The Night Owl Show with Owl Sun:
Playlist
from December 29, 2021
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
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On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
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| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
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1967 | 0:00:30 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
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0:02:56 (Pop-up) | ||||
| Syd Barrett |
Dolly Rocker
|
1989 |
|
0:03:27 (Pop-up) | ||
| The Mothers Of Invention |
No. No. No.
|
1968 |
|
0:06:25 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
|
0:08:48 (Pop-up) |
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| country joe And The Fish |
Section 43
|
1966 |
|
0:09:09 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
The Moody And After Concert Whose concert is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his concert a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:15:51 (Pop-up) |
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| Pink Floyd |
A Saucerful Of Secrets
|
1968 |
|
0:17:34 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Instant Request |
|
0:29:01 (Pop-up) |
||
| The Beach Boys |
I'd Love Just Once To See You (Alternate Version)
|
2017 | For: tom tom the pipers son |
|
0:29:05 (Pop-up) | |
| The Deviants |
Garbage
|
1967 |
|
0:31:17 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
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Saucerful - A Haiku Rainy wintertime A large, pink saucerful grab after the kingsley |
|
0:36:47 (Pop-up) |
||
| Gershon Kingsley |
Have It - Or Grab It - Or Go
|
1970 |
|
0:37:37 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Fitzgerald - A Haiku Rainy wintertime before or fitzgerald grab at the old kingsley |
|
0:42:59 (Pop-up) |
||
| G.F. Fitz-Gerald |
Ashes Of An Empire / The End
|
1970 |
|
0:43:24 (Pop-up) | ||
| Les Yper-Sound |
Psyché Rock (outro)
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
0:47:12 (Pop-up) | |
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Ayatolluh - A Haiku Early wintertime before well ayatolluh under the absinthe |
|
0:47:28 (Pop-up) |
||
| Alice Cooper |
Fields of Regret
|
Pretties For You | 1969 |
|
0:48:18 (Pop-up) | |
Music behind DJ: Sagittarius |
Pisces
|
The string of beads that are really plastic, Above all others is the rosary. Now fictile is just the thing, To get me wondering if the rosary is pliant. One afternoon I said to myself, "Why aren't bearings more nonspherical?" Never forget the global and spheric bearings. yellow marbles sings like colored paintings |
|
0:53:58 (Pop-up) |
||
| The Storybook |
Beads of Innocence
|
1968 |
|
0:54:38 (Pop-up) | ||
| Velvett Fogg |
Telstar '69
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
0:57:45 (Pop-up) | |
| Stu Phillips |
Skip To My Mary J.
|
Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
|
1:00:26 (Pop-up) | |
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
I cannot help but stop and look at brown cowries. Cowries are colored. cowries are chromatic, cowries are brownish, however. Pay attention to the organdy, the organdy is the most flowered textile of all. Does the organdy make you shiver? does it? Pinecone is large number. |
|
1:00:30 (Pop-up) |
||
| Ruben And The Jets |
Jelly Roll Gum Drop
|
1968 |
|
1:01:31 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
|
1:03:50 (Pop-up) |
|||
| The Koala |
Poppa Duke Tyler
|
1969 |
|
1:04:04 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
Soldier - A Haiku Dampen wintertime A brave, small soldier soldier into the faces |
|
1:06:41 (Pop-up) |
||
| Small Faces |
Tin Soldier
|
1967 |
|
1:07:06 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Encouragement - A Haiku Dampness wintertime A strong, encouragement page enjoying the page |
|
1:10:55 (Pop-up) |
||
| Cromagnon |
First World Of Bronze
|
1969 |
|
1:11:31 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
Conspiracy - A Haiku Rainy wintertime A whole, bronze conspiracy out of cromagnon |
|
1:14:16 (Pop-up) |
||
| The Peanut Butter Conspiracy |
The Most Up Till Now
|
1967 |
|
1:14:40 (Pop-up) | ||
| Syd Barrett |
Maisie [Take 2]
|
1970 |
|
1:17:12 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Ayatolluh - A Haiku Dampish wintertime then ayatolluh message after the whistling |
|
1:19:56 (Pop-up) |
||
| The Mothers Of Invention |
Stuff Up The Cracks
|
1968 |
|
1:20:47 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
Perpetual - A Haiku Rainy wintertime For perpetual second despite the second |
|
1:25:14 (Pop-up) |
||
| The Vampires' Sound Incorporation |
There Is No Satisfaction
|
1969 |
|
1:25:43 (Pop-up) | ||
| Electric Banana |
(Vocal Tracks): Alexander (Heavy - commercial - melodic)
|
even more electric banana | 1969 |
|
1:28:49 (Pop-up) | |
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Encouragement - A Haiku Rainy wintertime A strong, encouragement walk an ayatolluh |
|
1:31:54 (Pop-up) |
||
| Pink Floyd |
Jugband Blues
|
1968 |
|
1:32:47 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
A mcmahon, however hard it tries, Will always be anti. Does the mcmahon make you shiver? does it? I cannot help but stop and look at the jorge rivera. Does the rivera make you shiver? does it? When I think of the whitney, I see a bacon fellow. |
|
1:35:41 (Pop-up) |
||
| SRC |
Interval
|
1968 |
|
1:37:09 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
|
1:42:17 (Pop-up) |
|||
| East of Eden |
Ramadhan
|
1969 |
|
1:42:34 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
I saw the the driest time unit of my generation destroyed, How I mourned the month. Does the month make you shiver? does it? I saw the consecutive life of my generation destroyed, How I mourned days. Do days make you shiver? do they? |
|
1:48:45 (Pop-up) |
||
| Rainbow Ffolly |
Sun Sing
|
1968 |
|
1:49:18 (Pop-up) | ||
| Fifty Foot Hose....... |
Red The Sign Post
|
1968 |
|
1:53:12 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
Encouragement, Part 2 - A Haiku Dampish wintertime A strong, encouragement check an ayatolluh |
|
1:56:06 (Pop-up) |
||
| The Strawberry Alarm Clock |
The World's On Fire - Long Version
|
1968 |
|
1:56:52 (Pop-up) | ||
| The Deep |
When Rain Is Black
|
1966 |
|
2:05:12 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Strawberry - A Haiku Rainy wintertime A randy strawberry clock beyond the daylight |
|
2:07:17 (Pop-up) |
||
| Randy Burns |
When Daylight Comes in Everything
|
1968 |
|
2:07:59 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Quicksilver - A Haiku Early wintertime A pure, quicksilver service out of messenger |
|
2:11:49 (Pop-up) |
||
| The Quicksilver Messenger Service |
Codine
|
1968 |
|
2:12:16 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
Reverbaration - A Haiku Rainy wintertime reverbaration service by the quicksilver |
|
2:17:32 (Pop-up) |
||
| the thirteenth floor elevators |
Reverbaration (Doubt)
|
1966 |
|
2:17:58 (Pop-up) | ||
| Small Faces |
(Tell Me) Have You Ever Seen Me
|
1967 |
|
2:21:45 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Reverbaration, Part 2 - A Haiku Darkness wintertime where reverbaration floor above the thirteenth |
|
2:23:49 (Pop-up) |
||
| The Northwest Company |
Eight Hour Day
|
1967 |
|
2:24:32 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
I cannot help but stop and look at the long neglected. Down, down, down into the darkness of the neglected, Gently it goes - the short, the long-dated, the lifelong. Don't belive that prefaces are antecedent? prefaces are subsequent beyond belief. Are you upset by how resultant they are? Does it tear you apart to see the prefaces so antecedent? Left is far part. |
|
2:26:12 (Pop-up) |
||
| The Koala |
Lady Dressed In White
|
1969 |
|
2:26:57 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Disappearances, however hard they try, Will always be unexplained. Down, down, down into the darkness of the disappearances, Gently they go - the inexplicable, the undetermined, the incomprehensible. Don't belive that the deceased is last? the deceased is first beyond belief. Down, down, down into the darkness of the deceased, Gently it goes - the ordinal, the top, the first-year. |
|
2:29:31 (Pop-up) |
||
| Syd Barrett |
Swan Lee (Silas Lang)
|
1989 |
|
2:30:20 (Pop-up) | ||
| the Electric Flag, an American Music Band |
Peter's Trip
|
Original Motion Picture Sound Track: The Trip | 1967 |
|
2:33:26 (Pop-up) | |
Music behind DJ: George Harrison |
Ski-ing
|
Sasafrass - A Haiku Darkening winter A lang sasafrass bubble before the barrett |
|
2:35:56 (Pop-up) |
||
| The Bubble Puppy |
Hot Smoke & Sasafrass
|
Hot Smoke & Sasafrass b/w Lonely | 1968 |
|
2:36:31 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
Invention - A Haiku Rainy wintertime A cheap invention bubble by the sasafrass |
|
2:39:02 (Pop-up) |
||
| The Mothers Of Invention |
Cheap Thrills
|
1968 |
|
2:39:28 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
|
2:41:43 (Pop-up) |
|||
| Pink Floyd |
Let There Be More Light
|
1968 |
|
2:45:58 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Electric - A Haiku Severe wintertime A pan, electric shadow into the prologue |
|
2:51:12 (Pop-up) |
||
| Night Shadow |
Prologue (Voice Of Electric Bob)
|
1968 |
|
2:51:47 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
Quicksilver - A Haiku Dampness wintertime A crude, quicksilver service on the messenger |
|
2:55:24 (Pop-up) |
||
| Quicksilver Messenger Service |
The Fool
|
1968 |
|
2:55:50 (Pop-up) | ||
| Grateful Dead |
Mountains Of The Moon
|
1969 |
|
3:07:50 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Quicksilver, Part 2 - A Haiku Heavy wintertime A crude, quicksilver service near the messenger |
|
3:11:53 (Pop-up) |
||
| Rainbow Ffolly |
No
|
1968 |
|
3:12:25 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
|
3:15:23 (Pop-up) |
|||
| Lightnin' Hopkins |
Got Her Letter This Morning
|
1968 |
|
3:15:34 (Pop-up) | ||
| The Electric Prunes |
Wind-Up Toys
|
1967 |
|
3:20:29 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Lightnin - A Haiku Severe wintertime before crazy lightnin man by the josefus |
|
3:23:28 (Pop-up) |
||
| Josefus |
Crazy Man
|
1970 |
|
3:24:09 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
The Crazy And Young Young Whose young is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his young a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:27:39 (Pop-up) |
||
| Neil Young |
Winterlong (1977)
|
1977 | 3:28:32 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
|
3:31:31 (Pop-up) |
|||
| Elmer Gantry's Velvet Opera |
Mary Jane
|
1968 |
|
3:31:47 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Pay attention to the drink, the drink is the most delicious beverage of all. Now delectable is just the thing, To get me wondering if the drink is pleasing. I cannot help but stop and look at the kin elmer. Are you upset by how blood-related it is? Does it tear you apart to see the elmer so consanguine? Cleo is local authority. |
|
3:34:12 (Pop-up) |
||
| Skip Bifferty |
On Love
|
1967 |
|
3:35:05 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
I saw the the chronic inconvenience of my generation destroyed, How I mourned the unavailability. Down, down, down into the darkness of the unavailability, Gently it goes - the progressive, the inveterate, the prolonged. How happy is the dreadful void! Down, down, down into the darkness of the void, Gently it goes - the awful, the alarming, the bad. A paucity, however hard it tries, |
|
3:37:40 (Pop-up) |
||
| Dorothy Ashby |
Soul Vibrations
|
1968 |
|
3:38:31 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
|
3:41:42 (Pop-up) |
|||
| The Galaxies IV |
Don't Lose Your Mind
|
1966 |
|
3:42:09 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
|
3:45:01 (Pop-up) |
|||
| Syd Barrett |
Gigolo Aunt [Take 15]
|
1970 |
|
3:45:13 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
The barrymore is not new! the barrymore is exceptionally gray-headed. Does the barrymore make you shiver? does it? How happy is the pre witherspoon! Does the witherspoon make you shiver? does it? Coogan is young friend. |
|
3:50:55 (Pop-up) |
||
| The Peanut Butter Conspiracy |
Time Is After You
|
1967 |
|
3:53:17 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Conspiracy - A Haiku Dampen wintertime why conspiracy butter before the butter |
|
3:56:02 (Pop-up) |
||
| The Golden Dawn |
My Time
|
1967 |
|
3:56:26 (Pop-up) | ||
| Pink Floyd |
Set The Controls For The Heart Of The Sun
|
1968 |
|
4:00:15 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Quicksilver - A Haiku Hazy wintertime A pure, quicksilver service out of messenger |
|
4:05:31 (Pop-up) |
||
| The Quicksilver Messenger Service |
Babe, I'm Gonna Leave You
|
1968 |
|
4:06:10 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Quicksilver, Part 2 - A Haiku Smoggy wintertime A pure, quicksilver service out of tomorrows |
|
4:11:11 (Pop-up) |
||
| The Apryl Fool |
Tomorrow's Child
|
1969 |
|
4:11:46 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
Tomorrows - A Haiku Dampish wintertime A yellow tomorrows move at the old rainbow |
|
4:16:00 (Pop-up) |
||
| The Move |
Yellow Rainbow
|
1968 |
|
4:16:18 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
|
4:19:14 (Pop-up) |
|||
| dorothy ashby |
For Some We Loved
|
1970 |
|
4:19:24 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
|
4:23:25 (Pop-up) |
|||
| Group 1850 |
Steel Sings
|
1968 |
|
4:23:35 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
I saw the the abiding impression of my generation destroyed, How I mourned the presence. Now enduring is just the thing, To get me wondering if the presence is permanent. The void is not noninstitutional! the void is exceptionally noninstitutional. A void is institutionalized. a void is noninstitutional, a void is uninteresting, however. |
|
4:26:36 (Pop-up) |
||
| Rainbow Ffolly |
Sighing Game
|
1968 |
|
4:27:17 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Because I could not update for revised, it did kindly update for me. Pause to update, like the revised does. How happy are autobiographical prefaces! Do prefaces make you shiver? do they? All that is large is not omissions, omissions, by all account is little. |
|
4:30:23 (Pop-up) |
||
| Lightnin' Hopkins |
Rain Falling
|
1968 |
|
4:31:00 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
|
4:36:00 (Pop-up) |
|||
| country joe And The Fish |
Section 43
|
1966 |
|
4:36:22 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
|
4:43:05 (Pop-up) |
|||
| The Deviants |
Garbage
|
1967 |
|
4:43:16 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
|
4:48:46 (Pop-up) |
|||
| Elmer Gantry's Velvet Opera |
Dreamy
|
1968 |
|
4:49:08 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
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Owl Sun:
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Owl Sun:
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