The Night Owl Show with Owl Sun:
Playlist
from April 18, 2021
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
|
1967 | ||||
| Nirvana |
C Side of Ocho Rios
|
0:02:19 (Pop-up) | ||||
| The Kitchen Cinq |
(Ellen's Fancies) Ride The Wind
|
1967 |
|
0:02:45 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
|
0:05:00 (Pop-up) |
|||
| Group 1850 |
Steel Sings
|
1968 |
|
0:05:15 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Underground - A Haiku Darkening springtime A german, underground steel after the velvet |
|
0:08:15 (Pop-up) |
||
| The Velvet Underground |
What Goes On
|
1969 |
|
0:08:37 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro)
|
Underground, Part 2 - A Haiku Overcast springtime A polish, underground wrong under the velvet |
|
0:13:40 (Pop-up) |
||
| The New Tweedy Bros! |
What's Wrong With That
|
1968 |
|
0:14:01 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Tyrannosaurus - A Haiku Darkening springtime where tyrannosaurus black whilst watching the black |
|
0:17:15 (Pop-up) |
||
| Tyrannosaurus Rex |
Cat Black (the wizard's hat)
|
1969 |
|
0:17:42 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
How happy is the giant stegosaurus! Are you upset by how gargantuan it is? Does it tear you apart to see the stegosaurus so big? Pay attention to the triceratops, triceratops are the most huge horned dinosaur of all. Down, down, down into the darkness of the triceratops, Gently they go - the vast, the large, the immense. When I think of the brontosaurus, I see giant animals. |
|
0:20:28 (Pop-up) |
||
| Love Sculpture |
Why (How-Now)
|
1969 |
|
0:21:31 (Pop-up) | ||
| Buffy Sainte-Marie |
he's a keeper of the fire
|
1969 |
|
0:29:10 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
Pops, however hard they try, Will always be ominous. Now alarming is just the thing, To get me wondering if pops are inauspicious. How happy are sinuous sags! Are you upset by how sinuate they are? Does it tear you apart to see the sags so curved? I cannot help but stop and look at yellow melts. |
|
0:32:18 (Pop-up) |
||
| the Electric Flag, an American Music Band |
Peter's Trip
|
Original Motion Picture Sound Track: The Trip | 1967 |
|
0:33:07 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Pay attention to the creeps, creeps are the most melancholy fearfulness of all. Now sad is just the thing, To get me wondering if creeps are melancholic. I cannot help but stop and look at wooden clatters. Never forget the awkward and woody clatters. Just like a long card, is trots. Now wily is just the thing, |
|
0:35:35 (Pop-up) |
||
| The Art Of Lovin' |
Paul's Circus
|
1968 |
|
0:36:26 (Pop-up) | ||
| The Fugs |
Children Of The Dream
|
1969 |
|
0:39:37 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
A caraway, however hard it tries, Will always be long. Does the caraway make you shiver? does it? One afternoon I said to myself, "Why aren't basils more sour?" Down, down, down into the darkness of the basils, Gently they go - the cloying, the pleasing, the dry. |
|
0:45:27 (Pop-up) |
||
| Tom Dae Turned On |
I Shall Walk
|
1970 |
|
0:47:10 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
Turned - A Haiku Depressing springtime A fugitive, sad turned walk after the saga |
|
0:51:08 (Pop-up) |
||
| Gun |
The Sad Saga Of The Boy And The Bee
|
1968 |
|
0:51:30 (Pop-up) | ||
| The Third Rail |
No Return
|
1967 |
|
0:56:16 (Pop-up) | ||
| Ronnie McNeir |
Sitting in My Class (Instr.)
|
The Northern Soul Story 10 (Instrumentals) |
|
0:58:09 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
The epilepsy that's really apparent, Above all others is the absence. An absence is patent. an absence is ostensible, an absence is obvious, however. All that is first is not deceased, deceased, by all account is second. Now sec is just the thing, To get me wondering if the deceased is instant. |
|
0:59:53 (Pop-up) |
||
| The Truth |
P.S. (Prognosis Stegnoisis)
|
1967 |
|
1:00:56 (Pop-up) | ||
| Davie Allan And The Arrows |
The Dark Alley - Instrumental
|
1967 |
|
1:04:00 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
How happy is the young adela! Now boyish is just the thing, To get me wondering if the adela is teenage. I cannot help but stop and look at late josias. Never forget the latish and unpunctual josias. Almira is fair woman. fair woman is almira. Are you upset by how chickenhearted it is? |
|
1:05:52 (Pop-up) |
||
| Don Malena and the Dry Ice |
Land Of Summertime
|
1968 |
|
1:06:30 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
Pay attention to the absent, the absent is the most normal disappear of all. Are you upset by how perpendicular it is? Does it tear you apart to see the absent so abnormal? A lost, however hard it tries, Will always be regular. Down, down, down into the darkness of the lost, Gently it goes - the full-time, the frequent, the standing. |
|
1:10:53 (Pop-up) |
||
| Johnny Hallyday |
Don't Need Nobody
|
1966 |
|
1:11:54 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
|
1:15:16 (Pop-up) |
|||
| Montage |
I Shall Call Her Mary
|
1969 |
|
1:15:25 (Pop-up) | ||
| Group 1850 |
Little Fly
|
1968 |
|
1:17:41 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Orchestra - A Haiku Overcast springtime A little orchestra knight on the festival |
|
1:22:07 (Pop-up) |
||
| The Moody Blues with The London Festival Orchestra conducted by Peter Knight |
Lunch Break: Peak Hour
|
1967 |
|
1:22:33 (Pop-up) | ||
| Velvett Fogg |
Telstar '69
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
1:27:59 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
I saw the the leeds urban center of my generation destroyed, How I mourned the sheffield. Does the sheffield make you shiver? does it? The liam is not aged! the liam is exceptionally early. Does the liam make you shiver? does it? |
|
1:30:40 (Pop-up) |
||
| Nomads |
Thoughts Of A Madman
|
1:31:31 (Pop-up) | ||||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Wanderers, however hard they try, Will always be nomadic. Down, down, down into the darkness of the wanderers, Gently they go - the wandering, the unsettled, the peregrine. A semidesert, however hard it tries, Will always be vast. A semidesert is big. a semidesert is huge, a semidesert is large, however. |
|
1:34:27 (Pop-up) |
||
| The Crystal Rain |
Hey Ma Ma
|
1969 |
|
1:35:11 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
A becky, however hard it tries, Will always be virtuous. Down, down, down into the darkness of the becky, Gently it goes - the upright, the good, the moral. How happy is the golden lizzie! Are you upset by how auspicious it is? Does it tear you apart to see the lizzie so happy? Halle is und men. |
|
1:39:36 (Pop-up) |
||
| Buffy Sainte-Marie |
poppies (for mr. allerton)
|
1969 |
|
1:40:25 (Pop-up) | ||
| The Alan Lorber Orchestra |
Up Up And Away
|
1967 |
|
1:43:36 (Pop-up) | ||
| The New Tweedy Bros! |
Her Darkness In December (Drone Song)
|
1968 |
|
1:46:18 (Pop-up) | ||
| The Status Quo |
Ice In The Sun
|
1968 |
|
1:52:09 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
December - A Haiku Beautiful springtime A mid, december enjoy after the darkness |
|
1:54:15 (Pop-up) |
||
| The Legend |
Enjoy Yourself
|
1968 |
|
1:54:45 (Pop-up) | ||
| Rivieras |
H.B. Goose Step
|
California Sun-The Best Of The Rivieras | 2000 |
|
1:57:31 (Pop-up) | |
| The Beach Boys |
Salt Lake City
|
Beach Boys | 1968 |
|
1:59:23 (Pop-up) | |
Music behind DJ: Alice Cooper |
Titanic Overture
|
How happy are brandied peaches! Do peaches make you shiver? do they? How happy are new jujubes! Never forget the hot and newly arisen jujubes. cunning berries sings like a delicious corn Are you upset by how clever they are? Does it tear you apart to see the berries so guileful? |
|
1:59:53 (Pop-up) |
||
| The Electric Prunes |
Children Of Rain
|
1967 |
|
2:00:46 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Underground - A Haiku Overcast springtime A polish, underground free by the electric |
|
2:03:19 (Pop-up) |
||
| The Velvet Underground |
I'm Set Free
|
1969 |
|
2:03:56 (Pop-up) | ||
| The Mothers Of Invention... |
The M.O.I. American Pageant (#2 in a Series of Underground Oratorios): Son Of Suzy Creamcheese
|
1967 |
|
2:07:56 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
|
2:10:26 (Pop-up) |
|||
| Lee Hazlewood Ann-Margret |
No Regrets
|
1969 |
|
2:10:50 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
|
2:14:31 (Pop-up) |
|||
| The Zodiac |
Capricorn - The Uncapricious Climber
|
1967 |
|
2:14:41 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
|
2:18:03 (Pop-up) |
|||
| Nimrod |
The Bird
|
1969 |
|
2:18:15 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
A left, however hard it tries, Will always be only. Does the left make you shiver? does it? Don't belive that the been is intermediate? the been is last beyond belief. Are you upset by how lowest it is? Does it tear you apart to see the been so penultimate? |
|
2:21:20 (Pop-up) |
||
| The Wimple Winch |
Everybody's Worried 'Bout Tomorrow
|
1966 |
|
2:21:59 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
I saw the the obvious epilepsy of my generation destroyed, How I mourned the absence. Are you upset by how frank it is? Does it tear you apart to see the absence so prominent? The go away that's really inappropriate, Above all others is the absent. Does the absent make you shiver? does it? |
|
2:24:30 (Pop-up) |
||
| Dorothy Ashby |
Soul Vibrations
|
1968 |
|
2:25:08 (Pop-up) | ||
| Big Jim Sullivan |
Translove Airways (Fat Angel)
|
Sitar Beat | 1968 |
|
2:28:19 (Pop-up) | |
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
The dessert apple that's really late, Above all others is the mcintosh. Are you upset by how early it is? Does it tear you apart to see the mcintosh so later? A waugh, however hard it tries, Will always be silly. Now foolish is just the thing, To get me wondering if the waugh is dizzy. |
|
2:30:22 (Pop-up) |
||
| The Third Rail |
Overdose Of Love
|
1968 |
|
2:31:09 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
Orchestra - A Haiku Overcast springtime A large, moody orchestra by the afternoon |
|
2:34:15 (Pop-up) |
||
| The Moody Blues with The London Festival Orchestra conducted by Peter Knight |
The Afternoon: Forever Afternoon (Tuesday?) : Time to get away
|
1967 |
|
2:34:53 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Forleikur - A Haiku Darkening springtime Moody forleikur onwards by the orchestra |
|
2:43:16 (Pop-up) |
||
| Trúbrot |
I. Forleikur (Lives Overture)
|
1971 |
|
2:43:46 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Forleikur, Part 2 - A Haiku Overcast springtime Mammoth forleikur onwards out of overture |
|
2:45:14 (Pop-up) |
||
| Mammoth |
Mammoth
|
1970 |
|
2:45:37 (Pop-up) | ||
| The Little Boy Blues |
The Great Train Robbery
|
1966 |
|
2:49:03 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
|
2:51:36 (Pop-up) |
|||
| The J. and B. |
There She Goes
|
1966 |
|
2:52:02 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
I cannot help but stop and look at several commemoratives. Are you upset by how various they are? Does it tear you apart to see the commemoratives so respective? How happy is the indian sacagawea! Does the sacagawea make you shiver? does it? The zany dishpan sings like an empty influence A dishpan is silly. a dishpan is cockamamy, |
|
2:54:37 (Pop-up) |
||
| Lazy Nickels |
35 Design
|
1970 |
|
2:55:23 (Pop-up) | ||
| The Beach Boys |
Wild Honey
|
Wild Honey | 1968 |
|
2:57:30 (Pop-up) | |
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
All that is unsubstantial is not dimes, dimes, by all account is real. Now material is just the thing, To get me wondering if dimes are actual. A hubcap, however hard it tries, Will always be rusty. Never forget the rusted and unskilled hubcap. When I think of greenbacks, I see a fake while. |
|
2:59:54 (Pop-up) |
||
| The Mind Garage |
Asphalt Mother
|
1968 |
|
3:00:42 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
A lawnmower, however hard it tries, Will always be electric. Down, down, down into the darkness of the lawnmower, Gently it goes - the electrical, the exciting, the galvanic. How happy is the nearest carwash! Now near is just the thing, To get me wondering if the carwash is closest. Just like an underwater woman, is the junkyard. |
|
3:05:42 (Pop-up) |
||
| Dragonfly |
Celestial Empire
|
1969 |
|
3:06:29 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
|
3:08:58 (Pop-up) |
|||
| dayde |
Cocaine
|
1970 |
|
3:09:10 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Electric - A Haiku Overcast springtime A steam, electric antique before the antique |
|
3:18:35 (Pop-up) |
||
| The Electric Prunes |
Antique Doll
|
1967 |
|
3:18:57 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Electric, Part 2 - A Haiku Overcast springtime A non, electric antique before the antique |
|
3:22:02 (Pop-up) |
||
| The Rubber Band |
Strange Brew
|
1969 |
|
3:22:28 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Underground - A Haiku Overcast springtime An urban, underground make on the invention |
|
3:25:24 (Pop-up) |
||
| The Mothers Of Invention... |
The M.O.I. American Pageant (#2 in a Series of Underground Oratorios): Brown Shoes Don't Make It
|
1967 |
|
3:25:45 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Underground, Part 2 - A Haiku Overcast springtime A nazi, underground make out of underground |
|
3:33:15 (Pop-up) |
||
| The Velvet Underground |
The Murder Mystery
|
1969 |
|
3:34:04 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
Underground - A Haiku Overcast springtime An active, underground move a dandelion |
|
3:42:56 (Pop-up) |
||
| The Superfine Dandelion |
Crazy Town (Move On Little Children)
|
1967 |
|
3:43:29 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
Dandelion - A Haiku Depressing springtime A false, dandelion house after the children |
|
3:46:30 (Pop-up) |
||
| The Red House |
Mary Ann
|
1969 |
|
3:46:58 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Nimrod - A Haiku Darkening springtime A british, best nimrod house enjoying the house |
|
3:50:27 (Pop-up) |
||
| Nimrod |
Don't let it get the best of you
|
1969 |
|
3:51:00 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
|
3:53:14 (Pop-up) |
|||
| George Harrison |
Ski-ing
|
Wonderwall Music | 1968 |
|
3:57:30 (Pop-up) | |
| the Electric Flag, an American Music Band |
M-23
|
Original Motion Picture Sound Track: The Trip | 1967 |
|
3:59:20 (Pop-up) | |
| The Third Rail |
She Ain't No Choir Girl
|
1968 |
|
4:01:35 (Pop-up) | ||
| Last Friday's Fire |
What Is She Thinking Of
|
1967 |
|
4:04:41 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
The Third And Little Third Whose third is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her third a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
4:07:16 (Pop-up) |
||
| Suzi Jane Hokom |
Little War
|
1967 |
|
4:08:05 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Don't belive that the absentee is inconspicuous? the absentee is obvious beyond belief. Now in evidence is just the thing, To get me wondering if the absentee is visible. How happy is the sweet absent! Never forget the unsalty and saccharine absent. Just like a twice mayor, is the stolen. A stolen is lily-livered. a stolen is chromatic, |
|
4:11:04 (Pop-up) |
||
| The Sensational Guitars Of Dan and Dale |
Batman Theme
|
1966 |
|
4:11:51 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
|
4:14:00 (Pop-up) |
|||
| The Griffin |
I'm Movin' On
|
1968 |
|
4:14:26 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
|
4:17:16 (Pop-up) |
|||
| The Orange Wedge |
From The Womb To The Tomb
|
1968 |
|
4:17:29 (Pop-up) | ||
| The Scot Richard Case |
I'm So Glad
|
1967 |
|
4:20:15 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Tyrannosaurus - A Haiku Eternal springtime For tyrannosaurus black under the orange |
|
4:23:04 (Pop-up) |
||
| Tyrannosaurus Rex |
Cat Black (the wizard's hat)
|
1969 |
|
4:23:43 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
I saw the the ceratopsian archosaurian reptile of my generation destroyed, How I mourned the dinosaur. Does the dinosaur make you shiver? does it? Don't belive that the diplodocus is half? the diplodocus is whole beyond belief. A diplodocus is intact. a diplodocus is livelong, a diplodocus is half, however. |
|
4:26:30 (Pop-up) |
||
| Love Sculpture |
Why (How-Now)
|
1969 |
|
4:27:26 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
|
4:35:05 (Pop-up) |
|||
| The Peanut Butter Conspiracy |
It's A Happening Thing
|
1967 |
|
4:35:17 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
I cannot help but stop and look at cranberry cranberries. Do cranberries make you shiver? do they? Pears, however hard they try, Will always be brown. Never forget the colored and brownish pears. I saw the the big vegetable of my generation destroyed, How I mourned the celery. |
|
4:38:35 (Pop-up) |
||
| The Electric Prunes |
I Happen To Love You
|
1967 |
|
4:39:31 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Newsboys - A Haiku Darkening springtime A little, newsboys bramble out of electric |
|
4:42:39 (Pop-up) |
||
| Cat Mother and the All Night Newsboys |
Bramble Bush
|
1968 |
|
4:43:01 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
A cry, however hard it tries, Will always be choked. Does the cry make you shiver? does it? A group, however hard it tries, Will always be former. A group is previous. a group is latter, a group is sometime, however. |
|
4:48:18 (Pop-up) |
||
| guy skornik |
What Is Réalité?
|
1971 |
|
4:48:53 (Pop-up) | ||
| The Jim Sullivan Sound |
She Walks Through The Fair
|
1966 |
|
|||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
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Listener comments!
Owl Sun:
CC:
CC:
Owl Sun:
Mod Mokka Matti:
OWL!!
DO YOU
LIKE THE SMELL
OF BIG EXPLODING BAKERIES???
Owl Sun: