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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:27 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:53 (Pop-up) | ||||
Buffalo Springfield | Everybody's Wrong - Richie & Steve With Neil | 1966 | 0:03:22 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
The Wet And Wrong Buffalo Whose buffalo is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his buffalo a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:05:42 (Pop-up) |
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The Wet Paint | At The River's Edge | 1966 | 0:06:46 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Spoonful - A Haiku Depressing autumn An extra, west spoonful branch betrayed by the branch |
0:09:40 (Pop-up) |
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The West Coast Branch | Spoonful | 1966 | 0:10:07 (Pop-up) | |||
The Wildflower | Wind Dream | 1966 | 0:13:49 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Spoonful, Part 2 - A Haiku Glorious autumn A second, west spoonful branch despite the morning |
0:16:02 (Pop-up) |
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The Masque | Wake Up In The Morning | 1970 | 0:16:26 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
The miss that's really temporary, Above all others is the lack. Does the lack make you shiver? does it? All that is invisible is not omission, omission, by all account is conspicuous. Does the omission make you shiver? does it? |
0:19:32 (Pop-up) |
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Whatt Four | You're Wishin' I Was Someone Else | 1967 | 0:20:03 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
0:22:25 (Pop-up) |
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Wilkinson Tri-Cycle | Pourscha Poe | 1969 | 0:22:48 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Wilkinson - A Haiku Beautiful autumn A poor, better wilkinson near the tricycle |
0:27:14 (Pop-up) |
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The Sons Of Adam | You're A Better Man Than I | 1966 | 0:27:38 (Pop-up) | |||
The Show Stoppers | If You Want To, Why Dont You | 1967 | 0:30:32 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Collection - A Haiku Darkening autumn A vast, collection better watching the whistler |
0:32:48 (Pop-up) |
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whistler, chaucer, detroit and greenhill | House Of Collection | 1968 | 0:33:28 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Don't belive that textures are unrhythmic? textures are rhythmic beyond belief. Now periodic is just the thing, To get me wondering if textures are swinging. How happy are linear tetrahedrons! Never forget the simple and lengthwise tetrahedrons. I cannot help but stop and look at zany parallelograms. Down, down, down into the darkness of the parallelograms, |
0:35:59 (Pop-up) |
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The Far Cry | Shapes | 1968 | 0:36:45 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Instant Request |
0:41:09 (Pop-up) |
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Faust | Why Don't You Eat Carrots | 1971 | For: The Ayatolluh of Rock 'n Rolluh | 0:41:12 (Pop-up) | ||
The Gentrys | Cinnamon Girl | 1970 | 0:50:33 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
I cannot help but stop and look at nested hexagons. Do hexagons make you shiver? do they? How happy are interlocking pentagons! Never forget the interwoven and complex pentagons. Motifs, however hard they try, Will always be fat. Are you upset by how oleaginous they are? |
0:52:49 (Pop-up) |
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Kennélmus | Patti's Dream - Dream Sequence | 1971 | 0:53:52 (Pop-up) | |||
The Tornadoes | Alan's Tune | 1997 | 0:58:21 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Why would you think the omission is fair? the omission is the most partial linguistic process of all. Does the omission make you shiver? does it? How happy is the dead absent! Never forget the brain dead and nonfunctional absent. All that is little is not forgotten, forgotten, by all account is big. |
1:00:27 (Pop-up) |
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Troy | Amnesia | 1969 | 1:01:11 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
I cannot help but stop and look at the phobic vertigo. Never forget the neurotic and psychoneurotic vertigo. How happy is the horrible malady! Does the malady make you shiver? does it? Flashbacks are traumatic events. traumatic events are flashbacks. Now cockamamie is just the thing, |
1:04:17 (Pop-up) |
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T. Swift & The Electric Bag | Are You Experienced | 1968 | 1:04:57 (Pop-up) | |||
The Unusuals | Babe, It's Me | 1966 | 1:09:31 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
I cannot help but stop and look at the sweet gone. A gone is unsoured. a gone is seraphic, a gone is gratifying, however. The stolen is not white! the stolen is exceptionally violent. Does the stolen make you shiver? does it? Deceased is, in its way, the second months of human. |
1:12:10 (Pop-up) |
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Transatlantic Winkham Chicken #5 | Crystal Mountain | 1967 | 1:12:59 (Pop-up) | |||
Pretty Things | She Says Good Morning | 1968 | 1:16:38 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
The Chicken And Transatlantic Mountain Whose mountain is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his mountain a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:19:51 (Pop-up) |
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Buffalo Springfield | Burned - Neil With Richie & Steve (Neil On Piano) | 1966 | 1:20:44 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
The Piano And Burned Cyclothymia Whose cyclothymia is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his cyclothymia a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:22:56 (Pop-up) |
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The Versatiles | Cyclothymia | 1967 | 1:24:05 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
1:26:32 (Pop-up) |
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TNT | 99th Floor | 1:26:45 (Pop-up) | ||||
Canterbury Fair | Days I Love | 0 | 1967 | 1:28:53 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Floor - A Haiku Last dampen autumn A second, uncalled floor floor in spite of the like |
1:30:47 (Pop-up) |
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The Uncalled For | Do Like Me | 1967 | 1:31:16 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Productions - A Haiku Early dampish fall A best, productions sample at the old trident |
1:33:50 (Pop-up) |
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Wilkinson Tri-Cycle | Yellow Wall | 1969 | 1:39:50 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
One afternoon I said to myself, "Why aren't meyers more fat-free?" Are you upset by how profitable they are? Does it tear you apart to see the meyers so suety? A nikki, however hard it tries, Will always be sorry. Down, down, down into the darkness of the nikki, Gently it goes - the cheerless, the worthless, the pitiful. |
1:43:36 (Pop-up) |
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the Collage | Any Day's A Sunday Afternoon | 1967 | 1:44:19 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
1:46:52 (Pop-up) |
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Washington Merry-Go-Round | Got-Ta Got-Ta | 1968 | 1:47:07 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Merrygoround - A Haiku Depressing autumn before merrygoround air out of washington |
1:49:47 (Pop-up) |
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Fresh Air | Running Wild | 2001 | 1:50:19 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Hellhound - A Haiku Previous autumn before running hellhound cry above the running |
1:54:04 (Pop-up) |
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The Far Cry | Hellhound | 1968 | 1:54:27 (Pop-up) | |||
The Beach Boys | Little Saint Nick | The Beach Boys' Christmas Album | 1968 | 1:58:07 (Pop-up) | ||
George Kerr | Airplane Song | Northern Soul Fever, Volume One | 1:59:51 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Hellhound, Part 2 - A Haiku Last dampness autumn before growing hellhound cry at the perfect cry |
2:00:28 (Pop-up) |
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The Vaqueros | Growing Pains | 1966 | 2:01:11 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
The United And Growing Service Whose service is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her service a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:03:40 (Pop-up) |
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United Travel Service | Gypsy Eyes | 1968 | 2:04:26 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Pay attention to the folk, the folk is the most tribal social group of all. Does the folk make you shiver? does it? I cannot help but stop and look at the charming gipsy. Does the gipsy make you shiver? does it? How happy is the zany fairy! |
2:06:43 (Pop-up) |
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Kennélmus | The Raven | 1971 | 2:07:19 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
I cannot help but stop and look at the miraculous disappearance. A disappearance is providential. a disappearance is marvelous, a disappearance is fortunate, however. Pay attention to the deceased, the deceased is the most private someone of all. A deceased is one-on-one. a deceased is privy, a deceased is cloistered, however. Pay attention to the absent, |
2:14:15 (Pop-up) |
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The Trespassers | Living Memories | 1967 | 2:14:59 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Trespassers - A Haiku Beautiful autumn A living trespassers flash out of memories |
2:17:25 (Pop-up) |
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The Daily Flash | The French Girl | 1967 | 2:17:46 (Pop-up) | |||
The W. C. Fields Memorial Electric String Band | Hippie Elevator Operator | 1966 | 2:20:38 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Flytrap - A Haiku Previous autumn A giant, flash flytrap flash enjoying the french |
2:23:40 (Pop-up) |
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The Venus Flytrap | Have You Ever | 1967 | 2:24:24 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
2:28:21 (Pop-up) |
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George Harrison | Ski-ing | Wonderwall Music | 1968 | 2:28:50 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture |
Harrison - A Haiku Previous autumn A purple harrison hush watching the purple |
2:30:39 (Pop-up) |
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Deep Purple | Hush | 1968 | 2:31:04 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Morning - A Haiku Beautiful autumn A fine, purple morning smoke at the old purple |
2:35:22 (Pop-up) |
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Sweet Smoke | Morning Dew | 1968 | 2:35:45 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Tasmanians - A Haiku Last dampness autumn why tasmanians explain at the old feeling |
2:39:39 (Pop-up) |
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Tasmanians | I Can't Explain This Feeling | 1967 | 2:40:09 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Tasmanians, Part 2 - A Haiku Glorious autumn when tasmanians explain beyond the feeling |
2:42:18 (Pop-up) |
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Kim Fowley | Bubble Gum | Bubble Gum / Wildfire | 2:42:42 (Pop-up) | |||
Ty Wagner with "The Scotchmen" | I'm A No-Count | 1965 | 2:45:05 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Electric - A Haiku Depressing autumn A non, electric bubble out of banana |
2:47:27 (Pop-up) |
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The Electric Banana | (Vocal Tracks): Rave Up (Up tempo - freaky) | 1969 | 2:47:58 (Pop-up) | |||
The W.C. Fields Memorial Electric String Band | I'm Not Your Stepping Stone | 1966 | 2:49:55 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Warbabies - A Haiku Previous autumn suddenly warbabies rave by the electric |
2:52:09 (Pop-up) |
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The War-Babies | Jeanie's Pub | 1965 | 2:52:45 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Stainless - A Haiku Beautiful autumn A high, stainless stainless guest on the warbabies |
2:55:05 (Pop-up) |
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The Red Crayola with the Familiar Ugly | Pink Stainless Tail: "Seven Guest Are Quite new, And Now Not Half So Much" | 1967 | 2:55:26 (Pop-up) | |||
The Tornadoes | Hymn for Teenagers | 1997 | 2:58:45 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Stainless, Part 2 - A Haiku Darkening autumn A most, stainless stainless guest on the familiar |
3:00:28 (Pop-up) |
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The Teddy Boys | Jezebel | 1966 | 3:01:11 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
3:04:09 (Pop-up) |
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Utopia Carwash | Loneliness | 1969 | 3:04:31 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Loneliness - A Haiku Beautiful autumn A little loneliness cry into the carwash |
3:07:42 (Pop-up) |
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The Far Cry | Sweet Little Angel | 1968 | 3:08:15 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Angel - A Haiku Previous autumn A good, little angel cry whilst watching the sweet |
3:16:15 (Pop-up) |
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Kennélmus | Sylvan Shores | 1971 | 3:17:47 (Pop-up) | |||
Raw Material | Time And Illusion | 1969 | 3:20:38 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
The Lazy And Sylvan Velvet Whose velvet is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his velvet a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:23:43 (Pop-up) |
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Georgy & The Velvet Illusions | Lazy | 1967 | 3:24:43 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
All that is nonmodern is not belarusian, belarusian, by all account is modern. Down, down, down into the darkness of the belarusian, Gently it goes - the moderne, the mod, the newest. You can play, you can relegate, but can you compete? I cannot help but stop and look at the soviet marat. Does the marat make you shiver? does it? |
3:26:48 (Pop-up) |
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The Undecyded? | Make Her Cry | 1966 | 3:27:33 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Undecyded - A Haiku Previous autumn before undecyded love an america |
3:29:36 (Pop-up) |
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The United States Of America | Hard Coming Love | The United States Of America | 1968 | 3:30:16 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Rustics - A Haiku Darkening autumn An united rustics cant an america |
3:34:55 (Pop-up) |
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The Rustics | Can't Get You Out Of My Heart | 1966 | 3:35:40 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
How happy is the feudal noblewomen! Does the noblewomen make you shiver? does it? How happy are celluloid mammies! Do mammies make you shiver? do they? When I think of milkmaids, I see buxom dishes. Are you upset by how hairy they are? |
3:37:48 (Pop-up) |
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The Waters | Mother Samuel | 1969 | 3:38:27 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
I cannot help but stop and look at the milky ocean. Now whitish is just the thing, To get me wondering if the ocean is opaque. Don't belive that seas are northern? seas are southern beyond belief. Seas are grey. seas are south, seas are austral, however. cunning waterways sings like a navigable europe |
3:42:02 (Pop-up) |
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The Thundermugs | Motion Free | 1967 | 3:42:44 (Pop-up) | |||
Grains Of Sand | Golden Apples Of The Sun | 1966 | 3:45:24 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
All that is absent is not absent, absent, by all account is present. Now ever-present is just the thing, To get me wondering if the absent is omnipresent. A been, however hard it tries, Will always be might. Does the been make you shiver? does it? |
3:47:37 (Pop-up) |
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Ty Wagner | Slander | 1966 | 3:48:21 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
3:50:25 (Pop-up) |
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The Ventures | 1999 A. D. | 1967 | 3:50:35 (Pop-up) | |||
The Twilighters | Nothing Can Bring Me Down | 1968 | 3:52:34 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
3:54:52 (Pop-up) |
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The Truth | P.S. (Prognosis Stegnoisis) | 1968 | 3:55:13 (Pop-up) | |||
Ramblers | Soulful Jerk | Northern Soul Fever 2b | 3:58:17 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Versatiles - A Haiku Overcast autumn A like versatiles queen despite the somethin |
4:03:48 (Pop-up) |
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The Versatiles | Somethin' Like A Man | 1968 | 4:04:22 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Versatiles, Part 2 - A Haiku Previous autumn when versatiles summer an unusuals |
4:06:55 (Pop-up) |
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The Unusuals | Summer Is Over | 1966 | 4:07:20 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
All that is invisible is not omission, omission, by all account is obvious. Never forget the large and attention-getting omission. Why would you think the unavailability is caducous? the unavailability is the most persistent inconvenience of all. Now unrelenting is just the thing, To get me wondering if the unavailability is relentless. Why would you think the absent is fatless? |
4:10:44 (Pop-up) |
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We The People... | St. John's Shop | 1966 | 4:11:40 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
4:14:20 (Pop-up) |
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The Battered Ornaments | Staggered | 1970 | 4:14:39 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
4:18:42 (Pop-up) |
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The Teddy Boys | Mona | 1967 | 4:18:54 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
I cannot help but stop and look at trellised panes. Do panes make you shiver? do they? How happy are outer facades! Now outward is just the thing, To get me wondering if facades are external. When I think of cliffs, I see a dark height. Down, down, down into the darkness of the cliffs, |
4:21:51 (Pop-up) |
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The Far Cry | Listen To The Walls | 1968 | 4:22:31 (Pop-up) | |||
Whatt Four | You're Wishin' I Was Someone Else | 1967 | 4:29:18 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Crenellations, however hard they try, Will always be ornate. Crenellations are decorated. crenellations are flowery, crenellations are rhetorical, however. Doorways, however hard they try, Will always be sculptured. Doorways are carved. doorways are graven, doorways are shapely, however. |
4:31:39 (Pop-up) |
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The Show Stoppers | If You Want To, Why Dont You | 1967 | 4:32:30 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
4:34:47 (Pop-up) |
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Teddy And His Patches | Suzy Creamcheese | 1967 | 4:35:01 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
I cannot help but stop and look at edematous plaques. Never forget the dropsical and unhealthy plaques. I cannot help but stop and look at orange markings. Down, down, down into the darkness of the markings, Gently they go - the orangish, the chromatic, the colored. wooly areas sings like a peripheral climate Now wooly-minded is just the thing, To get me wondering if areas are hirsute. |
4:39:00 (Pop-up) |
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The United Travel Service | Wind And Stone | 1967 | 4:39:49 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
I cannot help but stop and look at the glaring omission. Does the omission make you shiver? does it? I cannot help but stop and look at the loathsome neglected. Never forget the distasteful and loathly neglected. Just like a glaring consequence, is omissions. Never forget the jowly and porcine omissions. Refresh until you're happy with your poem. |
4:43:12 (Pop-up) |
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Jerry Corbitt | Out Of The Question | 1969 | 4:43:57 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
4:48:47 (Pop-up) |
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Kennélmus | Shapes Of Sleep | 1971 | 4:49:00 (Pop-up) | |||
Pink Floyd | Flaming | 1967 | 4:51:43 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Owl Sun:
Owl Sun:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
Owl Sun: