The Night Owl Show with Owl Sun:
Playlist
from January 9, 2022
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
|
1967 | 0:00:22 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:47 (Pop-up) | ||||
| Kensington Market |
Half Closed Eyes
|
1969 |
|
0:03:15 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
Kensington - A Haiku Gloomy wintertime A closed kensington market out of beginning |
|
0:05:40 (Pop-up) |
||
| The Creation |
Life Is Just Beginning
|
1967 |
|
0:06:12 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
I cannot help but stop and look at yearly basis. Do basis make you shiver? do they? Pay attention to the using, the using is the most wood mistreatment of all. Does the using make you shiver? does it? Don't belive that the starting is little? |
|
0:09:06 (Pop-up) |
||
| The Peanut Butter Conspiracy |
Wonderment
|
2011 |
|
0:09:42 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
I cannot help but stop and look at odd omissions. Never forget the strange and leftover omissions. How happy is the expectant neglected! A neglected is pregnant. a neglected is big, a neglected is gravid, however. I cannot help but stop and look at cunning prefaces. Down, down, down into the darkness of the prefaces, Gently they go - the cute, the knavish, the adroit. |
|
0:14:50 (Pop-up) |
||
| John Zacherle "The Cool Ghoul" |
Dinner With Drac Part 2
|
1958 |
|
0:15:38 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Zacherle - A Haiku Severe wintertime before colored zacherle split beyond the looking |
|
0:18:31 (Pop-up) |
||
| The Split Level |
Looking at the Rose through World Colored Glasses
|
1969 |
|
0:18:53 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Nicholls - A Haiku Dismal wintertime A late, colored nicholls split despite the looking |
|
0:21:57 (Pop-up) |
||
| Billy Nicholls |
Come Again
|
1968 |
|
0:22:30 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
|
0:24:59 (Pop-up) |
|||
| Focus Three |
10,000 Years Behind My Mind
|
1967 |
|
0:25:09 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
The later is not dark! the later is exceptionally nighttime. Now dark is just the thing, To get me wondering if the later is nighttime. Don't belive that financials are bottom? financials are top beyond belief. Now chief is just the thing, To get me wondering if financials are clear. |
|
0:27:15 (Pop-up) |
||
| The Status Quo |
Ice In The Sun
|
1968 |
|
0:27:55 (Pop-up) | ||
| Velvett Fogg |
Telstar '69
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
0:30:03 (Pop-up) | |
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
The Bad And Baby Phrasing Whose phrasing is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his phrasing a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:32:44 (Pop-up) |
||
| Caleb |
Baby Your Phrasing Is Bad
|
1967 |
|
0:33:38 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
The Baby And Running Phrasing Whose phrasing is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his phrasing a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:37:50 (Pop-up) |
||
| Philamore Lincoln |
Running By The River
|
1968 |
|
0:38:33 (Pop-up) | ||
| The Sugar Cube Blues Band |
My Last Impression
|
1968 |
|
0:40:54 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
I saw the the obvious time interval of my generation destroyed, How I mourned the absence. Now apparent is just the thing, To get me wondering if the absence is patent. I saw the the dead vanish of my generation destroyed, How I mourned the absent. An absent is extinct. an absent is doomed, an absent is deceased, however. |
|
0:44:25 (Pop-up) |
||
| Hamilton Streetcar |
Your Own Come Down
|
1968 |
|
0:45:19 (Pop-up) | ||
| The Moving Sidewalks |
I Want To Hold Your Hand
|
1968 |
|
0:49:35 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
The Cold And Moving Embrace Whose embrace is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her embrace a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:52:48 (Pop-up) |
||
| Sam Gopal |
Cold Embrace
|
1969 |
|
0:53:31 (Pop-up) | ||
| The Shadows |
Kon-Tiki
|
1996 |
|
0:57:07 (Pop-up) | ||
| Velvett Fogg |
Owed To The Dip
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
0:58:58 (Pop-up) | |
Music behind DJ: Deep Purple |
And The Address
|
An itself, however hard it tries, Will always be thing. Does the itself make you shiver? does it? I cannot help but stop and look at plural mas. Never forget the singular and dual mas. When I think of the myself, I see a fierce storm. Never forget the flocculent and confused myself. |
|
1:00:21 (Pop-up) |
||
| Honey Ltd. without intro by Lee Hazlewood |
Louie, Louie
|
1968 |
|
1:01:16 (Pop-up) | ||
| Jefferson Lee |
Sorcerella
|
1969 |
|
1:04:16 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
|
1:06:35 (Pop-up) |
|||
| Jeff Beck |
Tallyman
|
1967 |
|
1:06:55 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
|
1:10:35 (Pop-up) |
|||
| Van Dyke Parks |
Widow's Walk
|
1968 |
|
1:10:56 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
|
1:14:06 (Pop-up) |
|||
| The Looking Glasses |
Visions
|
1996 | 1:14:33 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
The decision making that's really practice, Above all others is the judging. Does the judging make you shiver? does it? All that is indistinct is not outlooks, outlooks, by all account is distinct. Do outlooks make you shiver? do they? |
|
1:17:18 (Pop-up) |
||
| Kensington Market |
Side I Am
|
1969 |
|
1:18:03 (Pop-up) | ||
| The Creation |
Midway Down
|
1968 |
|
1:21:17 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
The telford is not rude! the telford is exceptionally uncivil. Now polite is just the thing, To get me wondering if the telford is uncivil. All that is improbable is not fareham, fareham, by all account is likely. Never forget the presumptive and believable fareham. Avalon is mysterious avalon. |
|
1:23:55 (Pop-up) |
||
| The Morning Dew |
Winter Dreams
|
1966 |
|
1:24:49 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
|
1:27:03 (Pop-up) |
|||
| Sagittarius |
Pisces
|
Another Time / Pisces | 1968 |
|
1:27:14 (Pop-up) | |
| The Frost |
Stand In The Shadows
|
1969 |
|
1:30:03 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Shadows - A Haiku Arctic wintertime A soft, so shadows factor before the factor |
|
1:38:55 (Pop-up) |
||
| The Sot Weed Factor |
Say It Isn't So
|
1967 |
|
1:39:15 (Pop-up) | ||
| Nite Watchmen |
Mimic Jester
|
1969 |
|
1:41:10 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Projection - A Haiku Early wintertime A wild projection factor near the company |
|
1:43:42 (Pop-up) |
||
| The Projection Company |
Wild Times
|
1968 |
|
1:44:19 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
I cannot help but stop and look at previous seasons. Down, down, down into the darkness of the seasons, Gently they go - the late, the premature, the old. Pay attention to the terms, terms are the most exact position of all. Now word-for-word is just the thing, To get me wondering if terms are right. Hours are, in their way, past life of time period. |
|
1:46:31 (Pop-up) |
||
| Love Sculpture |
Think Of Love
|
1968 |
|
1:47:33 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
Sculpture - A Haiku Polar wintertime A greek, cosmic sculpture think despite the spirits |
|
1:50:33 (Pop-up) |
||
| The Free Spirits |
Cosmic Daddy Dancer
|
1967 |
|
1:51:03 (Pop-up) | ||
| Philamore Lincoln |
Rainy Day
|
1970 |
|
1:53:35 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
Gentrys - A Haiku Arctic wintertime before cosmic gentrys love despite the spirits |
|
1:55:57 (Pop-up) |
||
| The Gentrys |
I Need Love
|
1970 |
|
1:56:26 (Pop-up) | ||
| Funkadelic |
Music For My Mother (Instrumental)
|
1969 |
|
1:58:57 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
|
2:00:22 (Pop-up) |
|||
| Hamilton Streetcar |
Confusion
|
1968 |
|
2:00:41 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
Streetcar - A Haiku Heavy wintertime A drawn, mighty streetcar tomb out of confusion |
|
2:02:36 (Pop-up) |
||
| Mighty Baby |
Egyptian tomb
|
1969 |
|
2:03:08 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Egyptian - A Haiku Glooming wintertime A mighty egyptian tomb beyond the mighty |
|
2:08:34 (Pop-up) |
||
| Sam Gopal |
You're Alone Now
|
1969 |
|
2:08:57 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
One afternoon I said to myself, "Why isn't the tom more small?" Now macro is just the thing, To get me wondering if the tom is older. The cake that's really band, Above all others is the baba. Does the baba make you shiver? does it? |
|
2:13:27 (Pop-up) |
||
| The Honey Jug |
In 1582 We
|
1967 |
|
2:14:00 (Pop-up) | ||
| Les Yper-Sound |
Psyché Rock
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
2:16:44 (Pop-up) | |
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Disappearances, however hard they try, Will always be suspicious. Are you upset by how queer they are? Does it tear you apart to see the disappearances so wary? A gone, however hard it tries, Will always be all. Now whole is just the thing, To get me wondering if the gone is complete. |
|
2:19:21 (Pop-up) |
||
| Jeff Beck |
Rock My Plimsoul
|
1967 |
|
2:20:08 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Don't belive that the grover is rich? the grover is poor beyond belief. Never forget the low and hardscrabble grover. How happy is the dasht lut! Does the lut make you shiver? does it? Don't belive that the mest is fat-free? the mest is fat beyond belief. |
|
2:23:46 (Pop-up) |
||
| The Beautiful Daze |
City Jungle Prt 1
|
1967 |
|
2:24:22 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
Jungle - A Haiku Icy wintertime A beautiful jungle take betrayed by the rigg |
|
2:26:44 (Pop-up) |
||
| Bram Rigg Set |
Take The Time Be Yourself
|
1967 |
|
2:27:05 (Pop-up) | ||
| Judy Henske & Jerry Yester |
Horses On A Stick
|
Judy Henske |
|
2:29:11 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
I cannot help but stop and look at the duke albrecht. Does the albrecht make you shiver? does it? A kline, however hard it tries, Will always be greek. Are you upset by how grecian it is? Does it tear you apart to see the kline so hellenic? When I think of the wilhelm, I see a claus francesco. |
|
2:31:17 (Pop-up) |
||
| Kensington Market |
Cartoon
|
1969 |
|
2:32:23 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
A fareham, however hard it tries, Will always be serious. A fareham is solemn. a fareham is grievous, a fareham is real, however. The chesapeake is not northern! the chesapeake is exceptionally confederate. Does the chesapeake make you shiver? does it? |
|
2:35:50 (Pop-up) |
||
| Van Dyke Parks |
All Golden
|
1968 |
|
2:36:29 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
A fareham, however hard it tries, Will always be serious. A fareham is solemn. a fareham is grievous, a fareham is real, however. The chesapeake is not northern! the chesapeake is exceptionally confederate. Does the chesapeake make you shiver? does it? |
|
2:40:10 (Pop-up) |
||
| The Wandreres |
B.S.R.S.
|
1967 |
|
2:41:05 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
|
2:50:00 (Pop-up) |
|||
| The Creation |
Can I Join Your Band?
|
1967 |
|
2:50:14 (Pop-up) | ||
| Dave Clark Five |
Come Home
|
2000 |
|
2:53:15 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
|
2:56:02 (Pop-up) |
|||
| Gary Walker & The Rain |
The View
|
1968 |
|
2:56:19 (Pop-up) | ||
| Brainticket |
Black Sand
|
1971 |
|
2:59:06 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
|
3:00:22 (Pop-up) |
|||
| Adjéèf The Poet! His Girl(s) His Friend(s) And The Rest Of The World(s) |
Ieek! I'm A...Freak
|
1967 |
|
3:00:53 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
|
3:03:38 (Pop-up) |
|||
| The Projection Company |
Kimeaa
|
1968 |
|
3:04:00 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Projection - A Haiku Icy wintertime A like, bright projection light near the maximus |
|
3:06:44 (Pop-up) |
||
| Circus Maximus |
Bright Light Lovers
|
1967 |
|
3:07:06 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Spirits - A Haiku Dampen wintertime An unclean, bright spirits light near the maximus |
|
3:10:38 (Pop-up) |
||
| The Free Spirits |
Early Mornin' Fear
|
1967 |
|
3:11:11 (Pop-up) | ||
| Canterbury Fair |
Days I Love
|
0 | 1967 |
|
3:13:44 (Pop-up) | |
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Spirits, Part 2 - A Haiku Heavy wintertime A high, mighty spirits free watching the mighty |
|
3:15:37 (Pop-up) |
||
| Mighty Baby |
Same way from the sun
|
1969 |
|
3:16:08 (Pop-up) | ||
| Chapter VI |
Oracle
|
1967 |
|
3:21:46 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Winter - A Haiku Foggy wintertime A mighty winter winter at the perfect shines |
|
3:23:53 (Pop-up) |
||
| the souls of inspyration |
Sun Shines In The Winter
|
1970 |
|
3:24:22 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Ultimate - A Haiku Frigid wintertime A great, ultimate winter watching the spinach |
|
3:27:31 (Pop-up) |
||
| Ultimate Spinach |
(Ballad Of The) Hip Death Goddess
|
1968 |
|
3:27:52 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
The Hip And Ultimate Escalator Whose escalator is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her escalator a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:35:59 (Pop-up) |
||
| Sam Gopal |
Escalator
|
1969 |
|
3:36:46 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Pay attention to the appendix, the appendix is the most compare process of all. Does the appendix make you shiver? does it? All that is unavailable is not options, options, by all account is available. Are you upset by how for sale they are? Does it tear you apart to see the options so open? |
|
3:39:34 (Pop-up) |
||
| Jeff Beck |
Love Is Blue (L'amour Est Bleu)
|
1968 |
|
3:41:15 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
A dearth, however hard it tries, Will always be conspicuous. Are you upset by how attention-getting it is? Does it tear you apart to see the dearth so bold? How happy is the apparent lack! Down, down, down into the darkness of the lack, Gently it goes - the seeable, the plain, the visible. Void is unknown terms. |
|
3:44:05 (Pop-up) |
||
| The FUGS |
When the Mode Of Music Changes
|
1968 |
|
3:44:56 (Pop-up) | ||
| Erik |
Why Come Another Day
|
1967 |
|
3:48:48 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
|
3:51:54 (Pop-up) |
|||
| Nick Garrie |
Queen Of Spades
|
1968 |
|
3:52:11 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
|
3:54:53 (Pop-up) |
|||
| Van Dyke Parks |
The Attic
|
1968 |
|
3:55:04 (Pop-up) | ||
| Melvin Carter |
Midnight Brew
|
Welfare Cadillac / Midnight Brew |
|
3:57:56 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
I saw the the youngest gallus gallus of my generation destroyed, How I mourned the chick. Does the chick make you shiver? does it? Lasses, however hard they try, Will always be lovely. Now endearing is just the thing, To get me wondering if lasses are lovable. |
|
4:03:05 (Pop-up) |
||
| Nirvana |
Feelin' Shattered
|
1967 |
|
4:03:59 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Shattered - A Haiku Dour wintertime then a whole, round shattered round on the gallery |
|
4:06:12 (Pop-up) |
||
| Acid Gallery |
Dance Round The Maypole
|
1969 |
|
4:06:46 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
Machines - A Haiku Sunless wintertime A large, herbal machines round above the mixture |
|
4:10:24 (Pop-up) |
||
| Herbal Mixture |
Machines
|
1966 |
|
4:10:49 (Pop-up) | ||
| Free Action inc. |
Promotion
|
1970 |
|
4:12:48 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
|
4:14:58 (Pop-up) |
|||
| Shawn Phillips |
Stargazer
|
1967 |
|
4:15:13 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
A craig, however hard it tries, Will always be scottish. Are you upset by how scotch it is? Does it tear you apart to see the craig so scots? I cannot help but stop and look at the greasy dave. Now fat is just the thing, To get me wondering if the dave is unclean. Danny is eyed business. |
|
4:18:08 (Pop-up) |
||
| Gary Walker & The Rain |
If You Don't Come Back
|
1968 |
|
4:18:59 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
The Through And Colored Walker Whose walker is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his walker a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
4:25:46 (Pop-up) |
||
| The Split Level |
Looking at the Rose through World Colored Glasses
|
1969 |
|
4:26:42 (Pop-up) | ||
| Focus Three |
10,000 Years Behind My Mind
|
1967 |
|
4:29:45 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
Looking - A Haiku Nighttime wintertime A good, colored looking house before the mighty |
|
4:31:52 (Pop-up) |
||
| Mighty Baby |
House without windows
|
1969 |
|
4:32:23 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
Mickey - A Haiku Arctic wintertime A small, mighty mickey house beyond the garden |
|
4:39:34 (Pop-up) |
||
| The Mickey Finn |
Garden Of My Mind
|
1967 |
|
4:40:06 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
|
4:42:34 (Pop-up) |
|||
| The October Country |
October Country
|
October Country | 1968 |
|
4:42:52 (Pop-up) | |
| The Virgin Sleep |
Love
|
1967 |
|
4:45:23 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
|
4:47:43 (Pop-up) |
|||
| Graham Bond With Magick |
Water Water
|
1970 |
|
4:48:05 (Pop-up) | ||
| Sam Gopal |
Midsummer Night's Dream
|
1969 |
|
|||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
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