backbeat. Never forget the oleaginous and fleshy backbeat. |
|
3:07:06 (Pop-up) |
||
| The Mass |
Raining Sorrow
|
1969 |
|
3:08:09 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
|
3:11:38 (Pop-up) |
|||
| guy skornik |
L'ile De Páques
|
1971 |
|
3:12:07 (Pop-up) | ||
| The Hot Dog Stand |
Zilch
|
1968 |
|
3:16:32 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
|
3:18:47 (Pop-up) |
|||
| Funkadelic |
Wars Of Armageddon
|
1971 |
|
3:19:26 (Pop-up) | ||
| The Happy Return |
To Give Your Lovin'
|
1969 |
|
3:29:07 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
|
3:32:10 (Pop-up) |
|||
| Musiche Originali Di Ennio Morricone |
Beat N° 3
|
1968 |
|
3:32:30 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
One afternoon I said to myself, "Why aren't omissions more invisible?" Down, down, down into the darkness of the omissions, Gently they go - the pretentious, the salient, the flaunty. I saw the the grievous error of my generation destroyed, How I mourned the omission. Does the omission make you shiver? does it? |
|
3:35:10 (Pop-up) |
||
| The End |
Shades Of Orange
|
Shades Of Orange | 1969 |
|
3:35:52 (Pop-up) | |
Music behind DJ: Velvett Fogg |
Telstar '69
|
Marigold - A Haiku Dampness wintertime A fig, plastic marigold after the plastic |
|
3:38:24 (Pop-up) |
||
| Our Plastic Dream |
Encapsulated Marigold
|
1967 |
|
3:38:52 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
A der, however hard it tries, Will always be und. Does the der make you shiver? does it? How happy is the auxiliary haben! A haben is appurtenant. a haben is supportive, a haben is supplemental, however. When I think of the aber, I see a german policy. |
|
3:42:06 (Pop-up) |
||
| I. D. Company |
Die Ein Seite: Bum-Bum
|
1970 |
|
3:42:56 (Pop-up) | ||
| Food |
Here We Go Again
|
1969 |
|
3:48:35 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
I cannot help but stop and look at the dear lori. Now pricy is just the thing, To get me wondering if the lori is pricey. An alison, however hard it tries, Will always be bourgeois. Now middle-class is just the thing, To get me wondering if the alison is materialistic. Don't belive that the fleming is large? |
|
3:51:51 (Pop-up) |
||
| Sandy Salisbury |
Goody Goodbye
|
1970 |
|
3:52:39 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
Salisbury - A Haiku Dampness wintertime A last, through salisbury found after the goodbye |
|
3:55:00 (Pop-up) |
||
| Lost and Found |
When Will You Come Through
|
1968 |
|
3:55:33 (Pop-up) | ||
| The Turtles |
Buzzsaw
|
The Turtles Present The Battle Of The Bands | 1968 |
|
3:57:51 (Pop-up) | |
| Les Yper-Sound |
Psyché Rock
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
3:59:40 (Pop-up) | |
| CLOVER |
Remember
|
4:01:40 (Pop-up) | ||||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
|
4:02:54 (Pop-up) |
|||
| The Thyme |
Time Of The Season
|
1968 |
|
4:03:04 (Pop-up) | ||
Music behind DJ: Beaver and Krause |
Another Part Of Time
|
|
4:05:46 (Pop-up) |
|||
| Sidewalk Skipper Band |
Cynthia At The Garden
|
1968 |
|
4:06:12 (Pop-up) | ||
| Blue Creed |
Need A Friend
|
1970 | 4:09:38 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
|
4:12:13 (Pop-up) |
|||
| Mike Burnett |
Mattie Jo's
|
1969 |
|
4:12:31 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
|
4:16:08 (Pop-up) |
|||
| Chocolate Moose |
Take A Ride
|
1966 | 4:16:18 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Chocolate - A Haiku Parky wintertime A rich, green chocolate picture into the picture |
|
4:18:28 (Pop-up) |
||
| The Green Slime |
The Green Slime from the MGM Motion Picture "The Green Slime"
|
1969 |
|
4:19:00 (Pop-up) | ||
| the Electric Flag, an American Music Band |
Peter's Trip
|
Original Motion Picture Sound Track: The Trip | 1967 |
|
4:21:14 (Pop-up) | |
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Quicksilver - A Haiku Previous winter A much, quicksilver service by the messenger |
|
4:23:44 (Pop-up) |
||
| Quicksilver Messenger Service |
Stand By Me
|
1968 |
|
4:24:26 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
I saw the the persistent quality of my generation destroyed, How I mourned the inability. Never forget the continual and lasting inability. How happy is the respiratory absent! Does the absent make you shiver? does it? All that is little is not unavailability, unavailability, by all account is big. |
|
4:27:50 (Pop-up) |
||
| Changing Tymes |
She Laughed At Me
|
2004 | 4:28:42 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Capilouto - A Haiku Early wintertime before capilouto glass near the electric |
|
4:31:44 (Pop-up) |
||
| The Peanut Butter Conspiracy |
Dark On You Now
|
1967 |
|
4:34:02 (Pop-up) | ||
| The 13th Power |
Fifty Two Per Cent
|
1968 |
|
4:36:16 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
The On And Dark Conspiracy Whose conspiracy is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her conspiracy a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
4:38:58 (Pop-up) |
||
| guy skornik |
Magdalena
|
1971 |
|
4:39:59 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
All that is immodest is not wheezer, wheezer, by all account is modest. Never forget the inferior and restrained wheezer. How happy are little johnnys! Now miniature is just the thing, To get me wondering if johnnys are micro. How happy is the yellow tuatha! Never forget the chromatic and chickenhearted tuatha. |
|
4:43:21 (Pop-up) |
||
| Bonzo Dog Band |
Humanoid Boogie
|
1968 |
|
4:44:02 (Pop-up) | ||
| The Colder Children |
Memories
|
1968 |
|
4:47:02 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
Humanoid - A Haiku Previous winter A hairy, humanoid swing above the guitars |
|
4:49:11 (Pop-up) |
||
| The Sensational Guitars Of Dan and Dale |
Batman And Robin Swing
|
1966 |
|
4:49:42 (Pop-up) | ||
| Treetops |
Gypsy
|
2009 |
|
|||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
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