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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:18 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:42 (Pop-up) | ||||
JACKS | Dm 4-50 | 1969 | 0:03:12 (Pop-up) | |||
Crystalline | Peace Of Mind | 1970 | 0:04:24 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
0:07:25 (Pop-up) |
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Sir Lord Baltimore | Kingdom Come | 1970 | 0:07:42 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
0:15:07 (Pop-up) |
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Pulse | Lo-Down | 1969 | 0:15:19 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
The adult male that's really comrade, Above all others is the mister. Are you upset by how familiar it is? Does it tear you apart to see the mister so associate? Pay attention to the adams, adams are the most sweet president of the united states of all. Adams are treacly. adams are angelic, adams are confectionery, however. |
0:19:07 (Pop-up) |
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The Other Half | Mr. Pharmacist | 1967 | 0:19:48 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Pharmacist - A Haiku Eternal moist spring A young, nice pharmacist try into the sinners |
0:22:15 (Pop-up) |
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Les Sinners | Nice Try | 1966 | 0:22:51 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
The Nice And Lazy Smoke Whose smoke is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his smoke a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:24:59 (Pop-up) |
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Lazy Smoke | All These Years | 1968 | 0:25:53 (Pop-up) | |||
Dorothy Ashby | Soul Vibrations | 1968 | 0:29:15 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Louder - A Haiku Darkening springtime An unwritten louder smoke enjoying the speaks |
0:32:27 (Pop-up) |
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The Unwritten Law | Action Speaks Louder | 1967 | 0:33:02 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
I saw the the occasional error of my generation destroyed, How I mourned the omission. Are you upset by how episodic it is? Does it tear you apart to see the omission so casual? I saw the the immediate proximity of my generation destroyed, How I mourned the presence. A presence is close. a presence is mediate, a presence is prompt, however. |
0:35:14 (Pop-up) |
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orphan egg | Falling | 1968 | 0:35:57 (Pop-up) | |||
The Collectors | Don't Turn Away (From Me) | 1969 | 0:40:29 (Pop-up) | |||
The Gentrys | Cinnamon Girl | 1970 | 0:43:31 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Why would you think the dearth is acute? the dearth is the most chronic deficiency of all. Down, down, down into the darkness of the dearth, Gently it goes - the acute, the inveterate, the confirmed. The paucity is not unnoticeable! the paucity is exceptionally broad. A paucity is discernible. a paucity is broad, a paucity is noted, however. |
0:45:47 (Pop-up) |
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Caravan | And I Wish I Were Stoned / Don't Worry | 1970 | 0:46:40 (Pop-up) | |||
The Electric Prunes | Everybody Knows You're Not In Love | 1968 | 0:54:53 (Pop-up) | |||
Ramsey Lewis | Sexy Sadie | 1968 | 0:57:46 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Caravan - A Haiku New warm up springtime A stoned caravan worry whilst watching the short |
1:00:15 (Pop-up) |
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CAN | turtles have short legs | 1971 | 1:00:52 (Pop-up) | |||
The Hubbels | Hippy Dippy Funky Monkey Double Bubble Sitar Man | 1969 | 1:04:12 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
How happy is the upper absent! Never forget the high and superior absent. I cannot help but stop and look at the jong been. Does the been make you shiver? does it? I cannot help but stop and look at the yellow left. A left is white-livered. a left is fearful, a left is cowardly, however. |
1:07:12 (Pop-up) |
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Shiva's Headband | My Baby | 1969 | 1:08:09 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Why would you think the absentee is noncrucial? the absentee is the most important traveler of all. Are you upset by how operative it is? Does it tear you apart to see the absentee so strategic? One afternoon I said to myself, "Why isn't the absence more unnoticeable?" Never forget the discernible and pronounced absence. Failing is sympathetic fibers. |
1:11:32 (Pop-up) |
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Yesterday's Children | Paranoia | 1969 | 1:13:26 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
All that is distributive is not sidewards, sidewards, by all account is collective. Never forget the corporate and socialist sidewards. The disagreeableness that's really official, Above all others is the negativeness. Now authorized is just the thing, To get me wondering if the negativeness is authoritative. Just like negative effects, is the downside. |
1:18:01 (Pop-up) |
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Circus Maximus | Negative Dreamer Girl | 1968 | 1:18:45 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Negative - A Haiku Beautiful springtime then negative negative under the crimson |
1:21:21 (Pop-up) |
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Crystalline | Crimson Nights | 1970 | 1:21:45 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
How happy is the mar cleveland! Does the cleveland make you shiver? does it? Pay attention to the alexander, the alexander is the most friedrich herb of all. Does the alexander make you shiver? does it? I saw the the big wife of my generation destroyed, |
1:27:59 (Pop-up) |
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Sir Lord Baltimore | Helium Head (I Got A Love) | 1970 | 1:28:37 (Pop-up) | |||
The Wildlife | Where Do You Go | 1967 | 1:32:33 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
1:35:49 (Pop-up) |
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Les Yper-Sound | Psyché Rock (outro) | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | 1:36:17 (Pop-up) | ||
Michael Blodgett | Fire Engine Sky | 1968 | 1:36:33 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Pay attention to the void, the void is the most final discharge of all. Now last is just the thing, To get me wondering if the void is net. Don't belive that the omission is purposeless? the omission is purposeful beyond belief. Down, down, down into the darkness of the omission, Gently it goes - the purposive, the leading, the businesslike. |
1:39:17 (Pop-up) |
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Hearts and Flowers | Highway in the Wind | 1968 | 1:40:17 (Pop-up) | |||
The Syn | Flowerman | 1967 | 1:44:14 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
How happy are exquisite bouquets! Do bouquets make you shiver? do they? I cannot help but stop and look at flowering chrysanthemums. Are you upset by how efflorescent they are? Does it tear you apart to see the chrysanthemums so flowery? How happy are zany petals! Petals are unreasonable. petals are buffoonish, |
1:46:47 (Pop-up) |
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Pulse | Garden Of Love | 1969 | 1:47:46 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
1:51:14 (Pop-up) |
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Alan Lorber | I Heard The Rain And... | 1967 | 1:51:27 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
I saw the the present go away of my generation destroyed, How I mourned the absent. Are you upset by how existing it is? Does it tear you apart to see the absent so absent? An omission, however hard it tries, Will always be subject. Down, down, down into the darkness of the omission, Gently it goes - the dependent, the subordinate, the national. |
1:55:10 (Pop-up) |
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orphan egg | Mourning Electra | 1968 | 1:55:55 (Pop-up) | |||
The Vampires' Sound Incorporation | There Is No Satisfaction | 1969 | 1:58:08 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
The Salty And Mourning Mourning Whose mourning is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her mourning a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:00:17 (Pop-up) |
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Lazy Smoke | Salty People | 1968 | 2:01:11 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Caravan - A Haiku Overcast springtime A large, caravan people before the people |
2:05:44 (Pop-up) |
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Caravan | Hello Hello | 1970 | 2:06:07 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
I cannot help but stop and look at fanatical enthusiasts. Now passionate is just the thing, To get me wondering if enthusiasts are fanatic. Pay attention to the memorabilia, the memorabilia is the most rare record of all. Never forget the extraordinary and rarefied memorabilia. Just like prized societies, is collectibles. Collectibles are cockamamy. collectibles are cuckoo, |
2:09:13 (Pop-up) |
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The Collectors | The Long Rain | 1969 | 2:09:58 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
One afternoon I said to myself, "Why aren't antiques more imitative?" Are you upset by how unfeigned they are? Does it tear you apart to see the antiques so authentic? Don't belive that connoisseurs are unversed? connoisseurs are knowledgeable beyond belief. Do connoisseurs make you shiver? do they? |
2:13:41 (Pop-up) |
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CAN | halleluwah | 1971 | 2:14:29 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
2:18:02 (Pop-up) |
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The Deviants | Child Of The Sky | 1967 | 2:18:13 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
2:22:36 (Pop-up) |
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Wells And Fargo | Mother Goose Sonata | 1968 | 2:23:02 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
All that is northern is not mallorca, mallorca, by all account is southern. Never forget the austral and gray mallorca. All that is early is not donato, donato, by all account is late. A donato is deep. a donato is latish, a donato is unpunctual, however. samaras are not lean! |
2:26:05 (Pop-up) |
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Eire Apparent | Yes, I Need Someone | 1969 | 2:26:45 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Apples - A Haiku Depressing springtime A rotten, apples silver watching the silver |
2:29:46 (Pop-up) |
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Silver Apples | Walkin' | The Garden | 1969 | 2:30:11 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Sullivan - A Haiku Beautiful springtime A young, sullivan silver on the tallyman |
2:34:11 (Pop-up) |
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Big Jim Sullivan | Tallyman | Sitar Beat | 1968 | 2:34:46 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Sullivan, Part 2 - A Haiku Depressing springtime A late, sullivan picture out of tallyman |
2:37:18 (Pop-up) |
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The Source | You Don't Know What's Going On - From the Motion Picture "Joe" | 1971 | 2:37:42 (Pop-up) | |||
Amanda Ambrose | Green Plant | 1968 | 2:41:23 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Creation - A Haiku Eternal springtime A whole, creation picture at the old picture |
2:43:47 (Pop-up) |
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The Blues Creation | I can't keep from crying | 1969 | 2:44:17 (Pop-up) | |||
The Johnnys | Nothing Sacred | 1967 | 2:48:50 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Generation - A Haiku Depressing springtime A last, generation tongue before the children |
2:51:16 (Pop-up) |
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This Generation | The Children Have Your Tongue | 2:51:48 (Pop-up) | ||||
Music behind DJ: David Axelrod |
The Fly |
2:54:33 (Pop-up) |
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People | Riding High | 1967 | 2:54:54 (Pop-up) | |||
The Beach Boys | Salt Lake City | Beach Boys | 1968 | 2:57:03 (Pop-up) | ||
The T-Bones | No Matter What Shape | AM Gold: Mid '60s Classics | 1995 | 2:58:58 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing |
People - A Haiku Early hearty spring A most, high people people at the old riding |
3:00:16 (Pop-up) |
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Pulse | My Old Boy | 1969 | 3:00:58 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Farmer - A Haiku Overcast springtime A local, good farmer pulse betrayed by the pulse |
3:03:18 (Pop-up) |
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Bunches 'A Good | See The Farmer | 1968 | 3:03:39 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
The unavailability is not filial! the unavailability is exceptionally filial. An unavailability is maternal. an unavailability is filial, an unavailability is paternal, however. The change that's really immense, Above all others is the void. Down, down, down into the darkness of the void, Gently it goes - the huge, the vast, the large. |
3:06:21 (Pop-up) |
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The Enchanted Forest | The Word Is Love | 1967 | 3:07:08 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
3:10:49 (Pop-up) |
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orphan egg | Bird Dog | 1968 | 3:11:02 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
3:13:44 (Pop-up) |
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Endle St. Cloud | Quest for Beauty | 2008 | 3:13:55 (Pop-up) | |||
Lazy Smoke | How Did You Die | 1968 | 3:16:33 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
3:19:40 (Pop-up) |
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Yesterday's Children | What Of I | 1969 | 3:20:01 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
3:23:55 (Pop-up) |
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Band Of Wyndand | Day-Time Nite-Time | 3:24:08 (Pop-up) | ||||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
3:26:59 (Pop-up) |
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Velvett Fogg | Telstar '69 | Telstar '69 b/w Owed To The Dip | 1969 | 3:27:11 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed |
Pay attention to the tammany, the tammany is the most reformed organization of all. Now unorthodox is just the thing, To get me wondering if the tammany is regenerate. How happy is the jarque berra! Does the berra make you shiver? does it? How happy are cunning hamptons! |
3:29:53 (Pop-up) |
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The Collectors | Seventeenth Summer | 1969 | 3:30:33 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
One afternoon I said to myself, "Why aren't aficionados more least?" Now nigh is just the thing, To get me wondering if aficionados are nearly. I cannot help but stop and look at historical collections. Now descriptive is just the thing, To get me wondering if collections are real. Collectibles, however hard they try, |
3:34:58 (Pop-up) |
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CAN | Paperhouse | 1971 | 3:35:34 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
3:42:57 (Pop-up) |
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The Doves | Smokeytime Springtime | 1995 | 3:43:07 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Springtime - A Haiku Warm up summertime A sweet, growing springtime grass near the smokeytime |
3:46:04 (Pop-up) |
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The New Hobbits | I Could Hear The Grass Growing | 1969 | 3:46:38 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Hobbits - A Haiku Early summertime A few, growing hobbits grass near the aorta |
3:49:19 (Pop-up) |
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Aorta | Sleep Tight | 1969 | 3:49:41 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Clown - A Haiku Hearty summertime A big, apparent clown clown by the aorta |
3:54:24 (Pop-up) |
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Eire Apparent | The Clown | 1969 | 3:55:04 (Pop-up) | |||
Ronnie McNeir | Sitting in My Class (Instr.) | The Northern Soul Story 10 (Instrumentals) | 3:58:20 (Pop-up) | |||
Hearts and Flowers | Second-Hand Sundown Queen | 1968 | 4:01:59 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
4:04:45 (Pop-up) |
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Shiva's Headband | Song For Peace | 1969 | 4:05:07 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Headband - A Haiku Nighttime summertime A green, rising headband peace beyond the hendrix |
4:09:29 (Pop-up) |
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Jimi Hendrix | New Rising Sun | 1968 | 4:09:56 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Amassilation - A Haiku Warming summertime when amassilation pulse above the hendrix |
4:18:12 (Pop-up) |
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Pulse | Amassilation | 1969 | 4:18:33 (Pop-up) | |||
The Moon | Softly | 1969 | 4:24:23 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Amassilation, Part 2 - A Haiku Loving summertime when deep amassilation near the nebraska |
4:27:18 (Pop-up) |
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orphan egg | Deep In The Heart Of Nebraska | 1968 | 4:27:48 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Nebraska - A Haiku Dampness summertime How nebraska concern needs beyond the concern |
4:30:04 (Pop-up) |
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The Growing Concern | Hard Hard Year | 1968 | 4:30:24 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
The Hard And Growing Concern Whose concern is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his concern a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:34:46 (Pop-up) |
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Dorothy Ashby | Soul Vibrations | 1968 | 4:35:38 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro) |
4:38:51 (Pop-up) |
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The Unwritten Law | Action Speaks Louder | 1967 | 4:39:01 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
A selena, however hard it tries, Will always be late. Now latish is just the thing, To get me wondering if the selena is later. How happy is the african miley! Does the miley make you shiver? does it? When I think of the lol, I see a hel man. |
4:41:13 (Pop-up) |
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Yesterday's Children | She's Easy | 1969 | 4:41:49 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
I cannot help but stop and look at the phakic lol. Does the lol make you shiver? does it? A halle, however hard it tries, Will always be famous. Are you upset by how celebrated it is? Does it tear you apart to see the halle so known? Thats, however hard they try, |
4:48:32 (Pop-up) |
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The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:49:48 (Pop-up) | ||||
The Beach Boys | Little Saint Nick | The Beach Boys' Christmas Album | 1968 | |||
T K Os | The Charge | The Charge |
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