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Official Crumb Cake Capital Of The World.
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November 2, 2021: Matt, Bruce, and all the Garbage Wolves. Let us Garbage!
Listen to this show:
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Artist | Track | Album | Label | Images | New | Approx. start time | ||||
---|---|---|---|---|---|---|---|---|---|---|
The Family Vibes | Garbage Man | Single | United Artists | 0:00:00 (Pop-up) | ||||||
Atlas Sound ft. Laetitia Sadier | Quick Canal | Logos | Kranky | 0:03:26 (Pop-up) | ||||||
Ivan The Tolerable | A Letter To November | Autodidact II | Cruel Nature Records | * | 0:11:20 (Pop-up) | |||||
Megan Siebe | Worthy | Swaying Steady | Grapefruit | * | 0:17:33 (Pop-up) | |||||
Chateau | Raheen | Chateau I | Hobbies Galore | * | 0:21:22 (Pop-up) | |||||
Matt LaJoie | Kandelbright Grotto | Paraclete Tongue | Flower Room | * | 0:25:04 (Pop-up) | |||||
Love | Always See Your Face | Four Sail | Elektra | 0:35:12 (Pop-up) | ||||||
NTsiKi | Plate Song | Orca | EM Records | * | 0:50:57 (Pop-up) | |||||
Ryo Kawasaki | Hawaiian Caravan | Selected Works 1979 to 1983 | NuNorthern Soul | 0:55:30 (Pop-up) | ||||||
Love Dolls | Solitary of the Starry Sky | Inchworm Poetry | Nijino Records | * | 1:01:15 (Pop-up) | |||||
Troth | Balancing Arc | Oak Corridor | Knekelhuis | * | 1:04:09 (Pop-up) | |||||
Asa Tone | II | Live at New Forms | Leaving Records | * | 1:08:46 (Pop-up) | |||||
Wasted Cathedral | The Great Minnesota Train Wreck | I'm Gonna Love You 'Til The End Of Time | Centripetal Force | * | 1:11:52 (Pop-up) | |||||
Earsnail (耳蝸) | 見山 | 釋遊 | Ruby Eyes Records | * | 1:16:27 (Pop-up) | |||||
SiP/Prezzano | Pygmalion | SiP/Prezzano | Moon Glyph | * | 1:20:23 (Pop-up) | |||||
Ashley Paul & Jeffrey Alexander | Waystation | Ashley Paul & Jeffrey Alexander | Astral Editions | * | 1:27:30 (Pop-up) | |||||
Natalie Jane Hill | Euphoria | Solely | Dear Life | * | 1:43:20 (Pop-up) | |||||
Hiiragi Fukuda | Viola no Hana | Oya Wa Tohoku, Oto Kumori | 1:47:15 (Pop-up) | |||||||
Machinone | kazeyoubi/風曜日 | Wind Letter | FLAU | * | 1:51:46 (Pop-up) | |||||
Elkhorn | Part 1 | The Golden Lag | Blue Hole Recordings | * | 1:54:25 (Pop-up) | |||||
Grouper | Kelso (Blue Sky) | Shade | Kranky | * | 2:06:53 (Pop-up) | |||||
Ruthann Friedman | Boy Took a Ticket | Hurried Life : Lost Recordings 1965-1971 | Tompkins Square | 2:13:04 (Pop-up) | ||||||
Shannon Lay | Late Night | Geist | Sub Pop | * | 2:18:18 (Pop-up) | |||||
North Americans | Sockeye | Going Steady | Third Man | 2:19:37 (Pop-up) | ||||||
Iditarod | Thierna Na Oge | the Ghost, the Elf, the Cat and the Angel | Feeding Tube | * | 2:23:32 (Pop-up) | |||||
Florry | You Don't Know | Big Fall | 12XU | * | 2:29:48 (Pop-up) | |||||
Luke Stewart & Jarvis Earnshaw Quartet | Where I Go, I Am There | Luke Stewart & Jarvis Earnshaw Quartet | No Quarter | * | 2:46:05 (Pop-up) |
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Listener comments!
Handy Haversack:
12539:
davefromtoronto:
YETI BOB:
Marley P. Dogg:
BillyLundun:
ryansterlingvirtue:
Creston:
YETI BOB:
YETI BOB:
andywing:
Ken From Hyde Park:
YETI BOB:
andywing:
andywing:
YETI BOB:
zopa:
I wasn't going to pledge this time, but then I received an email from you with pictures of your beautiful baby boy Brucie.
Well done Mr. Fancy Man.
Best wishes,
zopa
scary nathan:
steveo:
Handy Haversack:
steveo:
andywing:
Handy Haversack:
For a second I thought this was going to be a cover of "Diamond Sea"!
ChukAmok:
morphe':
But recently saw a photo of one stuck at the bottom of a yield street sign ... might go public with this one...
Handy Haversack:
The kittens (the Brothers Squirm is their Gormenghast name) just found the catnip mouse hidden in their Flying Spaghetti Monster toy. Things are moving fast here!
Juli:
joseloalter:
Joshua K:
Mike:
Ken From Hyde Park:
Joshua K:
Handy Haversack:
And also with you.
chuck friendly:
Marley P. Dogg:
sphere:
headlesscolin:
Joshua K:
12539:
Handy Haversack:
sphere:
Handy Haversack:
Formal names: Goblin and Bugbear.
www.wfmu.org...
βrian:
Ken From Hyde Park:
sphere:
12539:
Will the Sound Guy:
TVP:
it's ali:
comeherefrancine:
andywing:
andywing:
kristian b:
queems:
TomTom:
headlesscolin:
rsj:
Matt Warwick:
queems:
Revolution Rabbit Nov63:
...missed track from album with ♏︎Scorpio glyph on the cover... & the Love, but I know that one...
'Gress' apparently a suffix meaning to walk or step - so Digress is to walk in a divergent direction. Ya gotcher transgress, yer progress, yer congress...
queems:
Matt Warwick:
Ken From Hyde Park:
sphere:
Hydroplane:
Joshua K:
queems:
Listener Robert:
nathan:
sphere:
sphere:
Joshua K:
Listener Robert:
Hydroplane:
queems:
Hydroplane:
morphe':
Joshua K:
steveo:
Joshua K:
Hydroplane:
Threemoons:
Joshua K:
winston legthigh:
Handy Haversack:
Threemoons:
MplsCoco:
Hydroplane:
PaulRobeson1920:
Hi Mr.Garbagio Sir!!! Sounding good! It felt good to pledging to WFMU and the satisfaction lasts!!!! Give it a try if you have yet to give to WFMU! Any amount small or Large would be welcomed!
And if you cannot this time around that is OK too! No pressure, no worries! WFMU is free & freeform baby! For everybody and everyone! No matter yer position in the game or financial status in society all are welcomed
Joshua K:
PaulRobeson1920:
PaulRobeson1920:
& some games are just fun to play!!
Revolution Rabbit Nov63:
& it is UGLY.
& they're more than happy if that keeps us disinterested.
karlward:
karlward:
winston legthigh:
hows ur boys doing?
garlic lover:
Revolution Rabbit Nov63:
PaulRobeson1920:
I have a book you I hope you dig! & it can be found for free! R u interested?
A Clear vision
karlward:
Handy Haversack:
The Bros. Squirm and I are spending the day together since K8 has 6 Zoom classes in a row. They just had a very quick nap and now are back to chewing on each other and me!
PaulRobeson1920:
For all really. Written by NYC’s own son Neil Postman—
winston legthigh:
mike:
Revolution Rabbit Nov63:
?:
winston legthigh:
renzo:
TomTom:
PaulRobeson1920:
Hey no worries Rabbit, Neil will be there for you whenever yer ready…
Excerpt from Ch.10
“The Great Symbol Drain”
- It is possible that, some day soon, an advertising man who must create a television commercial for a new California Chardonnay will have the following inspiration: Jesus is standing alone in a desert oasis. A gentle breeze flutters the leaves of the stately palms behind him. Soft Mideastern music caresses the air. Jesus holds in his hand a bottle of wine at which he gazes adoringly. Turning toward the camera, he says, “When I transformed water into wine at Cana, this is what I had in mind. Try it today. You’ll become a believer.”
If you think such a commercial is not possible in your lifetime, then consider this: As I write, there is an oft-seen commercial for Hebrew National frankfurters. It features a dapper-looking Uncle Sam in his traditional red, white, and blue outfit. While Uncle Sam assumes appropriate facial expressions, a voice-over describes the delicious and healthful frankfurters produced by Hebrew National. Toward the end of the commercial, the voice stresses that Hebrew National frankfurters surpass federal standards for such products. Why? Because, the voice says as the camera shifts our point of view upward toward heaven, “We have to answer to a Higher Authority.”
I will leave it to the reader to decide which is more incredible—Jesus being used to sell wine or God being used to sell frankfurters. Whichever you decide, you must keep in mind that neither the hypothetical commercial nor the real one is an example of blasphemy. They are much worse than that. Blasphemy is, after all, among the highest tributes that can be paid to the power of a symbol. The blasphemer takes symbols as seriously as the idolater, which is why the President of the United States
(circa 1991) wishes to punish, through a constitutional amendment, desecrators of the American flag.
What we are talking about here is not blasphemy but trivialization, against which there can be no laws. In Technopoly, the trivialization of significant cultural symbols is largely conducted by commercial enterprise. This occurs not because corporate America is greedy but because the adoration of technology pre-empts the adoration of anything else. Symbols that draw their meaning from traditional religious or national contexts must therefore be made impotent as quickly as possible —that is, drained of sacred or even serious connotations. The elevation of one god requires the demotion of another. “Thou shalt have no other gods before me” applies as well to a technological divinity as any other.
There are two intertwined reasons that make it possible to trivialize traditional symbols. The first, as neatly expressed by the social critic Jay Rosen, is that, although symbols, especially images, are endlessly repeatable, they are not inexhaustible. Second, the more frequently a significant symbol is used, the less potent is its meaning. This is a point stressed in Daniel Boorstin’s classic book The Image, published thirty
years ago.1 In it, Boorstin describes the beginnings, in the mid- nineteenth century, of a “graphics revolution” that allowed the easy reproduction of visual images, thus providing the masses with continuous access to the symbols and icons of their culture. Through prints, lithographs, photographs, and, later, movies and television, religious and national symbols became commonplaces, breeding indifference if not necessarily contempt. As if to answer those who believe that the emotional impact of a sacred image is always and ever the same, Boorstin reminds us that prior to the graphics revolution most people saw relatively few images. Paintings of Jesus or the Madonna, for example, would have been seen rarely outside churches. Paintings of great national leaders could be seen only in the homes of the wealthy or in government buildings. There were images to be seen in books, but books were expensive and spent most of their time on shelves. Images were not a conspicuous part of the environment, and their scarcity contributed toward their special power. When the scale of accessibility was altered, Boorstin argues, the experience of encountering an image necessarily changed; that is to say, it diminished in importance. One picture, we are told, is worth a thousand words. But a thousand pictures,
especially if they are of the same object, may not be worth anything at all.
?:
KurdtVonErikson:
PaulRobeson1920:
Troymo:
βrian:
YETI BOB:
TVP:
YETI BOB:
Rob (Jerzcity):
Mike W.:
YETI BOB:
Ken From Hyde Park:
Rob (Jerzcity):
Revolution Rabbit Nov63:
...backing away slowly
...not turning my back, & keeping the Children behind me...
YETI BOB:
morphe':
Thanks Matt and all !!!!
Troymo:
comeherefrancine:
Handy Haversack:
YETI BOB:
andywing:
YETI BOB:
Ken From Hyde Park:
Revolution Rabbit Nov63:
Revolution Rabbit Nov63:
comeherefrancine:
Brendan:
Handy Haversack:
andywing:
chresti:
Matt Warwick:
Lixiviated Life:
this is just so nice.
play more like this
chresti:
karlward:
chresti:
comeherefrancine:
Handy Haversack:
chresti:
karlward:
redbee:
egould310:
βrian:
chresti:
YETI BOB:
Revolution Rabbit Nov63:
chresti:
yerfriendpaul:
headcleaner:
Brendan:
Brendan:
chresti:
Revolution Rabbit Nov63:
Lixiviated Life:
Bananas are comical.
blueberries are peaceful.
peaches are sensual.
apples are deceptive
although
pears are altruistic
βrian:
Lixiviated Life:
oranges are jovial
cherry's are passionate
while
rasberries are just mean spirited
andywing:
Brendan:
Lixiviated Life:
plums are sweet
limes are resentful
while
tangerines are contemplative
Revolution Rabbit Nov63:
Juli:
Juli:
Sorry changing subject
Lixiviated Life:
papaya are maternal
while
cranberries are just a big tease
βrian:
Juli:
As do the rest
I have no idea what you are talking about tbh
Wanted to come here to complain...lol
Juli:
Boy o. boy
chresti:
Lixiviated Life:
lingonberry are reclusive
watermelon are gregarious
while
quince are overly self important
Brendan:
Lixiviated Life:
who's there?
Juli:
Peace homeslices of fruits {terrible pun}
PaulRobeson1920:
chresti:
PaulRobeson1920:
?:
drr:
chresti:
Lixiviated Life:
i don't know...
Juli:
My feelings feel better
Brendan:
PMD:
βrian:
Lixiviated Life:
....
Alexandra:
?:
PMD:
Lixiviated Life:
THIRD BASE
(come on dude)
Brendan:
?:
Lixiviated Life:
Ken From Hyde Park:
Will the Sound Guy:
PaulRobeson1920:
chresti:
?:
Lixiviated Life:
oh... i see.
so... not third base?
PaulRobeson1920:
Will the Sound Guy:
Lixiviated Life:
Plantain (maybe)
YETI BOB:
PMD:
Officer Pupp:
?:
Alexandra:
Ken From Hyde Park:
comeherefrancine:
Skyline chili, formally kpx. Maybe?:
Marie:
YETI BOB:
Brendan:
PMD:
?:
Lixiviated Life:
YETI BOB:
Skyline chili, formally kpx. Maybe?:
chresti:
Banana peels are good dirt food.
sonofsammydavis:
Revolution Rabbit Nov63:
?:
YETI BOB:
Lixiviated Life:
A reconstituted prune is untruthful
Matt Warwick:
Alexandra:
PaulRobeson1920:
Brendan:
Matt Warwick:
chresti:
?:
Brendan:
PaulRobeson1920:
Alexandra:
Alexandra:
chresti:
PaulRobeson1920:
YETI BOB:
chresti:
Lixiviated Life:
Hi Alexandra who?
Alexandra:
YETI BOB:
Matt Warwick:
PaulRobeson1920:
Handy Haversack:
Latter on, O Garbage Wolves.
chresti:
Matt Warwick:
Lixiviated Life:
It depends on the pear
Revolution Rabbit Nov63:
...Yes. It is true that Fruit is sticky, often overrunning with fluids - & of threateningly Exotic origins...
Fruit also comes in bewildering varieties of disorienting shapes & colors - a veritable assault on the consciousness of the Modern Man accustomed to packaged order & branding...
Alexandra:
winston legthigh:
chresti:
PaulRobeson1920:
Alexandra:
chresti:
Rob (Jerzcity):
Lixiviated Life:
Alexandra Orange who?
Alexandra:
Brendan:
12539:
Looking forward to next week's fruit tasting.
comeherefrancine:
PaulRobeson1920:
Skyline chili, formally kpx. Maybe?:
Brendan:
Revolution Rabbit Nov63:
Tony:
PMD:
Will the Sound Guy:
Brendan:
PMD:
Ken From Hyde Park:
Tony:
comeherefrancine:
PaulRobeson1920:
Revolution Rabbit Nov63:
?:
chresti:
?: