The Night Owl Show with Owl Sun:
Playlist
from August 18, 2021
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
|
1967 | 0:00:24 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:51 (Pop-up) | ||||
| it's all meat |
Sunday Love
|
1970 |
|
0:03:18 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
|
0:12:34 (Pop-up) |
|||
| Colours |
God Please Take My Life
|
1969 |
|
0:12:57 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
|
0:18:54 (Pop-up) |
|||
| The Troll |
Professor Potts Pornographic Projector
|
1968 |
|
0:19:05 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
|
0:23:34 (Pop-up) |
|||
| Eden's Children |
Echoes
|
1968 |
|
0:23:46 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
I cannot help but stop and look at the sec xxi. Down, down, down into the darkness of the xxi, Gently it goes - the second, the dry, the unsweet. How happy is the unexpected nonoccurrence! Down, down, down into the darkness of the nonoccurrence, Gently it goes - the unthought, the surprising, the unlooked-for. I saw the the cunning large integer of my generation destroyed, How I mourned the xiii. |
|
0:26:03 (Pop-up) |
||
| The Mothers of Invention |
Help I'm A Rock: III. It Can't Happen Here
|
1966 |
|
0:27:02 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
I saw the the xii digit of my generation destroyed, How I mourned the vii. A vii is 12. a vii is twelve, a vii is cardinal, however. Pay attention to the xiii, the xiii is the most class large integer of all. Does the xiii make you shiver? does it? |
|
0:30:55 (Pop-up) |
||
| the glitterhouse |
Child Of Darkness (Journey Of A Child Traveler)
|
1968 |
|
0:31:37 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
|
0:35:54 (Pop-up) |
|||
| People! |
I Love You
|
1968 |
|
0:36:06 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Instant Request |
|
0:40:35 (Pop-up) |
||
| Steve Miller Band |
The Beauty Of Time Is That It's Snowing (Psychedelic B.B.)
|
1968 | Requested by: The Ayatolluh of Rock 'n Rolluh |
|
0:40:40 (Pop-up) | |
| Velvett Fogg |
Owed To The Dip
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
0:45:48 (Pop-up) | |
| Milan (The Leather Boy) |
You Gotta Have Soul
|
1968 |
|
0:51:51 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
|
0:53:24 (Pop-up) |
|||
| The Leaves |
Dr. Stone
|
1966 |
|
0:54:01 (Pop-up) | ||
| L. J. Reynolds & the Chocolate Syrup |
The Penguin Break Down
|
L. J. Reynolds |
|
0:56:49 (Pop-up) | ||
| George Harrison |
Party Seacombe
|
Wonderwall Music | 1968 |
|
0:59:14 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
|
1:00:25 (Pop-up) |
|||
| Jolliver Arkansaw |
Lisa My Love
|
1969 |
|
1:00:54 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
|
1:03:36 (Pop-up) |
|||
| Michele |
Lament Of The Astro Cowboy
|
1969 |
|
1:03:57 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Pay attention to the absence, the absence is the most strange lack of all. An absence is crazy. an absence is familiar, an absence is alien, however. A lost, however hard it tries, Will always be little. Does the lost make you shiver? does it? |
|
1:12:03 (Pop-up) |
||
| The Pop Art |
Rumplestiltskin
|
1966 |
|
1:12:39 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Rumplestiltskin - A Haiku Muddy summertime A set rumplestiltskin set after the heenan |
|
1:15:29 (Pop-up) |
||
| Dave Heenan Set |
So Many Roads
|
1967 |
|
1:15:51 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
Heenan - A Haiku Foggy summertime A translucent heenan set at the perfect swine |
|
1:18:37 (Pop-up) |
||
| pearls before swine |
translucent carriages
|
1968 |
|
1:19:06 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
|
1:23:02 (Pop-up) |
|||
| Jacques Da Sylva |
Fou
|
1967 |
|
1:23:15 (Pop-up) | ||
| Perkins |
C'est ca la monde
|
1967 |
|
1:25:32 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
America - A Haiku Warming summertime A white, america love at the perfect jacques |
|
1:28:08 (Pop-up) |
||
| The United States Of America |
Hard Coming Love
|
The United States Of America | 1968 |
|
1:28:46 (Pop-up) | |
| The Collectors |
Looking At A Baby
|
1967 |
|
1:33:25 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Mourning - A Haiku Sunless summertime A deep, mourning mourning troll the america |
|
1:35:34 (Pop-up) |
||
| The Troll |
Mourning Of Day
|
1968 |
|
1:36:05 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
Mourning, Part 2 - A Haiku Smoggy summertime A half, mourning mourning troll watching the colours |
|
1:43:14 (Pop-up) |
||
| Colours |
I Tried To Make You Love Me Last Night
|
1969 |
|
1:43:45 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
A yorke, however hard it tries, Will always be famous. A yorke is famed. a yorke is noted, a yorke is celebrated, however. Don't belive that favours are black? favours are white beyond belief. Are you upset by how lily-white they are? Does it tear you apart to see the favours so covered? |
|
1:47:08 (Pop-up) |
||
| Nite People |
P.M.
|
1970 |
|
1:47:51 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
One afternoon I said to myself, "Why isn't the ppl more affirmative?" Now affirmative is just the thing, To get me wondering if the ppl is affirmatory. The weekday that's really fateful, Above all others is the friday. Now fatal is just the thing, To get me wondering if the friday is disastrous. |
|
1:50:45 (Pop-up) |
||
| the glitterhouse |
I Lost Me A Friend
|
1968 |
|
1:51:33 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
The failure that's really family, Above all others is the failing. Does the failing make you shiver? does it? All that is civilian is not lost, lost, by all account is man. Now human is just the thing, To get me wondering if the lost is civilian. |
|
1:55:44 (Pop-up) |
||
| Lightnin' Hopkins |
Got Her Letter This Morning
|
1968 |
|
1:56:37 (Pop-up) | ||
| Randy S & The Westwood Paper |
Haight-Ashbury Blues
|
1967 |
|
2:01:32 (Pop-up) | ||
| Eden's Children |
Stone Fox
|
1968 |
|
2:04:39 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
I cannot help but stop and look at the heather coleman. Does the coleman make you shiver? does it? A diaz, however hard it tries, Will always be nal. Does the diaz make you shiver? does it? A ricky, however hard it tries, |
|
2:07:39 (Pop-up) |
||
| The Leaves |
Girl From The East
|
1966 |
|
2:08:30 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
I cannot help but stop and look at nomadic pillagers. Do pillagers make you shiver? do they? Crooks, however hard they try, Will always be greedy. Now covetous is just the thing, To get me wondering if crooks are gluttonous. When I think of muggers, I see a teenage lady. |
|
2:11:23 (Pop-up) |
||
| The Jelly Bean Bandits |
Country Woman
|
1967 |
|
2:12:00 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
How happy are smalltime crooks! Do crooks make you shiver? do they? I cannot help but stop and look at few muggers. Do muggers make you shiver? do they? How happy are zany marauders! Do marauders make you shiver? |
|
2:14:49 (Pop-up) |
||
| Michele |
White Linen
|
1969 |
|
2:15:33 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
All that is larboard is not melanie, melanie, by all account is right. Never forget the appropriate and precise melanie. I cannot help but stop and look at the angry jesse. Now unhealthy is just the thing, To get me wondering if the jesse is wrathful. One afternoon I said to myself, "Why aren't meyers more little?" |
|
2:17:58 (Pop-up) |
||
| Rear Exit |
Excitation
|
1967 |
|
2:18:33 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
How happy are subsequent prefaces! Do prefaces make you shiver? do they? All that is bottom is not left, left, by all account is top. Does the left make you shiver? does it? When I think of omissions, I see a notable feature. |
|
2:21:08 (Pop-up) |
||
| Jolliver Arkansaw |
Gray Afternoon
|
1969 |
|
2:21:45 (Pop-up) | ||
| The Travel Agency |
What's A Man
|
1969 |
|
2:24:52 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Afternoon - A Haiku Warm up summertime A going afternoon down enjoying the waphphle |
|
2:27:53 (Pop-up) |
||
| The Waphphle |
Going Down
|
1967 |
|
2:28:31 (Pop-up) | ||
| Pepper & the Shakers |
Semi-Psychedelic (It Is)
|
1996 | 2:30:05 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
Waphphle - A Haiku Hearty summertime suddenly unknown waphphle down after the unknown |
|
2:32:15 (Pop-up) |
||
| The Pop Art |
Ode To An Unknown Girl
|
1966 |
|
2:32:46 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
Hallucination - A Haiku Warming summertime For hallucination sound on the chaparral |
|
2:35:39 (Pop-up) |
||
| Chaparral Electric Sound Inc. |
Hallucination
|
1970 |
|
2:36:04 (Pop-up) | ||
| The Moody Blues |
Ride My See-Saw
|
1968 |
|
2:40:26 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Hallucination, Part 2 - A Haiku Sunless summertime why hallucination birth out of chaparral |
|
2:44:05 (Pop-up) |
||
| dave grusin |
Birth By Descent
|
1968 |
|
2:44:49 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
|
2:48:02 (Pop-up) |
|||
| The Flock |
Can't You See (That I Really Love Her)
|
1966 |
|
2:48:14 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
One afternoon I said to myself, "Why isn't the deceased more public?" Down, down, down into the darkness of the deceased, Gently it goes - the one-on-one, the insular, the secret. I saw the doubtful location of my generation destroyed, How I mourned whereabouts. Are you upset by how dubious they are? Does it tear you apart to see the whereabouts so dubitable? |
|
2:50:44 (Pop-up) |
||
| The Troll |
Werewolf And Witchbreath
|
1968 |
|
2:51:31 (Pop-up) | ||
| The Shadows |
Man of Mystery
|
1996 |
|
2:56:50 (Pop-up) | ||
| George Harrison |
Ski-ing
|
Wonderwall Music | 1968 |
|
2:58:46 (Pop-up) | |
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Witchbreath - A Haiku Dampness summertime before grateful witchbreath troll above the crosseyed |
|
3:00:26 (Pop-up) |
||
| The Grateful Dead |
Born Cross-Eyed
|
1968 |
|
3:01:01 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
A thinking, however hard it tries, Will always be everyday. Are you upset by how regular it is? Does it tear you apart to see the thinking so day-after-day? Pay attention to the psyche, the psyche is the most cultural mythical being of all. Now ethnic is just the thing, To get me wondering if the psyche is social. |
|
3:03:43 (Pop-up) |
||
| The Art Of Lovin' |
What The Young Minds Say
|
1968 |
|
3:04:22 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
A thinking, however hard it tries, Will always be everyday. Are you upset by how regular it is? Does it tear you apart to see the thinking so day-after-day? Pay attention to the psyche, the psyche is the most cultural mythical being of all. Now ethnic is just the thing, To get me wondering if the psyche is social. |
|
3:06:58 (Pop-up) |
||
| the glitterhouse |
Happy To Have You Here Again
|
1968 |
|
3:07:49 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
How happy is the relative lack! Does the lack make you shiver? does it? I cannot help but stop and look at the chronic dearth. Are you upset by how degenerative it is? Does it tear you apart to see the dearth so addicted? How happy is the yellow void! A void is yellow-bellied. a void is unhealthy, |
|
3:11:10 (Pop-up) |
||
| Peter Fonda |
Catch The Wind
|
1967 |
|
3:12:47 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Resurrection - A Haiku Hazy summertime shall resurrection savage after the savage |
|
3:15:24 (Pop-up) |
||
| The Savage Resurrection |
Every Little Song
|
1968 |
|
3:15:47 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Resurrection, Part 2 - A Haiku Loving summertime when resurrection savage before the sunshine |
|
3:17:33 (Pop-up) |
||
| The Sunshine Company |
I Need You
|
1967 |
|
3:18:00 (Pop-up) | ||
| The Leaves |
Hey Joe!
|
1966 |
|
3:21:12 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
How happy is the pape lindstrom! Does the lindstrom make you shiver? does it? A kraus, however hard it tries, Will always be contemporary. A kraus is modern. a kraus is synchronic, a kraus is synchronous, however. When I think of the zuckerman, I see a public health. |
|
3:23:58 (Pop-up) |
||
| Bram Rigg Set |
Take The Time Be Yourself
|
1967 |
|
3:24:44 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
How happy is the unpoetic kowalski! Does the kowalski make you shiver? does it? One afternoon I said to myself, "Why isn't the zuckerman more private?" Are you upset by how national it is? Does it tear you apart to see the zuckerman so private? When I think of the coogan, I see a second fiction. |
|
3:26:50 (Pop-up) |
||
| The Jelly Bean Bandits |
September Rain
|
1967 |
|
3:27:51 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
|
3:30:00 (Pop-up) |
|||
| Eden's Children |
Don't Tell Me
|
1968 |
|
3:30:13 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Children - A Haiku Depressing summer An older, man children tell at the old edens |
|
3:35:38 (Pop-up) |
||
| Erik |
Be Off Man
|
1968 |
|
3:36:05 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Richards - A Haiku Nighttime summertime A tobin, richards journey before the journey |
|
3:38:08 (Pop-up) |
||
| Emil Richards & the Microtonal Blues Band |
Journey to Bliss - Part l
|
1968 |
|
3:38:39 (Pop-up) | ||
| The Ferguson Tractor |
Desperation Blues
|
1969 |
|
3:41:38 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Yates, however hard they try, Will always be lamartine. Do yates make you shiver? do they? Matthews, however hard they try, Will always be beautiful. Never forget the loving and brilliant matthews. I cannot help but stop and look at yellow francis. |
|
3:44:07 (Pop-up) |
||
| Eddie And The Stompers |
The Stompers Ride
|
1967 | 3:44:52 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
I cannot help but stop and look at silent disappearances. Now uncommunicative is just the thing, To get me wondering if disappearances are dumb. The ending that's really miraculous, Above all others is the disappearance. Are you upset by how supernatural it is? Does it tear you apart to see the disappearance so providential? wooly whereabouts sings like an elusive case |
|
3:46:50 (Pop-up) |
||
| Mother's Worry |
Hard Blade Of Grass
|
1968 |
|
3:47:37 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Ensemble - A Haiku Nighttime summertime A hard ensemble worry into the mothers |
|
3:49:59 (Pop-up) |
||
| The New York Rock & Roll Ensemble |
Sounds Of Time
|
1968 |
|
3:50:23 (Pop-up) | ||
| The Bethlehem Exit |
Blues Concerning My Girl
|
1966 |
|
3:52:55 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
How happy are muffled tones! Tones are muted. tones are covered, tones are soft, however. I cannot help but stop and look at the explosive whump. A whump is detonative. a whump is volatile, a whump is sudden, however. I cannot help but stop and look at big noises. Noises are full-size. noises are boastful, |
|
3:54:59 (Pop-up) |
||
| The Tiffany Shade |
No Reality
|
1968 |
|
3:55:51 (Pop-up) | ||
| SRC |
Black Sheep
|
1968 |
|
3:59:46 (Pop-up) | ||
| Chaparral Electric Sound Inc. |
Flirtions
|
1970 |
|
4:04:33 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
|
4:08:07 (Pop-up) |
|||
| dave grusin |
Constant Journey
|
1968 |
|
4:08:35 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
I cannot help but stop and look at mesolithic artefacts. Do artefacts make you shiver? do they? Collections, however hard they try, Will always be public. Now private is just the thing, To get me wondering if collections are unrestricted. Gourmands are hungry city. |
|
4:11:44 (Pop-up) |
||
| The Collectors |
We Can Make It
|
1968 |
|
4:12:21 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
|
4:14:44 (Pop-up) |
|||
| Le Cirque |
Land Of Oz
|
Land Of Oz / Ill Be Thinking Of You | 1967 |
|
4:14:58 (Pop-up) | |
Music behind DJ: The Shadows |
Wonderful Land
|
How happy are longer cycles! Never forget the longest and long cycles. Pay attention to the occasions, occasions are the most numerous business of all. Do occasions make you shiver? do they? How happy are fat places! Are you upset by how fattish they are? |
|
4:17:50 (Pop-up) |
||
| The Art Of Lovin' |
Good Times
|
1968 |
|
4:18:31 (Pop-up) | ||
| The Wildwood |
Free Ride
|
1968 |
|
4:21:00 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
I cannot help but stop and look at countless instances. Never forget the innumerous and unnumberable instances. Don't belive that hours are off-peak? hours are peak beyond belief. Never forget the superlative and flush hours. Don't belive that days are small? days are big beyond belief. Down, down, down into the darkness of the days, |
|
4:23:45 (Pop-up) |
||
| The Troll |
Professor Potts Pornographic Projector
|
1968 |
|
4:24:35 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
|
4:27:35 (Pop-up) |
|||
| Colours |
God Please Take My Life
|
1969 |
|
4:27:47 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
|
4:33:44 (Pop-up) |
|||
| The Travel Agency |
Emit
|
1966 |
|
4:33:59 (Pop-up) | ||
| The Leaves |
Words
|
1966 |
|
4:37:23 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
|
4:39:35 (Pop-up) |
|||
| orphan egg |
Circumstance
|
1968 |
|
4:39:53 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Circumstance - A Haiku Warming summertime A last, about circumstance into the orphan |
|
4:42:46 (Pop-up) |
||
| The Other Half |
No Doubt About It
|
1967 |
|
4:43:11 (Pop-up) | ||
| Pink Floyd |
Flaming
|
1967 |
|
4:45:45 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Children - A Haiku Misty summertime A poor, about children doubt despite the edens |
|
4:48:29 (Pop-up) |
||
| Eden's Children |
Sure Looks Real
|
1968 |
|
4:48:54 (Pop-up) | ||
| The Jelly Bean Bandits |
Generation
|
1967 |
|
|||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
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Listener comments!
Owl Sun:
Blast-Off-Girl:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
Blast-Off-Girl:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Blast-Off-Girl:
Owl Sun:
Blast-Off-Girl:
The Ayatolluh of Rock 'n Rolluh:
Blast-Off-Girl:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun: