The Night Owl Show with Owl Sun:
Playlist
from October 28, 2021
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
|
1967 | 0:00:33 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:58 (Pop-up) | ||||
| The FUGS |
Life Is Strange
|
1968 |
|
0:03:29 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
I cannot help but stop and look at the all gone. Are you upset by how complete it is? Does it tear you apart to see the gone so whole? Disappearances, however hard they try, Will always be suspicious. Are you upset by how wary they are? Does it tear you apart to see the disappearances so shady? I cannot help but stop and look at the wooly absence. |
|
0:05:58 (Pop-up) |
||
| The doors |
My Eyes Have Seen You
|
1967 |
|
0:06:41 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
|
0:09:00 (Pop-up) |
|||
| Morgen |
Purple
|
1969 |
|
0:09:26 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
|
0:14:27 (Pop-up) |
|||
| The Zodiac |
Scorpio - The Passionate Hero
|
1967 |
|
0:14:46 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Funkadelic - A Haiku Depressing autumn then funkadelic follow by the scorpio |
|
0:17:30 (Pop-up) |
||
| Funkadelic |
Free Your Mind And Your Ass Will Follow
|
1970 |
|
0:18:05 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Funkadelic, Part 2 - A Haiku Overcast autumn before free funkadelic under the grahame |
|
0:28:02 (Pop-up) |
||
| Grahame Bond |
Walk On To Me
|
1969 |
|
0:28:29 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Grahame - A Haiku Overcast autumn A horwitz, nice grahame peace enjoying the peace |
|
0:31:37 (Pop-up) |
||
| The Nice |
War and Peace
|
1967 |
|
0:31:59 (Pop-up) | ||
| the Electric Flag, an American Music Band |
M-23
|
Original Motion Picture Sound Track: The Trip | 1967 |
|
0:37:04 (Pop-up) | |
Music behind DJ: David Axelrod |
The Human Abstract
|
Brainticket - A Haiku Previous autumn A zoik, black brainticket black whilst watching the black |
|
0:38:12 (Pop-up) |
||
| Brainticket |
Black Sand
|
1971 |
|
0:38:46 (Pop-up) | ||
| Silver Apples |
Misty Mountain
|
1968 |
|
0:42:47 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
All that is unusual is not paucity, paucity, by all account is usual. Down, down, down into the darkness of the paucity, Gently it goes - the accustomed, the habitual, the unusual. One afternoon I said to myself, "Why isn't the void more meaningful?" A void is empty. a void is unmeaning, a void is pointless, however. |
|
0:45:25 (Pop-up) |
||
| Tiny Tim |
We Love It
|
1969 |
|
0:47:25 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
Morning - A Haiku Darkening autumn A sunny, dark morning love above the zoser |
|
0:50:14 (Pop-up) |
||
| Zoser |
Dark Of The Morning
|
1971 |
|
0:50:37 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
The Dark And Away Morning Whose morning is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her morning a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:54:10 (Pop-up) |
||
| Velvett Fogg |
Come Away Melinda
|
1969 |
|
0:54:53 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Ultimate - A Haiku Overcast autumn A single, ultimate come into the spinach |
|
1:00:31 (Pop-up) |
||
| H.P. Lovecraft |
It's All Over For You
|
Two Classic Albums From HP Lovecraft | 1967 |
|
1:00:43 (Pop-up) | |
| Ultimate Spinach |
Pamela
|
1968 |
|
1:01:14 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Cardboard - A Haiku Last dampen autumn A black, cardboard cardboard twink near the ultimate |
|
1:04:19 (Pop-up) |
||
| Twink |
10,000 Words In A Cardboard Box
|
1970 |
|
1:04:49 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Experience - A Haiku Previous autumn How cardboard experience watching the cardboard |
|
1:09:11 (Pop-up) |
||
| the jimi hendrix experience |
Bold As Love
|
1967 | 1:09:44 (Pop-up) | |||
| The Appletree Theatre |
Act II: E-Train (the jello song)
|
1967 |
|
1:14:41 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Experience, Part 2 - A Haiku Beautiful autumn why happy experience beyond the crimson |
|
1:15:38 (Pop-up) |
||
| King Crimson |
Happy Family
|
1970 |
|
1:16:11 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Cymbaline - A Haiku Beautiful autumn before cymbaline crimson watching the crimson |
|
1:20:35 (Pop-up) |
||
| played and composed by the pink floyd |
Cymbaline
|
1969 |
|
1:21:01 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Cymbaline, Part 2 - A Haiku Glorious autumn A composed cymbaline touch at the old cerces |
|
1:25:38 (Pop-up) |
||
| Touch |
Down at Cerce's Place
|
1969 |
|
1:26:17 (Pop-up) | ||
| The Licorice Schtik |
The Kissin' Game
|
The Kissin' Game b/w Flowers, Flowers | 1968 |
|
1:30:14 (Pop-up) | |
Music behind DJ: Roland Vincent |
LSD Party
|
|
1:32:14 (Pop-up) |
|||
| George Harrison |
Ski-ing
|
Wonderwall Music | 1968 |
|
1:32:34 (Pop-up) | |
Music behind DJ: George Harrison |
Party Seacombe
|
|
1:34:24 (Pop-up) |
|||
| The Zodiac |
Capricorn - The Uncapricious Climber
|
1967 |
|
1:34:49 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
Capricorn - A Haiku Darkening autumn An earthy, capricorn tree into the climber |
|
1:39:06 (Pop-up) |
||
| Pearls Before Swine |
man in the tree
|
1969 |
|
1:39:56 (Pop-up) | ||
| GTO's: Girls Together Outrageously |
Who's Jim Sox?
|
1969 |
|
1:43:15 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
Strings - A Haiku Depressing autumn A muted, soulful strings tree out of jericho |
|
1:43:32 (Pop-up) |
||
| The Soulful Strings |
Jericho
|
1968 |
|
1:44:06 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
|
1:47:09 (Pop-up) |
|||
| Super-Fine Dandelion |
The Other Sidewalk
|
1967 |
|
1:47:36 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Dandelion - A Haiku Glorious autumn A wild, dandelion dawn into the sidewalk |
|
1:50:36 (Pop-up) |
||
| The Nice |
Dawn
|
1967 |
|
1:51:01 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Mackerel - A Haiku Beautiful autumn A holy mackerel dawn watching the holy |
|
1:56:14 (Pop-up) |
||
| The Holy Mackerel |
10,000 Men
|
1968 | 1:56:36 (Pop-up) | |||
| Power |
Children Ask (If He Is Dead)
|
1967 |
|
2:00:18 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
Mackerel, Part 2 - A Haiku Late dampen autumn A large, pink mackerel pink betrayed by the floyd |
|
2:03:41 (Pop-up) |
||
| Pink Floyd |
Bike
|
1967 |
|
2:04:19 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
Cemetary - A Haiku Overcast autumn A green cemetary room because of the green |
|
2:07:38 (Pop-up) |
||
| St. John Green |
One Room Cemetary
|
1968 |
|
2:07:59 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Lovecraft - A Haiku Beautiful autumn A later, white lovecraft room the cemetary |
|
2:11:39 (Pop-up) |
||
| H.P. Lovecraft |
The White Ship
|
1967 |
|
2:12:05 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
One afternoon I said to myself, "Why isn't the biofuel more hollow?" A biofuel is firm. a biofuel is noble, a biofuel is gaseous, however. I will consider my kanban. For my kanban is triangular because it wants to use. Down, down, down into the darkness of the kanban, Gently it goes - the three-party, the tripartite, the many-sided. |
|
2:19:29 (Pop-up) |
||
| Eric Burdon & The Animals |
Orange And Red Beams
|
1968 |
|
2:20:29 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Mcwilliams - A Haiku Last dampen autumn A gent, mcwilliams matter near the animals |
|
2:24:03 (Pop-up) |
||
| David McWilliams |
What's The Matter With Me
|
1967 |
|
2:24:26 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
Mcwilliams, Part 2 - A Haiku Overcast autumn A light mcwilliams matter in spite of the sounds |
|
2:27:50 (Pop-up) |
||
| Clear Light |
Night Sounds Loud
|
1967 |
|
2:28:15 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
Singing - A Haiku Glorious autumn A choral, light singing light above the cowboy |
|
2:30:37 (Pop-up) |
||
| Love |
Singing Cowboy
|
1969 |
|
2:31:10 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
|
2:35:45 (Pop-up) |
|||
| The Sunshine Company |
Love, That's Where It Is
|
1968 |
|
2:35:58 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
|
2:38:00 (Pop-up) |
|||
| The Wildlife |
Where Do You Go
|
1967 |
|
2:38:23 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
|
2:41:38 (Pop-up) |
|||
| Bee Gees |
I've Got to Get a Message to You
|
1968 |
|
2:41:58 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Because I could not induct for gees, they did kindly induct for me. I don't like the fact that they, learned to induct before they knew how to hit. One afternoon I said to myself, "Why isn't the dere more tame?" Down, down, down into the darkness of the dere, Gently it goes - the raging, the barbarian, the frenzied. |
|
2:45:48 (Pop-up) |
||
| nirvana |
Black Flower
|
1969 |
|
2:46:47 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Hursemen - A Haiku Darkening autumn before hursemen flower on the nirvana |
|
2:51:10 (Pop-up) |
||
| Dynamic Hursemen |
You Tell Me Why
|
1995 | 2:51:42 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Experience - A Haiku Darkening autumn dynamic experience on the hursemen |
|
2:54:32 (Pop-up) |
||
| The Jimi Hendrix Experience |
I Don't Live Today
|
1967 |
|
2:55:14 (Pop-up) | ||
| Stu Phillips |
Hells Angels On Wheels
|
Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
|
2:59:00 (Pop-up) | |
Music behind DJ: George Harrison |
Ski-ing
|
Experience, Part 2 - A Haiku Beautiful autumn where moving experience after the sidewalks |
|
3:00:32 (Pop-up) |
||
| The Moving Sidewalks |
Crimson Witch
|
1968 |
|
3:01:14 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Sidewalks - A Haiku Darkening autumn A moving sidewalks crimson watching the crimson |
|
3:04:14 (Pop-up) |
||
| The Nice |
The Cry of Eugene
|
1967 |
|
3:04:38 (Pop-up) | ||
| The doors |
Take It As It Comes
|
1967 |
|
3:09:09 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Merchandise - A Haiku Darkening autumn A much, worth merchandise worth under the dallas |
|
3:11:21 (Pop-up) |
||
| The Sonic Vibrations Of Tom Dissevelt & Kid Baltan |
Tom Dissevelt: Orbit Aurora
|
1959 |
|
3:12:47 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
I saw the probable location of my generation destroyed, How I mourned whereabouts. Now equiprobable is just the thing, To get me wondering if whereabouts are verisimilar. Pay attention to the deceased, the deceased is the most first soul of all. A deceased is ordinal. a deceased is middle, a deceased is prototypal, however. |
|
3:15:43 (Pop-up) |
||
| Mosaic |
Bird of Time
|
2009 |
|
3:16:28 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
|
3:18:36 (Pop-up) |
|||
| The Mothers Of Invention |
Mom & Dad
|
1968 |
|
3:18:47 (Pop-up) | ||
| The Moody Blues |
Ride My See-Saw
|
1968 |
|
3:21:01 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Brotherhood - A Haiku Beautiful autumn A cosmic brotherhood friend under the plummer |
|
3:24:40 (Pop-up) |
||
| Bill Plummer And The Cosmic Brotherhood |
Lady Friend
|
Bill Plummer And The Cosmic Brotherhood | 1968 |
|
3:25:02 (Pop-up) | |
| Kangaroo |
Such A Long Long Time
|
1968 |
|
3:29:37 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Because I could not throw for plummer, it did kindly throw for me. Pause to throw, like the plummer does. A zeke, however hard it tries, Will always be nenepo. Does the zeke make you shiver? does it? All that is new is not slater, |
|
3:31:51 (Pop-up) |
||
| Eric Burdon & The Animals |
Hotel Hell
|
1967 |
|
3:32:47 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Don't belive that the stolen is saved? the stolen is lost beyond belief. A stolen is mazed. a stolen is doomed, a stolen is forfeit, however. I cannot help but stop and look at inexplicable disappearances. Disappearances are cryptic. disappearances are unaccountable, disappearances are paradoxical, however. When I think of the absentee, I see a poor one. |
|
3:37:58 (Pop-up) |
||
| The Soft Machine |
Lullabye Letter
|
1968 |
|
3:38:45 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
How happy are brief prefaces! Are you upset by how abbreviated they are? Does it tear you apart to see the prefaces so little? The absent is not appropriate! the absent is exceptionally appropriate. An absent is unsuitable. an absent is appropriate, an absent is improper, however. The neglected is not fat-free! |
|
3:43:27 (Pop-up) |
||
| The Birdwatchers |
Mary, Mary (It's To You That I Belong)
|
1967 |
|
3:44:11 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Birdwatchers - A Haiku Glorious autumn A keen, birdwatchers belong out of underground |
|
3:46:42 (Pop-up) |
||
| The Velvet Underground & Nico |
Venus In Furs
|
1967 |
|
3:47:10 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Underground - A Haiku Last dampish autumn A polish, underground free after the action |
|
3:52:17 (Pop-up) |
||
| Free Action inc. |
My Girl
|
1970 | 3:52:50 (Pop-up) | |||
| Dorothy Ashby |
Soul Vibrations
|
1968 |
|
3:56:27 (Pop-up) | ||
| Brainticket |
Black Sand
|
1971 |
|
3:59:38 (Pop-up) | ||
| The Rolling Stones |
2000 Light Years From Home
|
1967 |
|
4:01:49 (Pop-up) | ||
| Quicksilver Messenger Service |
Bears
|
1968 |
|
4:05:45 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Twink - A Haiku Beautiful autumn A little, rolling twink twink under the fluid |
|
4:07:51 (Pop-up) |
||
| Twink |
Fluid
|
1970 |
|
4:08:16 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Hagstrom - A Haiku Overcast autumn A certain, frank hagstrom frank beyond the guitar |
|
4:12:11 (Pop-up) |
||
| The Crazy World Of Arthur Brown |
Spontaneous Apple Creation
|
1968 |
|
4:14:18 (Pop-up) | ||
| The Bubble Puppy |
Lonely
|
Hot Smoke & Sasafrass b/w Lonely | 1968 |
|
4:17:10 (Pop-up) | |
Music behind DJ: Velvett Fogg |
Telstar '69
|
Creation - A Haiku Beautiful autumn A human, creation pink at the old arthur |
|
4:20:06 (Pop-up) |
||
| played and composed by the pink floyd |
Main Theme
|
1969 |
|
4:20:42 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Theme - A Haiku Beautiful autumn A major, composed theme pink whilst watching the pink |
|
4:25:50 (Pop-up) |
||
| Tiny Tim |
Ever Since You Told Me That You Loved Me (I'm A Nut)
|
1968 |
|
4:26:15 (Pop-up) | ||
| The Voice |
The Train To Disaster
|
1966 |
|
4:28:56 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
A michael, however hard it tries, Will always be duke. Does the michael make you shiver? does it? Jennings, however hard they try, Will always be adorable. Never forget the lovable and lovely jennings. Laurie is charming lady. |
|
4:31:48 (Pop-up) |
||
| The FUGS |
Life Is Strange
|
1968 |
|
4:32:28 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
A forgotten, however hard it tries, Will always be god. Does the forgotten make you shiver? does it? One afternoon I said to myself, "Why aren't omissions more intended?" Omissions are uncaused. omissions are unintentional, omissions are accidental, however. |
|
4:34:57 (Pop-up) |
||
| The Smoke |
Odyssey
|
1968 |
|
4:35:32 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Pay attention to the panjabi, the panjabi is the most western indian of all. Down, down, down into the darkness of the panjabi, Gently it goes - the southwestern, the west, the eastern. The dress that's really purple, Above all others is the kaftan. Never forget the noble and majestic kaftan. A voile, however hard it tries, |
|
4:40:13 (Pop-up) |
||
| The Alan Lorber Orchestra |
Djellaba (The Hooded One)
|
1967 |
|
4:40:54 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
|
4:42:09 (Pop-up) |
|||
| Family |
How Hi-The-Lie
|
1969 |
|
4:42:23 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
The cover that's really shingled, Above all others is the roof. Does the roof make you shiver? does it? Downstairs, however hard they try, Will always be burglar. Do downstairs make you shiver? do they? |
|
4:47:17 (Pop-up) |
||
| The Moody Blues |
House Of Four Doors
|
1968 |
|
4:47:51 (Pop-up) | ||
| Donovan |
The Observation
|
1967 |
|
|||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
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Listener comments!
Owl Sun:
Candy-O'67:
Hey Owl!
Candy-O'67:
Owl Sun:
Owl Sun:
Candy-O'67:
Owl Sun:
?:
tom tom the pipers son:
Owl Sun:
Owl Sun:
tom tom the pipers son:
Owl Sun:
bill hanke:
Candy-O'67:
Owl Sun:
Owl Sun:
tom tom the pipers son:
thanks for sharing those cactus photos... glad to see that they're doing so well
Candy-O'67:
bill hanke:
Candy-O'67:
tom tom the pipers son:
Candy-O'67:
Candy-O'67:
tom tom the pipers son:
Candy-O'67:
Candy-O'67:
Owl Sun:
bill hanke:
tom tom the pipers son:
Candy-O'67:
Owl Sun:
tom tom the pipers son:
Candy-O'67:
tom tom the pipers son:
Candy-O'67:
tom tom the pipers son:
Candy-O'67:
Candy-O'67:
Candy-O'67:
tom tom the pipers son:
Owl Sun:
Candy-O'67:
Candy-O'67:
Owl Sun:
David (in London):
Owl Sun:
Owl Sun: