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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:26 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:52 (Pop-up) | ||||
The Amen Corner | I Know | 1967 | 0:03:19 (Pop-up) | |||
Family | Me My Friend | 1968 | 0:05:40 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Stokes - A Haiku Severe wintertime A navier, big stokes corner into the corner |
0:07:40 (Pop-up) |
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Simon T. Stokes | Big City Blues | 1966 | 0:08:45 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
0:11:55 (Pop-up) |
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The Balloon Farm | Hurtin' For Your Love | 1967 | 0:13:01 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro) |
0:15:01 (Pop-up) |
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The Tickle | Subway (Smokey Pokey World) | 1967 | 0:15:12 (Pop-up) | |||
Kim Fowley | They're Comming To Take Me Away, Ha Ha! | 1966 | 0:17:33 (Pop-up) | |||
Music behind DJ: Beaver and Krause |
Walkin' |
Tickle - A Haiku Previous winter A pokey tickle tickle into the smokey |
0:19:25 (Pop-up) |
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Tiny Tim | What The World Needs Now Is Love | 1969 | 0:20:02 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Streetcar - A Haiku Dampen wintertime A yellow, streetcar people the invisible |
0:22:59 (Pop-up) |
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Hamilton Streetcar | Invisible People | pebbles presents | 1968 | 0:24:09 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun |
Streetcar, Part 2 - A Haiku Foggy wintertime A crowded, streetcar people an invisible |
0:27:05 (Pop-up) |
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Ramsey Lewis | Sexy Sadie | 1968 | 0:27:31 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Instant Request |
0:30:13 (Pop-up) |
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The Crazy World Of Arthur Brown | Part Three - "The Cosmos": Beyond the Sea / Planets of the Universe | 1969 | For: The Ayatolluh of Rock 'n Rolluh | 0:30:17 (Pop-up) | ||
Giant Crab | E.S.P. | 1969 | 0:41:05 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Gillespie - A Haiku Muddy wintertime A late, just gillespie mind into the ramsey |
0:44:25 (Pop-up) |
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Dana Gillespie | You Just Gotta Know My Mind | 1968 | 0:45:22 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Gillespie, Part 2 - A Haiku Dampen wintertime A soft gillespie machine despite the machine |
0:47:25 (Pop-up) |
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the soft machine | I'd Rather Be With You | 1967 | 0:47:58 (Pop-up) | |||
Josefus | America | 1970 | 0:51:34 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Machine - A Haiku Dampen wintertime A ray, black machine machine because of the black |
0:54:08 (Pop-up) |
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The Deep | When Rain Is Black | 1966 | 0:55:01 (Pop-up) | |||
TSU Toronados | Play the Music Toronadoes | Play The Music Toronados | 0:57:06 (Pop-up) | |||
The Shadows | Late Night Set | The Early Years: Their Complete Studio Recordings 1959-1966 | 0:59:35 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Ocean - A Haiku Dampish wintertime A pacific ocean stand whilst watching the stand |
1:00:31 (Pop-up) |
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Pacific Ocean | I Can't Stand It | 1968 | 1:01:13 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
Tripsichord - A Haiku Smoggy wintertime before tripsichord woman watching the music |
1:03:21 (Pop-up) |
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Tripsichord Music Box | You're The Woman | 1968 | 1:03:55 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
1:07:30 (Pop-up) |
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The Enchanted Forest | The Word Is Love | 1968 | 1:07:42 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
The paw that's really ideological, Above all others is the left. A left is philosophic. a left is philosophical, a left is ideologic, however. How happy is the divine been! Are you upset by how heavenly it is? Does it tear you apart to see the been so superhuman? A revised, however hard it tries, |
1:10:52 (Pop-up) |
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John Wonderling | Midway Down | 1968 | 1:12:03 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Wonderling - A Haiku Dismal wintertime before wonderling people at the old people |
1:14:26 (Pop-up) |
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Womb | Evil People | 1969 | 1:14:48 (Pop-up) | |||
Family | Winter | 1968 | 1:25:09 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
A heure, however hard it tries, Will always be est. Does the heure make you shiver? does it? I cannot help but stop and look at the daily droit. A droit is day-to-day. a droit is regular, a droit is everyday, however. Rire is french values. |
1:27:33 (Pop-up) |
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Cameleon | Le Chemin De La Descente | 1971 | 1:28:13 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Why would you think the dearth is unusual? the dearth is the most usual lack of all. Are you upset by how unusual it is? Does it tear you apart to see the dearth so customary? I saw the the conspicuous scarcity of my generation destroyed, How I mourned the paucity. Does the paucity make you shiver? does it? |
1:32:23 (Pop-up) |
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Brainticket | Black Sand | 1971 | 1:33:04 (Pop-up) | |||
The Vampires' Sound Incorporation | There Is No Satisfaction | 1969 | 1:37:05 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Brainticket - A Haiku Dour wintertime A black brainticket follow into the dunkettle |
1:40:12 (Pop-up) |
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Bryan Dunkettle | I don't follow war no more | 1970 | 1:41:10 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
The War And Funny Fabric Whose fabric is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his fabric a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:43:29 (Pop-up) |
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New York Rock and Roll Ensemble | Faithful Friends (And Flattering Foes) | 1969 | 1:45:25 (Pop-up) | |||
The Byrds | Eight Miles High | Eight Miles High / Why | 1:48:30 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Flattering - A Haiku Early wintertime A faithful flattering black near the encircles |
1:52:02 (Pop-up) |
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Black Swan | She Encircles Me | 1968 | 1:52:34 (Pop-up) | |||
Music behind DJ: Beaver and Krause |
Walkin' |
Encircles - A Haiku Dampen wintertime suddenly encircles mouse out of eclectic |
1:54:37 (Pop-up) |
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The Eclectic Mouse | Where Do The Hounds Go | 1:55:01 (Pop-up) | ||||
the Electric Flag, an American Music Band | M-23 | Original Motion Picture Sound Track: The Trip | 1967 | 1:57:29 (Pop-up) | ||
Rivieras | H.B. Goose Step | California Sun-The Best Of The Rivieras | 2000 | 1:58:37 (Pop-up) | ||
the Electric Flag, an American Music Band | M-23 | Original Motion Picture Sound Track: The Trip | 1967 | 2:00:28 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
I saw the the translucent chalcedony of my generation destroyed, How I mourned the carnelian. Now clear is just the thing, To get me wondering if the carnelian is semitransparent. How happy is the garnet brooch! Does the brooch make you shiver? does it? Don't belive that the diamante is big? |
2:00:31 (Pop-up) |
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Dana Gillespie | No! No! No! | 1968 | 2:02:26 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
A stolen, however hard it tries, Will always be twice. Does the stolen make you shiver? does it? All that is early is not deceased, deceased, by all account is late. Now previous is just the thing, To get me wondering if the deceased is advanced. |
2:05:12 (Pop-up) |
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Josefus | Feelin' good | 1970 | 2:05:57 (Pop-up) | |||
Music behind DJ: Beaver and Krause |
Walkin' |
Farquahr - A Haiku Previous winter before farquahr people on the josefus |
2:11:57 (Pop-up) |
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Fabulous Farquahr | Night People | 1969 | 2:12:29 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Stringofperils - A Haiku Dampness wintertime why stringofperils message a stringofperils |
2:15:46 (Pop-up) |
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Tripsichord Music Box | It's Not Good | 1968 | 2:16:31 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Don't belive that the paucity is acute? the paucity is chronic beyond belief. A paucity is habitual. a paucity is confirmed, a paucity is progressive, however. How happy is the glaring omission! An omission is glary. an omission is blinding, an omission is bright, however. Just like a dominant death, is the presence. |
2:19:37 (Pop-up) |
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Il Balletto Di Bronzo | Un Posto | 1970 | 2:20:51 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
I saw the the apparent scarceness of my generation destroyed, How I mourned the paucity. A paucity is visible. a paucity is seeming, a paucity is evident, however. I saw the the subsequent inconvenience of my generation destroyed, How I mourned the unavailability. Are you upset by how antecedent it is? Does it tear you apart to see the unavailability so consequent? |
2:24:10 (Pop-up) |
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The Bag | Red, Purple And Blue | 1968 | 2:24:57 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Windows - A Haiku Muddy wintertime An open, through windows see by the family |
2:27:46 (Pop-up) |
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Family | See Through Windows | 1968 | 2:28:17 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Ayatolluh - A Haiku Wicked wintertime before strange ayatolluh the ayatolluh |
2:32:07 (Pop-up) |
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Electric Banana | (Vocal Tracks): Alexander (Heavy - commercial - melodic) | even more electric banana | 1969 | 2:32:44 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Don't belive that the disappearance is fast? the disappearance is slow beyond belief. Down, down, down into the darkness of the disappearance, Gently it goes - the dim, the slow-moving, the long-playing. I saw the later location of my generation destroyed, How I mourned whereabouts. Whereabouts are latter. whereabouts are future, whereabouts are ulterior, however. |
2:35:49 (Pop-up) |
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Captain Beefheart and His Magic Band | Moonchild | Moonchild | 1966 | 2:37:19 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Beefheart - A Haiku Previous winter A magic beefheart captain under the moonchild |
2:39:42 (Pop-up) |
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Tiny Tim | Bring Back Those Rockabye Baby Days | 1968 | 2:40:11 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Pay attention to the paucity, the paucity is the most usual scarceness of all. Does the paucity make you shiver? does it? How happy is the consistent omission! Never forget the irreproducible and duplicable omission. How happy is the wooly lack! A lack is woolly. a lack is flocculent, |
2:43:11 (Pop-up) |
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Eric Burdon and The Animals | I'm An Animal | 1968 | 2:44:06 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Generator - A Haiku Dampish wintertime A main, generator flood out of animals |
2:49:25 (Pop-up) |
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Van der Graaf Generator | After The Flood | 1970 | 2:50:01 (Pop-up) | |||
Hell Preachers Inc. | Let me shoot you | 1968 | 3:01:26 (Pop-up) | |||
Black Swan | Lady Blonde | 1968 | 3:04:40 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Thermostat - A Haiku Dampen wintertime A new, thermostat message an ayatolluh |
3:06:46 (Pop-up) |
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New York Rock and Roll Ensemble | Brandenburg | 1969 | 3:08:12 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Scott67 - A Haiku Previous winter suddenly just scott67 message out of paucity |
3:13:26 (Pop-up) |
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The Who | I Can See For Miles | 1967 | 3:14:19 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
3:19:14 (Pop-up) |
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Josefus | Condition | 1970 | 3:19:37 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
I cannot help but stop and look at the temporal lol. Are you upset by how worldly it is? Does it tear you apart to see the lol so earthly? How happy is the very cant! A cant is selfsame. a cant is rattling, a cant is identical, however. Just like inarticulate movements, is the haha. Never forget the muddled and hairy haha. |
3:22:28 (Pop-up) |
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The Scavengers | But If You're Happy | 1966 | 3:23:20 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Scavengers - A Haiku Turbid wintertime A careful scavengers pink under the eugene |
3:26:11 (Pop-up) |
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Pink Floyd | Careful With That Axe, Eugene | Point Me At The Sky / Careful With That Axe Eugene | 1968 | 3:27:04 (Pop-up) | ||
Dana Gillespie | Dead | 1968 | 3:32:44 (Pop-up) | |||
Smokestack Lightnin' | Look What You've Done | 2004 | 3:35:49 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
I must update with the former revised again, Are you upset by how early it is? Does it tear you apart to see the revised so onetime? A been, however hard it tries, Will always be divine. Never forget the ecclesiastic and sacred been. A neglected, however hard it tries, Will always be wooly. |
3:38:36 (Pop-up) |
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Sagittarius | Pisces | Another Time / Pisces | 1968 | 3:39:16 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed |
3:42:05 (Pop-up) |
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Family | Peace Of Mind | 1968 | 3:42:29 (Pop-up) | |||
Cosmic Brotherhood | Yentra II | 1969 | 3:45:21 (Pop-up) | |||
Milan (The Leather Boy) | You Gotta Have Soul | 1968 | 3:48:16 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Accompaniment - A Haiku Smoggy wintertime where accompaniment leather by the reginald |
3:49:49 (Pop-up) |
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electric banana; Arranged and Directed By Reginald Tilsley | Vocal Versions with Accompaniment: Free Love (Strident - rhythmic - harmony vocal) | 1967 | 3:50:17 (Pop-up) | |||
Bonzo Dog Doo | Piggy Bank Love | 1967 | 3:53:03 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
The lol is not posterior! the lol is exceptionally posterior. Does the lol make you shiver? does it? I cannot help but stop and look at the baghdad umm. Does the umm make you shiver? does it? I cannot help but stop and look at yellow whats. |
3:55:57 (Pop-up) |
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Tiny Tim | Hello, Hello | 1968 | 3:57:03 (Pop-up) | |||
Sagittarius | Pisces | Another Time / Pisces | 1968 | 3:59:15 (Pop-up) | ||
Eric Burdon and The Animals | I'm Dying, (Or Am I) | 1968 | 4:01:53 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Scott67 - A Haiku Early wintertime before better scott67 message a society |
4:05:33 (Pop-up) |
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Hell Preachers Inc. | Courante | 1968 | 4:06:50 (Pop-up) | |||
Alice Cooper | Titanic Overture | Pretties For You | 1969 | 4:09:43 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
4:11:35 (Pop-up) |
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George Harrison | Wonderwall To Be Here | Wonderwall Music | 1968 | 4:11:56 (Pop-up) | ||
The Shadows of Knight | It Always Happens That Way | 1966 | 4:13:18 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
I cannot help but stop and look at the tull walsh. Does the walsh make you shiver? does it? I cannot help but stop and look at the lovely webb. Down, down, down into the darkness of the webb, Gently it goes - the beautiful, the adorable, the endearing. I cannot help but stop and look at yellow williams. Do williams make you shiver? |
4:15:09 (Pop-up) |
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Jimi Hendrix | South Saturn Delta | South Saturn Delta | 1968 | 4:16:02 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
4:20:06 (Pop-up) |
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Musiche Originali Di Ennio Morricone | L'Ultima Corrida | 1968 | 4:20:23 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
How happy is the pensive susan! Are you upset by how thoughtful it is? Does it tear you apart to see the susan so meditative? How happy is the pretty christina! Never forget the fine and beautiful christina. I cannot help but stop and look at the big jesse. Never forget the bulky and of import jesse. Refresh until you're happy with your poem. |
4:23:00 (Pop-up) |
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Kim Fowley | They're Comming To Take Me Away, Ha Ha! | 1966 | 4:24:11 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
The Away And Invisible Streetcar Whose streetcar is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her streetcar a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:26:03 (Pop-up) |
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Hamilton Streetcar | Invisible People | pebbles presents | 1968 | 4:26:59 (Pop-up) | ||
The Soots | Tiger Roach | Jazz: The Smithsonian Anthology | 4:29:59 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
The Side And Invisible Streetcar Whose streetcar is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his streetcar a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:32:16 (Pop-up) |
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Lothar and The Hand People | Nobody Knows | 1968 | 4:34:13 (Pop-up) | |||
The Savage Resurrection | Every Little Song | 1968 | 4:36:48 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
4:38:34 (Pop-up) |
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Josefus | I Saw A Killin' | 1970 | 4:38:50 (Pop-up) | |||
After Tea | Not Just A Flower In Your Hair | 1967 | 4:41:09 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
An absent, however hard it tries, Will always be very. Are you upset by how rattling it is? Does it tear you apart to see the absent so real? I will consider my revised. For my revised is carefully because it wants to submit. Does the revised make you shiver? does it? |
4:43:22 (Pop-up) |
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Dana Gillespie | Foolish Seasons | 1968 | 4:44:53 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Gillespie - A Haiku Previous winter An old, gillespie flower watching the seasons |
4:46:59 (Pop-up) |
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The Flower Pot | Gentle People | 1967 | 4:47:21 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:50:02 (Pop-up) | ||||
TSU Tornados | Getting the Corners | TSU Tornados Tracks | ||||
L. J. Reynolds and the Chocolate Syrup | The Penguin Break Down | L. J. Reynolds |
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Listener comments!
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
Candy-O'67:
Candy-O'67:
DA The DJ:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
DA The DJ:
Owl Sun:
Owl Sun:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
J*Boogie:
The Ayatolluh of Rock 'n Rolluh:
J*Boogie:
The Ayatolluh of Rock 'n Rolluh:
J*Boogie:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
Owl Sun:
Owl Sun:
Owl Sun:
J*Boogie:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
J*Boogie:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
coelacanth∅:
The Ayatolluh of Rock 'n Rolluh:
coelacanth∅:
Owl Sun:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
coelacanth∅:
Candy-O'67:
tom tom the pipers son:
tom tom the pipers son:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
tom tom the pipers son:
Owl Sun:
Owl Sun:
Owl Sun:
tom tom the pipers son:
coelacanth∅:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
Candy-O'67:
tom tom the pipers son:
Candy-O'67:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Candy-O'67:
tom tom the pipers son:
Candy-O'67:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
tom tom the pipers son:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
StringOFperils:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
Candy-O'67:
Candy-O'67:
StringOFperils:
StringOFperils:
Owl Sun:
Candy-O'67:
StringOFperils:
Candy-O'67:
StringOFperils:
Candy-O'67:
Owl Sun:
Owl Sun:
StringOFperils:
The Ayatolluh of Rock 'n Rolluh:
StringOFperils:
Owl Sun:
StringOFperils:
The Ayatolluh of Rock 'n Rolluh:
tom tom the pipers son:
StringOFperils:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
StringOFperils:
Candy-O'67:
Candy-O'67:
Candy-O'67:
tom tom the pipers son:
StringOFperils:
Candy-O'67:
StringOFperils:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
StringOFperils:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
StringOFperils:
Owl Sun:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
StringOFperils:
coelacanth∅:
a lot of heat produced throughout the winter.
Owl Sun:
Candy-O'67:
Candy-O'67:
Owl Sun:
Owl Sun:
tom tom the pipers son:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
StringOFperils:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
StringOFperils:
Scott67:
StringOFperils:
The Ayatolluh of Rock 'n Rolluh:
coelacanth∅:
g'day Scott
Scott67:
👍😎
Scott67:
Owl Sun:
Owl Sun:
Scott67:
The Ayatolluh of Rock 'n Rolluh:
Scott67:
✌😎❤
The Ayatolluh of Rock 'n Rolluh:
StringOFperils:
Scott67:
The paucity shits me!
Scott67:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Scott67:
StringOFperils:
The Ayatolluh of Rock 'n Rolluh:
Scott67:
It's the hard drink ad's that make me thirsy for beer. 🍺😎
Scott67:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Scott67:
The Ayatolluh of Rock 'n Rolluh:
StringOFperils:
Scott67:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Scott67:
The Ayatolluh of Rock 'n Rolluh:
StringOFperils:
The Ayatolluh of Rock 'n Rolluh:
Scott67:
Scott67:
StringOFperils:
Scott67:
StringOFperils:
StringOFperils:
The Ayatolluh of Rock 'n Rolluh:
Scott67:
StringOFperils:
The Ayatolluh of Rock 'n Rolluh:
Scott67:
StringOFperils:
Scott67:
The Ayatolluh of Rock 'n Rolluh:
StringOFperils:
Owl Sun:
StringOFperils:
The Ayatolluh of Rock 'n Rolluh:
StringOFperils:
Owl Sun:
VincentNifigance:
coelacanth∅:
let's keep it upbeat StringOFperils
The Ayatolluh of Rock 'n Rolluh:
StringOFperils:
coelacanth∅:
StringOFperils:
Scott67:
Owl Sun:
StringOFperils:
coelacanth∅:
VincentNifigance:
Is the Sheena Stream down or is it just me?
coelacanth∅:
Scott67:
StringOFperils:
The Ayatolluh of Rock 'n Rolluh:
StringOFperils:
Owl Sun:
Owl Sun:
coelacanth∅:
Scott67:
👍😎
Owl Sun:
StringOFperils:
Scott67:
The Ayatolluh of Rock 'n Rolluh:
Scott67:
VincentNifigance:
StringOFperils:
VincentNifigance:
Scott67:
The Ayatolluh of Rock 'n Rolluh:
StringOFperils:
Scott67:
The Ayatolluh of Rock 'n Rolluh:
VincentNifigance:
StringOFperils:
Scott67:
Scott67:
Owl Sun:
Scott67:
StringOFperils:
Scott67:
Scott67:
The Ayatolluh of Rock 'n Rolluh:
Scott67:
StringOFperils:
Owl Sun:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
StringOFperils:
The Ayatolluh of Rock 'n Rolluh:
Scott67:
The Ayatolluh of Rock 'n Rolluh:
StringOFperils:
StringOFperils:
Scott67:
StringOFperils:
Scott67:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Scott67:
StringOFperils:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Scott67:
Scott67:
The Ayatolluh of Rock 'n Rolluh:
Scott67:
Owl Sun:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Scott67:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun: