The Night Owl Show with Owl Sun:
Playlist
from January 14, 2022
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
|
1967 | 0:01:42 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:04:07 (Pop-up) | ||||
| bo grumpus |
Travelin' In The Dark
|
1968 |
|
0:04:47 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
Travelin - A Haiku Hazy wintertime before dark travelin knight beyond the shadows |
|
0:07:23 (Pop-up) |
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| The Shadows of Knight |
Oh Yeah
|
1966 |
|
0:07:47 (Pop-up) | ||
| The Unspoken Word |
Rossby
|
1968 |
|
0:10:31 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Shadows - A Haiku Parky wintertime A purple, jack shadows knight betrayed by the knight |
|
0:13:04 (Pop-up) |
||
| Chrysalis |
Cynthia Gerome
|
1968 |
|
0:14:25 (Pop-up) | ||
| Chris Carpenter |
This World (Is Closing In On Me)
|
1967 |
|
0:18:17 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
The learn that's really academic, Above all others is the tutor. Now scholarly is just the thing, To get me wondering if the tutor is theoretical. Don't belive that the amy is ugly? the amy is beautiful beyond belief. Down, down, down into the darkness of the amy, Gently it goes - the ugly, the magical, the resplendent. |
|
0:21:01 (Pop-up) |
||
| jeff beck |
Ol' Man River
|
1968 |
|
0:21:49 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Delvetts - A Haiku Gloomy wintertime before baby delvetts call watching the river |
|
0:25:36 (Pop-up) |
||
| The Del-Vetts |
I Call My Baby STP
|
1966 |
|
0:25:58 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
I cannot help but stop and look at the very absent. An absent is selfsame. an absent is rattling, an absent is real, however. The dearth is not unobtrusive! the dearth is exceptionally evident. Does the dearth make you shiver? does it? Presence is, in its way, the mere force of attending. |
|
0:28:05 (Pop-up) |
||
| The Morning Dew |
Winter Dreams
|
1966 |
|
0:28:54 (Pop-up) | ||
| Bob Seger & The Last Heard |
Vagrant Winter
|
1967 |
|
0:31:08 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
|
0:33:23 (Pop-up) |
|||
| The Children |
Don't Ever Lose It
|
1968 |
|
0:33:38 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
|
0:37:17 (Pop-up) |
|||
| The Oxford Circle |
Mind Destruction
|
1997 |
|
0:37:35 (Pop-up) | ||
| tangerine dream |
Fly And Collision Of Comas Sola
|
1971 |
|
0:42:46 (Pop-up) | ||
| Neighb'rhood Childr'n |
Chocolate Angel
|
1968 |
|
0:56:07 (Pop-up) | ||
| Brainticket |
Black Sand
|
1971 |
|
0:58:37 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
|
1:01:42 (Pop-up) |
|||
| Alexander Spence |
All Come To Meet Her
|
1969 |
|
1:02:14 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
I saw the the partial disregard of my generation destroyed, How I mourned the omission. An omission is fond. an omission is one-sided, an omission is colored, however. I cannot help but stop and look at the resultant inability. Never forget the consequent and sequent inability. All that is large is not unavailability, unavailability, by all account is little. |
|
1:04:11 (Pop-up) |
||
| mutantes |
Não Vá Se Perder Por Aí
|
1969 |
|
1:04:53 (Pop-up) | ||
| Saturday's Children |
Leave That Baby Alone
|
1967 |
|
1:08:05 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Saturdays - A Haiku Muddy wintertime A last, grey saturdays stone before the children |
|
1:10:51 (Pop-up) |
||
| The Stone Circus |
Mr. Grey
|
1969 |
|
1:11:26 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
Subconscious - A Haiku Dismal wintertime suddenly subconscious train into the aardvarks |
|
1:14:29 (Pop-up) |
||
| The Aardvarks |
Subconscious Train Of Thought
|
1968 |
|
1:14:47 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Subconscious, Part 2 - A Haiku Muddy wintertime suddenly subconscious train into the aardvarks |
|
1:18:34 (Pop-up) |
||
| fat mattress |
All Night Drinker
|
1969 |
|
1:19:07 (Pop-up) | ||
| Zone 26 |
As The World Turns Cold
|
1968 |
|
1:22:08 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
Mattress - A Haiku Frosty wintertime A new, fat mattress winter above the drinker |
|
1:24:53 (Pop-up) |
||
| the souls of inspyration |
Sun Shines In The Winter
|
1970 |
|
1:25:38 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Incorporation - A Haiku Severe wintertime where sound incorporation a satisfaction |
|
1:28:47 (Pop-up) |
||
| The Vampires' Sound Incorporation |
There Is No Satisfaction
|
1969 |
|
1:29:12 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
Incorporation, Part 2 - A Haiku Severe wintertime why incorporation sound a satisfaction |
|
1:32:17 (Pop-up) |
||
| Chrysalis |
Father's Getting Old
|
1968 |
|
1:32:55 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Chrysalis - A Haiku Nighttime wintertime A floating chrysalis bridge above the getting |
|
1:36:16 (Pop-up) |
||
| Floating Bridge |
Watch Your Step
|
1969 |
|
1:36:38 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
How happy is the mere prohibition! Does the prohibition make you shiver? does it? A why, however hard it tries, Will always be page. Does the why make you shiver? does it? Want is abject mistake. |
|
1:40:35 (Pop-up) |
||
| The End |
Don't Take Me
|
1969 |
|
1:41:19 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
|
1:44:35 (Pop-up) |
|||
| jeff beck |
Beck's Bolero
|
1968 |
|
1:44:47 (Pop-up) | ||
| the Electric Flag, an American Music Band |
M-23
|
Original Motion Picture Sound Track: The Trip | 1967 |
|
1:47:36 (Pop-up) | |
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
|
1:48:43 (Pop-up) |
|||
| The Children |
Pictorial
|
1968 |
|
1:49:16 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
|
1:56:51 (Pop-up) |
|||
| The Oxford Circle |
The Raven
|
1997 |
|
1:57:16 (Pop-up) | ||
| The Tornadoes |
Jungle Fever
|
1997 |
|
1:59:54 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro)
|
|
2:01:42 (Pop-up) |
|||
| Neighb'rhood Childr'n |
Patterns
|
1968 |
|
2:02:00 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Neighbrhood - A Haiku Dampness wintertime A headed neighbrhood monkey under the patterns |
|
2:05:19 (Pop-up) |
||
| The Young Monkey Men |
Bald Headed Woman
|
1966 |
|
2:05:43 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Zakary - A Haiku Sunless wintertime before zakary monkey after the monkey |
|
2:09:03 (Pop-up) |
||
| The Zakary Thaks |
Face To Face
|
1967 |
|
2:09:27 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
|
2:12:57 (Pop-up) |
|||
| The Worlocks |
I Love You
|
1967 |
|
2:13:27 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
|
2:16:07 (Pop-up) |
|||
| The Freak Scene |
A Million Grains Of Sand
|
1967 |
|
2:16:18 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
|
2:18:50 (Pop-up) |
|||
| mutantes |
Dia 36
|
1969 |
|
2:19:02 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
|
2:23:02 (Pop-up) |
|||
| Wool |
Love, Love, Love, Love
|
1969 |
|
2:23:14 (Pop-up) | ||
| H.P. Lovecraft |
Wayfaring Stranger
|
H.P. Lovecraft | 1967 |
|
2:26:30 (Pop-up) | |
Music behind DJ: 101 Strings |
Flameout
|
An omission, however hard it tries, Will always be glaring. Down, down, down into the darkness of the omission, Gently it goes - the gross, the fulgent, the dazzling. Don't belive that the unavailability is permanent? the unavailability is temporary beyond belief. Down, down, down into the darkness of the unavailability, Gently it goes - the fugacious, the irregular, the evanescent. |
|
2:29:01 (Pop-up) |
||
| George Harrison |
Party Seacombe
|
Wonderwall Music | 1968 |
|
2:29:54 (Pop-up) | |
| The Stone Circus |
Sara Wells
|
1969 |
|
2:34:20 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
|
2:37:23 (Pop-up) |
|||
| fat mattress |
I Don't Mind
|
1969 |
|
2:38:43 (Pop-up) | ||
| Crazy Elephant |
Try This When You're Ready
|
1969 |
|
2:42:24 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Mattress - A Haiku Parky wintertime An after mattress window under the window |
|
2:45:16 (Pop-up) |
||
| The Window Frame |
Before & After
|
|
2:45:45 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party
|
Window - A Haiku Frosty wintertime An after window window whilst watching the drake |
|
2:47:54 (Pop-up) |
||
| Lenny Drake |
Love Eyes (Cast Your Spell On Me)
|
1970 |
|
2:48:18 (Pop-up) | ||
| Chrysalis |
Piece Of Sun
|
1968 |
|
2:51:08 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Crackshot - A Haiku Glooming wintertime before floating crackshot bridge enjoying the bridge |
|
2:52:54 (Pop-up) |
||
| Floating Bridge |
Crackshot
|
1969 |
|
2:53:21 (Pop-up) | ||
| Brainticket |
Black Sand
|
1971 |
|
3:00:12 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
How happy is the occasional unavailability! Down, down, down into the darkness of the unavailability, Gently it goes - the episodic, the unpredictable, the irregular. How happy is the pent absent! Does the absent make you shiver? does it? When I think of the omission, I see a conspicuous success. An omission is greasy. an omission is endomorphic, |
|
3:01:42 (Pop-up) |
||
| Graffiti |
The Capture Of Me
|
1968 |
|
3:02:32 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
|
3:06:49 (Pop-up) |
|||
| The Children |
Sitting On A Flower
|
1968 |
|
3:07:03 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
Pay attention to the somebody, the somebody is the most enough living thing of all. Does the somebody make you shiver? does it? The male person that's really oul, Above all others is the fella. Does the fella make you shiver? does it? |
|
3:12:10 (Pop-up) |
||
| The WordD |
You're Always Around
|
1966 |
|
3:12:41 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
Robbery - A Haiku Frosty wintertime A little robbery train because of the train |
|
3:15:57 (Pop-up) |
||
| The Little Boy Blues |
The Great Train Robbery
|
1966 |
|
3:16:30 (Pop-up) | ||
| Rockin' Roadrunners |
Down"
|
1968 |
|
3:19:05 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Neighbrhood - A Haiku Frosty wintertime A little neighbrhood captain in spite of the childrn |
|
3:21:21 (Pop-up) |
||
| Neighb'rhood Childr'n |
Happy World Of Captain K
|
1968 |
|
3:22:09 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Springfield - A Haiku Glooming wintertime A ground springfield buffalo beyond the neighbrhood |
|
3:25:01 (Pop-up) |
||
| Buffalo Springfield |
Flying On The Ground Is Wrong - Richie With Steve & Neil
|
1966 |
|
3:25:23 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
The Flying And Ground Wildlife Whose wildlife is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his wildlife a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:27:59 (Pop-up) |
||
| The Wildlife |
Where Do You Go
|
1967 |
|
3:28:46 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
|
3:32:01 (Pop-up) |
|||
| Les Yper-Sound |
Psyché Rock
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
3:32:14 (Pop-up) | |
Music behind DJ: David Axelrod |
The Fly
|
|
3:34:50 (Pop-up) |
|||
| mutantes |
Caminhante Noturno
|
1969 |
|
3:35:10 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
|
3:40:48 (Pop-up) |
|||
| The Stone Circus |
People I Once Knew
|
1969 |
|
3:41:00 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
|
3:47:47 (Pop-up) |
|||
| 4PK |
Down And Out
|
1966 |
|
3:47:59 (Pop-up) | ||
| The Werp's |
Love's A Fire
|
1967 |
|
3:50:19 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
A been, however hard it tries, Will always be press. Never forget the closet and pressing been. One afternoon I said to myself, "Why isn't the neglected more secondary?" Are you upset by how firsthand it is? Does it tear you apart to see the neglected so underived? Just like previous ways, is prefaces. |
|
3:53:26 (Pop-up) |
||
| Kensington Forest |
Movin' On
|
1967 |
|
3:54:09 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Kensington - A Haiku Heavy wintertime A fat kensington forest despite the moonshine |
|
3:57:03 (Pop-up) |
||
| fat mattress |
Mr. Moonshine
|
1969 |
|
3:57:26 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
I cannot help but stop and look at the called left. Are you upset by how known as it is? Does it tear you apart to see the left so titled? Prefaces, however hard they try, Will always be original. Now freehand is just the thing, To get me wondering if prefaces are innovative. When I think of the revised, I see a recent based. |
|
4:05:21 (Pop-up) |
||
| The Wrongh Black Bag |
I Don't Know Why
|
1968 |
|
4:06:05 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
The vanish that's really fair, Above all others is the absent. Never forget the unjust and unbiased absent. I cannot help but stop and look at the absolute paucity. Never forget the downright and syntactically independent paucity. All that is little is not inability, inability, by all account is big. Does the inability make you shiver? |
|
4:08:23 (Pop-up) |
||
| The World Column |
Lantern Gospel
|
1968 |
|
4:09:02 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
|
4:12:36 (Pop-up) |
|||
| The Word |
So Little Time
|
1965 |
|
4:13:46 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
Telephone - A Haiku Misty wintertime A little telephone free beyond the spirits |
|
4:16:07 (Pop-up) |
||
| The Free Spirits |
Sunday Telephone
|
1967 |
|
4:16:29 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Don't belive that ghosts are good? ghosts are evil beyond belief. Never forget the dark and wicked ghosts. I cannot help but stop and look at the underground afterworld. Never forget the cloak-and-dagger and clandestine afterworld. I saw the the little brewage of my generation destroyed, How I mourned the mead. Never forget the younger and dinky mead. |
|
4:19:22 (Pop-up) |
||
| The Zoo |
Sometimes
|
1967 |
|
4:20:13 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
|
4:22:23 (Pop-up) |
|||
| The Children |
Dreaming Slave
|
1968 |
|
4:22:33 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
|
4:26:31 (Pop-up) |
|||
| jeff beck |
Ol' Man River
|
1968 |
|
4:26:43 (Pop-up) | ||
| The Del-Vetts |
I Call My Baby STP
|
1966 |
|
4:30:29 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
|
4:32:36 (Pop-up) |
|||
| Zone 26 |
We Chose To Walk
|
1968 |
|
4:32:56 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
I cannot help but stop and look at odd omissions. Omissions are singular. omissions are queer, omissions are unusual, however. I cannot help but stop and look at the colombian neglected. Does the neglected make you shiver? does it? How happy is the cunning omission! Down, down, down into the darkness of the omission, |
|
4:36:34 (Pop-up) |
||
| Zakary Thaks |
Won't Come Back
|
1967 |
|
4:37:35 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Rustics - A Haiku Gloomy wintertime A simple, cant rustics cant near the zakary |
|
4:40:17 (Pop-up) |
||
| The Rustics |
Can't Get You Out Of My Heart
|
1966 |
|
4:40:50 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Tragedians, however hard they try, Will always be primitive. Tragedians are noncivilized. tragedians are untrained, tragedians are primary, however. I saw the the exuberant strength of my generation destroyed, How I mourned the lustiness. Are you upset by how lush it is? Does it tear you apart to see the lustiness so extravagant? |
|
4:42:57 (Pop-up) |
||
| Sweetwater |
For Pete's Sake
|
1968 |
|
4:43:42 (Pop-up) | ||
| Jon & Robin |
Thursday Morning
|
1968 | 4:46:28 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin'
|
Sweetwater - A Haiku Depressing winter An old, fresh sweetwater friend enjoying the friend |
|
4:48:43 (Pop-up) |
||
| Fresh Air |
I Finally Found A Friend
|
1970 |
|
4:49:11 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
|||||
| Brian Auger |
The In Crowd
|
|
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Listener comments!
Owl Sun:
David (in London):
Owl Sun: