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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:22 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:47 (Pop-up) | ||||
Popera Cosmic | Poursuite | 1969 | 0:03:15 (Pop-up) | |||
Donovan | Ferris Wheel | 1966 | 0:06:09 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Poursuite - A Haiku Overcast autumn A wicked poursuite come out of popera |
0:10:15 (Pop-up) |
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Iota | Love Come Wicked | 1971 | 0:10:46 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Don't belive that the dearth is acute? the dearth is chronic beyond belief. Down, down, down into the darkness of the dearth, Gently it goes - the acute, the prolonged, the inveterate. How happy is the presumed inability! Does the inability make you shiver? does it? A presence, however hard it tries, |
0:13:59 (Pop-up) |
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Le Stelle Di Mario Schifano | molto lontano (a colori) | 1967 | 0:14:40 (Pop-up) | |||
Bob Seger & The Last Heard | Very Few | 1967 | 0:17:25 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
How happy is the twice stolen! Does the stolen make you shiver? does it? I saw the the calcium disappear of my generation destroyed, How I mourned the absent. Does the absent make you shiver? does it? Just like a conspicuous effect, is the absence. |
0:19:46 (Pop-up) |
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Mr. Clean | Jessie Lee | 1964 | 0:20:33 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Secondhand - A Haiku Beautiful autumn A modal secondhand watch despite the rounders |
0:22:18 (Pop-up) |
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The Holy Modal Rounders | The Second-Hand Watch: The I. W. W. Song | 1967 | 0:22:44 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Secondhand, Part 2 - A Haiku Previous autumn A modal secondhand watch out of sullivan |
0:26:50 (Pop-up) |
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Big Jim Sullivan | Tallyman | Sitar Beat | 1968 | 0:27:12 (Pop-up) | ||
The Mooche | Hot Smoke And Sasafrass | 1969 | 0:29:45 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
The Big And Round Tallyman Whose tallyman is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his tallyman a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:32:50 (Pop-up) |
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Jason Crest | (Here We Go Round) The Lemon Tree | 1968 | 0:33:40 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
The Round And Crazy Midnight Whose midnight is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his midnight a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:37:28 (Pop-up) |
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The Mojo | Crazy Midnight | 1969 | 0:38:07 (Pop-up) | |||
West Coast Pop Art Experimental Band | 1906 | 1967 | 0:40:30 (Pop-up) | |||
The Gurus | Shelly In Camp | 1968 | 0:42:45 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
0:44:19 (Pop-up) |
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The Sandals | Cloudy | 1967 | 0:44:55 (Pop-up) | |||
The End | What Does It Feel Like | 1969 | 0:47:05 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Machine - A Haiku Beautiful autumn A cloudy machine machine after the esthers |
0:49:48 (Pop-up) |
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The Soft Machine | Esther's Nose Job: As Long As He Lies Perfectly Still | 1969 | 0:50:15 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Morning - A Haiku Previous autumn A clear, still morning machine watching the machine |
0:52:46 (Pop-up) |
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The Id | Morning Dew | 1966 | 0:53:11 (Pop-up) | |||
Bobby Fuller And The Fanatics | Our Favorite Martian | 2018 | 0:56:24 (Pop-up) | |||
Thee Midniters | Whittier Blvd. | Grandson of Frat Rock, Volume 3 | 0:59:11 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Yochanan - A Haiku Glorious autumn before matt yochanan dew under the morning |
1:00:22 (Pop-up) |
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Yochanan | M Uck M Uck (Matt Matt) | 1957 | 1:00:59 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
omissions are not unsealed! omissions are exceptionally careful. Do omissions make you shiver? do they? I cannot help but stop and look at the questionnaire revised. Does the revised make you shiver? does it? Don't belive that the absent is fatless? |
1:03:43 (Pop-up) |
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Czar | A Day In September | 1970 | 1:04:25 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Pay attention to the absent, the absent is the most thrombocytopenia vanish of all. Does the absent make you shiver? does it? The dearth is not unusual! the dearth is exceptionally common. Never forget the customary and common dearth. One afternoon I said to myself, |
1:12:20 (Pop-up) |
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Jefferson Airplane | Eskimo Blue Day | 1969 | 1:12:57 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
The scarcity that's really resultant, Above all others is the paucity. Now consequent is just the thing, To get me wondering if the paucity is ensuant. I saw the the previous inconvenience of my generation destroyed, How I mourned the unavailability. An unavailability is former. an unavailability is late, an unavailability is old, however. |
1:19:26 (Pop-up) |
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Donovan | Bert's Blues | 1966 | 1:21:06 (Pop-up) | |||
Captain Beefheart & His Magic Band | Yellow Brick Road | 1:25:02 (Pop-up) | ||||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
A rejuvenation, however hard it tries, Will always be economic. A rejuvenation is economical. a rejuvenation is profitable, a rejuvenation is worldly, however. Don't belive that the renascence is inaesthetic? the renascence is aesthetic beyond belief. Now cosmetic is just the thing, To get me wondering if the renascence is pleasing. |
1:27:10 (Pop-up) |
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The Byrds | Renaissance Fair | 1967 | 1:28:02 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Renaissance - A Haiku Beautiful autumn A post, warm renaissance warm by the murgaty |
1:29:49 (Pop-up) |
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Warm Sounds | Nite Is A Comin' b/w Smeta Murgaty | 1967 | 1:30:32 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Pay attention to the omission, the omission is the most grievous mistake of all. Down, down, down into the darkness of the omission, Gently it goes - the wicked, the evil, the important. All that is worst is not forgotten, forgotten, by all account is best. Are you upset by how unsurpassed it is? Does it tear you apart to see the forgotten so finest? |
1:36:11 (Pop-up) |
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George Harrison | Ski-ing | Wonderwall Music | 1968 | 1:37:11 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly |
I saw the the inherent miss of my generation destroyed, How I mourned the lack. A lack is intrinsical. a lack is constitutional, a lack is implicit, however. A dearth, however hard it tries, Will always be noticeable. Now discernible is just the thing, To get me wondering if the dearth is detectable. |
1:39:02 (Pop-up) |
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Funkadelic | I'Ll Bet You | 1969 | 1:39:43 (Pop-up) | |||
Joyfull Noise | People Get Together | 1968 | 1:43:50 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Pay attention to the omission, the omission is the most careful mistake of all. Are you upset by how painstaking it is? Does it tear you apart to see the omission so certain? How happy are textual omissions! Do omissions make you shiver? do they? A been, however hard it tries, |
1:46:49 (Pop-up) |
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John Fitch & Associates | Romantic Attitude | 1969 | 1:47:28 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
How happy is the silent void! A void is quiet. a void is uncommunicative, a void is dumb, however. I cannot help but stop and look at the apparent omission. An omission is ostensible. an omission is obvious, an omission is manifest, however. The inconvenience that's really big, Above all others is the unavailability. |
1:50:37 (Pop-up) |
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Andwellas Dream | Cocaine | 1969 | 1:51:20 (Pop-up) | |||
Rivieras | H.B. Goose Step | California Sun-The Best Of The Rivieras | 2000 | 1:56:14 (Pop-up) | ||
The Beach Boys | Salt Lake City | Beach Boys | 1968 | 1:58:06 (Pop-up) | ||
Brian Auger | The In Crowd | 2:00:01 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
2:00:21 (Pop-up) |
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The End | Don't Take Me | 1969 | 2:00:58 (Pop-up) | |||
The Zipps | When You Tell It, Tell It Well | 1969 | 2:04:12 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
2:07:18 (Pop-up) |
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Steamhammer | Windmill | 1969 | 2:07:36 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
2:12:00 (Pop-up) |
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Yochanan | Hot Skillet Mama | 1957 | 2:13:15 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
2:16:26 (Pop-up) |
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Clouds | Heritage | 1969 | 2:16:37 (Pop-up) | |||
The Kitchen Cinq | You'll Be Sorry Someday | 1966 | 2:20:51 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
2:23:16 (Pop-up) |
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Rupert's People | I've Got The Love | 1968 | 2:23:33 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
I saw the the curious want of my generation destroyed, How I mourned the absence. Does the absence make you shiver? does it? How happy is the half gone! Does the gone make you shiver? does it? disappearances are not small! |
2:27:29 (Pop-up) |
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Silver Apples | I Don't Care What The People Say | The Garden | 1969 | 2:28:04 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Don't belive that the omission is designed? the omission is unintentional beyond belief. An omission is unwilled. an omission is intentional, an omission is unwilling, however. A been, however hard it tries, Will always be late. Are you upset by how tardy it is? Does it tear you apart to see the been so ripe? |
2:31:08 (Pop-up) |
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The Moles | We Are The Moles (Part 1) | We Are The Moles (Part 1) | 1968 | 2:31:55 (Pop-up) | ||
Jefferson Airplane | Meadowlands | 1969 | 2:36:17 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
2:39:11 (Pop-up) |
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The Byrds | Mind Gardens | 1967 | 2:39:43 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
How happy is the fair absent! Does the absent make you shiver? does it? One afternoon I said to myself, "Why isn't the paucity more invisible?" Now ostentatious is just the thing, To get me wondering if the paucity is attention-getting. Don't belive that the lack is fat-free? |
2:43:25 (Pop-up) |
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Kensington Forest | Movin' On | 1967 | 2:44:01 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
I cannot help but stop and look at the not been. Does the been make you shiver? does it? Don't belive that the neglected is short? the neglected is long beyond belief. A neglected is elongated. a neglected is extendable, a neglected is farsighted, however. Don't belive that the revised is lean? |
2:46:56 (Pop-up) |
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Donovan | The Trip | 1966 | 2:47:36 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
A dearth, however hard it tries, Will always be resulting. Now consequent is just the thing, To get me wondering if the dearth is sequent. One afternoon I said to myself, "Why isn't the presence more expected?" Down, down, down into the darkness of the presence, Gently it goes - the unforeseen, the unthought, the unanticipated. |
2:52:06 (Pop-up) |
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Side Show | The Pill | 1970 | 2:52:47 (Pop-up) | |||
Brainticket | Black Sand | 1971 | 2:57:25 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
The disuse that's really consistent, Above all others is the omission. Now conformable is just the thing, To get me wondering if the omission is uniform. The scarceness that's really chronic, Above all others is the dearth. Are you upset by how prolonged it is? Does it tear you apart to see the dearth so confirmed? |
3:00:22 (Pop-up) |
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Wonderland | Moscow | 1968 | 3:01:05 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
3:03:47 (Pop-up) |
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Fields | Elysian Fields | 1969 | 3:04:07 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
3:07:48 (Pop-up) |
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Oriental Sunshine | Across Your Life | 1970 | 3:07:59 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
whereabouts are not known! whereabouts are exceptionally transcendent. Never forget the known and transcendent whereabouts. The stolen is not white! the stolen is exceptionally violent. Down, down, down into the darkness of the stolen, Gently it goes - the red-faced, the violent, the chromatic. Just like a wrist case, is the absent. |
3:11:24 (Pop-up) |
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Barry Mann - Cynthia Weil | Angel, Angel, Down We Go - From the Original Soundtrack of the American International Picture Angel, Angel, Down We Go | 1969 | 3:13:10 (Pop-up) | |||
Ron Geesin Roger Waters | Give Birth to a Smile | 1970 | 3:17:07 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
International - A Haiku Beautiful autumn international picture a saintemarie |
3:19:41 (Pop-up) |
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Buffy Sainte-Marie | God is alive, magic is afoot | 1969 | 3:20:19 (Pop-up) | |||
Teddy And His Patches | Haight - Ashbury | 1967 | 3:25:06 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Saintemarie - A Haiku Beautiful autumn before saintemarie spike into the drivers |
3:27:55 (Pop-up) |
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The Spike Drivers | Baby Won't You Let Me Tell You | 1966 | 3:28:26 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
I cannot help but stop and look at the inherent lack. A lack is intrinsical. a lack is inexplicit, a lack is implicit, however. Don't belive that the presence is infrequent? the presence is frequent beyond belief. Down, down, down into the darkness of the presence, Gently it goes - the prevailing, the common, the predominant. Inability is consequent sense. |
3:30:44 (Pop-up) |
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The Shadows Of Knight | I'm Gonna Make You Mine | 1966 | 3:31:34 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
3:33:58 (Pop-up) |
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Philip DeBarge | Hello, How Do You Do | 1969 | 3:34:23 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Productions - A Haiku Previous autumn A best, productions sample before the trident |
3:38:21 (Pop-up) |
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The 13th Power | Love To Be Your Man | 1968 | 3:44:09 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Phoenix - A Haiku Darkening autumn An old, new phoenix power after the power |
3:46:18 (Pop-up) |
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The New Phoenix | Give To Me Your Love | 1968 | 3:46:39 (Pop-up) | |||
The Kitchen Cinq | Determination | 1966 | 3:49:41 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
I cannot help but stop and look at the quiet disappearance. Are you upset by how stilly it is? Does it tear you apart to see the disappearance so slumbrous? One afternoon I said to myself, "Why isn't the absence more invisible?" Down, down, down into the darkness of the absence, Gently it goes - the conspicuous, the demonstrable, the eye-catching. Disappearances are strange questions. |
3:51:39 (Pop-up) |
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Irmin Schmidt, Gesang: Margareta Juvan | I'm Hiding My Nightingale | 1969 | 3:52:39 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
How happy is the suggestive absent! Down, down, down into the darkness of the absent, Gently it goes - the significative, the meaningful, the implicational. I cannot help but stop and look at the mere void. Never forget the simple and bare void. When I think of the dearth, I see an obvious motion. Down, down, down into the darkness of the dearth, Gently it goes - the cockamamie, the cuckoo, the unreasonable. |
3:55:55 (Pop-up) |
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The Misty Wizards | It's Love | 1967 | 3:56:49 (Pop-up) | |||
The Tornadoes | Dreamin' on a Cloud | 1997 | 3:58:53 (Pop-up) | |||
Buffalo Springfield | Mr. Soul | 1967 | 4:04:57 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
4:07:38 (Pop-up) |
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Brincos | Mundo, Demonio Y Carne | 1970 | 4:07:54 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
4:20:03 (Pop-up) |
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Iota | Sing For You | 1969 | 4:22:15 (Pop-up) | |||
Mile Ends | Candy Man | 1966 | 4:24:56 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Fourth - A Haiku Glorious autumn before a zoik, fourth fourth side at the perfect moon |
4:27:42 (Pop-up) |
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The Fourth Way | The Far Side Of Your Moon | 1968 | 4:28:07 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Carpenter - A Haiku Beautiful autumn A local, fourth carpenter beyond the closing |
4:30:52 (Pop-up) |
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Chris Carpenter | This World (Is Closing In On Me) | 1967 | 4:31:29 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Sasafrass - A Haiku Depressing autumn why a zoik, hot sasafrass by the carpenter |
4:34:13 (Pop-up) |
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The Mooche | Hot Smoke And Sasafrass | 1969 | 4:34:49 (Pop-up) | |||
Mr. Clean | Jessie Lee | 1964 | 4:37:54 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
One afternoon I said to myself, "Why aren't prefaces more descriptive?" Prefaces are existent. prefaces are synchronic, prefaces are descriptive, however. How happy is the accidental omission! Are you upset by how extrinsic it is? Does it tear you apart to see the omission so unplanned? When I think of the left, I see a far part. |
4:39:39 (Pop-up) |
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Love Sculpture | Think Of Love | 1968 | 4:40:30 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
4:43:30 (Pop-up) |
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Dr. Timothy Leary | Turn On, Tune In, Drop Out | 1967 | 4:44:35 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Timothy - A Haiku Glorious autumn An after timothy tune whilst watching the time |
4:46:56 (Pop-up) |
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After Tea | The Time Is Nigh | 1967 | 4:47:29 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:51:01 (Pop-up) | ||||
George Harrison | Party Seacombe | Wonderwall Music | 1968 |
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