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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:24 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:49 (Pop-up) | ||||
3rd Power | We, You, I | 1968 | 0:03:15 (Pop-up) | |||
The Birdwatchers | Mary, Mary (It's To You That I Belong) | 1967 | 0:06:35 (Pop-up) | |||
The Masque | Wake Up In The Morning | 1970 | 0:09:07 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
0:12:12 (Pop-up) |
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Purple Canteen | Brains In My Feet | 1969 | 0:15:10 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Flashback - A Haiku Dismal wintertime A long, winged flashback flashback near the alliance |
0:19:09 (Pop-up) |
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Silk Winged Alliance | Flashback | 1968 | 0:19:30 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
How happy is the chinese cheongsam! Are you upset by how taiwanese it is? Does it tear you apart to see the cheongsam so formosan? How happy is the silken brocade! Now glossy is just the thing, To get me wondering if the brocade is satiny. I cannot help but stop and look at the little charmeuse. Never forget the smallest and short charmeuse. |
0:22:32 (Pop-up) |
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Food | Forever Is A Dream | 1969 | 0:23:44 (Pop-up) | |||
The Stalk-Forrest Group | What Is Quicksand? | 1970 | 0:30:34 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
0:33:48 (Pop-up) |
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The End | Shades Of Orange | Shades Of Orange | 1969 | 0:34:07 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Translove - A Haiku Smoggy wintertime before orange translove end on the sullivan |
0:36:39 (Pop-up) |
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Big Jim Sullivan | Translove Airways (Fat Angel) | Sitar Beat | 1968 | 0:37:05 (Pop-up) | ||
freeport | I Need Your Lovin' | 1970 | 0:39:08 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Instant Request |
0:41:45 (Pop-up) |
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tangerine dream | Ultima Thule, Teil 1 | 1971 | For: The Ayatolluh of Rock 'n Rolluh | 0:41:49 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party |
The Big And Man Fever Whose fever is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his fever a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:46:33 (Pop-up) |
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fever tree | Man Who Paints The Pictures - Part II | 1968 | 0:47:31 (Pop-up) | |||
49th Parallel | Close The Barn Door | 1969 | 0:54:21 (Pop-up) | |||
L. J. Reynolds and the Chocolate Syrup | The Penguin Break Down | L. J. Reynolds | 0:57:27 (Pop-up) | |||
The Beach Boys | Little Saint Nick | The Beach Boys' Christmas Album | 1968 | 0:59:55 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Pictures - A Haiku Dismal wintertime A heavy pictures balloon into the balloon |
1:00:24 (Pop-up) |
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Heavy Balloon | 32,000: On My Way Down | 1969 | 1:01:35 (Pop-up) | |||
Lacewing | Crystal Myth | 1971 | 1:06:14 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
1:10:21 (Pop-up) |
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Graffiti | Father Protector | 1968 | 1:10:33 (Pop-up) | |||
December's Children | Jane's Song (The Slow One) | 1970 | 1:15:42 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Decembers - A Haiku Severe wintertime before decembers savage above the children |
1:18:08 (Pop-up) |
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Cream | Anyone For Tennis (Theme From The Savage Seven) | 1968 | 1:19:13 (Pop-up) | |||
Les Fleurs de Pavot | Psycha Bourree | 1968 | 1:21:47 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
Progressive - A Haiku Early wintertime A non, progressive savage despite the pilgrims |
1:23:57 (Pop-up) |
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John Bunyan's Progressive Pilgrims | Mozart's Dilemma | 1969 | 1:24:30 (Pop-up) | |||
The Dirty Filthy Mud | Morning Sun Flower | 1968 | 1:29:18 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
The scarcity that's really absolute, Above all others is the dearth. Down, down, down into the darkness of the dearth, Gently it goes - the undiluted, the relative, the total. I saw the the usual inconvenience of my generation destroyed, How I mourned the unavailability. Down, down, down into the darkness of the unavailability, Gently it goes - the accustomed, the familiar, the unusual. |
1:31:54 (Pop-up) |
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The Vaqueros | Growing Pains | 1966 | 1:32:52 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
The clause is not real! the clause is exceptionally minimum. Down, down, down into the darkness of the clause, Gently it goes - the token, the minimum, the titular. An only, however hard it tries, Will always be god. Does the only make you shiver? does it? |
1:35:20 (Pop-up) |
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Food | No | 1969 | 1:35:58 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
All that is absent is not absent, absent, by all account is present. Are you upset by how existing it is? Does it tear you apart to see the absent so absent? The deficiency that's really relative, Above all others is the dearth. Down, down, down into the darkness of the dearth, Gently it goes - the proportionate, the proportional, the comparative. |
1:38:35 (Pop-up) |
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Green | To Be | 1969 | 1:41:39 (Pop-up) | |||
The Mirror | Gingerbread Man | 1968 | 1:44:21 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
A gone, however hard it tries, Will always be notice. Does the gone make you shiver? does it? I saw the the best imperfection of my generation destroyed, How I mourned the failing. Does the failing make you shiver? does it? |
1:46:22 (Pop-up) |
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Carmen Maki | Honnou | 1969 | 1:47:02 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
1:51:01 (Pop-up) |
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Montreal | Infinity | 1970 | 1:51:13 (Pop-up) | |||
Charles Fox | The Green Slime | A Fistful of Fuzz | 1:59:07 (Pop-up) | |||
Music behind DJ: Beaver and Krause |
Walkin' |
2:00:24 (Pop-up) |
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freeport | Call Yourself The Wind | 1970 | 2:00:44 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
2:05:26 (Pop-up) |
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Bobby Callender | Awaken John - Lord Am I Dreaming | 1971 | 2:06:10 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
2:09:05 (Pop-up) |
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fever tree | Peace Of Mind | 1968 | 2:09:18 (Pop-up) | |||
Heavy Balloon | 16 Ton: Lead Zeppalin | 1969 | 2:12:59 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
2:15:30 (Pop-up) |
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Bobby Jameson | See Dawn | 1967 | 2:16:02 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
2:18:57 (Pop-up) |
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Gabor Szabo | Summertime | 1967 | 2:19:08 (Pop-up) | |||
Neil Christian | I Like It | 1966 | 2:21:32 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Message - A Haiku Parky wintertime A better message message watching the better |
2:23:41 (Pop-up) |
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The Mooche | Hot Smoke And Sasafrass | 1969 | 2:24:52 (Pop-up) | |||
Music behind DJ: Beaver and Krause |
Another Part Of Time |
Omissions, however hard they try, Will always be notable. Never forget the renowned and noteworthy omissions. Don't belive that the been is red? the been is white beyond belief. Never forget the light and caucasian been. I cannot help but stop and look at the cunning neglected. Never forget the attractive and ingenious neglected. |
2:27:57 (Pop-up) |
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Musiche Originali Di Ennio Morricone | Beat N° 3 | 1968 | 2:28:46 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
2:31:26 (Pop-up) |
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Graffiti | A - Interlude #1 / B - Jingle Jangle Woman | 1968 | 2:31:55 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
I cannot help but stop and look at polemical prefaces. Are you upset by how polemic they are? Does it tear you apart to see the prefaces so controversial? The forgotten is not bloodless! the forgotten is exceptionally blinking. A forgotten is all-fired. a forgotten is blinking, a forgotten is damn, however. I saw the the wooly mistake of my generation destroyed, |
2:38:00 (Pop-up) |
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John Bunyan's Progressive Pilgrims | Spaced Out | 1969 | 2:38:49 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Pay attention to the absent, the absent is the most upper disappear of all. Are you upset by how superior it is? Does it tear you apart to see the absent so high? I cannot help but stop and look at the getting lost. Does the lost make you shiver? does it? Just like a mysterious cause, is whereabouts. |
2:42:21 (Pop-up) |
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Claudine Longet | Snow | 2:43:34 (Pop-up) | ||||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
2:46:13 (Pop-up) |
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Les Fleurs de Pavot | A Degager | 1968 | 2:46:25 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Pay attention to the disappearance, the disappearance is the most magical going away of all. Down, down, down into the darkness of the disappearance, Gently it goes - the supernatural, the wizard, the witching. Why would you think the absentee is noncrucial? the absentee is the most important traveler of all. Down, down, down into the darkness of the absentee, Gently it goes - the insignificant, the fundamental, the prodigious. |
2:49:12 (Pop-up) |
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Composed And Arranged By David Axelrod | The Smile | 1968 | 2:50:11 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Axelrod - A Haiku Parky wintertime A composed axelrod smile whilst watching the green |
2:53:30 (Pop-up) |
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Green | Where Have I Been | 1969 | 2:54:01 (Pop-up) | |||
the Electric Flag, an American Music Band | Peter's Trip | Original Motion Picture Sound Track: The Trip | 1967 | 2:57:06 (Pop-up) | ||
Thee Midniters | Whittier Blvd. | Grandson of Frat Rock, Volume 3 | 2:59:36 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
I cannot help but stop and look at the much dihedral. Does the dihedral make you shiver? does it? I cannot help but stop and look at horny forewings. Forewings are horned. forewings are corneous, forewings are hard, however. Talons, however hard they try, Will always be cunning. |
3:00:23 (Pop-up) |
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Food | Marbled Wings | 1969 | 3:01:55 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
3:05:09 (Pop-up) |
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JACKS | Rock For Fallin' Angel | 1969 | 3:05:18 (Pop-up) | |||
Crystalline | Another Sunset, Another Dawn | 1970 | 3:09:31 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Sunset - A Haiku Smoggy wintertime A crystalline sunset long despite the faces |
3:15:52 (Pop-up) |
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freeport | Forty Long Faces | 1970 | 3:16:15 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Flying - A Haiku Glooming wintertime A low, flying flying wind after the faces |
3:20:13 (Pop-up) |
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Ill Wind | High Flying Bird | 1968 | 3:21:03 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Baltimore - A Haiku Freezing wintertime A flying baltimore lord at the old flying |
3:25:56 (Pop-up) |
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Sir Lord Baltimore | Lady Of Fire | 1970 | 3:26:15 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
A denver, however hard it tries, Will always be seattle. Does the denver make you shiver? does it? I saw the the lovely wife of my generation destroyed, How I mourned the seymour. Never forget the endearing and adorable seymour. Oklahoma is dusty texas. |
3:29:04 (Pop-up) |
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Heavy Balloon | 16 Ton: Action | 1969 | 3:29:57 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
3:36:59 (Pop-up) |
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dave grusin | Ascension To Virginity | 1968 | 3:37:10 (Pop-up) | |||
The Godz | May You Never Be Alone Like Me | 1966 | 3:42:10 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
3:43:40 (Pop-up) |
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fever tree | Death Is The Dancer | 1968 | 3:44:39 (Pop-up) | |||
Bobby Callender | Satori | 1971 | 3:49:24 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
3:51:47 (Pop-up) |
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Ruby | Confusion | 1970 | 3:52:14 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
A paucity, however hard it tries, Will always be seeming. Does the paucity make you shiver? does it? The cognition that's really apparent, Above all others is the inability. Now obvious is just the thing, To get me wondering if the inability is evident. |
3:55:34 (Pop-up) |
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John Bunyan's Progressive Pilgrims | Hot Shot | 1969 | 3:56:20 (Pop-up) | |||
TSU Toronados | Play the Music Toronadoes | Play The Music Toronados | 3:58:50 (Pop-up) | |||
Les Fleurs de Pavot | Pourquoi L'Amour A Deux | 1968 | 4:01:59 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
An omission, however hard it tries, Will always be careful. Never forget the provident and too-careful omission. How happy are inadvertent omissions! Are you upset by how accidental they are? Does it tear you apart to see the omissions so unintended? I cannot help but stop and look at the fat been. Does the been make you shiver? |
4:04:06 (Pop-up) |
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Gabor Szabo | Walking On Nails | 1967 | 4:05:20 (Pop-up) | |||
Music behind DJ: Beaver and Krause |
Another Part Of Time |
Green - A Haiku Icy wintertime An olive, walking green try watching the szabo |
4:08:04 (Pop-up) |
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Green | Just Try | 1969 | 4:08:44 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Passing - A Haiku Foggy wintertime A passing passing fancy watching the tonight |
4:11:48 (Pop-up) |
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A Passing Fancy | I'm Losing Tonight | 1968 | 4:12:20 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Misfortune - A Haiku Wicked wintertime A great, misfortune finger watching the passing |
4:15:05 (Pop-up) |
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The Moving Finger | Pain Of My Misfortune | 1968 | 4:15:37 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
I cannot help but stop and look at odd omissions. Are you upset by how unexhausted they are? Does it tear you apart to see the omissions so rummy? I cannot help but stop and look at the upper absent. Never forget the superior and high absent. The yellow been sings like a not fellow Never forget the lily-livered and white-livered been. Refresh until you're happy with your poem. |
4:18:02 (Pop-up) |
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JACKS | Jailbirds | 1969 | 4:19:18 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Don't belive that the lapham is unmade? the lapham is made beyond belief. A lapham is unmade. a lapham is ready-made, a lapham is successful, however. I saw the the muir river of my generation destroyed, How I mourned the mackenzie. Does the mackenzie make you shiver? does it? |
4:22:03 (Pop-up) |
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Rabbit Mackay | Tendency to Be Free | 1969 | 4:22:41 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
I cannot help but stop and look at the certain lapham. A lapham is fated. a lapham is unsealed, a lapham is doomed, however. I cannot help but stop and look at the hay mackenzie. Does the mackenzie make you shiver? does it? Callaghan is young men. young men is callaghan. |
4:25:10 (Pop-up) |
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Food | Forever Is A Dream | 1969 | 4:25:47 (Pop-up) | |||
The Stalk-Forrest Group | What Is Quicksand? | 1970 | 4:32:37 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
4:35:50 (Pop-up) |
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Pulse | Another Woman | 1969 | 4:36:08 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
I cannot help but stop and look at tragic disappearances. Do disappearances make you shiver? do they? Pay attention to the absence, the absence is the most leave interval of all. Does the absence make you shiver? does it? How happy is the cunning lost! |
4:43:43 (Pop-up) |
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Sir Lord Baltimore | Master Heartache | 1970 | 4:46:47 (Pop-up) | |||
Michael Blodgett | Fire Engine Sky | 1968 | 4:51:16 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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