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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:26 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:52 (Pop-up) | ||||
the Electric Flag, an American Music Band | Joint Passing | Original Motion Picture Sound Track: The Trip | 1967 | 0:03:19 (Pop-up) | ||
Lothar And The Hand People | Every Single Word | 1967 | 0:04:19 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Connection - A Haiku Eternal springtime A direct, connection joint near the happiness |
0:06:23 (Pop-up) |
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the new Rotary Connection | Vine Of Happiness | 1971 | 0:07:07 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Quicksilver - A Haiku Perpetual spring A pure, quicksilver service out of connection |
0:11:32 (Pop-up) |
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Quicksilver Messenger Service | Light Your Windows | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 0:11:59 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Quicksilver, Part 2 - A Haiku Eternal springtime A pure, quicksilver service by the messenger |
0:14:31 (Pop-up) |
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The Trolls | There Was A Time | 1967 | 0:15:04 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
One afternoon I said to myself, "Why aren't martians more nonfictional?" Down, down, down into the darkness of the martians, Gently they go - the nonfictional, the unreal, the made-up. I cannot help but stop and look at horrid monsters. Are you upset by how outrageous they are? Does it tear you apart to see the monsters so hideous? Freaks are mad account. |
0:17:22 (Pop-up) |
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William Sheller | Living East Dreaming West | 1970 | 0:18:39 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Aphrodites - A Haiku Beautiful springtime A nude, aphrodites stand at the old sheller |
0:21:57 (Pop-up) |
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Aphrodite's Child | You Always Stand In My Way | 1968 | 0:22:21 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Aphrodites, Part 2 - A Haiku Darkening springtime A sweet aphrodites smoke after the morning |
0:26:11 (Pop-up) |
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Sweet Smoke | Morning Dew | 1968 | 0:26:38 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Instant Request |
0:29:39 (Pop-up) |
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Country Joe and The Fish | The Fish Cheer & I-Feel-Like-I'm-Fixin'-To-Die Rag | 1967 | For: CC | 0:29:41 (Pop-up) | ||
Brother Love | Rotary Connection | The Listening Post | 0:33:20 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Morning - A Haiku Beautiful springtime A next, purple morning shield despite the purple |
0:34:52 (Pop-up) |
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Deep Purple | Shield | 1968 | 0:35:50 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Streetcar - A Haiku Perpetual spring A red, purple streetcar shield by the hamilton |
0:44:15 (Pop-up) |
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Hamilton Streetcar | Now I Taste The Tears | Original Lp - Dot Records DLP 25939 | 1969 | 0:45:17 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address |
0:47:52 (Pop-up) |
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Gladstone | Upsome | 1969 | 0:48:23 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
0:51:04 (Pop-up) |
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Bokaj Retsiem | It's Over | 1969 | 0:51:15 (Pop-up) | |||
Tee-Set | So Fine | 1966 | 0:55:32 (Pop-up) | |||
Melvin Jackson | Funky Skull - Parts 1 & 2 | 1969 | 0:58:18 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
1:00:26 (Pop-up) |
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Sopwith Camel | Hello Hello | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 1:00:46 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
1:03:07 (Pop-up) |
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amon düül II | Archangels Thunderbird | 1970 | 1:04:17 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Thunderbird - A Haiku Depressing springtime A little, thunderbird free out of archangels |
1:07:46 (Pop-up) |
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the free pop electronic concept | Pish! Pshaw! | 1969 | 1:08:11 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Morning - A Haiku Darkening springtime A beautiful, morning free watching the morning |
1:11:54 (Pop-up) |
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the FUGS | Morning Morning | 1966 | 1:12:18 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
I cannot help but stop and look at the classical harvey. Are you upset by how authoritative it is? Does it tear you apart to see the harvey so nonclassical? Don't belive that the mikey is big? the mikey is little beyond belief. Does the mikey make you shiver? does it? A bryan, however hard it tries, |
1:14:23 (Pop-up) |
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Mike Curb and Lawrence Brown | Gas Hassle | 1968 | 1:15:04 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
The Brown And Harsh Reality Whose reality is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his reality a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:17:15 (Pop-up) |
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Harsh Reality | How Do You Feel | 1969 | 1:18:29 (Pop-up) | |||
Amon Düül II | Henriette Krötenschwanz | 1969 | 1:21:33 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Instrumental - A Haiku Beautiful springtime where instrumental mother the funkadelic |
1:23:29 (Pop-up) |
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Funkadelic | Music For My Mother (Instrumental) | 1969 | 1:24:16 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Instrumental, Part 2 - A Haiku Perpetual spring For instrumental mother a funkadelic |
1:30:24 (Pop-up) |
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The Red House | Mary Ann | 1969 | 1:30:49 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Floods - A Haiku Depressing springtime A severe, party floods house before the circus |
1:34:17 (Pop-up) |
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Mr. Flood's Party | the mind circus | 1970 | 1:34:39 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
I cannot help but stop and look at worst deluges. Never forget the last and last-place deluges. rains are not scarce! rains are exceptionally thick. Never forget the plethoric and thick rains. I cannot help but stop and look at yellow inundations. Do inundations make you shiver? do they? |
1:42:22 (Pop-up) |
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Moby Grape | Omaha | 1967 | 1:43:34 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
1:46:09 (Pop-up) |
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country joe And The Fish | Thing Called Love | 1966 | 1:46:31 (Pop-up) | |||
Immediate Family | Rubiyat | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 1:49:03 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
How happy are strange disappearances! Are you upset by how rummy they are? Does it tear you apart to see the disappearances so gothic? I cannot help but stop and look at the all gone. Does the gone make you shiver? does it? Just like a dead behaviour, is the absent. An absent is mingy. an absent is littler, |
1:51:29 (Pop-up) |
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The Lemon Drops | It Happens Everyday | 1967 | 1:52:25 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
1:54:38 (Pop-up) |
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The Aggregation | Maharishi | 1968 | 1:54:50 (Pop-up) | |||
The Beach Boys | Little Saint Nick | The Beach Boys' Christmas Album | 1968 | 1:56:56 (Pop-up) | ||
T K Os | The Charge | The Charge | 1:58:40 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
2:00:26 (Pop-up) |
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Spirit | 1984 | 1969 | 2:01:22 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
2:04:50 (Pop-up) |
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The Mothers of Invention | Trouble Every Day | 1966 | 2:05:02 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Unfolding - A Haiku Eternal springtime A self, unfolding trouble by the invention |
2:10:49 (Pop-up) |
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Electric Mind Sound By Unfolding | Acid Rock: Girl from Nowhere | 1967 | 2:11:14 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Expanding - A Haiku Darkening springtime An ever, expanding sound near the cybernaut |
2:14:59 (Pop-up) |
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Tonto's Expanding Head Band | Outside: Cybernaut | 1970 | 2:15:40 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Hemisphere - A Haiku Depressing springtime A northern hemisphere band out of expanding |
2:20:03 (Pop-up) |
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East of Eden | Northern Hemisphere | 1969 | 2:21:00 (Pop-up) | |||
The Nice | The Thoughts Of Emerlist Davjack | 1967 | 2:25:26 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
The Moody And Northern Hemisphere Whose hemisphere is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her hemisphere a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:28:11 (Pop-up) |
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The Moody Blues | What Am I Doing Here? | 1968 | 2:29:21 (Pop-up) | |||
Canterbury Fair | Song On A May Morning | Days I Love / Song On A May Morning | 1967 | 2:33:08 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Incorporation - A Haiku Beautiful springtime shall incorporation sound a satisfaction |
2:36:00 (Pop-up) |
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The Vampires' Sound Incorporation | There Is No Satisfaction | 1969 | 2:36:34 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Incorporation, Part 2 - A Haiku Darkening springtime where incorporation sound a satisfaction |
2:39:40 (Pop-up) |
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the FUGS | Doin' All Right | 1966 | 2:40:08 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Harrisson - A Haiku Depressing springtime before sound harrisson sound at the old monkees |
2:42:44 (Pop-up) |
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The FUGS | Crystal Liaison | 1968 | 2:45:09 (Pop-up) | |||
Iron Butterfly | Termination | 1968 | 2:48:13 (Pop-up) | |||
The Appletree Theatre | Act I: Saturday Morning (about a Saturday morning) | 1967 | 2:50:56 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Liaison - A Haiku Perpetual spring A close, crystal liaison ground above the crystal |
2:51:45 (Pop-up) |
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My Solid Ground | That's You | 1972 | 2:52:20 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Daughter - A Haiku Depressing springtime A younger, ground daughter ground the reality |
2:54:39 (Pop-up) |
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Harsh Reality | Devil's Daughter | 1969 | 2:55:04 (Pop-up) | |||
The Jimi Hendrix Experience | 1983... (A Merman I Should Turn to Be) | 1968 | 2:59:53 (Pop-up) | |||
Kaleidoscope | Love Games | 1967 | 3:05:38 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Daughter, Part 2 - A Haiku Perpetual spring An own, harsh daughter window a reality |
3:08:03 (Pop-up) |
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Pearls Before Swine | frog in the window | 1969 | 3:08:46 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Pay attention to the dogtooth, the dogtooth is the most much architectural ornament of all. Does the dogtooth make you shiver? does it? I cannot help but stop and look at coral earrings. Are you upset by how chromatic they are? Does it tear you apart to see the earrings so colored? A brooch, however hard it tries, |
3:09:57 (Pop-up) |
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Grahame Bond | Crossroads Of Time | 1968 | 3:11:11 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
thats are not close! thats are exceptionally faraway. Now uttermost is just the thing, To get me wondering if thats are faraway. A miley, however hard it tries, Will always be little. A miley is small. a miley is lilliputian, a miley is miniature, however. |
3:14:34 (Pop-up) |
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The Chocolate Watchband | And She's Lonely | 1969 | 3:15:20 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Watchband - A Haiku Eternal springtime A lonely watchband spirit watching the chocolate |
3:19:31 (Pop-up) |
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Spirit | Life Has Just Begun | 1970 | 3:19:54 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Dissevelt - A Haiku New dampish springtime before dissevelt spirit by the dissevelt |
3:23:20 (Pop-up) |
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The Sonic Vibrations Of Tom Dissevelt and Kid Baltan | Tom Dissevelt: Sonik Re-Entry | 1959 | 3:23:58 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Dissevelt, Part 2 - A Haiku Beautiful springtime A tiptoe dissevelt twink on the dissevelt |
3:26:29 (Pop-up) |
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Twink | Tiptoe On The Highest Hill | 1970 | 3:27:36 (Pop-up) | |||
The Bubble Puppy | Lonely | Hot Smoke & Sasafrass b/w Lonely | 1968 | 3:32:49 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed |
Highest - A Haiku New dampen springtime before tiptoe highest twink after the status |
3:35:44 (Pop-up) |
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The Status Quo | When My Mind Is Not Live | 1968 | 3:36:30 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Status - A Haiku Eternal springtime A current, tiny status side at the perfect side |
3:39:24 (Pop-up) |
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Tiny Tim | The Other Side | 1968 | 3:39:49 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Merchandise - A Haiku Beautiful springtime A sold, worth merchandise worth beyond the dallas |
3:44:12 (Pop-up) |
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The Velvet Underground and Nico | The Black Angel's Death Song | 1967 | 3:45:35 (Pop-up) | |||
The 13th Floor Elevators | You're Gonna Miss Me | 1966 | 3:48:44 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
The Moody And Underground Underground Whose underground is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his underground a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:51:07 (Pop-up) |
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The Moody Blues | Have You Heard Part I | 1969 | 3:52:44 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
How happy are younger mums! Are you upset by how older they are? Does it tear you apart to see the mums so junior? I saw the the home female parent of my generation destroyed, How I mourned the mom. Down, down, down into the darkness of the mom, Gently it goes - the interior, the national, the internal. Don't belive that dams are big? |
3:54:12 (Pop-up) |
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The Mothers Of Invention | Who Are The Brain Police? | 1966 | 3:54:58 (Pop-up) | |||
Velvett Fogg | Owed To The Dip | Telstar '69 b/w Owed To The Dip | 1969 | 3:58:19 (Pop-up) | ||
The Velvet Underground | Noise by | 1966 | 4:04:36 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Appletree, Part 2 - A Haiku Eternal moist spring A golden, appletree glass beyond the campbell |
4:06:26 (Pop-up) |
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The Misunderstood featuring Glenn "Fernando" Campbell | Golden Glass | 1969 | 4:07:07 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Campbell - A Haiku Darkening springtime A british, campbell mother by the fernando |
4:15:34 (Pop-up) |
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CAN | On The Way To Mother Sky: 1970 | 1970 | 4:16:42 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Finger - A Haiku Early dampen spring A moving finger finger before the mother |
4:21:11 (Pop-up) |
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dorothy ashby | The Moving Finger | 1970 | 4:21:34 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Kaleidoscope - A Haiku Beautiful springtime For kaleidoscope finger after the finger |
4:27:09 (Pop-up) |
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Kaleidoscope | I Found Out | 1968 | 4:27:32 (Pop-up) | |||
Moby Grape | The Place And The Time | 1968 | 4:29:35 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Kaleidoscope, Part 2 - A Haiku Perpetual spring A sweet kaleidoscope smoke despite the morning |
4:31:40 (Pop-up) |
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Sweet Smoke | Morning Dew | 1968 | 4:32:11 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Connection - A Haiku Perpetual spring A causal, connection smoke beyond the brother |
4:35:13 (Pop-up) |
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Brother Love | Rotary Connection | The Listening Post | 4:36:13 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Connection, Part 2 - A Haiku Beautiful springtime A direct, connection cross under the brother |
4:37:45 (Pop-up) |
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Iron Cross | All of the Time | 2009 | 4:38:09 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Purple - A Haiku Darkening springtime A pale, purple purple cross after the anthem |
4:42:10 (Pop-up) |
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Deep Purple | Anthem | 1968 | 4:42:30 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Pay attention to the leitmotif, the leitmotif is the most symbolic strain of all. Does the leitmotif make you shiver? does it? I saw the the favorite rhetorical device of my generation destroyed, How I mourned the trope. Are you upset by how favored it is? Does it tear you apart to see the trope so preferred? |
4:48:54 (Pop-up) |
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Electric Banana | (Instrumental Tracks): The Dark Theme (Moody melodic instrumental) | even more electric banana | 1969 | 4:49:42 (Pop-up) | ||
Buster Jangle's Flying Mattress | Love Has Taken Over My Brain | 2009 | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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Listener comments!
Owl Sun:
CC:
Listener Robert:
Owl Sun:
Owl Sun:
Owl Sun:
Owl Sun:
Listener Robert:
CC:
Owl Sun:
CC:
CC:
CC:
CC:
Owl Sun:
Owl Sun:
CC:
CC:
J*Boogie:
J*Boogie:
J*Boogie:
J*Boogie:
Owl Sun:
Owl Sun:
Bela from Budapest:
Owl Sun:
Owl Sun:
J*Boogie:
Bela from Budapest:
Along this but I,
This shivering Owl.
J*Boogie:
Bela from Budapest:
As now who Boggie night
And listening.
J*Boogie:
Mod Mokka Matti:
Owl Sun:
Owl Sun: