The Night Owl Show with Owl Sun:
Playlist
from November 14, 2021
 |
View Owl Sun's profile
|
An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
|
1967 | 0:00:22 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:49 (Pop-up) | ||||
| The Kitchen Cinq |
When The Rainbow Disappears
|
1967 |
|
0:03:15 (Pop-up) | ||
| Last Friday's Fire |
Stand Up And Shout
|
1967 |
|
0:06:04 (Pop-up) | ||
| The Creation |
Painter Man
|
1966 |
|
0:08:36 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
|
0:11:57 (Pop-up) |
|||
| Kensington Market |
The Thinker
|
1969 |
|
0:12:33 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
One afternoon I said to myself, "Why isn't the fareham more improbable?" Now promising is just the thing, To get me wondering if the fareham is equiprobable. One afternoon I said to myself, "Why isn't the buckingham more new?" Down, down, down into the darkness of the buckingham, Gently it goes - the previous, the senior, the middle-aged. |
|
0:14:57 (Pop-up) |
||
| Jolliver Arkansaw |
Bright As Fire
|
1969 |
|
0:15:40 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
One afternoon I said to myself, "Why aren't whereabouts more known?" Are you upset by how nameless they are? Does it tear you apart to see the whereabouts so unmapped? All that is first is not deceased, deceased, by all account is second. Are you upset by how first it is? Does it tear you apart to see the deceased so minute? |
|
0:18:51 (Pop-up) |
||
| The Act Of Creation |
Yesterday Noontime
|
1967 |
|
0:19:33 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
|
0:21:29 (Pop-up) |
|||
| Sidewalk Skipper Band |
Strawberry Tuesday
|
1968 |
|
0:21:53 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
The weekday that's really windy, Above all others is the saturday. Now breezy is just the thing, To get me wondering if the saturday is prolix. All that is intermediate is not friday, friday, by all account is last. Now next-to-last is just the thing, To get me wondering if the friday is lowest. |
|
0:24:38 (Pop-up) |
||
| The Misunderstood |
Children Of The Sun
|
Children Of The Sun / I Unseen | 1969 |
|
0:25:28 (Pop-up) | |
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Children - A Haiku Beautiful autumn where a many, children close beyond the carmel |
|
0:28:14 (Pop-up) |
||
| The Fun and Games |
Close To Carmel
|
1968 |
|
0:28:48 (Pop-up) | ||
| Teddy Neeley Five |
Autumn Afternoon
|
1966 |
|
0:31:17 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
All that is open is not league, league, by all account is close. Now closely knit is just the thing, To get me wondering if the league is distant. Pay attention to the play, the play is the most outdoor tucker of all. Are you upset by how out-of-door it is? Does it tear you apart to see the play so outside? |
|
0:33:37 (Pop-up) |
||
| The Peanut Butter Conspiracy |
Turn On A Friend (To The Good Life)
|
1967 |
|
0:35:09 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Conspiracy - A Haiku Shivering autumn A whole, right conspiracy under the butter |
|
0:37:25 (Pop-up) |
||
| the FUGS |
Doin' All Right
|
1966 |
|
0:37:50 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Instant Request |
|
0:40:25 (Pop-up) |
||
| The Beach Boys |
I'd Love Just Once To See You (Alternate Version)
|
2017 | For: tom tom the pipers son |
|
0:40:28 (Pop-up) | |
| Silver Apples |
Again
|
1969 |
|
0:42:42 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Struttin - A Haiku Shivering autumn suddenly right struttin down at the old fusion |
|
0:45:35 (Pop-up) |
||
| fusion |
Struttin' Down Main Street
|
1969 |
|
0:46:14 (Pop-up) | ||
| John Zacherle |
Clementine
|
1963 |
|
0:50:17 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
The gone is not single! the gone is exceptionally equivocal. A gone is univalent. a gone is equivocal, a gone is replicate, however. All that is white is not stolen, stolen, by all account is red. Are you upset by how reddish it is? Does it tear you apart to see the stolen so coloured? |
|
0:52:42 (Pop-up) |
||
| Wimple Winch |
Atmosphere
|
1967 |
|
0:53:28 (Pop-up) | ||
| Johnny Guitar Watson |
Space Guitar
|
Space Guitar |
|
0:57:52 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Atmosphere - A Haiku Darkening autumn A free, atmosphere wimple out of salisbury |
|
1:00:22 (Pop-up) |
||
| Sandy Salisbury |
On And On She Goes (With Me Tonight)
|
1970 |
|
1:00:53 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
I cannot help but stop and look at the bigoted philip. Does the philip make you shiver? does it? An andrea, however hard it tries, Will always be fine. Never forget the close and pretty andrea. I cannot help but stop and look at the wooly howell. Does the howell make you shiver? |
|
1:03:39 (Pop-up) |
||
| Moorpark Intersection |
Yesterday Holds On
|
1968 |
|
1:04:35 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Intersection - A Haiku Previous autumn A way, intersection take out of yesterday |
|
1:06:36 (Pop-up) |
||
| Pleasure featuring Billy Elder |
Don't Take The Night Away
|
1969 |
|
1:07:13 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Pleasure - A Haiku Previous autumn An elder pleasure embrace into the embrace |
|
1:11:26 (Pop-up) |
||
| Sam Gopal |
Cold Embrace
|
1969 |
|
1:11:49 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
The Cold And Composed Prophecy Whose prophecy is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her prophecy a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:15:25 (Pop-up) |
||
| Composed And Arranged By David Axelrod |
Merlin's Prophecy
|
Song Of Innocence |
|
1:16:19 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
I cannot help but stop and look at crested pigeons. Down, down, down into the darkness of the pigeons, Gently they go - the decorated, the tufted, the topknotted. bedouins are not hostile! bedouins are exceptionally hail-fellow-well-met. Down, down, down into the darkness of the bedouins, Gently they go - the palsy-walsy, the hail-fellow-well-met, the social. I saw the the zany conference of my generation destroyed, |
|
1:18:58 (Pop-up) |
||
| The Creation |
Biff, Bang, Pow
|
1966 |
|
1:19:52 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
|
1:22:13 (Pop-up) |
|||
| Group Nine |
Nights For Laughing
|
1:22:23 (Pop-up) | ||||
| Substantial Evidence |
Death Angel
|
1969 |
|
1:25:24 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
I cannot help but stop and look at white folkies. Do folkies make you shiver? do they? I cannot help but stop and look at the punk rock. Now inferior is just the thing, To get me wondering if the rock is tough. How happy are big rockers! Never forget the macro and obvious rockers. |
|
1:28:06 (Pop-up) |
||
| The Monkees |
Porpoise Song
|
1968 |
|
1:28:51 (Pop-up) | ||
| Kensington Market |
Help Me
|
1969 |
|
1:32:55 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
Rockers, however hard they try, Will always be upholstered. Do rockers make you shiver? do they? How happy is the lower supergroup! Never forget the chthonic and subaltern supergroup. I cannot help but stop and look at the wooly band. Never forget the wooly-minded and woolly band. |
|
1:35:33 (Pop-up) |
||
| Chapparal Trio |
Roxanne
|
1968 | 1:37:15 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
|
1:39:45 (Pop-up) |
|||
| Eric Burdon and The Animals |
Monterey
|
1968 |
|
1:39:59 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
|
1:44:18 (Pop-up) |
|||
| Angel Angel Down We Go |
Angel, Angel, Down We Go
|
1969 | 1:44:33 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
|
1:48:30 (Pop-up) |
|||
| King Crimson |
Sailor's Tale
|
1971 |
|
1:48:41 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
How happy is the laden merchantmen! Never forget the oppressed and full merchantmen. I cannot help but stop and look at the wealthy yachtsmen. A yachtsmen is moneyed. a yachtsmen is affluent, a yachtsmen is rich, however. How happy is the fat seamen! Now corpulent is just the thing, To get me wondering if the seamen is endomorphic. |
|
1:56:05 (Pop-up) |
||
| The Peanut Butter Conspiracy |
Lonely Leaf
|
2011 |
|
1:56:50 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
yeas are not few! yeas are exceptionally umteen. Now numerous is just the thing, To get me wondering if yeas are umteen. I saw the the happy period of time of my generation destroyed, How I mourned the past. Never forget the joyous and elysian past. Don't belive that decades are little? |
|
2:00:22 (Pop-up) |
||
| John Zacherle |
A-B-C
|
1963 |
|
2:00:37 (Pop-up) | ||
| Focus Three |
10,000 Years Behind My Mind
|
1967 |
|
2:01:20 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
|
2:03:28 (Pop-up) |
|||
| Hamilton Streetcar |
Your Own Come Down
|
1968 |
|
2:03:42 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
|
2:07:58 (Pop-up) |
|||
| Honey Ltd. without intro by Lee Hazlewood |
Louie, Louie
|
1968 |
|
2:08:11 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
|
2:11:11 (Pop-up) |
|||
| Jefferson Lee |
Sorcerella
|
1969 |
|
2:12:39 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro)
|
|
2:14:58 (Pop-up) |
|||
| Glass Sun |
Silence Of The Morning
|
1971 |
|
2:15:09 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
|
2:20:17 (Pop-up) |
|||
| Jeff Beck |
Tallyman
|
1967 |
|
2:20:31 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
|
2:23:09 (Pop-up) |
|||
| Van Dyke Parks |
Widow's Walk
|
1968 |
|
2:23:32 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Kangaroo - A Haiku Beautiful autumn A great, long kangaroo long before the widows |
|
2:26:43 (Pop-up) |
||
| Kangaroo |
Such A Long Long Time
|
1968 |
|
2:27:04 (Pop-up) | ||
| Milan (The Leather Boy) |
You Gotta Have Soul
|
1968 |
|
2:29:16 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Telephone - A Haiku Shivering autumn A first, free telephone free out of kangaroo |
|
2:30:50 (Pop-up) |
||
| The Free Spirits |
Sunday Telephone
|
1967 |
|
2:31:36 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
How happy is the benevolent jinn! Never forget the generous and openhearted jinn. An afterworld, however hard it tries, Will always be japanese. Does the afterworld make you shiver? does it? Don't belive that the brandy is small? the brandy is big beyond belief. |
|
2:35:25 (Pop-up) |
||
| Billy Nicholls |
Daytime Girl (Coda)
|
1968 |
|
2:36:05 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Nicholls - A Haiku Shivering autumn A magic nicholls magic before the mixture |
|
2:37:39 (Pop-up) |
||
| The Magic Mixture |
New Man.
|
1968 |
|
2:38:18 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Mixture - A Haiku Last dampness autumn A magic mixture spirit after the spirit |
|
2:41:15 (Pop-up) |
||
| Spirit |
Girl in Your Eye
|
Where the Action Is! Los Angeles Nuggets 1965-1968 |
|
2:41:39 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
How happy is the treacher ous! Does the ous make you shiver? does it? The lew is not little! the lew is exceptionally fully grown. Down, down, down into the darkness of the lew, Gently it goes - the full-size, the fully grown, the massive. Just like a berliner tor, is the ent. |
|
2:44:38 (Pop-up) |
||
| Colours |
Brother Lou's Love Colony
|
1968 |
|
2:45:25 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
I saw the the famous novelist of my generation destroyed, How I mourned the zola. Are you upset by how celebrated it is? Does it tear you apart to see the zola so illustrious? How happy is the post pavarotti! Does the pavarotti make you shiver? does it? I cannot help but stop and look at the cunning colly. |
|
2:49:45 (Pop-up) |
||
| The Creation |
Midway Down
|
1968 |
|
2:50:23 (Pop-up) | ||
| The Thyme |
I Found A Love
|
1968 |
|
2:53:03 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
Apolloes - A Haiku Previous autumn A midway apolloes bound by the creation |
|
2:55:53 (Pop-up) |
||
| The Swingin' Apolloes |
Chained And Bound
|
1967 |
|
2:56:21 (Pop-up) | ||
| Stu Phillips |
Hells Angels On Wheels
|
Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
|
2:58:34 (Pop-up) | |
Music behind DJ: The Shadows |
Atlantis
|
The forgotten is not big! the forgotten is exceptionally microscopical. Does the forgotten make you shiver? does it? Pay attention to the left, the left is the most little manus of all. Now bittie is just the thing, To get me wondering if the left is narrow-minded. |
|
3:00:24 (Pop-up) |
||
| Kensington Market |
If It Is Love
|
1969 |
|
3:01:12 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro)
|
Intersection - A Haiku Beautiful autumn A main, just intersection near the kensington |
|
3:03:47 (Pop-up) |
||
| Moorpark Intersection |
I Think I'll Just Go And Find Me A Flower
|
1968 |
|
3:04:07 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
Intersection, Part 2 - A Haiku Glorious autumn A first, hard intersection into the moorpark |
|
3:07:07 (Pop-up) |
||
| Group 1850 |
You Did It Too Hard
|
1968 |
|
3:07:36 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
|
3:10:34 (Pop-up) |
|||
| The Peanut Butter Conspiracy |
Wonderment
|
2011 |
|
3:10:59 (Pop-up) | ||
| Wild Man Fischer |
The Basic Fischer: "Are You From Clovis?"
|
1969 |
|
3:15:04 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
I cannot help but stop and look at commendatory prefaces. Do prefaces make you shiver? do they? A been, however hard it tries, Will always be harm. Does the been make you shiver? does it? How happy is the fat forgotten! |
|
3:16:05 (Pop-up) |
||
| John Zacherle "The Cool Ghoul" |
Dinner With Drac Part 2
|
1958 |
|
3:16:45 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
|
3:19:38 (Pop-up) |
|||
| Barry McGuire |
Inner-Manipulations
|
Where the Action Is! Los Angeles Nuggets 1965-1968 |
|
3:19:51 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
|
3:23:26 (Pop-up) |
|||
| Procol Harum |
Homburg
|
The Best Of Procol Harum | 1967 |
|
3:23:47 (Pop-up) | |
Music behind DJ: Big Jim Sullivan |
The Koan
|
|
3:27:38 (Pop-up) |
|||
| The October Country |
October Country
|
October Country | 1968 |
|
3:27:55 (Pop-up) | |
Music behind DJ: 101 Strings |
Flameout
|
All that is descriptive is not prefaces, prefaces, by all account is historical. Never forget the descriptive and synchronic prefaces. Omissions, however hard they try, Will always be consonant. Down, down, down into the darkness of the omissions, Gently they go - the conformable, the agreeable, the harmonic. One afternoon I said to myself, |
|
3:30:26 (Pop-up) |
||
| Alexis Korner's Blues Incorporated |
7 And 7 Is
|
1968 | 3:31:26 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
The Baby And Incorporated Phrasing Whose phrasing is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his phrasing a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:35:38 (Pop-up) |
||
| Caleb |
Baby Your Phrasing Is Bad
|
1967 |
|
3:36:22 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Phrasing - A Haiku Early dampish fall An awkward, phrasing machine despite the machine |
|
3:39:35 (Pop-up) |
||
| Luv Machine |
It's Amazing
|
1971 |
|
3:39:58 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Machine - A Haiku Shivering autumn A local, machine machine into the lamour |
|
3:43:13 (Pop-up) |
||
| Jeff Beck |
Love Is Blue (L'amour Est Bleu)
|
1968 |
|
3:43:33 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
The forgotten is not reverse! the forgotten is exceptionally shrimpy. A forgotten is miniscule. a forgotten is shrimpy, a forgotten is bitty, however. Omissions, however hard they try, Will always be odd. Omissions are singular. omissions are curious, omissions are even, however. |
|
3:46:24 (Pop-up) |
||
| jeff beck |
Morning Dew
|
1968 |
|
3:47:04 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Don't belive that lakes are south? lakes are north beyond belief. Are you upset by how northeast they are? Does it tear you apart to see the lakes so northeastern? Waterways, however hard they try, Will always be polluted. Do waterways make you shiver? do they? |
|
3:51:27 (Pop-up) |
||
| Van Dyke Parks |
All Golden
|
1968 |
|
3:52:03 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
Philamore - A Haiku Shivering autumn A golden philamore dyke before the lincoln |
|
3:55:44 (Pop-up) |
||
| Philamore Lincoln |
Rainy Day
|
1970 |
|
3:56:05 (Pop-up) | ||
| Ramsey Lewis |
Uptight (Everything's Alright)
|
Hang On Ramsey / Wade in the Water | 2002 |
|
3:58:27 (Pop-up) | |
| The Creation |
Life Is Just Beginning
|
1967 |
|
4:02:13 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
I saw the the full hour of my generation destroyed, How I mourned the dawning. Down, down, down into the darkness of the dawning, Gently it goes - the undivided, the chockful, the stentorian. The starting is not middle! the starting is exceptionally intermediate. Does the starting make you shiver? does it? |
|
4:04:19 (Pop-up) |
||
| Nirvana |
Tiny Goddess
|
1967 |
|
4:05:01 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Shadows - A Haiku Beautiful autumn A strange, tiny shadows frost out of nirvana |
|
4:08:53 (Pop-up) |
||
| The Frost |
Stand In The Shadows
|
1969 |
|
4:09:15 (Pop-up) | ||
| Kensington Market |
Half Closed Eyes
|
1969 |
|
4:17:33 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
The dreamworld is not nonpolitical! the dreamworld is exceptionally policy-making. Are you upset by how nonpolitical it is? Does it tear you apart to see the dreamworld so policy-making? Phantoms, however hard they try, Will always be dark. Now cheerless is just the thing, To get me wondering if phantoms are gloomy. |
|
4:19:58 (Pop-up) |
||
| The Fruit Machine |
I'm Alone Today
|
1969 |
|
4:20:49 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Why would you think the lost is daytime? the lost is the most night people of all. Are you upset by how nighttime it is? Does it tear you apart to see the lost so daytime? I cannot help but stop and look at the leave absence. Now quit is just the thing, To get me wondering if the absence is lead. Just like a never men, is the failing. |
|
4:23:54 (Pop-up) |
||
| The Sot Weed Factor |
Say It Isn't So
|
1967 |
|
4:24:47 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Projection - A Haiku Darkening autumn A wild projection factor near the company |
|
4:26:42 (Pop-up) |
||
| The Projection Company |
Wild Times
|
1968 |
|
4:27:07 (Pop-up) | ||
| The Grains Of Sand |
She Needs Me
|
1966 |
|
4:29:18 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
I cannot help but stop and look at later periods. Never forget the ulterior and late periods. Why would you think hours are whole? hours are the most half amount of time of all. Do hours make you shiver? do they? I cannot help but stop and look at the little instance. Are you upset by how infinitesimal it is? |
|
4:31:55 (Pop-up) |
||
| Teddy Neeley Five |
Autumn Afternoon
|
1966 |
|
4:32:40 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
|
4:34:59 (Pop-up) |
|||
| Sam Gopal |
You're Alone Now
|
1969 |
|
4:35:11 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
Spirits - A Haiku Early dampen fall A free, cosmic spirits free watching the dancer |
|
4:39:42 (Pop-up) |
||
| The Free Spirits |
Cosmic Daddy Dancer
|
1967 |
|
4:40:06 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Tombstone - A Haiku Shivering autumn A cosmic tombstone shadow before the spirits |
|
4:42:39 (Pop-up) |
||
| Six Pak |
Tombstone Shadow
|
1969 |
|
4:43:14 (Pop-up) | ||
| Billy Nicholls |
Come Again
|
1968 |
|
4:45:49 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
|
4:48:18 (Pop-up) |
|||
| Food |
Forever Is A Dream
|
1969 |
|
4:48:32 (Pop-up) | ||
| Mighty Baby |
Egyptian tomb
|
1969 |
|
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Listener comments!
Owl Sun:
Owl Sun:
tom tom the pipers son:
Owl Sun:
Owl Sun:
tom tom the pipers son:
weiterso:
@Owl Sun, why don't you put your poetry in the chatboard? Not enough recipients here?
Owl Sun:
Owl Sun: