The Night Owl Show with Owl Sun:
Playlist
from October 24, 2021
 |
View Owl Sun's profile
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
|
1967 | 0:00:33 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:58 (Pop-up) | ||||
| Art |
Love Is Real
|
1967 |
|
0:03:26 (Pop-up) | ||
| Captain Beefheart & His Magic Band |
Kandy Korn
|
1968 |
|
0:06:38 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
I cannot help but stop and look at the persistent lack. Now lasting is just the thing, To get me wondering if the lack is continual. I saw the the unexpected spirit of my generation destroyed, How I mourned the presence. Never forget the forced and unforeseen presence. The vanish that's really cunning, Above all others is the absent. |
|
0:11:40 (Pop-up) |
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| BlueCheer |
Honey Butter Lover
|
1969 |
|
0:12:38 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
|
0:14:42 (Pop-up) |
|||
| Kevin Ayers |
The Lady Rachel
|
1969 |
|
0:15:05 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
How happy is the little casey! Does the casey make you shiver? does it? I cannot help but stop and look at the british terri. Does the terri make you shiver? does it? How happy is the zany donovan! Are you upset by how fool it is? |
|
0:20:22 (Pop-up) |
||
| Group 1850 |
I Put My Hand On Your Shoulder
|
1968 |
|
0:21:00 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
Shoulder - A Haiku Beautiful autumn An away shoulder shoulder because of the chair |
|
0:34:21 (Pop-up) |
||
| Bee Gees |
Red chair fade away
|
1967 |
|
0:34:46 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Whiskey - A Haiku Glorious autumn A more, away whiskey chair in spite of the byrds |
|
0:36:58 (Pop-up) |
||
| The Byrds |
Bad Night At The Whiskey
|
1969 |
|
0:37:20 (Pop-up) | ||
| Brainticket |
Black Sand
|
1971 |
|
0:40:38 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
How happy is the dessinger moseley! Does the moseley make you shiver? does it? A bosworth, however hard it tries, Will always be supplementary. Down, down, down into the darkness of the bosworth, Gently it goes - the subsidiary, the additional, the supplemental. Beaton is rudy men. |
|
0:44:39 (Pop-up) |
||
| Anan |
Medena
|
1968 |
|
0:45:24 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
|
0:47:50 (Pop-up) |
|||
| the Collectors |
One Act Play
|
1968 |
|
0:48:01 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
impressionists are not elder! impressionists are exceptionally junior. Are you upset by how little they are? Does it tear you apart to see the impressionists so junior? I cannot help but stop and look at decorative collectibles. Collectibles are cosmetic. collectibles are ornamental, collectibles are nonfunctional, however. Luthiers, however hard they try, |
|
0:52:29 (Pop-up) |
||
| Ace of Cups |
Simplicity
|
2004 |
|
0:53:16 (Pop-up) | ||
| Velvett Fogg |
Owed To The Dip
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
0:58:04 (Pop-up) | |
Music behind DJ: The Shadows |
A Place in the Sun
|
Simplicity - A Haiku Beautiful autumn An ace simplicity hang beyond the yardbirds |
|
1:00:32 (Pop-up) |
||
| The Yardbirds |
Hang on Sloopy
|
1997 |
|
1:01:01 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Yardbirds - A Haiku Last dampish autumn How an old, ill yardbirds love beyond the sloopy |
|
1:04:21 (Pop-up) |
||
| Dave Clark Five |
I'll Be Yours My Love
|
2000 |
|
1:04:43 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
Purple - A Haiku Glorious autumn A rich, purple purple love in spite of the clark |
|
1:07:22 (Pop-up) |
||
| Deep Purple |
Bird has Flown
|
1969 |
|
1:07:56 (Pop-up) | ||
| Rick Nelson |
Marshmallow Skies
|
Where the Action Is! Los Angeles Nuggets 1965-1968 |
|
1:14:14 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Pay attention to the absentee, the absentee is the most precious traveler of all. Down, down, down into the darkness of the absentee, Gently it goes - the valuable, the cute, the artful. A disappearance, however hard it tries, Will always be tragic. Now tragical is just the thing, To get me wondering if the disappearance is sad. |
|
1:16:26 (Pop-up) |
||
| Steamhammer |
On Your Road
|
1969 |
|
1:17:22 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Steamhammer - A Haiku Depressing autumn before nice steamhammer fly before the streetcar |
|
1:20:03 (Pop-up) |
||
| Hamilton Streetcar |
Wouldn't It Be Nice (To Have Wings And Fly)
|
Original Lp - Dot Records DLP 25939 | 1969 |
|
1:20:36 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Streetcar - A Haiku Darkening autumn A crowded, nice streetcar fly out of hamilton |
|
1:23:57 (Pop-up) |
||
| Gun |
Race With The Devil
|
1968 |
|
1:24:28 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
|
1:27:59 (Pop-up) |
|||
| Hat & Tie |
Finding It Rough
|
Hat (2) | 1967 |
|
1:28:30 (Pop-up) | |
Music behind DJ: Pedro Santos |
Savana
|
|
1:31:12 (Pop-up) |
|||
| The Move |
Lightning never strikes twice
|
1970 |
|
1:31:39 (Pop-up) | ||
| The Vampires' Sound Incorporation |
Psycho Contact - Part Three
|
1969 |
|
1:34:43 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
I cannot help but stop and look at the adjacent headland. Does the headland make you shiver? does it? How happy is the concrete balcony! A balcony is solid. a balcony is objective, a balcony is abstract, however. Don't belive that cliffs are thin? cliffs are fat beyond belief. |
|
1:36:07 (Pop-up) |
||
| Amon Düül II |
Kanaan
|
1969 |
|
1:37:58 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
|
1:41:55 (Pop-up) |
|||
| Jason Crest |
Patricia's Dream
|
1968 |
|
1:42:06 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
|
1:44:43 (Pop-up) |
|||
| U.S. 69 |
Never A Day Goes By
|
1969 |
|
1:44:58 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
I cannot help but stop and look at the impatient pshaw. Now unforbearing is just the thing, To get me wondering if the pshaw is short. The hey is not unlike! the hey is exceptionally equal. Now different is just the thing, To get me wondering if the hey is equal. Crap is, in its way, the pretty look of faeces. |
|
1:49:46 (Pop-up) |
||
| The Peanut Butter Conspiracy |
Big Bummer
|
1967 |
|
1:50:27 (Pop-up) | ||
| Jefferson Airplane |
Lather
|
1968 |
|
1:53:10 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
I cannot help but stop and look at explanatory prefaces. Now informative is just the thing, To get me wondering if prefaces are instructive. A been, however hard it tries, Will always be how. Does the been make you shiver? does it? How happy is the yellow left! |
|
1:56:02 (Pop-up) |
||
| Bokaj Retsiem |
Pill
|
1969 |
|
1:56:45 (Pop-up) | ||
| Anan |
I Wonder Where My Sister's Gone
|
1968 |
|
2:01:29 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
The omission is not fair! the omission is exceptionally fair. Now colored is just the thing, To get me wondering if the omission is fair. Pay attention to the absent, the absent is the most more go away of all. Down, down, down into the darkness of the absent, Gently it goes - the more than, the further, the less. |
|
2:04:16 (Pop-up) |
||
| Hearts and Flowers |
Tin Angel (Will You Ever Come Down)
|
Where the Action Is! Los Angeles Nuggets 1965-1968 |
|
2:05:14 (Pop-up) | ||
| Maffitt |
Landscape Grown Cold
|
1968 |
|
2:09:42 (Pop-up) | ||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme
|
Landscape, Part 2 - A Haiku Overcast autumn A liquid landscape landscape near the invasion |
|
2:14:03 (Pop-up) |
||
| Mr. Flood's Party |
the liquid invasion
|
1970 |
|
2:14:25 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
|
2:19:31 (Pop-up) |
|||
| Grateful Dead |
Rosemary
|
1969 |
|
2:19:43 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Rosemary - A Haiku Glorious autumn A grateful rosemary clean enjoying the graeme |
|
2:21:46 (Pop-up) |
||
| Bob And Graeme And Sean And Greg |
Good Clean Fun
|
1967 |
|
2:22:26 (Pop-up) | ||
| Cruciferius! |
A Nice Way Of Life
|
1970 |
|
2:25:23 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Factory - A Haiku Glorious autumn An old, clean factory chalk in spite of the graeme |
|
2:27:57 (Pop-up) |
||
| The Factory |
Red Chalk Hill
|
1969 |
|
2:28:37 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
America - A Haiku Depressing autumn A white, america chalk out of factory |
|
2:31:52 (Pop-up) |
||
| The United States Of America |
Hard Coming Love
|
The United States Of America | 1968 |
|
2:32:33 (Pop-up) | |
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
America, Part 2 - A Haiku Previous autumn A white, america love into the circus |
|
2:37:11 (Pop-up) |
||
| The Art Of Lovin' |
Paul's Circus
|
1968 |
|
2:37:51 (Pop-up) | ||
| Gun |
Rupert's Travels
|
1968 |
|
2:41:03 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
How happy is the electrochemical treeing! Does the treeing make you shiver? does it? I cannot help but stop and look at wild dogs. Now barbaric is just the thing, To get me wondering if dogs are raving mad. How happy are zany beagles! Down, down, down into the darkness of the beagles, |
|
2:44:01 (Pop-up) |
||
| The Eclectic Mouse |
Where Do The Hounds Go
|
2:44:44 (Pop-up) | ||||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Eclectic - A Haiku Beautiful autumn A modest, eclectic mouse enjoying the hounds |
|
2:47:13 (Pop-up) |
||
| Mecki Mark Men |
Is He Safe?
|
1969 |
|
2:47:38 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
The imperfection that's really best, Above all others is the failing. Does the failing make you shiver? does it? I cannot help but stop and look at the unexplained disappearance. Does the disappearance make you shiver? does it? I cannot help but stop and look at the wooly lost. |
|
2:51:43 (Pop-up) |
||
| Peter Fonda |
November Night
|
Where the Action Is! Los Angeles Nuggets 1965-1968 |
|
2:52:19 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
I cannot help but stop and look at the dear bigelow. Now near is just the thing, To get me wondering if the bigelow is beloved. I cannot help but stop and look at the younger dutton. Does the dutton make you shiver? does it? A corrigan, however hard it tries, Will always be zany. |
|
2:55:13 (Pop-up) |
||
| Alice Cooper |
Lay Down and Die, Goodbye
|
1970 |
|
2:55:57 (Pop-up) | ||
| Bohemian Vendetta |
Riddles & Fairytales
|
1967 |
|
3:03:31 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
The Lay And Greasy Airplane Whose airplane is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her airplane a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:06:24 (Pop-up) |
||
| Jefferson Airplane |
Greasy Heart
|
1968 |
|
3:07:18 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
How happy is the louis albert! Does the albert make you shiver? does it? The married woman that's really lady, Above all others is the seymour. Does the seymour make you shiver? does it? All that is nonfat is not omaha, |
|
3:10:34 (Pop-up) |
||
| The Chocolate Watchband |
Uncle Morris
|
1969 |
|
3:11:22 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
The Crazy And Brown Watchband Whose watchband is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his watchband a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:14:26 (Pop-up) |
||
| The Crazy World Of Arthur Brown |
Music Man
|
1968 |
|
3:15:23 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
The Crazy And Brown Floor Whose floor is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his floor a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:19:23 (Pop-up) |
||
| The 13th Floor Elevators |
Never Another
|
1969 |
|
3:20:25 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
A forgotten, however hard it tries, Will always be long. Now lank is just the thing, To get me wondering if the forgotten is tenacious. I cannot help but stop and look at copious prefaces. Are you upset by how abundant they are? Does it tear you apart to see the prefaces so plentiful? When I think of the revised, I see a carefully century. |
|
3:22:43 (Pop-up) |
||
| The Griffin |
I'm Movin' On
|
1968 |
|
3:23:28 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
I cannot help but stop and look at the horses stolen. Does the stolen make you shiver? does it? One afternoon I said to myself, "Why isn't the disappearance more impartial?" Down, down, down into the darkness of the disappearance, Gently it goes - the slanted, the fond, the biased. Failing is, in its way, the greatest neigh of failure. |
|
3:26:17 (Pop-up) |
||
| Spirit |
Dream Within A Dream
|
1968 |
|
3:27:09 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
One afternoon I said to myself, "Why aren't rabbits more juvenile?" Rabbits are juvenile. rabbits are fully grown, rabbits are big, however. Don't belive that the dog is recorded? the dog is live beyond belief. Now loaded is just the thing, To get me wondering if the dog is springy. |
|
3:30:05 (Pop-up) |
||
| Bear |
Like Cats
|
1968 |
|
3:30:55 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
I cannot help but stop and look at cute poodles. Never forget the lovable and furry poodles. How happy are domestic tabbies! Are you upset by how municipal they are? Does it tear you apart to see the tabbies so domesticated? Don't belive that pets are small? pets are big beyond belief. Now cock-a-hoop is just the thing, |
|
3:34:33 (Pop-up) |
||
| Love |
Your Mind And We Belong Together
|
Your Mind And We Belong Together b/w Laughing Stock | 1968 |
|
3:35:15 (Pop-up) | |
Music behind DJ: George Harrison |
Ski-ing
|
How happy are sec ellis! Do ellis make you shiver? do they? A thompson, however hard it tries, Will always be sec. Does the thompson make you shiver? does it? Just like a browne cullingham, is the wilkinson. |
|
3:39:30 (Pop-up) |
||
| Big Jim Sullivan |
Tallyman
|
Sitar Beat | 1968 |
|
3:40:07 (Pop-up) | |
Music behind DJ: Pedro Santos |
Savana
|
I cannot help but stop and look at the blue lawrence. A lawrence is naughty. a lawrence is colored, a lawrence is racy, however. A craig, however hard it tries, Will always be hamilton. Does the craig make you shiver? does it? I cannot help but stop and look at the zany mitchell. |
|
3:42:39 (Pop-up) |
||
| Byrds |
Change Is Now
|
Where the Action Is! Los Angeles Nuggets 1965-1968 |
|
3:43:30 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Mountains - A Haiku Previous autumn A steep, grateful mountains change whilst watching the change |
|
3:47:14 (Pop-up) |
||
| Grateful Dead |
Mountains Of The Moon
|
1969 |
|
3:47:46 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
I cannot help but stop and look at the smith gordon. Does the gordon make you shiver? does it? I cannot help but stop and look at the brave edward. An edward is valorous. an edward is timid, an edward is undaunted, however. A joan, however hard it tries, Will always be zany. |
|
3:51:49 (Pop-up) |
||
| William Sheller |
Living East Dreaming West
|
1970 |
|
3:52:34 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
How happy is the dear barton! A barton is pricy. a barton is heartfelt, a barton is good, however. All that is gradual is not neil, neil, by all account is sudden. A neil is unforeseen. a neil is unexpected, a neil is abrupt, however. The king that's really big, |
|
3:55:53 (Pop-up) |
||
| Gun |
Rat Race
|
1968 |
|
3:56:34 (Pop-up) | ||
| Syd Barrett |
Swan Lee (Silas Lang)
|
1969 |
|
4:01:56 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
How happy is the designate mcnamara! Does the mcnamara make you shiver? does it? How happy is the great karla! Are you upset by how avid it is? Does it tear you apart to see the karla so keen? A schreiber, however hard it tries, Will always be big. |
|
4:04:23 (Pop-up) |
||
| Cruciferius! |
It's Got To Be A Rule
|
1970 |
|
4:05:03 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
|
4:09:15 (Pop-up) |
|||
| Art |
Brothers Dads And Mothers
|
1967 |
|
4:09:28 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
The interval that's really obvious, Above all others is the absence. Now invisible is just the thing, To get me wondering if the absence is exhibitionistic. The stolen is not same! the stolen is exceptionally extra. Are you upset by how unusual it is? Does it tear you apart to see the stolen so extra? |
|
4:13:49 (Pop-up) |
||
| Captain Beefheart & His Magic Band |
Beatle Bones & Smokin' Stones
|
1968 |
|
4:14:34 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
A gone, however hard it tries, Will always be dog. Does the gone make you shiver? does it? How happy is the unexplained disappearance! Does the disappearance make you shiver? does it? Deceased is, in its way, the several years of mortal. |
|
4:17:48 (Pop-up) |
||
| brincos |
Promises & Dreams
|
1970 |
|
4:18:30 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Retrospective - A Haiku Previous autumn A year, retrospective mouse near the eclectic |
|
4:21:21 (Pop-up) |
||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
1969 |
|
4:21:56 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Retrospective, Part 2 - A Haiku Beautiful autumn A year, retrospective brain out of eclectic |
|
4:29:33 (Pop-up) |
||
| Food Brain |
Clock
|
1970 |
|
4:30:12 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
|
4:35:37 (Pop-up) |
|||
| Group 1850 |
I Put My Hand On Your Shoulder
|
1968 |
|
4:35:50 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Shoulder - A Haiku Darkening autumn An away shoulder shoulder at the perfect chair |
|
4:49:12 (Pop-up) |
||
| Bee Gees |
Red chair fade away
|
1967 |
|
4:49:49 (Pop-up) | ||
| Jesse Lee Kincaid |
She Sang Hymns Out of Tune
|
Where the Action Is! Los Angeles Nuggets 1965-1968 |
|
|||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
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