The Night Owl Show with Owl Sun:
Playlist
from September 16, 2021
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
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| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
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1967 | 0:00:24 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:49 (Pop-up) | ||||
| The End |
Cardboard Watch
|
1969 |
|
0:03:15 (Pop-up) | ||
| Czar |
Beyond The Moon
|
1970 |
|
0:06:05 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Cardboard - A Haiku Dismal summertime A cardboard cardboard machine into the machine |
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0:09:48 (Pop-up) |
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| The Soft Machine |
Esther's Nose Job: As Long As He Lies Perfectly Still
|
1969 |
|
0:10:24 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
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Deviants - A Haiku Warming summertime A still deviants machine watching the machine |
|
0:13:53 (Pop-up) |
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| The Deviants |
Last Man
|
1968 |
|
0:14:19 (Pop-up) | ||
| The Who |
Call Me Lightning
|
1968 |
|
0:20:25 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
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Deviants, Part 2 - A Haiku Dampish summertime A non, last deviants last on the donovan |
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0:22:46 (Pop-up) |
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| Donovan |
Bert's Blues
|
1966 |
|
0:23:13 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
|
0:27:08 (Pop-up) |
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| Yochanan |
Hot Skillet Mama
|
1957 |
|
0:27:29 (Pop-up) | ||
| The Electric Prunes |
Shadows (From "The Name Of The Game Is Kill") (A Poore & Todd Production - Fanfare Film Release)
|
0:30:38 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
I cannot help but stop and look at the inherent inability. Never forget the implicit and intrinsic inability. I saw the the utter want of my generation destroyed, How I mourned the dearth. Down, down, down into the darkness of the dearth, Gently it goes - the staring, the pure, the sodding. Just like a persistent plight, is the lack. A lack is wacky. a lack is humorous, |
|
0:32:53 (Pop-up) |
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| The Ones |
Love Of Mine
|
0:34:00 (Pop-up) | ||||
| Jefferson Airplane |
Meadowlands
|
1969 |
|
0:37:01 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
|
0:38:01 (Pop-up) |
|||
Music behind DJ: The Shadows |
A Place in the Sun
|
Instant Request |
|
0:39:05 (Pop-up) |
||
| Captain Beefheart & His Magic Band |
Hair Pie: Bake 1
|
1969 | For: The Ayatolluh of Rock 'n Rolluh |
|
0:39:08 (Pop-up) | |
| The Byrds |
Mind Gardens
|
1967 |
|
0:44:06 (Pop-up) | ||
| The Newcomers |
Have You Seen My Baby Comin'
|
1968 |
|
0:47:48 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
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Beefheart - A Haiku Darkness summertime A magic beefheart captain by the creation |
|
0:49:55 (Pop-up) |
||
| The Blues Creation |
Checkin' up on my baby
|
1969 |
|
0:50:38 (Pop-up) | ||
| David McNeal |
Space Plane
|
1968 |
|
0:55:27 (Pop-up) | ||
| TSU Toronados |
Play the Music Toronadoes
|
Play The Music Toronados |
|
0:58:18 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Creation - A Haiku Darkness summertime A whole, warm creation warm out of murgaty |
|
1:00:24 (Pop-up) |
||
| Warm Sounds |
Nite Is A Comin' b/w Smeta Murgaty
|
1967 |
|
1:01:08 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
The scarceness that's really noticeable, Above all others is the paucity. Are you upset by how unobtrusive it is? Does it tear you apart to see the paucity so obtrusive? I saw the the dreadful change of my generation destroyed, How I mourned the void. A void is awful. a void is fearful, a void is unpleasant, however. |
|
1:06:48 (Pop-up) |
||
| Joyfull Noise |
People Get Together
|
1968 |
|
1:07:31 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
I cannot help but stop and look at the expectant neglected. Does the neglected make you shiver? does it? I will consider my revised. For my revised is questionnaire because it wants to submit. Pause to submit, like the revised does. Just like a god rock, is the forgotten. Never forget the potbellied and lean forgotten. |
|
1:09:33 (Pop-up) |
||
| John Fitch & Associates |
Romantic Attitude
|
1969 |
|
1:10:24 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Associates - A Haiku Dampen summertime A paired, associates like out of attitude |
|
1:14:02 (Pop-up) |
||
| The End |
What Does It Feel Like
|
1969 |
|
1:14:26 (Pop-up) | ||
| The Dizzy Limits |
Mare Tranquility
|
1969 |
|
1:17:08 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
September - A Haiku Hearty summertime A late, like september like betrayed by the czar |
|
1:19:53 (Pop-up) |
||
| Czar |
A Day In September
|
1970 |
|
1:20:32 (Pop-up) | ||
| The Zipps |
When You Tell It, Tell It Well
|
1969 |
|
1:28:26 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
September, Part 2 - A Haiku Early summertime A 30th, september love the america |
|
1:31:30 (Pop-up) |
||
| The United States Of America |
Hard Coming Love
|
The United States Of America | 1968 |
|
1:32:11 (Pop-up) | |
| The Other Half |
Mr. Pharmacist
|
1967 |
|
1:36:49 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Donovan - A Haiku Warm up summertime A bloedel, donovan trip an america |
|
1:39:16 (Pop-up) |
||
| Donovan |
The Trip
|
1966 |
|
1:39:52 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
|
1:45:19 (Pop-up) |
|||
| Steamhammer |
Windmill
|
1969 |
|
1:45:28 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
|
1:49:52 (Pop-up) |
|||
| notes from the undergorund |
Who Needs Me
|
1968 |
|
1:50:21 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
The departure that's really mysterious, Above all others is the disappearance. Are you upset by how esoteric it is? Does it tear you apart to see the disappearance so inexplicable? Pay attention to the whereabouts, whereabouts are the most last location of all. Now unalterable is just the thing, To get me wondering if whereabouts are intermediate. |
|
1:55:59 (Pop-up) |
||
| The Kitchen Cinq |
You'll Be Sorry Someday
|
1966 |
|
1:56:37 (Pop-up) | ||
| Funkadelic |
Music For My Mother (Instrumental)
|
1969 |
|
1:59:03 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
The nonattendance that's really apparent, Above all others is the absence. Down, down, down into the darkness of the absence, Gently it goes - the manifest, the plain, the obvious. The location that's really not, Above all others are the whereabouts. Do whereabouts make you shiver? do they? |
|
2:00:23 (Pop-up) |
||
| Rupert's People |
I've Got The Love
|
1968 |
|
2:01:10 (Pop-up) | ||
| The Mojo |
Crazy Midnight
|
1969 |
|
2:05:06 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
How happy is the inadvertent omission! Are you upset by how accidental it is? Does it tear you apart to see the omission so unintended? Pay attention to the paucity, the paucity is the most resultant scarcity of all. Never forget the subsequent and consequent paucity. When I think of the dearth, I see an apparent change. Down, down, down into the darkness of the dearth, |
|
2:07:29 (Pop-up) |
||
| Oriental Sunshine |
Across Your Life
|
1970 |
|
2:08:22 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
Institute - A Haiku Dampen summertime when institute institute out of national |
|
2:11:46 (Pop-up) |
||
| Wonderland |
Moscow
|
1968 |
|
2:13:12 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Wonderland - A Haiku Previous summer A vast, wonderland concern under the concern |
|
2:15:53 (Pop-up) |
||
| The Growing Concern |
Other Side Of Life
|
1968 |
|
2:16:26 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
International - A Haiku Dampen summertime international picture watching the soundtrack |
|
2:21:24 (Pop-up) |
||
| Barry Mann - Cynthia Weil |
Angel, Angel, Down We Go - From the Original Soundtrack of the American International Picture Angel, Angel, Down We Go
|
1969 |
|
2:21:48 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
International, Part 2 - A Haiku Dampish summertime international picture despite the soundtrack |
|
2:25:45 (Pop-up) |
||
| Aardvark |
Copper Sunset
|
1970 |
|
2:26:18 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Pay attention to the mist, the mist is the most dense hide of all. Does the mist make you shiver? does it? I saw the the linked change of my generation destroyed, How I mourned the disorder. Does the disorder make you shiver? does it? |
|
2:29:35 (Pop-up) |
||
| Gun |
Head In The Clouds
|
1969 |
|
2:30:14 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Sullivan - A Haiku Dampish summertime A great, big sullivan head by the tallyman |
|
2:34:48 (Pop-up) |
||
| Big Jim Sullivan |
Tallyman
|
Sitar Beat | 1968 |
|
2:35:12 (Pop-up) | |
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
A patterson, however hard it tries, Will always be dear. Are you upset by how devout it is? Does it tear you apart to see the patterson so pricey? I cannot help but stop and look at the moy thompson. Does the thompson make you shiver? does it? A brennan, however hard it tries, |
|
2:37:45 (Pop-up) |
||
| The End |
Don't Take Me
|
1969 |
|
2:38:21 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
|
2:42:07 (Pop-up) |
|||
| Fields |
Elysian Fields
|
1969 |
|
2:42:18 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
|
2:45:57 (Pop-up) |
|||
| The Stained Glass |
How Do You Expect Me
|
1966 |
|
2:46:11 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
Saintemarie - A Haiku Previous summer For saintemarie expect whilst watching the stained |
|
2:48:42 (Pop-up) |
||
| Buffy Sainte-Marie |
God is alive, magic is afoot
|
1969 |
|
2:49:15 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Saintemarie, Part 2 - A Haiku Warming summertime before saintemarie coast after the shifting |
|
2:54:01 (Pop-up) |
||
| West Coast Pop Art Experimental Band |
Shifting Sands
|
1967 |
|
2:54:40 (Pop-up) | ||
| The Byrds |
Stranger In A Strange Land [Instrumental Backing Track]
|
Turn! Turn! Turn! | 1965 |
|
2:58:30 (Pop-up) | |
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Shifting - A Haiku Early summertime where a direct, shifting coast after the patches |
|
3:00:24 (Pop-up) |
||
| Teddy And His Patches |
Haight - Ashbury
|
1967 |
|
3:01:00 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
|
3:03:48 (Pop-up) |
|||
| Donovan |
The Fat Angel
|
1966 |
|
3:04:20 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
Gibbs, however hard they try, Will always be wilkes. Do gibbs make you shiver? do they? I cannot help but stop and look at the racialism snyder. Does the snyder make you shiver? does it? I cannot help but stop and look at the wooly harvey. |
|
3:08:27 (Pop-up) |
||
| Philip DeBarge |
Hello, How Do You Do
|
1969 |
|
3:09:05 (Pop-up) | ||
| The 13th Power |
Love To Be Your Man
|
1968 |
|
3:13:59 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Debarge - A Haiku Previous summer before floating debarge do under the cherry |
|
3:16:07 (Pop-up) |
||
| Sweet Cherry |
Funny Things Floating
|
1967 |
|
3:16:33 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Wizards - A Haiku Early summertime A most, floating wizards love into the cherry |
|
3:19:25 (Pop-up) |
||
| The Misty Wizards |
It's Love
|
1967 |
|
3:19:51 (Pop-up) | ||
| The Kitchen Cinq |
Determination
|
1966 |
|
3:21:55 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Rennaissance - A Haiku Early summertime before orange rennaissance near the bicycle |
|
3:23:53 (Pop-up) |
||
| The Orange Bicycle |
Rennaissance Fair
|
1968 |
|
3:24:21 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Rennaissance, Part 2 - A Haiku Indian summer before orange rennaissance by the bicycle |
|
3:27:21 (Pop-up) |
||
| Love |
7 And 7 Is
|
7 And 7 Is | 1967 |
|
3:27:55 (Pop-up) | |
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
|
3:30:11 (Pop-up) |
|||
| Brincos |
Mundo, Demonio Y Carne
|
1970 |
|
3:30:28 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
|
3:43:27 (Pop-up) |
|||
| Buffalo Springfield |
Mr. Soul
|
1967 |
|
3:43:41 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
I cannot help but stop and look at the slender hand. Does the hand make you shiver? does it? Toenails, however hard they try, Will always be pedicured. Do toenails make you shiver? do they? Pinky is dinky sky. |
|
3:46:21 (Pop-up) |
||
| The Seeds |
Two Fingers Pointing On You
|
1968 |
|
3:46:53 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Plotinusmore - A Haiku Early summertime why plotinusmore divine an iirobinson |
|
3:50:02 (Pop-up) |
||
| The Fugs |
The Divine Toe (Part I)/Grope Need (Part I)/Tuli, Visited By The Ghost Of Plotinus/More Grope Need (Grope Need-Part II)/Robinson Crusoe/The National H
|
1969 |
|
3:50:25 (Pop-up) | ||
| The Herd |
Things Won't Change
|
1967 |
|
3:53:29 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Plotinusmore, Part 2 - A Haiku Indian summer then plotinusmore divine an iirobinson |
|
3:55:28 (Pop-up) |
||
| Dr. Timothy Leary |
Turn On, Tune In, Drop Out
|
1967 |
|
3:56:12 (Pop-up) | ||
| The Tornadoes |
Dreamin' on a Cloud
|
1997 |
|
3:58:33 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Carpenter - A Haiku Early summertime A common, fourth carpenter at the old closing |
|
4:03:45 (Pop-up) |
||
| Chris Carpenter |
This World (Is Closing In On Me)
|
1967 |
|
4:04:06 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Carpenter, Part 2 - A Haiku Early summertime A common, blue carpenter watching the changin |
|
4:06:51 (Pop-up) |
||
| Changin' Tymes |
Blue Music Box
|
1968 |
|
4:07:18 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
How happy is the permanent presence! A presence is ageless. a presence is perpetual, a presence is temporary, however. I saw the the parental inconvenience of my generation destroyed, How I mourned the unavailability. Are you upset by how paternal it is? Does it tear you apart to see the unavailability so maternal? One afternoon I said to myself, |
|
4:10:24 (Pop-up) |
||
| Chocolate Watch Band |
Voyage Of The Trieste
|
1968 |
|
4:11:10 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
How happy is the permanent presence! A presence is ageless. a presence is perpetual, a presence is temporary, however. I saw the the parental inconvenience of my generation destroyed, How I mourned the unavailability. Are you upset by how paternal it is? Does it tear you apart to see the unavailability so maternal? One afternoon I said to myself, |
|
4:14:42 (Pop-up) |
||
| Mr. Flood's Party |
advice
|
1970 |
|
4:15:26 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
|
4:18:30 (Pop-up) |
|||
| Donovan |
Celeste
|
1966 |
|
4:18:45 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Don't belive that gibbs are beautiful? gibbs are ugly beyond belief. Do gibbs make you shiver? do they? I cannot help but stop and look at the dorsal barton. Are you upset by how adaxial it is? Does it tear you apart to see the barton so abaxial? One afternoon I said to myself, |
|
4:22:52 (Pop-up) |
||
| The Gurus |
It Just Won't Be That Way
|
1967 |
|
4:23:28 (Pop-up) | ||
| The Who |
Call Me Lightning
|
1968 |
|
4:25:43 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Deviants - A Haiku Heavy summertime A non, last deviants last watching the gurus |
|
4:28:05 (Pop-up) |
||
| The Deviants |
Last Man
|
1968 |
|
4:28:33 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
Deathwise - A Haiku Indian summer An express deathwise express by the deviants |
|
4:34:39 (Pop-up) |
||
| Catfish Knight And The Blue Express |
Deathwise
|
1968 |
|
4:35:00 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Deathwise, Part 2 - A Haiku Foggy summertime An express deathwise express near the harmonie |
|
4:38:49 (Pop-up) |
||
| Ruth White |
Evening Harmony (Harmonie du Soir)
|
1969 |
|
4:39:12 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
How happy is the typical couleur! A couleur is emblematic. a couleur is characteristic, a couleur is representative, however. How happy is the mars plaisir! Does the plaisir make you shiver? does it? All that is small is not figura, figura, by all account is big. |
|
4:43:07 (Pop-up) |
||
| Graffiti |
A - The Capture Of Me / B - Life Blood
|
1968 |
|
4:43:58 (Pop-up) | ||
| Love Sculpture |
Sabre Dance
|
1968 |
|
|||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
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Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
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