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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:06 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:31 (Pop-up) | ||||
Family | Mellowing Grey | 1968 | 0:02:59 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
I saw the the noticeable natural action of my generation destroyed, How I mourned the softening. A softening is evident. a softening is conspicuous, a softening is pronounced, however. How happy are dusky tinges! Tinges are dark. tinges are brunette, tinges are twilit, however. I cannot help but stop and look at the zany pensiveness. |
0:05:42 (Pop-up) |
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The Amen Corner | I Know | 1967 | 0:06:22 (Pop-up) | |||
Kim Fowley | They're Comming To Take Me Away, Ha Ha! | 1966 | 0:08:43 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
How happy are colored guys! Guys are bright blue. guys are bichrome, guys are chromatic, however. How happy are american barbers! Do barbers make you shiver? do they? Just like beautiful flowers, is denizens. Denizens are infinitesimal. denizens are lilliputian, |
0:11:33 (Pop-up) |
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Cat Mother and the All Night Newsboys | Bad News | 1968 | 0:12:36 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Newsboys - A Haiku Dampish summertime A heavy newsboys mother at the old mother |
0:15:48 (Pop-up) |
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Bob Seger and the Last Heard | Heavy Music (Part 2) | 1967 | 0:16:14 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Flower - A Haiku Warm up summertime A losing flower flower above the seger |
0:19:01 (Pop-up) |
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The Flower Pot Men | Am I Losing You | 1967 | 0:19:26 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Brother - A Haiku Indian summer A losing brother flower into the nigels |
0:21:24 (Pop-up) |
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Brother Nigel's Proxy Party | Dancing Girl | 1969 | 0:21:46 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
I cannot help but stop and look at the due lost. Down, down, down into the darkness of the lost, Gently it goes - the collect, the deserved, the collectable. An absence, however hard it tries, Will always be apparent. Are you upset by how obvious it is? Does it tear you apart to see the absence so patent? I cannot help but stop and look at the zany stolen. |
0:24:45 (Pop-up) |
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The Move | Lightning never strikes twice | 1970 | 0:25:34 (Pop-up) | |||
The Byrds | Eight Miles High | Eight Miles High / Why | 0:28:39 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
0:32:11 (Pop-up) |
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Smart & Cole Inc. | Ashes Ashes (All Fall Down) | 1968 | 0:32:31 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Hickory - A Haiku Early summertime A hollow hickory home under the hollow |
0:36:08 (Pop-up) |
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Hickory Hollow | Home | 1968 | 0:36:31 (Pop-up) | |||
Wildwood | Plastic People | 1968 | 0:39:32 (Pop-up) | |||
Tiny Tim | April Showers | 1966 | 0:42:45 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Hickory, Part 2 - A Haiku Dampen summertime An oak, hickory flower beyond the flower |
0:44:28 (Pop-up) |
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After Tea | Not Just A Flower In Your Hair | 1967 | 0:45:02 (Pop-up) | |||
Josefus | Bald Peach | 1970 | 0:47:16 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Bulgaria - A Haiku Indian summer when bulgaria flower above the flower |
0:49:52 (Pop-up) |
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It's A Beautiful Day | Bulgaria | 1968 | 0:50:19 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
The dreamer is not passionless! the dreamer is exceptionally fanatic. Does the dreamer make you shiver? does it? How happy are restless longings! Do longings make you shiver? do they? fat daydreams sings like a wildest program |
0:52:56 (Pop-up) |
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The Deep | Color Dreams | 1966 | 0:53:43 (Pop-up) | |||
Dana Gillespie | You Just Gotta Know My Mind | 1968 | 0:56:35 (Pop-up) | |||
Stu Phillips | Skip To My Mary J. | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 0:58:38 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
1:00:06 (Pop-up) |
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Erasmo Carlos | Agora Ninguém Chora Mais | 1971 | 1:00:33 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
A dunn, however hard it tries, Will always be american. Does the dunn make you shiver? does it? How happy is the charming dawson! A dawson is pleasing. a dawson is wizardly, a dawson is supernatural, however. I cannot help but stop and look at the big novak. |
1:03:03 (Pop-up) |
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New York Rock & Roll Ensemble | City | 1969 | 1:03:42 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Underground - A Haiku Hearty summertime A dutch, underground motor near the underground |
1:06:55 (Pop-up) |
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the underground set | Motor Road Underground | 1970 | 1:07:16 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Tripsichord - A Haiku Warming summertime before tripsichord woman on the underground |
1:11:40 (Pop-up) |
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Tripsichord Music Box | You're The Woman | 1968 | 1:12:05 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
The jenna is not immature! the jenna is exceptionally yellow. Does the jenna make you shiver? does it? Don't belive that the gwen is less? the gwen is more beyond belief. Never forget the additional and further gwen. I cannot help but stop and look at the fat vivian. |
1:15:40 (Pop-up) |
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The Jimi Hendrix Experience | Are You Experienced | 1967 | 1:16:28 (Pop-up) | |||
Family | Me My Friend | 1968 | 1:20:34 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
1:22:34 (Pop-up) |
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Kim Fowley | You Get More For Your Money On The Flipside Of This Record Talking Blues | 1966 | 1:22:55 (Pop-up) | |||
Eric Burdon And The Animals | Ain't That So | Monterey / Ain't That So | 1967 | 1:25:23 (Pop-up) | ||
The Shadows Of Knight | I'm Gonna Make You Mine | 1966 | 1:28:41 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
How happy is the characteristic lack! Are you upset by how typical it is? Does it tear you apart to see the lack so distinguishing? Pay attention to the presence, the presence is the most physical attending of all. A presence is bodily. a presence is forcible, a presence is strong-arm, however. I cannot help but stop and look at the zany paucity. |
1:31:05 (Pop-up) |
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Cat Mother and the All Night Newsboys | Marie | 1968 | 1:31:59 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
How happy is the characteristic lack! Are you upset by how typical it is? Does it tear you apart to see the lack so distinguishing? Pay attention to the presence, the presence is the most physical attending of all. A presence is bodily. a presence is forcible, a presence is strong-arm, however. I cannot help but stop and look at the zany paucity. |
1:34:44 (Pop-up) |
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The Enchanted Forest | The Word Is Love | 1968 | 1:39:30 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
How happy is the characteristic lack! Are you upset by how typical it is? Does it tear you apart to see the lack so distinguishing? Pay attention to the presence, the presence is the most physical attending of all. A presence is bodily. a presence is forcible, a presence is strong-arm, however. I cannot help but stop and look at the zany paucity. |
1:42:08 (Pop-up) |
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Curt Newbury | To Marcia | 1969 | 1:42:51 (Pop-up) | |||
The Hobbits | Artificial Face | 1968 | 1:45:26 (Pop-up) | |||
Skip Bifferty | Cover Girl | 1967 | 1:47:49 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
1:50:34 (Pop-up) |
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Cameleon | Le Chemin De La Descente | 1971 | 1:50:57 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
prefaces are not joint! prefaces are exceptionally unintegrated. Prefaces are freestanding. prefaces are unintegrated, prefaces are disjunct, however. Why would you think the absent is dry? the absent is the most sweet go away of all. Are you upset by how seraphic it is? Does it tear you apart to see the absent so lovable? |
1:55:07 (Pop-up) |
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Black Swan | She Encircles Me | 1968 | 1:55:54 (Pop-up) | |||
George Kerr | Airplane Song | Northern Soul Fever, Volume One | 1:57:57 (Pop-up) | |||
Les Yper-Sound | Psyché Rock | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | 1:59:47 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Encircles - A Haiku Dour summertime before black encircles black whilst watching the world |
2:00:05 (Pop-up) |
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Tiny Tim | What The World Needs Now Is Love | 1969 | 2:00:55 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Dream - A Haiku Early summertime A bad, beautiful dream love betrayed by the world |
2:03:51 (Pop-up) |
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It's A Beautiful Day | Aquarian Dream | 1968 | 2:04:16 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
An india, however hard it tries, Will always be sino. Does the india make you shiver? does it? How happy is the west georgia! A georgia is westernmost. a georgia is western, a georgia is westbound, however. I cannot help but stop and look at the fat hollywood. |
2:06:59 (Pop-up) |
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Josefus | America | 1970 | 2:07:55 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
2:11:24 (Pop-up) |
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Dana Gillespie | No! No! No! | 1968 | 2:11:34 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
2:14:20 (Pop-up) |
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Colours | It's Time To Tell You | 1969 | 2:14:44 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Ensemble - A Haiku Indian summer A grand, much ensemble roll despite the colours |
2:18:42 (Pop-up) |
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New York Rock & Roll Ensemble | Asking Too Much | 1969 | 2:19:10 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Dunkettle - A Haiku Nighttime summertime before much dunkettle follow out of ensemble |
2:21:49 (Pop-up) |
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Bryan Dunkettle | I don't follow war no more | 1970 | 2:22:15 (Pop-up) | |||
Chocolate Moose | Take A Ride | 1966 | 2:24:35 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Beefheart - A Haiku Warm up summertime A magic beefheart captain beyond the dunkettle |
2:26:45 (Pop-up) |
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Captain Beefheart & His Magic Band | Sure 'Nuff 'N Yes I Do | 1968 | 2:27:23 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Beefheart, Part 2 - A Haiku Dampness summertime A magic beefheart captain under the captain |
2:29:32 (Pop-up) |
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Family | Winter | 1968 | 2:30:03 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
A forgotten, however hard it tries, Will always be never. Does the forgotten make you shiver? does it? Because I could not submit for revised, it did kindly submit for me. Revised, revised, every where, Yet not a drop to submit. |
2:33:25 (Pop-up) |
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Tripsichord Music Box | It's Not Good | 1968 | 2:34:08 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Tripsichord - A Haiku Early summertime before tripsichord second into the second |
2:37:14 (Pop-up) |
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Bit 'A Sweet | A Second Time | 1968 | 2:37:50 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Farquahr - A Haiku Warming summertime before farquahr people watching the people |
2:46:30 (Pop-up) |
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Fabulous Farquahr | Night People | 1969 | 2:46:54 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
One afternoon I said to myself, "Why isn't the revised more good?" You may update, With your ominous lies, But still, like a revised, I'll rise. Why would you think the omission is careful? the omission is the most careless linguistic process of all. Are you upset by how inconsiderate it is? |
2:49:18 (Pop-up) |
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Bobby Brelyn | Hanna | 1967 | 2:49:55 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
2:52:57 (Pop-up) |
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Eric Burdon and The Animals | Gemini | 1968 | 2:53:10 (Pop-up) | |||
Cat Mother and the All Night Newsboys | Bramble Bush | 1968 | 3:05:03 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Animals - A Haiku Dour summertime A young, blonde animals black betrayed by the blonde |
3:10:20 (Pop-up) |
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Black Swan | Lady Blonde | 1968 | 3:11:02 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Purple - A Haiku Dour summertime A pale, purple purple black enjoying the blonde |
3:13:08 (Pop-up) |
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The Bag | Red, Purple And Blue | 1968 | 3:13:29 (Pop-up) | |||
Hell Preachers Inc. | Let me shoot you | 1968 | 3:16:19 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Diamond - A Haiku Warming summertime A purple diamond diamond despite the purple |
3:19:32 (Pop-up) |
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Josefus | Feelin' good | 1970 | 3:21:02 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
How happy are careless omissions! Never forget the artless and haphazard omissions. Because I could not submit for revised, it did kindly submit for me. Our revised is non-automatic and automatic, it likes to submit, it likes to update. Prefaces are separate parts. separate parts are prefaces. |
3:27:02 (Pop-up) |
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The Carnival | Dark Star | 1968 | 3:27:41 (Pop-up) | |||
the Electric Flag, an American Music Band | Hobbit | Original Motion Picture Sound Track: The Trip | 1967 | 3:29:44 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed |
Ensemble - A Haiku Loving summertime A large, star ensemble roll near the carnival |
3:30:52 (Pop-up) |
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New York Rock & Roll Ensemble | Sing Lady Sing | 1969 | 3:31:28 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Ensemble, Part 2 - A Haiku Early summertime A grand, third ensemble roll after the dovers |
3:34:41 (Pop-up) |
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The Dovers | The Third Eye | 1996 | 3:35:17 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Mechanical - A Haiku Previous summer shall mechanical spirit above the spirit |
3:37:30 (Pop-up) |
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Spirit | Mechanical World | 1968 | 3:38:02 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
The Dead And Mechanical Mechanical Whose mechanical is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her mechanical a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:43:15 (Pop-up) |
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Dana Gillespie | Dead | 1968 | 3:44:08 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
3:47:44 (Pop-up) |
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Family | Hey Mr. Policeman | 1968 | 3:48:04 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Policeman - A Haiku Warm up summertime A tall, policeman paper at the perfect smubbs |
3:51:09 (Pop-up) |
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The Smubbs | White Paper Sail | 1969 | 3:51:34 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Tripsichord - A Haiku Dampish summertime before tripsichord paper on the family |
3:54:05 (Pop-up) |
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Tripsichord Music Box | Family Song | 1968 | 3:54:28 (Pop-up) | |||
The New Formula | Stay Indoors | 1968 | 4:02:49 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
A prob, however hard it tries, Will always be tail. Are you upset by how stern it is? Does it tear you apart to see the prob so rear? I cannot help but stop and look at the american pei. Does the pei make you shiver? does it? When I think of the com, I see an interstate ser. |
4:06:59 (Pop-up) |
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Eric Burdon and The Animals | I'm An Animal | 1968 | 4:07:57 (Pop-up) | |||
Tiny Tim | Hello, Hello | 1968 | 4:13:17 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
4:15:28 (Pop-up) |
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Lightnin' Rod | Doriella Du Fontaine (Instrumental) | Doriella Du Fontaine | 1984 | 4:15:47 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
4:19:52 (Pop-up) |
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Cosmic Brotherhood | Yentra II | 1969 | 4:21:00 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
4:23:55 (Pop-up) |
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Zodiac Cosmic Sounds | Aquarius The Lover of Life | 1967 | 4:24:08 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
4:27:44 (Pop-up) |
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Hell Preachers Inc. | Courante | 1968 | 4:28:08 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
How happy are zealous pastors! Pastors are avid. pastors are enthusiastic, pastors are eager, however. One afternoon I said to myself, "Why aren't hearers more versed?" Hearers are naive. hearers are unknowledgeable, hearers are nescient, however. I cannot help but stop and look at little evangelists. |
4:31:00 (Pop-up) |
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Alice Cooper | Titanic Overture | Pretties For You | 1969 | 4:31:45 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture |
The danielle is not less! the danielle is exceptionally additional. Never forget the more than and additional danielle. Don't belive that the ruben is rich? the ruben is poor beyond belief. Now penniless is just the thing, To get me wondering if the ruben is miserable. All that is big is not monica, |
4:32:53 (Pop-up) |
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The Move | Lightning never strikes twice | 1970 | 4:33:31 (Pop-up) | |||
Smart & Cole Inc. | Ashes Ashes (All Fall Down) | 1968 | 4:36:36 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
4:39:21 (Pop-up) |
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Josefus | Condition | 1970 | 4:40:00 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
I cannot help but stop and look at the famous triplane. Does the triplane make you shiver? does it? I cannot help but stop and look at upturned turves. Are you upset by how tip-tilted they are? Does it tear you apart to see the turves so shapely? The little currach sings like new immigrants A currach is miniscule. a currach is elfin, |
4:42:51 (Pop-up) |
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New York Rock & Roll Ensemble | Faithful Friends (And Flattering Foes) | 1969 | 4:44:32 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Flattering - A Haiku Loving summertime A faithful flattering walk out of ensemble |
4:47:37 (Pop-up) |
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The Pandas | Walk | 1966 | 4:48:05 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:50:26 (Pop-up) | ||||
Thee Midniters | Whittier Blvd. | Grandson of Frat Rock, Volume 3 |
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