The Night Owl Show with Owl Sun:
Playlist
from June 1, 2021
 |
View Owl Sun's profile
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
|
1967 | 0:00:25 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:50 (Pop-up) | ||||
| Popera Cosmic |
La Chanson Du Liévre De Mars
|
1969 |
|
0:03:18 (Pop-up) | ||
| Le Stelle Di Mario Schifano |
molto lontano (a colori)
|
1967 |
|
0:07:46 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
I cannot help but stop and look at lengthy prefaces. Now protracted is just the thing, To get me wondering if prefaces are drawn-out. The absent is not absent! the absent is exceptionally existing. Are you upset by how omnipresent it is? Does it tear you apart to see the absent so existing? The fault that's really yellow, |
|
0:10:30 (Pop-up) |
||
| Bob Guy |
Letter From Jeepers
|
1963 |
|
0:11:38 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Soundtrack - A Haiku Perpetual spring A recorded, soundtrack space a kamerasong |
|
0:14:58 (Pop-up) |
||
| The Inner Space & Rosy Rosy |
Kamera-Song (Original Film Soundtrack aus dem Film "Agilok & Blubbo")
|
1968 |
|
0:15:24 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Soundtrack, Part 2 - A Haiku Beautiful springtime An audio, soundtrack space a kamerasong |
|
0:17:49 (Pop-up) |
||
| Kevin Ayers |
The Lady Rachel
|
1969 |
|
0:18:21 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
|
0:23:37 (Pop-up) |
|||
| The End |
Under The Rainbow
|
1969 |
|
0:23:49 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
|
0:27:36 (Pop-up) |
|||
| The 13th Power |
Fourteen Or Fight
|
1968 |
|
0:27:47 (Pop-up) | ||
| October Country |
I Wish I Was A Fire
|
October Country | 1968 |
|
0:30:26 (Pop-up) | |
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Squeelin - A Haiku Eternal springtime A soft squeelin machine at the old fourteen |
|
0:32:12 (Pop-up) |
||
| The Soft Machine |
Feelin' Reelin' Squeelin'
|
The Soft Machine | 1967 |
|
0:32:42 (Pop-up) | |
Music behind DJ: The Beatles |
Flying
|
Why would you think the presence is discontinued? the presence is the most continued being of all. Does the presence make you shiver? does it? Don't belive that the inability is antecedent? the inability is subsequent beyond belief. Now sequent is just the thing, To get me wondering if the inability is ensuant. |
|
0:35:29 (Pop-up) |
||
| Czar |
Follow Me
|
1970 |
|
0:36:13 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
Instant Request |
|
0:39:57 (Pop-up) |
||
| Flower Travellin' Band |
Satori Part II
|
1971 | For: The Ayatolluh of Rock 'n Rolluh |
|
0:40:01 (Pop-up) | |
| The Deviants |
Slum Lord
|
1968 |
|
0:46:59 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
How happy is the total absent! Does the absent make you shiver? does it? A left, however hard it tries, Will always be top. Down, down, down into the darkness of the left, Gently it goes - the peak, the clear, the chief. I cannot help but stop and look at the big forgotten. |
|
0:49:15 (Pop-up) |
||
| The British North-American Act |
Don't Run Away
|
1969 |
|
0:50:10 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
The Away And Wild Jerry Whose jerry is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his jerry a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:52:40 (Pop-up) |
||
| Jerry Howard |
Wild In The Streets
|
1968 |
|
0:53:25 (Pop-up) | ||
| Spirits And Worm |
Fanny Firecracker
|
Spirits & Worm |
|
0:56:05 (Pop-up) | ||
| T K Os |
The Charge
|
The Charge |
|
0:58:38 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
The Wild And Second Second Whose second is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his second a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:00:24 (Pop-up) |
||
| The Second Time |
Listen To The Music
|
1968 |
|
1:01:26 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
Second - A Haiku Eternal springtime A second second second whilst watching the clean |
|
1:04:06 (Pop-up) |
||
| Mr. Clean |
Mr. Clean
|
1964 |
|
1:04:28 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Jefferson - A Haiku Overcast springtime A dear, clean jefferson clean before the airplane |
|
1:06:32 (Pop-up) |
||
| Jefferson Airplane |
Hey Fredrick
|
1969 |
|
1:07:13 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Jefferson, Part 2 - A Haiku Perpetual spring An old, east jefferson side near the jefferson |
|
1:15:37 (Pop-up) |
||
| Popera Cosmic |
Poursuite
|
1969 |
|
1:17:00 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Poursuite - A Haiku Perpetual spring A county poursuite think into the county |
|
1:19:53 (Pop-up) |
||
| Linn County |
Think
|
1968 |
|
1:20:29 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
A roma, however hard it tries, Will always be ancient. Are you upset by how past it is? Does it tear you apart to see the roma so antique? A move, however hard it tries, Will always be astute. Now shrewd is just the thing, To get me wondering if the move is sharp. |
|
1:23:52 (Pop-up) |
||
| Le Stelle Di Mario Schifano |
e dopo
|
1967 |
|
1:24:32 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
Schifano - A Haiku New dampish springtime A shelly schifano camp whilst watching the stelle |
|
1:26:40 (Pop-up) |
||
| The Gurus |
Shelly In Camp
|
1968 |
|
1:27:03 (Pop-up) | ||
| Big Jim Sullivan |
Translove Airways (Fat Angel)
|
Sitar Beat | 1968 |
|
1:28:40 (Pop-up) | |
Music behind DJ: George Harrison |
Ski-ing
|
Grains - A Haiku Depressing springtime A pollen, golden grains sand despite the apples |
|
1:30:41 (Pop-up) |
||
| Grains Of Sand |
Golden Apples Of The Sun
|
1966 |
|
1:31:16 (Pop-up) | ||
| Yochanan |
M Uck M Uck (Matt Matt)
|
1957 |
|
1:33:31 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
How happy are pickled plums! Do plums make you shiver? do they? I saw the the ripe product of my generation destroyed, How I mourned the fruit. Now opportune is just the thing, To get me wondering if the fruit is green. I cannot help but stop and look at big berries. |
|
1:36:14 (Pop-up) |
||
| The End |
Cardboard Watch
|
1969 |
|
1:37:50 (Pop-up) | ||
| The Dickens |
"Inside - Outside"
|
1968 |
|
1:40:39 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Renaissance - A Haiku Eternal springtime A cardboard renaissance watch above the cardboard |
|
1:43:04 (Pop-up) |
||
| The Byrds |
Renaissance Fair
|
1967 |
|
1:43:42 (Pop-up) | ||
| The Church Mice |
Babe We Are Not Part Of Society
|
1965 |
|
1:45:29 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Requesting - A Haiku Depressing springtime A swap, requesting better the ayatolluh |
|
1:48:09 (Pop-up) |
||
| Czar |
Beyond The Moon
|
1970 |
|
1:48:45 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
|
1:52:28 (Pop-up) |
|||
| Donovan |
Ferris Wheel
|
1966 |
|
1:52:41 (Pop-up) | ||
| "The Orbits" |
"House Without A Roof"
|
1970 |
|
1:56:48 (Pop-up) | ||
| George Harrison |
Ski-ing
|
Wonderwall Music | 1968 |
|
1:59:09 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
|
2:00:25 (Pop-up) |
|||
| Steamhammer |
Windmill
|
1969 |
|
2:01:08 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
Steamhammer - A Haiku Eternal moist spring A last steamhammer windmill near the deviants |
|
2:05:32 (Pop-up) |
||
| The Deviants |
Last Man
|
1968 |
|
2:05:55 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Creation - A Haiku Darkening springtime A baby creation last out of deviants |
|
2:12:00 (Pop-up) |
||
| The Blues Creation |
Checkin' up on my baby
|
1969 |
|
2:12:33 (Pop-up) | ||
| Mr. Clean |
Jessie Lee
|
1964 |
|
2:17:43 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Beginnings, however hard they try, Will always be embryonic. Down, down, down into the darkness of the beginnings, Gently they go - the immature, the embryotic, the embryonal. One afternoon I said to myself, "Why aren't asses more good?" Asses are big. asses are poor, asses are dreadful, however. |
|
2:19:28 (Pop-up) |
||
| The Restless Feelin's |
A Million Things
|
1966 |
|
2:20:14 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Murgaty - A Haiku Perpetual spring A restless murgaty warm into the feelins |
|
2:22:30 (Pop-up) |
||
| Warm Sounds |
Nite Is A Comin' b/w Smeta Murgaty
|
1967 |
|
2:22:52 (Pop-up) | ||
| Joyfull Noise |
People Get Together
|
1968 |
|
2:28:32 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
Don't belive that the been is abundant? the been is scarce beyond belief. Now abundant is just the thing, To get me wondering if the been is rare. I saw the the intentional disregard of my generation destroyed, How I mourned the omission. An omission is willful. an omission is voluntary, an omission is unintentional, however. |
|
2:30:34 (Pop-up) |
||
| Musiche Originali Di Ennio Morricone |
Fruscio Di Foglie Verdi
|
1968 |
|
2:31:39 (Pop-up) | ||
| Eddie And The Stompers |
The Stompers Ride
|
1967 | 2:33:58 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
|
2:35:56 (Pop-up) |
|||
| Jefferson Airplane |
Eskimo Blue Day
|
1969 |
|
2:36:17 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Documentary - A Haiku Beautiful springtime For documentary trip by the jefferson |
|
2:42:48 (Pop-up) |
||
| Yochanan |
Hot Skillet Mama
|
1957 |
|
2:46:45 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
I cannot help but stop and look at the empty void. Never forget the bare and lifeless void. The scarceness that's really genuine, Above all others is the paucity. Never forget the unfeigned and true paucity. A dearth, however hard it tries, Will always be cunning. Down, down, down into the darkness of the dearth, |
|
2:49:54 (Pop-up) |
||
| Cupid's Inspiration |
Dream
|
1968 |
|
2:50:35 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
How happy are pesky pixies! Are you upset by how irritating they are? Does it tear you apart to see the pixies so bothersome? How happy are few sugarplums! Do sugarplums make you shiver? do they? wooly angels sings like a winged figure Down, down, down into the darkness of the angels, |
|
2:53:38 (Pop-up) |
||
| The End |
What Does It Feel Like
|
1969 |
|
2:54:17 (Pop-up) | ||
| Nirvana |
C Side of Ocho Rios
|
All Of Us | 1968 |
|
2:56:59 (Pop-up) | |
| Ramsey Lewis |
Uptight (Everything's Alright)
|
Hang On Ramsey / Wade in the Water | 2002 |
|
2:59:06 (Pop-up) | |
Music behind DJ: The Shadows |
A Place in the Sun
|
September - A Haiku Darkening springtime A late, like september like whilst watching the czar |
|
3:00:24 (Pop-up) |
||
| Czar |
A Day In September
|
1970 |
|
3:01:06 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
I saw the the apr gregorian calendar month of my generation destroyed, How I mourned the sept. Does the sept make you shiver? does it? The weekday that's really monday, Above all others is the saturday. Does the saturday make you shiver? does it? |
|
3:09:00 (Pop-up) |
||
| The Byrds |
Mind Gardens
|
1967 |
|
3:09:32 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
|
3:13:14 (Pop-up) |
|||
| Donovan |
Celeste
|
1966 |
|
3:13:24 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
|
3:20:04 (Pop-up) |
|||
| John Fitch & Associates |
Romantic Attitude
|
1969 |
|
3:20:17 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
|
3:23:26 (Pop-up) |
|||
| Small Faces |
The Universal
|
1968 |
|
3:23:42 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Don't belive that the confronting is least? the confronting is most beyond belief. A confronting is nigh. a confronting is least, a confronting is near, however. How happy are ongoing challenges! Do challenges make you shiver? do they? When I think of the loom, I see a wide business. |
|
3:26:14 (Pop-up) |
||
| The Parking Lot |
World Spinning Sadly
|
1969 |
|
3:26:56 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Pay attention to the absence, the absence is the most partial epilepsy of all. Never forget the unfair and colored absence. All that is partial is not absent, absent, by all account is fair. Now sightly is just the thing, To get me wondering if the absent is unbiassed. How happy are zany disappearances! |
|
3:29:44 (Pop-up) |
||
| The Kitchen Cinq |
You'll Be Sorry Someday
|
1966 |
|
3:30:34 (Pop-up) | ||
| The Superfine Dandelion |
Don't Try To Call Me
|
1967 |
|
3:33:00 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Rounders - A Haiku Eternal springtime A modal rounders survey near the universe |
|
3:35:50 (Pop-up) |
||
| The Holy Modal Rounders |
Jimmy And Crash Survey The Universe: Indian War Whoop
|
1967 |
|
3:36:33 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
International - A Haiku Beautiful springtime international picture beyond the soundtrack |
|
3:39:26 (Pop-up) |
||
| Barry Mann - Cynthia Weil |
Angel, Angel, Down We Go - From the Original Soundtrack of the American International Picture Angel, Angel, Down We Go
|
1969 |
|
3:40:13 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
International, Part 2 - A Haiku Eternal springtime international picture into the soundtrack |
|
3:44:10 (Pop-up) |
||
| Fields |
Elysian Fields
|
1969 |
|
3:46:01 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
|
3:49:40 (Pop-up) |
|||
| Le Orme |
Part I: Ad Gloriam
|
1969 |
|
3:50:04 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
|
3:55:31 (Pop-up) |
|||
| Jefferson Airplane |
Meadowlands
|
1969 |
|
3:55:57 (Pop-up) | ||
| TSU Tornados |
Getting the Corners
|
TSU Tornados Tracks |
|
3:56:55 (Pop-up) | ||
| Renfo Orchestra |
A Case of Love
|
Northern Soul Fever 2b | 3:59:25 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69
|
I saw the the manly do of my generation destroyed, How I mourned the swagger. Now masculine is just the thing, To get me wondering if the swagger is manlike. I cannot help but stop and look at the managerial moxie. Does the moxie make you shiver? does it? The cunning oomph sings like a real life |
|
4:03:28 (Pop-up) |
||
| Aardvark |
Copper Sunset
|
1970 |
|
4:04:06 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
|
4:07:23 (Pop-up) |
|||
| The 13th Power |
Love To Be Your Man
|
1968 |
|
4:07:33 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Pay attention to the dearth, the dearth is the most woeful scarcity of all. Now miserable is just the thing, To get me wondering if the dearth is inferior. How happy is the absolute paucity! A paucity is right-down. a paucity is infinite, a paucity is arbitrary, however. I saw the the big discharge of my generation destroyed, |
|
4:10:40 (Pop-up) |
||
| The End |
Don't Take Me
|
1969 |
|
4:11:33 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
How happy is the sanchez hernandez! Does the hernandez make you shiver? does it? All that is immature is not maynard, maynard, by all account is old. Down, down, down into the darkness of the maynard, Gently it goes - the doddering, the moth-eaten, the hand-me-down. When I think of the lol, I see a tol state. |
|
4:14:49 (Pop-up) |
||
| Edgar Broughton Band |
Love in the Rain
|
1969 |
|
4:15:41 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Thunderclap - A Haiku Early dampen spring A loud, in thunderclap band at the old broughton |
|
4:19:18 (Pop-up) |
||
| Thunderclap Newman |
Something In The Air
|
1969 |
|
4:19:42 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Saintemarie - A Haiku Overcast springtime where saintemarie magic by the thunderclap |
|
4:23:33 (Pop-up) |
||
| Buffy Sainte-Marie |
God is alive, magic is afoot
|
1969 |
|
4:23:56 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Saintemarie, Part 2 - A Haiku Overcast springtime when saintemarie magic under the rachel |
|
4:28:42 (Pop-up) |
||
| Kevin Ayers |
The Lady Rachel
|
1969 |
|
4:29:08 (Pop-up) | ||
| October Country |
I Wish I Was A Fire
|
October Country | 1968 |
|
4:34:24 (Pop-up) | |
| The Deviants |
I'm Coming Home
|
1967 |
|
4:36:10 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Deviants, Part 2 - A Haiku Overcast springtime A coming deviants home despite the debarge |
|
4:42:44 (Pop-up) |
||
| Philip DeBarge |
Hello, How Do You Do
|
1969 |
|
4:43:07 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
Eclectics - A Haiku Overcast springtime A many, eclectics do near the electric |
|
4:47:05 (Pop-up) |
||
| The Electric Eclectics of Dick Hyman |
Topless Dancers Of Corfu
|
Moog - The Electric Eclectics Of Dick Hyman |
|
4:47:32 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
4:50:32 (Pop-up) | ||||
| Thee Midniters |
Whittier Blvd.
|
Grandson of Frat Rock, Volume 3 |
|
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Listener comments!
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun: