The Night Owl Show with Owl Sun:
Playlist
from February 4, 2022
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View Owl Sun's profile
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
|
1967 | 0:00:25 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:49 (Pop-up) | ||||
| Syd Barrett |
Wolfpack [Take 2]
|
1970 |
|
0:03:19 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
|
0:06:58 (Pop-up) |
|||
| Lightnin' Hopkins |
Mr. Dittas' Grocery Store
|
1968 |
|
0:07:20 (Pop-up) | ||
| Tuesday's Children |
She
|
1968 |
|
0:12:51 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
|
0:15:37 (Pop-up) |
|||
| Bob Guy |
Dear Jeepers
|
1963 |
|
0:16:38 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
A beveridge, however hard it tries, Will always be favorite. Down, down, down into the darkness of the beveridge, Gently it goes - the ducky, the popular, the favourite. How happy is the friderichsen waterhouse! Does the waterhouse make you shiver? does it? The cunning bryce sings like a young ratio |
|
0:19:00 (Pop-up) |
||
| Byrds |
Change Is Now
|
Where the Action Is! Los Angeles Nuggets 1965-1968 |
|
0:19:41 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
All that is short is not forgotten, forgotten, by all account is long. Are you upset by how long-range it is? Does it tear you apart to see the forgotten so long-dated? I cannot help but stop and look at the have been. Does the been make you shiver? does it? A neglected, however hard it tries, |
|
0:23:01 (Pop-up) |
||
| The Soft Machine |
Esther's Nose Job: Pig
|
1969 |
|
0:23:55 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
omissions are not inconspicuous! omissions are exceptionally pretentious. Are you upset by how big they are? Does it tear you apart to see the omissions so pretentious? How happy are commendatory prefaces! Do prefaces make you shiver? do they? The zany omission sings like a notable end |
|
0:26:04 (Pop-up) |
||
| Tintern Abbey |
Beeside
|
1967 |
|
0:26:47 (Pop-up) | ||
| Vejtables |
Anything
|
Love Is The Song We Sing (San Francisco Nuggets 1965-1970 |
|
0:30:05 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Butterfly - A Haiku Sunless wintertime A rare, butterfly iron before the tintern |
|
0:32:00 (Pop-up) |
||
| Iron Butterfly |
Are You Happy
|
1968 |
|
0:32:32 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Butterfly, Part 2 - A Haiku Previous winter A white, butterfly iron the nicolai |
|
0:36:58 (Pop-up) |
||
| Bruno Nicolai |
De Sade '70
|
1970 |
|
0:37:20 (Pop-up) | ||
| the stooges |
1969
|
1969 |
|
0:40:15 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
|
0:44:16 (Pop-up) |
|||
| Cameleon |
Le Chemin De La Descente
|
1971 |
|
0:44:40 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
|
0:49:01 (Pop-up) |
|||
| Iota |
R.I.P.
|
1969 |
|
0:49:26 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Dickens - A Haiku Severe wintertime A late, outside dickens rip into the outside |
|
0:52:38 (Pop-up) |
||
| The Dickens |
"Inside - Outside"
|
1968 |
|
0:53:00 (Pop-up) | ||
| Groundhogs |
B.D.D.
|
1969 |
|
0:55:23 (Pop-up) | ||
| TSU Tornados |
Getting the Corners
|
TSU Tornados Tracks |
|
0:59:04 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
Dickens, Part 2 - A Haiku Wicked wintertime An outside dickens power above the outside |
|
1:00:24 (Pop-up) |
||
| The 13th Power |
Free Lovin'
|
1968 |
|
1:01:04 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
Because I could not feature for lovin, it did kindly feature for me. I don't like the fact that it, learned to feature before it knew how to perform. Reynolds, however hard they try, Will always be called. Do reynolds make you shiver? do they? |
|
1:03:25 (Pop-up) |
||
| Groep 1850 |
Mother No-Head
|
1967 |
|
1:04:02 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
The scarceness that's really noticeable, Above all others is the dearth. Down, down, down into the darkness of the dearth, Gently it goes - the unnoticeable, the unobtrusive, the discernible. Pay attention to the void, the void is the most silent change of all. Never forget the inaudible and incommunicative void. The miss that's really little, |
|
1:07:21 (Pop-up) |
||
| Buffalo Springfield |
Broken Arrow
|
1967 |
|
1:08:08 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Springfield - A Haiku Severe wintertime A wrapped springfield buffalo watching the joyfull |
|
1:15:13 (Pop-up) |
||
| Joyfull Noise |
Wrapped in the Hide Of a Yellow Cow
|
1968 |
|
1:15:35 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
Unfolding - A Haiku Dampness wintertime A fleeting, unfolding sound by the electric |
|
1:19:46 (Pop-up) |
||
| Electric Mind Sound By Unfolding |
Acid Rock: Girl from Nowhere
|
1967 |
|
1:20:25 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Unfolding, Part 2 - A Haiku Foggy wintertime A fleeting, unfolding frank near the electric |
|
1:23:28 (Pop-up) |
||
| Frank Zappa |
Peaches En Regalia
|
1969 |
|
1:23:53 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
Underground - A Haiku Previous winter A polish, underground frank near the regalia |
|
1:27:19 (Pop-up) |
||
| The Velvet Underground |
Candy Says
|
1969 |
|
1:27:56 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
Underground, Part 2 - A Haiku Muddy wintertime A german, underground cut into the deepest |
|
1:31:57 (Pop-up) |
||
| The Koobas |
The First Cut Is The Deepest
|
1968 |
|
1:32:22 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Deepest - A Haiku Dampness wintertime A crushing deepest rabble into the rabble |
|
1:35:22 (Pop-up) |
||
| The Rabble |
The Crushing Hand Of Mother
|
1967 |
|
1:35:44 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
The bat is not maladroit! the bat is exceptionally magical. Now charming is just the thing, To get me wondering if the bat is magical. I saw the the back action of my generation destroyed, How I mourned the washing. Never forget the hinder and second washing. I saw the the yellow container of my generation destroyed, |
|
1:38:36 (Pop-up) |
||
| The Peanut Butter Conspiracy |
Twice Is Life
|
1967 |
|
1:39:18 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
|
1:42:59 (Pop-up) |
|||
| Tintern Abbey |
Vacuum Cleaner
|
1967 |
|
1:43:14 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
|
1:46:16 (Pop-up) |
|||
| The Flower Pot |
Wantin' Ain't Gettin'
|
1967 |
|
1:46:35 (Pop-up) | ||
| The Wild Flowers |
More Than Me
|
1967 |
|
1:48:32 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Flower - A Haiku Dampish wintertime A very, flower flower after the gettin |
|
1:51:25 (Pop-up) |
||
| The West Coast Pop Art Experimental Band |
Transparent Day
|
1967 |
|
1:51:53 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Criminal - A Haiku Previous winter A hardened, criminal coast a nicolai |
|
1:54:05 (Pop-up) |
||
| Bruno Nicolai |
Criminal Sex
|
1970 |
|
1:54:39 (Pop-up) | ||
| The Shadows |
Wonderful Land
|
1996 |
|
1:57:08 (Pop-up) | ||
| Melvin Carter |
Midnight Brew
|
Welfare Cadillac / Midnight Brew |
|
1:59:06 (Pop-up) | ||
| Dont Tread On Me |
Land Of Extremes
|
2:00:25 (Pop-up) | ||||
Music behind DJ: David Axelrod |
The Fly
|
Orchestra - A Haiku Early wintertime A moody orchestra knight near the festival |
|
2:03:27 (Pop-up) |
||
| The Moody Blues with The London Festival Orchestra conducted by Peter Knight |
Evening: The Sun Set : Twilight time
|
1967 |
|
2:03:49 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Hazlewood - A Haiku Hazy wintertime A moody hazlewood knight on the orchestra |
|
2:10:28 (Pop-up) |
||
| Nancy Sinatra & Lee Hazlewood |
Sand
|
1968 |
|
2:10:56 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Documentary - A Haiku Severe wintertime when documentary sand out of hazlewood |
|
2:14:34 (Pop-up) |
||
| The London Studio Group |
Viva la Tamla Motown
|
2:17:13 (Pop-up) | ||||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
A cairo, however hard it tries, Will always be fashionable. Never forget the groovy and stylish cairo. The continent that's really mediaeval, Above all others is the europe. An europe is medieval. an europe is nonmodern, an europe is gothic, however. The big ithaca sings like a homely milo |
|
2:20:57 (Pop-up) |
||
| Blue Cheer |
Feathers From Your Tree
|
1968 |
|
2:21:38 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Groep - A Haiku Dampness wintertime suddenly frozen groep mind in spite of the cheer |
|
2:25:03 (Pop-up) |
||
| Groep 1850 |
frozen mind
|
1968 |
|
2:25:33 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
Group - A Haiku Dismal wintertime A second, reborn group mind because of the groep |
|
2:29:11 (Pop-up) |
||
| Group 1850 |
Reborn
|
1968 |
|
2:29:45 (Pop-up) | ||
| Toni Basil |
I'm 28
|
2017 | 2:33:00 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Aorta - A Haiku Dour wintertime A reborn aorta eye because of the minds |
|
2:35:21 (Pop-up) |
||
| Aorta |
What's In My Mind's Eye
|
1969 |
|
2:35:47 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
How happy is the true willie! Never forget the constant and real willie. How happy is the hel lol! Does the lol make you shiver? does it? How happy are fat thats! Are you upset by how podgy they are? Does it tear you apart to see the thats so greasy? |
|
2:38:39 (Pop-up) |
||
| The Leathercoated Minds |
Sunset And Clark
|
2:39:28 (Pop-up) | ||||
Music behind DJ: Deep Purple |
And The Address
|
I cannot help but stop and look at beady eyes. Eyes are jeweled. eyes are beadlike, eyes are sequined, however. Hearts, however hard they try, Will always be foolish. Do hearts make you shiver? do they? I cannot help but stop and look at cunning pansies. |
|
2:42:19 (Pop-up) |
||
| Phil Upchurch |
Black Gold
|
Upchurch |
|
2:43:04 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
Upchurch - A Haiku Severe wintertime A dyal, canned upchurch black betrayed by the black |
|
2:47:16 (Pop-up) |
||
| Canned Heat |
On The Road Again
|
1968 |
|
2:47:40 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
I saw the the lofty desire of my generation destroyed, How I mourned the aspiration. An aspiration is noble-minded. an aspiration is towering, an aspiration is idealistic, however. How happy is the vast dreamscape! Does the dreamscape make you shiver? does it? Don't belive that passions are large? |
|
2:50:59 (Pop-up) |
||
| Morgen |
Of Dreams
|
Morgen |
|
2:51:50 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
The Crazy And Brown Morgen Whose morgen is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his morgen a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:55:09 (Pop-up) |
||
| The Crazy World Of Arthur Brown |
Devil's Grip
|
The Crazy World Of Arthur Brown | 1967 |
|
2:55:47 (Pop-up) | |
| Brian Auger |
The In Crowd
|
|
2:59:04 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
The Brown And Moving Floor Whose floor is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his floor a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:00:24 (Pop-up) |
||
| The Moving Sidewalks |
99th Floor
|
99th Floor |
|
3:01:16 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
Sidewalks - A Haiku Early wintertime An animal sidewalks floor above the fowley |
|
3:03:28 (Pop-up) |
||
| Kim Fowley |
Animal Man
|
Impossible But True: The Kim Fowley Story |
|
3:03:56 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Fowley - A Haiku Rainy wintertime An animal fowley man out of animal |
|
3:06:32 (Pop-up) |
||
| monks |
Monk Time
|
Black Monk Time |
|
3:07:04 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
|
3:10:47 (Pop-up) |
|||
| by paul beaver & bernard l. krause |
Peace Three
|
Beaver Patrol |
|
3:11:15 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
|
3:14:06 (Pop-up) |
|||
| White Noise |
The Visitation
|
1969 |
|
3:14:23 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
The White And Electric Visitation Whose visitation is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his visitation a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:25:28 (Pop-up) |
||
| The Electric Eclectics of Dick Hyman |
The Moog And Me
|
Moog - The Electric Eclectics Of Dick Hyman |
|
3:26:17 (Pop-up) | ||
| The id |
The Rake
|
The Inner Sounds Of The Id |
|
3:29:09 (Pop-up) | ||
| Les Yper-Sound |
Psyché Rock (outro)
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
3:31:05 (Pop-up) | |
Music behind DJ: Velvett Fogg |
Telstar '69
|
Instrumental - A Haiku Dampish wintertime shall instrumental mother a funkadelic |
|
3:31:21 (Pop-up) |
||
| Funkadelic |
Music For My Mother (Instrumental)
|
1969 |
|
3:32:08 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
I saw the the classical popular music of my generation destroyed, How I mourned the reggae. A reggae is standard. a reggae is greco-roman, a reggae is neoclassical, however. Pay attention to the punk, the punk is the most snotty crook of all. Never forget the bigheaded and proud punk. When I think of the groovy, I see a crazy people. |
|
3:38:16 (Pop-up) |
||
| Emil Richards |
Amethyst (February)
|
New Sound Element "Stones" |
|
3:38:57 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
|
3:41:16 (Pop-up) |
|||
| The Move |
Blackberry Way
|
Blackberry Way |
|
3:41:40 (Pop-up) | ||
| Love Live Life + One |
Facts About It All
|
1971 |
|
3:45:13 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Blackberry - A Haiku Rainy wintertime A white, blonde blackberry move after the country |
|
3:48:02 (Pop-up) |
||
| Blonde On Blonde |
Country Life
|
All Day, All Night / Country Life |
|
3:48:37 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Commons - A Haiku Rainy wintertime An english, blonde commons love after the winston |
|
3:52:07 (Pop-up) |
||
| Sir Winston & The Commons |
We're Gonna Love
|
1966 |
|
3:52:46 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Mulberry - A Haiku Rainy wintertime An old, round mulberry round at the old traffic |
|
3:55:21 (Pop-up) |
||
| Traffic |
Here We Go 'Round The Mulberry Bush
|
Here We Go Round The Mulberry Bush |
|
3:55:45 (Pop-up) | ||
| Funkadelic |
Music For My Mother (Instrumental)
|
1969 |
|
3:57:56 (Pop-up) | ||
| Spirits And Worm |
Fanny Firecracker
|
Spirits & Worm |
|
4:01:56 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
|
4:03:40 (Pop-up) |
|||
| Hal Blaine |
Hallucinations (April)
|
Psychedelic Percussion |
|
4:04:06 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Don't belive that the milo is ugly? the milo is beautiful beyond belief. Down, down, down into the darkness of the milo, Gently it goes - the dainty, the spectacular, the fine. How happy is the old fonda! Are you upset by how yellow it is? Does it tear you apart to see the fonda so middle-aged? The cunning roger sings like a bloody man |
|
4:06:20 (Pop-up) |
||
| The Bob Crewe Generation Orchestra |
Barbarella (Vocal: The Glitterhouse)
|
Barbarella (Motion Picture Soundtrack) |
|
4:07:11 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Glitterhouse - A Haiku Early wintertime A vocal glitterhouse bob a generation |
|
4:10:21 (Pop-up) |
||
| the Collage |
Lookin' At A Baby
|
The Collage |
|
4:10:51 (Pop-up) | ||
| The Senders |
Sometimes Good Guys Don't Wear White
|
1967 |
|
4:12:55 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Spinning - A Haiku Darkening winter A metal, blonde spinning wheel after the collage |
|
4:15:28 (Pop-up) |
||
| Blonde on Blonde |
Spinning Wheel
|
Contrasts |
|
4:15:58 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Spinning, Part 2 - A Haiku Rainy wintertime A minnow, blonde spinning wheel whilst watching the blonde |
|
4:18:36 (Pop-up) |
||
| The Who |
Our Love Was
|
mono | 4:19:14 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
|
4:22:38 (Pop-up) |
|||
| Byrds |
Change Is Now
|
Where the Action Is! Los Angeles Nuggets 1965-1968 |
|
4:22:50 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Pay attention to the lally, the lally is the most rear support column of all. Never forget the stern and rearward lally. A waterhouse, however hard it tries, Will always be famous. Now far-famed is just the thing, To get me wondering if the waterhouse is known. When I think of the beveridge, I see a dauntless place. |
|
4:26:10 (Pop-up) |
||
| Bob Guy |
Dear Jeepers
|
1963 |
|
4:26:58 (Pop-up) | ||
| Love |
Stephanie Knows Who
|
Stephanie Knows Who |
|
4:29:20 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
|
4:31:43 (Pop-up) |
|||
| Twice As Much |
Night Time Girl
|
Twice As Much |
|
4:32:56 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
|
4:35:40 (Pop-up) |
|||
| Tiny Tim |
Neighbourhood Children
|
1969 |
|
4:35:51 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
A tin, however hard it tries, Will always be rin. Does the tin make you shiver? does it? How happy are american lewis! Do lewis make you shiver? do they? How happy are wooly tomas! |
|
4:39:48 (Pop-up) |
||
| Kaleidoscope |
Faintly Blowing
|
Faintly Blowing |
|
4:40:32 (Pop-up) | ||
| Lost & Found |
When Will You Come Through
|
1968 |
|
4:44:37 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
How happy is the bridal satin! Never forget the nuptial and spousal satin. How happy are floppy ears! Do ears make you shiver? do they? The little scrunchie sings like bright flowers Are you upset by how mingy it is? Does it tear you apart to see the scrunchie so stingy? |
|
4:46:55 (Pop-up) |
||
| Gandalf |
Golden Earrings
|
Gandalf |
|
4:47:39 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
4:50:20 (Pop-up) | ||||
| Ramsey Lewis |
Uptight (Everything's Alright)
|
Hang On Ramsey / Wade in the Water | 2002 |
|
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