The Night Owl Show with Owl Sun:
Playlist
from July 2, 2021
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
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| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
|
1967 | ||||
| Nirvana |
C Side of Ocho Rios
|
0:02:25 (Pop-up) | ||||
| Deep Purple |
Anthem
|
1968 |
|
0:02:52 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
|
0:09:17 (Pop-up) |
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| The Chocolate Watchband |
And She's Lonely
|
1969 |
|
0:09:28 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
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Kaleidoscope - A Haiku Dampish summertime A huge, kaleidoscope found beyond the watchband |
|
0:13:40 (Pop-up) |
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| Kaleidoscope |
I Found Out
|
1968 |
|
0:14:12 (Pop-up) | ||
| The Baroque Inevitable |
Sunny
|
1966 |
|
0:19:05 (Pop-up) | ||
| Grahame Bond |
Crossroads Of Time
|
1968 |
|
0:21:03 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
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Inevitable - A Haiku Hazy summertime why inevitable pause out of appletree |
|
0:23:34 (Pop-up) |
||
| The Appletree Theatre |
(Act II continued) You're The Biggest Thing In My Life (being, as it is, a pause in the proceedings)
|
1967 |
|
0:24:10 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Appletree - A Haiku Cloudy summertime A biggest appletree pause near the harrison |
|
0:27:47 (Pop-up) |
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| George Harrison |
Ski-ing
|
Wonderwall Music | 1968 |
|
0:28:14 (Pop-up) | |
| The Orange Bicycle |
Rennaissance Fair
|
1968 |
|
0:30:04 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
I cannot help but stop and look at dear adams. Never forget the dearest and near adams. I saw the the miscellaneous cosmonaut of my generation destroyed, How I mourned the armstrong. An armstrong is assorted. an armstrong is general, an armstrong is mixed, however. Just like a nash whitehead, is williams. Williams are soft. williams are hirsute, |
|
0:33:04 (Pop-up) |
||
| Quicksilver Messenger Service |
Stand By Me
|
1968 |
|
0:33:54 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
How happy is the old matson! A matson is hand-me-down. a matson is rusty, a matson is stale, however. How happy is the democratic mahoney! Never forget the undemocratic and parliamentary mahoney. I cannot help but stop and look at the cunning barnard. Never forget the cute and guileful barnard. Refresh until you're happy with your poem. |
|
0:37:18 (Pop-up) |
||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Instant Request |
|
0:39:02 (Pop-up) |
||
| The Savage Rose |
Your Sign / My Sign
|
1968 | For: The Ayatolluh of Rock 'n Rolluh |
|
0:39:05 (Pop-up) | |
| Twink |
Tiptoe On The Highest Hill
|
1970 |
|
0:42:06 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
|
0:47:18 (Pop-up) |
|||
| Mother Earth |
Revolution
|
1968 |
|
0:47:47 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
Revolution - A Haiku Rainy summertime why revolution mother above the mother |
|
0:50:39 (Pop-up) |
||
| Tiny Tim |
The Other Side
|
1968 |
|
0:51:00 (Pop-up) | ||
| Thee Midniters |
Down Whittier Blvd.
|
|
0:55:23 (Pop-up) | |||
| Sagittarius |
Pisces
|
Another Time / Pisces | 1968 |
|
0:57:41 (Pop-up) | |
Music behind DJ: David Axelrod |
The Fly
|
The Black And Underground Underground Whose underground is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her underground a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:59:59 (Pop-up) |
||
| The Velvet Underground & Nico |
The Black Angel's Death Song
|
1967 |
|
1:01:09 (Pop-up) | ||
| The Velvet Underground |
Noise by
|
1966 |
|
1:04:17 (Pop-up) | ||
| The Moody Blues |
Have You Heard Part I
|
1969 |
|
1:06:06 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
The Sound And Underground Underground Whose underground is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his underground a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:07:34 (Pop-up) |
||
| The Misunderstood featuring Glenn "Fernando" Campbell |
Golden Glass
|
1969 |
|
1:09:46 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
Sunshine - A Haiku Previous summer A glorious, sunshine glass under the campbell |
|
1:17:15 (Pop-up) |
||
| Oriental Sunshine |
Can Anybody Tell
|
1970 |
|
1:18:01 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
Sunshine, Part 2 - A Haiku Indian summer A little, sunshine mother the anybody |
|
1:23:42 (Pop-up) |
||
| CAN |
On The Way To Mother Sky: 1970
|
1970 |
|
1:24:06 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
I cannot help but stop and look at the britt louise. Does the louise make you shiver? does it? All that is early is not cryer, cryer, by all account is late. Does the cryer make you shiver? does it? When I think of the jessie, I see a lovely ache. |
|
1:28:35 (Pop-up) |
||
| Moby Grape |
Indifference
|
1967 |
|
1:29:13 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Pay attention to the stuff, the stuff is the most silly scarf out of all. Never forget the light-headed and goofy stuff. I cannot help but stop and look at the wonderful everything. Never forget the terrific and marvelous everything. cunning matters sings like certain possessions Down, down, down into the darkness of the matters, Gently they go - the clever, the cute, the tricksy. |
|
1:33:24 (Pop-up) |
||
| Rings And Things |
Strange Things Are Happening
|
1968 |
|
1:34:19 (Pop-up) | ||
| Velvett Fogg |
Telstar '69
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
1:36:43 (Pop-up) | |
Music behind DJ: Roland Kirk |
Shaky Money
|
How happy are many items! Never forget the numerous and umteen items. I cannot help but stop and look at the clean everything. Does the everything make you shiver? does it? The private property that's really big, Above all others is the stuff. Does the stuff make you shiver? |
|
1:39:25 (Pop-up) |
||
| Yankee Dollar |
Good Old Friends
|
1968 |
|
1:40:24 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Mattress - A Haiku Dampness summertime A hard, flying mattress brain before the jangles |
|
1:43:13 (Pop-up) |
||
| Buster Jangle's Flying Mattress |
Love Has Taken Over My Brain
|
2009 |
|
1:43:37 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Mattress, Part 2 - A Haiku Dampness summertime A bare, daring mattress stone into the country |
|
1:46:28 (Pop-up) |
||
| stone country |
Life Stands Daring Me
|
1968 |
|
1:47:02 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
Country - A Haiku Early summertime A free, daring country stone above the daring |
|
1:49:23 (Pop-up) |
||
| J.C. Heavy |
Do What You Like
|
2009 |
|
1:49:45 (Pop-up) | ||
| The Webs |
You Pretty Fool
|
1966 |
|
1:52:53 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Cross - A Haiku Rainy summertime shall a little, cross cross cross watching the heavy |
|
1:55:03 (Pop-up) |
||
| Iron Cross |
All of the Time
|
2009 |
|
1:55:29 (Pop-up) | ||
| Musiche Originali Di Ennio Morricone |
Beat N° 3
|
1968 |
|
1:58:32 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Virginia - A Haiku Early summertime An old, cross virginia cross watching the robbins |
|
1:59:59 (Pop-up) |
||
| Greg Robbins |
Virginia Creeper
|
2009 |
|
2:00:28 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
|
2:02:41 (Pop-up) |
|||
| Syd Barrett |
Rats
|
1970 |
|
2:02:54 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
The reproductive structure that's really sal, Above all others is the gemma. Does the gemma make you shiver? does it? The louise is not unregretful! the louise is exceptionally lamentable. Never forget the unhappy and lamentable louise. The big sarah sings like a haired place |
|
2:05:42 (Pop-up) |
||
| Lightnin' Hopkins |
Mini Skirt
|
2008 |
|
2:06:28 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Breakfast - A Haiku Early summertime A good, mini breakfast skirt at the old lightnin |
|
2:10:37 (Pop-up) |
||
| Big Walter |
Breakfast in Bed
|
2008 |
|
2:11:01 (Pop-up) | ||
| The Kitchen Cinq |
If You Think...
|
1967 |
|
2:13:23 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Breakfast, Part 2 - A Haiku Previous summer An early, live breakfast live after the walter |
|
2:15:23 (Pop-up) |
||
| Live Five, The |
Yes You're Mine (Salem, OR, U.S.A.)
|
2002 | 2:15:57 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Immortal - A Haiku Indian summer A mortal, immortal live enjoying the loves |
|
2:18:20 (Pop-up) |
||
| The Sleepy |
Love's Immortal Fire
|
1968 |
|
2:18:59 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Immortal, Part 2 - A Haiku Indian summer A welcome, immortal state enjoying the state |
|
2:22:05 (Pop-up) |
||
| The Rock Shop |
State Of Your Mind
|
2:22:30 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
How happy is the summary viii! Never forget the drumhead and unofficial viii. The better that's really timely, Above all others is the aid. An aid is opportune. an aid is punctual, an aid is well-timed, however. The cunning implementation sings like an adequate fact Down, down, down into the darkness of the implementation, |
|
2:25:46 (Pop-up) |
||
| Magic Swirling Ship |
He's Comin' Part II
|
1969 |
|
2:26:48 (Pop-up) | ||
| Frankie & Johnny |
Sweet Thang
|
2008 |
|
2:29:20 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Pay attention to the xii, the xii is the most dorsal large integer of all. Now abaxial is just the thing, To get me wondering if the xii is adaxial. The digit that's really quadrant, Above all others is the iii. Does the iii make you shiver? does it? |
|
2:31:36 (Pop-up) |
||
| Chayns |
Live with the Moon
|
2008 |
|
2:33:24 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
I cannot help but stop and look at the expectant neglected. Never forget the large and anticipant neglected. Don't belive that the forgotten is macroscopical? the forgotten is small beyond belief. Are you upset by how immature it is? Does it tear you apart to see the forgotten so weeny? Just like notable phonemes, is omissions. Now oily is just the thing, |
|
2:36:25 (Pop-up) |
||
| Chris Farlowe |
Handbags And Gladrags
|
1967 |
|
2:37:07 (Pop-up) | ||
| Lost and Found |
25 MPH
|
2008 |
|
2:40:54 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
How happy is the precautions neglected! Does the neglected make you shiver? does it? How happy is the deep forgotten! Are you upset by how esoteric it is? Does it tear you apart to see the forgotten so cryptical? Just like a might havebeen, is the been. Now woolly is just the thing, |
|
2:42:42 (Pop-up) |
||
| The Dovers |
The Third Eye
|
1966 |
|
2:43:29 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
Miller - A Haiku Rainy summertime A larson, first miller band above the dovers |
|
2:45:42 (Pop-up) |
||
| Steve Miller Band |
In My First Mind
|
1968 |
|
2:46:05 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
Mcgough - A Haiku Rainy summertime suddenly first mcgough band after the student |
|
2:53:40 (Pop-up) |
||
| McGough & McGear |
Ex-Art Student
|
1968 |
|
2:54:05 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
|
3:00:00 (Pop-up) |
|||
| The Travel Agency |
She Understands
|
1969 |
|
3:00:20 (Pop-up) | ||
| Peter Cook and Dudley Moore |
The L.S. Bumble Bee
|
1967 |
|
3:00:20 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
All that is boneless is not phalanges, phalanges, by all account is bony. Do phalanges make you shiver? do they? I saw the the smug smile of my generation destroyed, How I mourned the smirk. Does the smirk make you shiver? does it? |
|
3:03:01 (Pop-up) |
||
| The Seeds |
Two Fingers Pointing On You
|
1968 |
|
3:03:40 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
I cannot help but stop and look at the tiny nose. Are you upset by how diminutive it is? Does it tear you apart to see the nose so little? wrists are not thick! wrists are exceptionally rarefied. Now dilute is just the thing, To get me wondering if wrists are rarefied. I saw the the yellow ride of my generation destroyed, |
|
3:06:48 (Pop-up) |
||
| SRC |
Paragon Council
|
1968 |
|
3:07:30 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
|
3:11:25 (Pop-up) |
|||
| The Strawberry Alarm Clock |
The World's On Fire
|
1968 |
|
3:13:48 (Pop-up) | ||
| Grains Of Sand |
Goin' Away, Baby (Original Version)
|
1966 |
|
3:17:17 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
How happy are convoluted hemispheres! Down, down, down into the darkness of the hemispheres, Gently they go - the tortuous, the knotty, the involved. One afternoon I said to myself, "Why aren't disciplines more nonphilosophical?" Are you upset by how nonphilosophical they are? Does it tear you apart to see the disciplines so ideologic? Don't belive that the cherisher is lean? |
|
3:19:22 (Pop-up) |
||
| Syd Barrett |
Let's Split
|
1989 |
|
3:20:15 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
I cannot help but stop and look at the problems prob. Does the prob make you shiver? does it? The imo is not married! the imo is exceptionally individual. An imo is unmarried. an imo is individual, an imo is married, however. When I think of the mae, I see a rita margaret. |
|
3:22:34 (Pop-up) |
||
| The Quicksilver Messenger Service |
Babe, I'm Gonna Leave You
|
1968 |
|
3:23:19 (Pop-up) | ||
| The Omen |
Once Upon A Taste
|
3:28:19 (Pop-up) | ||||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
I cannot help but stop and look at the chinese pei. Does the pei make you shiver? does it? Pay attention to the dis, dis are the most nervous roman deity of all. Do dis make you shiver? do they? Just like an educational coat, is the prob. |
|
3:30:21 (Pop-up) |
||
| Mouse |
Look At The Sun
|
1968 |
|
3:31:05 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
How happy is the total absent! Now full is just the thing, To get me wondering if the absent is whole. The unavailability is not filial! the unavailability is exceptionally paternal. An unavailability is maternal. an unavailability is paternal, an unavailability is filial, however. I cannot help but stop and look at the wooly presence. |
|
3:33:35 (Pop-up) |
||
| G.F. Fitz-Gerald |
Political Machine
|
1970 |
|
3:34:18 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
How happy is the expectant neglected! Now big is just the thing, To get me wondering if the neglected is large. The vanish that's really calcium, Above all others is the absent. Does the absent make you shiver? does it? I cannot help but stop and look at the yellow left. |
|
3:38:59 (Pop-up) |
||
| The Mothers Of Invention |
Stuff Up The Cracks
|
1968 |
|
3:39:37 (Pop-up) | ||
| The Loot |
Radio City
|
1969 |
|
3:44:05 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
|
3:46:09 (Pop-up) |
|||
| Lightnin' Hopkins |
Mr. Dittas' Grocery Store
|
1968 |
|
3:46:29 (Pop-up) | ||
| The War-Babies |
Jeanie's Pub
|
1965 |
|
3:51:59 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Electric - A Haiku Rainy summertime A piezo, electric store above the lightnin |
|
3:54:18 (Pop-up) |
||
| The Electric Prunes |
The Great Banana Hoax
|
1967 |
|
3:54:57 (Pop-up) | ||
| Thee Midniters |
Down Whittier Blvd.
|
|
3:58:10 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
I cannot help but stop and look at the social categorisation. Does the categorisation make you shiver? does it? A linz, however hard it tries, Will always be native. A linz is native-born. a linz is autochthonic, a linz is inbred, however. The zany socialisation sings like an occupational therapy |
|
4:06:01 (Pop-up) |
||
| Pearls Before Swine |
I Shall Not Care
|
1967 |
|
4:06:46 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Mountain - A Haiku Indian summer A whole, purple mountain care under the purple |
|
4:12:01 (Pop-up) |
||
| Deep Purple |
River Deep, Mountain High
|
1968 |
|
4:12:23 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
Paintbrush - A Haiku Rainy summertime A clean, purple paintbrush tune on the triangle |
|
4:23:17 (Pop-up) |
||
| GTO's: Girls Together Outrageously |
I Have A Paintbrush In My Hand To Color A Triangle (Mercy's Tune)
|
1969 |
|
4:23:46 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
I cannot help but stop and look at the questionnaire revised. Revised, revised, every where, Yet not a drop to submit. How happy are brief prefaces! Prefaces are short. prefaces are concise, prefaces are abbreviated, however. Forgotten is coral diarrhea. coral diarrhea is forgotten. |
|
4:25:55 (Pop-up) |
||
| Jan & Lorraine |
Snow Roses
|
1969 |
|
4:26:43 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
The In And Broken Mirror Whose mirror is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her mirror a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
4:29:45 (Pop-up) |
||
| JACKS |
In The Broken Mirror
|
1968 |
|
4:30:24 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
The In And Broken Mirror Whose mirror is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his mirror a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
4:33:42 (Pop-up) |
||
| Syd Barrett |
Wolfpack [Take 2]
|
1970 |
|
4:34:37 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
A thompson, however hard it tries, Will always be kraus. Does the thompson make you shiver? does it? A michael, however hard it tries, Will always be claus. Does the michael make you shiver? does it? |
|
4:38:15 (Pop-up) |
||
| Quicksilver Messenger Service |
Stand By Me
|
1968 |
|
4:38:51 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Rennaissance - A Haiku Rainy summertime How rennaissance bicycle out of quicksilver |
|
4:42:15 (Pop-up) |
||
| The Orange Bicycle |
Rennaissance Fair
|
1968 |
|
4:42:48 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Rennaissance, Part 2 - A Haiku Darkening summer For rennaissance bicycle out of twentieth |
|
4:45:48 (Pop-up) |
||
| Twentieth Century Zoo |
It's All in My Head
|
1969 |
|
4:46:20 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
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Listener comments!
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
Owl Sun:
Owl Sun:
Fuzzy:
can we hear Good Shepherd by Jefferson Airplane?
Owl Sun:
Owl Sun: