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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:25 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:50 (Pop-up) | ||||
Bee Gees | Close another door | 1967 | 0:03:30 (Pop-up) | |||
Syd Barrett | Effervescing Elephant | 1987 | 0:06:55 (Pop-up) | |||
Bob Seger and the Last Heard | Heavy Music (Part 2) | 1967 | 0:07:53 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Because I could not perform for gees, they did kindly perform for me. Gees, gees, every where, Yet not a drop to perform. One afternoon I said to myself, "Why aren't sheeps more cool?" Are you upset by how pungent they are? Does it tear you apart to see the sheeps so spicy? |
0:11:18 (Pop-up) |
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Tyrannosaurus Rex | King Of The Rumbling Spires | 1969 | 0:12:11 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Tyrannosaurus - A Haiku Glorious autumn For tyrannosaurus king a wreckamended |
0:14:15 (Pop-up) |
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The Wreck-A-Mended | Dirty Old Man | 1967 | 0:14:41 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Wreckamended - A Haiku Early dampness fall before wreckamended man the affinity |
0:17:37 (Pop-up) |
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Affinity | Three Sisters | 1970 | 0:17:57 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Affinity - A Haiku Glorious autumn A great, affinity down an america |
0:22:52 (Pop-up) |
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The United States Of America | Coming Down | 1968 | 0:23:14 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Sullivan - A Haiku Beautiful autumn A durrell, sullivan down by the tallyman |
0:25:51 (Pop-up) |
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Big Jim Sullivan | Tallyman | Sitar Beat | 1968 | 0:26:13 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Gibbs, however hard they try, Will always be fleischer. Do gibbs make you shiver? do they? A wilkinson, however hard it tries, Will always be british. Does the wilkinson make you shiver? does it? |
0:28:44 (Pop-up) |
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The Trees | Don't Miss The Turn | 1996 | 0:29:16 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
One afternoon I said to myself, "Why aren't hickories more white?" Do hickories make you shiver? do they? How happy are scarlet honeysuckles! Do honeysuckles make you shiver? do they? Just like a fragrant girdler, is the dogwood. |
0:31:26 (Pop-up) |
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The Strawberry Alarm Clock | Rainy Day Mushroom Pillow | 1968 | 0:32:13 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
The Or And Rainy Strawberry Whose strawberry is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his strawberry a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:35:36 (Pop-up) |
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Gershon Kingsley | Have It - Or Grab It - Or Go | 1970 | 0:36:23 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Instant Request |
0:41:45 (Pop-up) |
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The Beach Boys | Do You Like Worms (Roll Plymouth Rock) | 1967 | For: The Ayatolluh of Rock 'n Rolluh | 0:41:48 (Pop-up) | ||
The New York Rock Ensemble | Fields Of Joy | 1971 | 0:45:21 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
The Or And Iron Butterfly Whose butterfly is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his butterfly a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:49:00 (Pop-up) |
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Iron Butterfly | My Mirage | 1968 | 0:50:03 (Pop-up) | |||
The Element | Open The Door To Your Mind | 1967 | 0:54:51 (Pop-up) | |||
The Shadows | Late Night Set | The Early Years: Their Complete Studio Recordings 1959-1966 | 0:56:47 (Pop-up) | |||
Brian Auger | The In Crowd | 0:58:52 (Pop-up) | ||||
Music behind DJ: George Harrison |
On The Bed |
Visitation - A Haiku Late dampness autumn A white visitation noise on the butterfly |
1:00:25 (Pop-up) |
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White Noise | The Visitation | 1969 | 1:01:12 (Pop-up) | |||
Ruben And The Jets | Jelly Roll Gum Drop | 1968 | 1:12:18 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Visitation, Part 2 - A Haiku Glorious autumn A cheap visitation noise out of invention |
1:14:37 (Pop-up) |
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The Mothers Of Invention | Cheap Thrills | 1968 | 1:15:15 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
1:19:10 (Pop-up) |
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Syd Barrett | Golden Hair (Vocal Version) | 1989 | 1:19:23 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
How happy is the temporal lol! Does the lol make you shiver? does it? All that is large is not miley, miley, by all account is little. Does the miley make you shiver? does it? I saw the the yellow nonsense of my generation destroyed, |
1:21:01 (Pop-up) |
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Yesterday's Children | She's Easy | 1969 | 1:21:50 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Yesterdays - A Haiku Previous autumn A dark, light yesterdays light under the children |
1:28:35 (Pop-up) |
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Pink Floyd | Let There Be More Light | 1968 | 1:29:01 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Quicksilver - A Haiku Last dampness autumn A much, quicksilver service near the messenger |
1:34:14 (Pop-up) |
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The Quicksilver Messenger Service | Codine | 1968 | 1:34:38 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Quicksilver, Part 2 - A Haiku Previous autumn A more, quicksilver service by the messenger |
1:39:55 (Pop-up) |
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The Dirty Filthy Mud | Morning Sun Flower | 1968 | 1:40:20 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Morning - A Haiku Previous autumn A filthy morning people under the people |
1:42:54 (Pop-up) |
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People | I've Got You On My Mind | 1969 | 1:43:14 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Quicksilver - A Haiku Early dampness fall A more, quicksilver service on the messenger |
1:45:41 (Pop-up) |
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Quicksilver Messenger Service | The Fool | 1968 | 1:46:04 (Pop-up) | |||
The Shadows | A Place in the Sun | 1996 | 1:59:03 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Termination - A Haiku Depressing autumn then termination service out of quicksilver |
2:00:25 (Pop-up) |
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Iron Butterfly | Termination | 1968 | 2:01:06 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
All that is same is not stolen, stolen, by all account is other. Down, down, down into the darkness of the stolen, Gently it goes - the early, the unusual, the different. One afternoon I said to myself, "Why isn't the absence more inconspicuous?" Does the absence make you shiver? does it? |
2:03:48 (Pop-up) |
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Lightnin' Hopkins | Got Her Letter This Morning | 1968 | 2:04:37 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
2:09:32 (Pop-up) |
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G.F. Fitz-Gerald | April Affair | 1970 | 2:09:45 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
2:15:06 (Pop-up) |
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Cromagnon | Caledonia | 1969 | 2:17:46 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
2:22:01 (Pop-up) |
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notes from the undergorund | Tristesse | 1968 | 2:22:13 (Pop-up) | |||
The Koala | Don't You Know What I Mean? | 1969 | 2:25:20 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
2:27:55 (Pop-up) |
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The Mothers Of Invention | Later That Night | 1968 | 2:28:21 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Instrumental - A Haiku Previous autumn why instrumental mother the funkadelic |
2:31:20 (Pop-up) |
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Funkadelic | Music For My Mother (Instrumental) | 1969 | 2:31:45 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
How happy is the beloved absent! Never forget the dearest and dear absent. I saw the the noticeable disuse of my generation destroyed, How I mourned the omission. Never forget the strong and detectable omission. The zany inability sings like presumed curves Down, down, down into the darkness of the inability, Gently it goes - the wacky, the fool, the cockamamie. |
2:37:53 (Pop-up) |
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Musiche Originali Di Ennio Morricone | Beat N° 3 | 1968 | 2:38:41 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
I cannot help but stop and look at inadvertent omissions. Do omissions make you shiver? do they? All that is preceding is not prefaces, prefaces, by all account is subsequent. Now consequent is just the thing, To get me wondering if prefaces are ensuant. Pay attention to the absent, |
2:41:21 (Pop-up) |
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Syd Barrett | It Is Obvious [Take 1] | 1970 | 2:42:02 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Controls - A Haiku Previous autumn An obvious controls pink above the barrett |
2:45:15 (Pop-up) |
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Pink Floyd | Set The Controls For The Heart Of The Sun | 1968 | 2:45:37 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Memorial - A Haiku Late dampish autumn A best, memorial pink into the mandrake |
2:50:53 (Pop-up) |
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The Mandrake Memorial | Ocean's Daughter | 1969 | 2:51:29 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
The miss that's really consequent, Above all others is the lack. A lack is sequent. a lack is subsequent, a lack is resultant, however. How happy is the previous unavailability! Never forget the former and premature unavailability. The disappear that's really big, Above all others is the absent. |
2:55:04 (Pop-up) |
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country joe And The Fish | Thing Called Love | 1966 | 2:55:56 (Pop-up) | |||
Ramsey Lewis | Sexy Sadie | 1968 | 2:58:26 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
3:00:24 (Pop-up) |
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SRC | Exile | 1968 | 3:00:49 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Why would you think hands are rugged? hands are the most delicate guardianship of all. Are you upset by how soft they are? Does it tear you apart to see the hands so hard? I cannot help but stop and look at the electric pinky. Never forget the galvanic and tense pinky. The finger that's really yellow, Above all others is the forefinger. |
3:05:04 (Pop-up) |
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The Seeds | Two Fingers Pointing On You | 1968 | 3:05:45 (Pop-up) | |||
Small Faces | Up The Wooden Hills | 1967 | 3:08:52 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
The On And Randy Pointing Whose pointing is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her pointing a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:12:07 (Pop-up) |
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Randy Burns | Susan your Mind's got Wings | 1968 | 3:12:57 (Pop-up) | |||
These Vizitors | For Mary's Sake | 1968 | 3:16:36 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Whose pointing is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her pointing a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:18:54 (Pop-up) |
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Lightnin' Hopkins | Rain Falling | 1968 | 3:19:36 (Pop-up) | |||
G.F. Fitz-Gerald | May Four | 1970 | 3:24:36 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
All that is thin is not pieces, pieces, by all account is thick. Down, down, down into the darkness of the pieces, Gently they go - the broad, the impenetrable, the four-ply. A rickrack, however hard it tries, Will always be wide. Does the rickrack make you shiver? does it? |
3:27:29 (Pop-up) |
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The Orange Bicycle | Hyacinth Threads | 1967 | 3:28:30 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
The On And Orange Hyacinth Whose hyacinth is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his hyacinth a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:31:17 (Pop-up) |
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Stu Phillips | Hells Angels On Wheels | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 3:32:11 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money |
The On And Storybook Storybook Whose storybook is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his storybook a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:34:35 (Pop-up) |
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The Storybook | Psych-out Sanctorum | 1968 | 3:35:27 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
I cannot help but stop and look at the noticeable omission. Never forget the observable and noted omission. The disappear that's really thrombocytopenia, Above all others is the absent. Does the absent make you shiver? does it? I saw the the fat release of my generation destroyed, How I mourned the void. |
3:39:42 (Pop-up) |
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The Mothers Of Invention | Stuff Up The Cracks | 1968 | 3:40:22 (Pop-up) | |||
The Appletree Theatre | Epilogue: What A Way To Go (yes) | 1967 | 3:44:50 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Invention - A Haiku Previous autumn An own, deep invention stuff beyond the mothers |
3:47:31 (Pop-up) |
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The Deep | Pink Ether | 1966 | 3:48:02 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Hazlewood - A Haiku Glorious autumn A late, deep hazlewood pink into the lizell |
3:50:52 (Pop-up) |
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Nina Lizell & Lee Hazlewood | Hey Cowboy | 1971 | 3:51:27 (Pop-up) | |||
Syd Barrett | Two of a Kind | 1987 | 3:54:38 (Pop-up) | |||
Rainbow Ffolly | Hey You | 1968 | 3:57:05 (Pop-up) | |||
The Shadows | Shotgun | 1996 | 3:59:08 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
The Long And Corporal Strawberry Whose strawberry is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his strawberry a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:04:25 (Pop-up) |
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The Strawberry Alarm Clock | The World's On Fire - Long Version | 1968 | 4:05:24 (Pop-up) | |||
Bee Gees | Birdie Told Me | 1968 | 4:13:46 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Truckdriver - A Haiku Beautiful autumn before long truckdriver clock near the strawberry |
4:16:02 (Pop-up) |
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Small Faces | Tin Soldier | 1967 | 4:17:29 (Pop-up) | |||
whistler, chaucer, detroit and greenhill | Day Of Childhood | 1968 | 4:20:47 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Interval - A Haiku Depressing autumn A small interval soldier before the soldier |
4:23:51 (Pop-up) |
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SRC | Interval | 1968 | 4:24:18 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
4:29:27 (Pop-up) |
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Randy Burns | When Daylight Comes in Everything | 1968 | 4:29:36 (Pop-up) | |||
The Trees | Don't Miss The Turn | 1996 | 4:33:26 (Pop-up) | |||
Big Jim Sullivan | Tallyman | Sitar Beat | 1968 | 4:35:37 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Kingsley - A Haiku Beautiful autumn suddenly big kingsley grab by the sullivan |
4:38:08 (Pop-up) |
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Gershon Kingsley | Have It - Or Grab It - Or Go | 1970 | 4:38:29 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Submarine - A Haiku Beautiful autumn A yellow submarine boss out of harrison |
4:43:51 (Pop-up) |
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The Move | Yellow Rainbow | 1968 | 4:45:14 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Pictures - A Haiku Beautiful autumn A few, orange pictures move at the old seaweed |
4:47:46 (Pop-up) |
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Orange Seaweed | Pictures in the Sky | 2001 | 4:48:20 (Pop-up) | |||
The Storybook | Beads of Innocence | 1968 | 4:51:17 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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