The Night Owl Show with Owl Sun:
Playlist
from June 11, 2021
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
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| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
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1967 | 0:00:23 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:48 (Pop-up) | ||||
| The Surprise Package |
New Way Home
|
1969 |
|
0:03:16 (Pop-up) | ||
| The Holy Modal Rounders |
One Will Do For Now
|
1968 |
|
0:07:06 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
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Invention - A Haiku Beautiful springtime A burnt invention sandwich at the old sandwich |
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0:08:26 (Pop-up) |
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| The Mothers Of Invention |
Theme From Burnt Weeny Sandwich
|
1970 |
|
0:08:57 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
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Invention, Part 2 - A Haiku Eternal springtime A light invention sandwich watching the sandwich |
|
0:16:15 (Pop-up) |
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| The Argyles |
Turn On Your Love Light
|
1968 |
|
0:17:02 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
Argyles - A Haiku Darkening springtime A poor, light argyles summer betrayed by the clarke |
|
0:20:10 (Pop-up) |
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| Kathy Clarke |
My Summer Prayer
|
2008 |
|
0:20:27 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
|
0:22:48 (Pop-up) |
|||
| The Move |
What?
|
1970 |
|
0:22:59 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Instant Request |
|
0:29:39 (Pop-up) |
||
| Ron Geesin |
Agitation in Anticipation of Offspring Part "W"
|
1969 | For: The Ayatolluh of Rock 'n Rolluh |
|
0:29:42 (Pop-up) | |
| Power of Zeus |
uncertain destination
|
1970 |
|
0:31:57 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
|
0:36:45 (Pop-up) |
|||
| Stu Phillips |
Skip To My Mary J.
|
Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
|
0:37:34 (Pop-up) | |
| The Ones |
Lady Greengrass
|
0:39:40 (Pop-up) | ||||
| Van Dyke Parks |
Donovan's Colours
|
1968 |
|
0:42:18 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
|
0:45:53 (Pop-up) |
|||
| Neighb'rhood Childr'n |
Behold The Lillies
|
1968 |
|
0:47:17 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
I cannot help but stop and look at savage huskies. Are you upset by how cruel they are? Does it tear you apart to see the huskies so fierce? Foxes, however hard they try, Will always be rabid. Foxes are passionate. foxes are fanatical, foxes are fanatic, however. Don't belive that the huntsmen is lean? |
|
0:49:44 (Pop-up) |
||
| The Eclectic Mouse |
Where Do The Hounds Go
|
1969 |
|
0:50:28 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
I cannot help but stop and look at the mangy dog. Does the dog make you shiver? does it? All that is earless is not beagles, beagles, by all account is eared. Never forget the lop-eared and worn beagles. The fat gundog sings like excellent results Now rich is just the thing, |
|
0:52:57 (Pop-up) |
||
| Procol Harum |
The Devil Came From Kansas
|
1969 |
|
0:53:34 (Pop-up) | ||
| Ramblers |
Soulful Jerk
|
Northern Soul Fever 2b | 0:58:04 (Pop-up) | |||
| Stu Phillips |
Skip To My Mary J.
|
Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
|
0:59:56 (Pop-up) | |
Music behind DJ: Big Jim Sullivan |
The Koan
|
|
1:00:23 (Pop-up) |
|||
| The Glass Harp |
Where Did My World Come From?
|
1969 |
|
1:00:56 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
|
1:04:11 (Pop-up) |
|||
| John Cale |
Ghost Story
|
1970 |
|
1:04:37 (Pop-up) | ||
| The Woodchucks |
Bo-Dacious
|
1969 |
|
1:08:23 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
|
1:11:28 (Pop-up) |
|||
| Lee Hazlewood |
No Train To Stockholm
|
1970 |
|
1:11:58 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
|
1:14:13 (Pop-up) |
|||
| Thundertree |
Head Embers
|
1970 |
|
1:14:27 (Pop-up) | ||
| The Unspoken Word |
Boy
|
1966 |
|
1:17:53 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Because I could not submit for revised, it did kindly submit for me. You may submit, With your modern lies, But still, like a revised, I'll rise. I cannot help but stop and look at notable omissions. Now famed is just the thing, To get me wondering if omissions are noted. |
|
1:19:54 (Pop-up) |
||
| Christopher |
Dark Road
|
1970 |
|
1:20:44 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
The Hot And Dark Smoke Whose smoke is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his smoke a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:23:28 (Pop-up) |
||
| The Mooche |
Hot Smoke And Sasafrass
|
1969 |
|
1:24:11 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Benninghoffs - A Haiku Darkening springtime A boggy benninghoffs smoke out of sasafrass |
|
1:27:16 (Pop-up) |
||
| Benninghoff's Bad Rock Blues Band |
#6 The Boggy Bayou Revival, Part I
|
1970 |
|
1:27:55 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Benninghoffs, Part 2 - A Haiku Overcast springtime A boggy benninghoffs knight into the shadows |
|
1:30:13 (Pop-up) |
||
| The Shadows of Knight |
Gloria
|
1966 |
|
1:30:48 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
Shadows - A Haiku Overcast springtime A savage shadows savage into the savage |
|
1:34:19 (Pop-up) |
||
| The Savage Rose |
Long Before I Was Born
|
1968 |
|
1:34:36 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
The Savage And Spontaneous Creation Whose creation is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his creation a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:37:52 (Pop-up) |
||
| The Crazy World Of Arthur Brown |
Spontaneous Apple Creation
|
1968 |
|
1:38:38 (Pop-up) | ||
| The Oxford Circle |
Mystic Eyes
|
1966 |
|
1:41:31 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
|
1:50:38 (Pop-up) |
|||
| Douglas |
Si Je Buvais Moins
|
1967 |
|
1:50:49 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
|
1:54:04 (Pop-up) |
|||
| Jesus |
L'Electrocute
|
1968 |
|
1:54:15 (Pop-up) | ||
| Sagittarius |
Pisces
|
Another Time / Pisces | 1968 |
|
1:57:03 (Pop-up) | |
| Gerry & Paul & the Soul Emmissaries |
Little Bit of Soul
|
Northern Soul Fever 4b | 1:59:51 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun
|
|
2:00:22 (Pop-up) |
|||
| bo grumpus |
Sparrow Tune
|
1968 |
|
2:01:06 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Neighbrhood - A Haiku Eternal springtime suddenly long neighbrhood space enjoying the childrn |
|
2:03:58 (Pop-up) |
||
| Neighb'rhood Childr'n |
Long Years In Space
|
1967 |
|
2:04:19 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Neighbrhood, Part 2 - A Haiku Overcast springtime before long neighbrhood comedown watching the comedown |
|
2:07:12 (Pop-up) |
||
| Spider |
The Comedown Song
|
1966 |
|
2:07:43 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
A mother, however hard it tries, Will always be time. Does the mother make you shiver? does it? Pay attention to the mom, the mom is the most wrong mother of all. Now untimely is just the thing, To get me wondering if the mom is mistaken. |
|
2:11:20 (Pop-up) |
||
| The Glass Harp |
She Told Me
|
1969 |
|
2:12:04 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Passageway - A Haiku Perpetual spring A main, passageway glass into the dischords |
|
2:16:39 (Pop-up) |
||
| Dynamic Dischords |
Passageway (To Your Heart)
|
1967 |
|
2:17:13 (Pop-up) | ||
| The Woodchucks |
Angry Generation
|
1969 |
|
2:20:46 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
How happy is the precautions neglected! Does the neglected make you shiver? does it? How happy are laudatory prefaces! Never forget the complimentary and praiseful prefaces. I must submit with the cunning revised again, Now artful is just the thing, To get me wondering if the revised is sly. |
|
2:22:51 (Pop-up) |
||
| Dragonfly |
Blue Monday
|
1968 |
|
2:23:39 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
|
2:26:41 (Pop-up) |
|||
| Velvett Fogg |
Telstar '69
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
2:26:52 (Pop-up) | |
Music behind DJ: Beaver & Krause |
Walkin'
|
How happy is the immovable robbie! Down, down, down into the darkness of the robbie, Gently it goes - the immobile, the unmovable, the immoveable. One afternoon I said to myself, "Why isn't the selena more young?" Now gray-haired is just the thing, To get me wondering if the selena is age-old. Just like a pro quality, is the tyson. |
|
2:29:34 (Pop-up) |
||
| Pink Floyd |
Point Me At The Sky
|
Point Me At The Sky / Careful With That Axe Eugene | 1968 |
|
2:30:31 (Pop-up) | |
Music behind DJ: George Harrison |
Party Seacombe
|
How happy is the british crawford! Does the crawford make you shiver? does it? A tyson, however hard it tries, Will always be fast. Never forget the firm and locked tyson. A taylor, however hard it tries, Will always be yellow. |
|
2:33:57 (Pop-up) |
||
| Lee Hazlewood |
What's More I Don't Need Her
|
1970 |
|
2:34:45 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
How happy are bootleg tapes! Tapes are black. tapes are contraband, tapes are illegal, however. Obituaries, however hard they try, Will always be brief. Are you upset by how abbreviated they are? Does it tear you apart to see the obituaries so short? Just like a criminal prosecution, is histories. |
|
2:38:22 (Pop-up) |
||
| The Legend |
Portrait Of Youth
|
1968 |
|
2:43:06 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
The need that's really woeful, Above all others is the lack. Are you upset by how miserable it is? Does it tear you apart to see the lack so wretched? Pay attention to the unavailability, the unavailability is the most unexpected inconvenience of all. Now unhoped is just the thing, To get me wondering if the unavailability is unheralded. |
|
2:45:42 (Pop-up) |
||
| The Hello People |
Let's Go Hide In The Forest
|
1967 |
|
2:46:31 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Christopher - A Haiku Overcast springtime A young, christopher people after the cycles |
|
2:49:08 (Pop-up) |
||
| Christopher |
Magic Cycles
|
1970 |
|
2:49:44 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
One afternoon I said to myself, "Why aren't intervals more dark?" Do intervals make you shiver? do they? I cannot help but stop and look at consuming iterations. Do iterations make you shiver? do they? Downturns, however hard they try, |
|
2:54:40 (Pop-up) |
||
| The Peanut Butter Conspiracy |
Too Many Do
|
2011 |
|
2:55:23 (Pop-up) | ||
| The Savage Rose |
Ride My Mountain (Jade)
|
1968 |
|
3:01:50 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
The gone is not dry! the gone is exceptionally fragrant. Are you upset by how lovable it is? Does it tear you apart to see the gone so fragrant? The mortal that's really private, Above all others is the deceased. Now cloistered is just the thing, To get me wondering if the deceased is insular. |
|
3:07:25 (Pop-up) |
||
| The Unspoken Word |
Nobody's Nothing
|
1966 |
|
3:08:15 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
The quality that's really parental, Above all others is the inability. An inability is filial. an inability is maternal, an inability is paternal, however. A paucity, however hard it tries, Will always be conspicuous. A paucity is obvious. a paucity is attention-getting, a paucity is glaring, however. |
|
3:10:27 (Pop-up) |
||
| Brainticket |
Brainticket Part II
|
1971 |
|
3:11:11 (Pop-up) | ||
| The Del-Vetts |
Last Time Around
|
1966 |
|
3:24:19 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
I cannot help but stop and look at the lovely julia. Does the julia make you shiver? does it? I cannot help but stop and look at the young nanna. Never forget the teenaged and little nanna. When I think of the paula, I see a pious hope. Never forget the tiny and fiddling paula. Refresh until you're happy with your poem. |
|
3:27:32 (Pop-up) |
||
| the Collectors |
Lydia Purple
|
1968 |
|
3:28:32 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
|
3:31:14 (Pop-up) |
|||
| The Wizards from Kansas |
Cod'ine
|
1970 |
|
3:31:28 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
|
3:37:13 (Pop-up) |
|||
| bo grumpus |
The Breath O' Love
|
1968 |
|
3:37:28 (Pop-up) | ||
| The Mind's Eye |
Help, I'm Lost!
|
1967 |
|
3:40:27 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
I saw the the never imperfectness of my generation destroyed, How I mourned the failing. Does the failing make you shiver? does it? The deceased is not public! the deceased is exceptionally inward. Down, down, down into the darkness of the deceased, Gently it goes - the snobby, the inward, the insular. |
|
3:42:43 (Pop-up) |
||
| The Dovers |
The Third Eye
|
1996 | 3:43:26 (Pop-up) | |||
| The Trees |
Don't Miss The Turn
|
1996 | 3:45:39 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun
|
I cannot help but stop and look at the dead absent. An absent is doomed. an absent is stagnant, an absent is nonviable, however. Why would you think the left is downstage? the left is the most upstage tract of all. Does the left make you shiver? does it? I cannot help but stop and look at the big revised. |
|
3:47:49 (Pop-up) |
||
| Dragonfly |
Enjoy Yourself
|
1968 |
|
3:48:35 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Because I could not cede for utrecht, it did kindly cede for me. Utrecht, utrecht, every where, Yet not a drop to cede. One afternoon I said to myself, "Why isn't the groningen more adopted?" Never forget the foreign and nonnative groningen. When I think of nevis, I see glen states. |
|
3:51:58 (Pop-up) |
||
| Nina Lizell & Lee Hazlewood |
Vem Kan Segla Förutan Vind
|
1971 |
|
3:53:34 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Hazlewood - A Haiku Overcast springtime A shot, bright hazlewood light near the maximus |
|
3:55:47 (Pop-up) |
||
| Circus Maximus |
Bright Light Lovers
|
1967 |
|
3:56:13 (Pop-up) | ||
| The Beach Boys |
Wild Honey
|
Wild Honey | 1968 |
|
3:59:04 (Pop-up) | |
| The Rovin' Kind |
My Generation
|
1966 |
|
4:04:39 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
|
4:07:11 (Pop-up) |
|||
| The Shadows of Knight |
It Always Happens That Way
|
1966 |
|
4:07:40 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
|
4:11:09 (Pop-up) |
|||
| Chrysalis |
Lacewing
|
1968 |
|
4:11:21 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
|
4:14:39 (Pop-up) |
|||
| The Small Society |
Somebody Help Me
|
1968 |
|
4:14:54 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Shepherd - A Haiku Depressing springtime A savage shepherd shepherd by the somebody |
|
4:16:44 (Pop-up) |
||
| The Savage Rose |
The Shepherd & Sally
|
1968 |
|
4:17:15 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
The lack that's really unexplained, Above all others is the absence. An absence is undetermined. an absence is inexplicable, an absence is incomprehensible, however. I cannot help but stop and look at the horses failing. Does the failing make you shiver? does it? Don't belive that the lost is big? |
|
4:22:27 (Pop-up) |
||
| Jesus |
Songe Mortuaire
|
1968 |
|
4:23:09 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
|
4:25:53 (Pop-up) |
|||
| The Move |
What?
|
1970 |
|
4:26:04 (Pop-up) | ||
| Kathy Clarke |
My Summer Prayer
|
2008 |
|
4:32:43 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
|
4:35:05 (Pop-up) |
|||
| The Del-Vetts |
Every Time
|
1966 |
|
4:35:23 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
Anniversary - A Haiku Darkening springtime when anniversary word above the delvetts |
|
4:38:32 (Pop-up) |
||
| The Unspoken Word |
Anniversary Of My Mind
|
1968 |
|
4:39:05 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Quicksilver - A Haiku Beautiful springtime A pure, quicksilver service anniversary |
|
4:41:35 (Pop-up) |
||
| The Quicksilver Messenger Service |
Codine
|
1968 |
|
4:42:08 (Pop-up) | ||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme
|
All that is first is not revised, revised, by all account is second. Now first is just the thing, To get me wondering if the revised is intermediate. I cannot help but stop and look at copious prefaces. Do prefaces make you shiver? do they? When I think of the been, I see a harm girl. |
|
4:47:24 (Pop-up) |
||
| Children |
Enough Of What I Need
|
1968 |
|
4:48:13 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
4:50:10 (Pop-up) | ||||
| Gerry & Paul & the Soul Emmissaries |
Little Bit of Soul
|
Northern Soul Fever 4b | ||||
| the Electric Flag, an American Music Band |
M-23
|
Original Motion Picture Sound Track: The Trip | 1967 |
|
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