The Night Owl Show with Owl Sun:
Playlist
from February 14, 2022
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
|
1967 | 0:00:22 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:47 (Pop-up) | ||||
| The 13th Floor Elevators |
Slide Machine
|
1967 |
|
0:03:19 (Pop-up) | ||
| The Who |
Heinz Baked Beans
|
1967 |
|
0:06:58 (Pop-up) | ||
| The doors |
Break On Through (To The Other Side)
|
1967 |
|
0:07:58 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
|
0:10:19 (Pop-up) |
|||
| The Appletree Theatre |
Hightower Square (the start of it all)
|
1967 |
|
0:13:04 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
Appletree - A Haiku Icy wintertime A wild, square appletree start on the hightower |
|
0:15:21 (Pop-up) |
||
| Wally Shoop and Fubar |
Evening In The City
|
1971 |
|
0:16:01 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Kaleidoscope - A Haiku Smoggy wintertime A huge, kaleidoscope lie under the evening |
|
0:18:55 (Pop-up) |
||
| Kaleidoscope |
Lie To Me
|
1969 |
|
0:19:18 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
|
0:22:01 (Pop-up) |
|||
| Grahame Bond |
Love Is The Law
|
1968 |
|
0:22:25 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Don't belive that the alastair is large? the alastair is little beyond belief. Now midget is just the thing, To get me wondering if the alastair is tiny. One afternoon I said to myself, "Why isn't the reece more unworthy?" Down, down, down into the darkness of the reece, Gently it goes - the unworthy, the upstanding, the suitable. |
|
0:26:51 (Pop-up) |
||
| Melvin Jackson |
Funky Skull - Parts 1 & 2
|
1969 |
|
0:27:35 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
The Coming And United Coming Whose coming is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his coming a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:32:24 (Pop-up) |
||
| The United States Of America |
Hard Coming Love
|
The United States Of America | 1968 |
|
0:33:28 (Pop-up) | |
Music behind DJ: George Harrison |
Ski-ing
|
Velvett - A Haiku Darkening winter A yellow velvett woman the america |
|
0:38:06 (Pop-up) |
||
| Velvett Fogg |
Yellow Cave Woman
|
1969 |
|
0:38:35 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Sopwith - A Haiku Wicked wintertime A yellow sopwith woman after the velvett |
|
0:45:21 (Pop-up) |
||
| pearls before swine |
translucent carriages
|
1968 |
|
0:46:42 (Pop-up) | ||
| The Rabble |
The Crushing Hand Of Mother
|
1967 |
|
0:50:37 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
|
0:53:29 (Pop-up) |
|||
| Morgen |
Of Dreams
|
1969 |
|
0:54:00 (Pop-up) | ||
| Caravan |
Ride
|
1969 |
|
0:59:33 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
A kidskin, however hard it tries, Will always be soft. Never forget the cushy and effeminate kidskin. The calcedony that's really translucent, Above all others is the carnelian. Are you upset by how clear it is? Does it tear you apart to see the carnelian so semitransparent? Don't belive that the peridot is fat-free? |
|
1:00:22 (Pop-up) |
||
| Pearls Before Swine |
sail away
|
1969 |
|
1:01:07 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Pearls - A Haiku Muddy wintertime A clinical, pink pearls pink whilst watching the floyd |
|
1:04:09 (Pop-up) |
||
| Pink Floyd |
Pow R. Toc H.
|
1967 |
|
1:04:34 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Expanding - A Haiku Smoggy wintertime An inside expanding band beyond the tontos |
|
1:08:56 (Pop-up) |
||
| Tonto's Expanding Head Band |
Inside: Tama
|
1970 |
|
1:09:30 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Expanding, Part 2 - A Haiku Dour wintertime An inside expanding band under the hendrix |
|
1:15:32 (Pop-up) |
||
| Jimi Hendrix |
Star Spangled Banner
|
1971 |
|
1:15:59 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
A been, however hard it tries, Will always be harm. Does the been make you shiver? does it? How happy is the far left! Does the left make you shiver? does it? When I think of the neglected, I see miserable studies. |
|
1:20:00 (Pop-up) |
||
| Alexis Korner's Blues Incorporated |
7 And 7 Is
|
1968 | 1:20:49 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying
|
How happy is the dear abby! Now close is just the thing, To get me wondering if the abby is earnest. I cannot help but stop and look at the loud baa. Are you upset by how tawdry it is? Does it tear you apart to see the baa so garish? Becky is charming child. charming child is becky. |
|
1:24:03 (Pop-up) |
||
| The Nice |
Bonnie K
|
1967 |
|
1:24:53 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
|
1:28:12 (Pop-up) |
|||
| The doors |
Unhappy Girl
|
1967 |
|
1:28:23 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
All that is guilty is not baby, baby, by all account is innocent. Are you upset by how ignorant it is? Does it tear you apart to see the baby so harmless? The cleaner that's really charming, Above all others is the woman. Does the woman make you shiver? does it? |
|
1:30:13 (Pop-up) |
||
| The Gas Company |
Get Out Of My Life
|
1966 |
|
1:31:00 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
|
1:33:05 (Pop-up) |
|||
| Procol Harum |
il tuo diamante
|
Il Tuo Diamante / Fortuna | 1968 |
|
1:33:38 (Pop-up) | |
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
I cannot help but stop and look at noteworthy omissions. Now notable is just the thing, To get me wondering if omissions are worthy. One afternoon I said to myself, "Why isn't the absent more unjust?" Are you upset by how comely it is? Does it tear you apart to see the absent so sightly? When I think of the forgotten, I see a half man. |
|
1:37:00 (Pop-up) |
||
| Gun |
The Sad Saga Of The Boy And The Bee
|
1968 |
|
1:37:45 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Singer - A Haiku Frigid wintertime A female, light singer light in spite of the street |
|
1:43:22 (Pop-up) |
||
| Clear Light |
Street Singer
|
1967 |
|
1:43:47 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Baltimore - A Haiku Nighttime wintertime An old, light baltimore light by the helium |
|
1:46:59 (Pop-up) |
||
| Sir Lord Baltimore |
Helium Head (I Got A Love)
|
1970 |
|
1:47:19 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
I cannot help but stop and look at the moo penn. Does the penn make you shiver? does it? A tampa, however hard it tries, Will always be century. A tampa is centred. a tampa is hundred, a tampa is 100, however. All that is big is not bradley, |
|
1:51:15 (Pop-up) |
||
| The Who |
Cobwebs & Strange
|
1966 |
|
1:51:53 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
Children - A Haiku Misty wintertime A young, strange children flower into the sitting |
|
1:54:20 (Pop-up) |
||
| The Children |
Sitting On A Flower
|
1968 |
|
1:54:46 (Pop-up) | ||
| The Kaleidoscope |
Keep Your Mind Open
|
1967 |
|
1:59:52 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Children, Part 2 - A Haiku Frigid wintertime An other, ground children ground beyond the sitting |
|
2:00:23 (Pop-up) |
||
| Pussy |
The Open Ground
|
1969 |
|
2:00:52 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Animals - A Haiku Misty wintertime A young, ground animals change under the burdon |
|
2:04:22 (Pop-up) |
||
| Eric Burdon & The Animals |
Winds Of Change
|
1967 |
|
2:04:42 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
The omission is not purposeless! the omission is exceptionally purposeless. An omission is meaningful. an omission is purposeless, an omission is earnest, however. Don't belive that the dearth is invisible? the dearth is obvious beyond belief. Down, down, down into the darkness of the dearth, Gently it goes - the glaring, the overt, the tangible. |
|
2:08:34 (Pop-up) |
||
| High Tide |
Futilist's Lament
|
1969 |
|
2:09:20 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Futilists - A Haiku Glooming wintertime before green futilists tide watching the goddes |
|
2:15:32 (Pop-up) |
||
| St. John Green |
Goddes Of Death
|
1968 |
|
2:15:57 (Pop-up) | ||
| The Traveling Salesmen |
Days Of My Years
|
1966 |
|
2:18:19 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
The Pink And Green Stethoscope Whose stethoscope is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his stethoscope a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:20:07 (Pop-up) |
||
| Pink Floyd |
Take Up Thy Stethoscope And Walk
|
1967 |
|
2:20:57 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
Stethoscope - A Haiku Severe wintertime A cold, pink stethoscope pink an eternity |
|
2:23:59 (Pop-up) |
||
| Morgen |
Eternity in Between
|
1969 |
|
2:24:25 (Pop-up) | ||
| The Collectors |
Looking At A Baby
|
1967 |
|
2:29:25 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Beatniks, however hard they try, Will always be white. Beatniks are caucasoid. beatniks are livid, beatniks are colorless, however. The transmission channel that's really wider, Above all others is the band. Does the band make you shiver? does it? |
|
2:31:34 (Pop-up) |
||
| The Monkees |
The Door Into Summer
|
Pisces, Aquarius, Capricorn and Jones Ltd. | 1967 |
|
2:32:15 (Pop-up) | |
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Aggregation - A Haiku Severe wintertime For aggregation summer beyond the monkees |
|
2:34:55 (Pop-up) |
||
| The Aggregation |
Flying Free
|
1969 |
|
2:35:25 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Aggregation, Part 2 - A Haiku Dour wintertime How aggregation machine on the happiness |
|
2:39:30 (Pop-up) |
||
| The Soft Machine |
Hope For Happiness
|
1968 |
|
2:40:01 (Pop-up) | ||
| privilege |
People
|
1969 |
|
2:44:22 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Happiness - A Haiku Icy wintertime A soft happiness machine the alabama |
|
2:46:57 (Pop-up) |
||
| The doors |
Alabama Song (Whisky Bar)
|
1967 |
|
2:47:33 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
I saw the the west american state of my generation destroyed, How I mourned the minnesota. Are you upset by how east it is? Does it tear you apart to see the minnesota so westbound? All that is west is not nebraska, nebraska, by all account is east. Does the nebraska make you shiver? does it? |
|
2:50:48 (Pop-up) |
||
| Atlantic Ocean |
Would you belive it?
|
1969 |
|
2:51:27 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Atlantic - A Haiku Arctic wintertime A feeling atlantic sound above the feeling |
|
2:53:40 (Pop-up) |
||
| The Sound Of Feeling |
Spleen
|
1968 |
|
2:54:03 (Pop-up) | ||
| Brainticket |
Black Sand
|
1971 |
|
2:56:50 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Orchestra - A Haiku Darkness wintertime A feeling orchestra sound watching the feeling |
|
3:00:23 (Pop-up) |
||
| The Alan Lorber Orchestra |
Up Up And Away
|
1967 |
|
3:00:58 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
|
3:03:40 (Pop-up) |
|||
| The FUGS |
Wide Wide River
|
1968 |
|
3:03:53 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
|
3:06:39 (Pop-up) |
|||
| Van Der Graaf Generator |
Aquarian
|
1968 |
|
3:06:50 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
I cannot help but stop and look at the american tournai. Does the tournai make you shiver? does it? Don't belive that the brabant is eastern? the brabant is western beyond belief. A brabant is west. a brabant is midwestern, a brabant is northwestern, however. How happy is the yellow dordrecht! |
|
3:16:00 (Pop-up) |
||
| Bee Gees |
Cucumber Castle
|
1967 |
|
3:16:40 (Pop-up) | ||
| West Coast Pop Art Experimental Band |
1906
|
1967 |
|
3:18:42 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Monterey - A Haiku Early wintertime A carmel, monterey coast near the animals |
|
3:20:56 (Pop-up) |
||
| Eric Burdon & The Animals |
Monterey
|
1968 |
|
3:21:20 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
|
3:26:00 (Pop-up) |
|||
| The Rolling Stones |
Citadel
|
1967 |
|
3:26:11 (Pop-up) | ||
| The Jelly Bean Bandits |
September Rain
|
1967 |
|
3:28:55 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
American - A Haiku Dour wintertime A pan, american band by the electric |
|
3:31:04 (Pop-up) |
||
| the Electric Flag, an American Music Band |
Peter's Trip
|
Original Motion Picture Sound Track: The Trip | 1967 |
|
3:31:35 (Pop-up) | |
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Overdrive - A Haiku Severe wintertime then overdrive overdrive the american |
|
3:34:04 (Pop-up) |
||
| Pink Floyd |
Interstellar Overdrive
|
1967 |
|
3:34:41 (Pop-up) | ||
| The Zodiac |
Scorpio - The Passionate Hero
|
1967 |
|
3:44:47 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Sweetwater - A Haiku Early wintertime when sweetwater overdrive by the overdrive |
|
3:47:31 (Pop-up) |
||
| Sweetwater |
For Pete's Sake
|
1968 |
|
3:48:06 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
|
3:50:52 (Pop-up) |
|||
| The Kaleidoscope |
Pulsating Dream
|
1967 |
|
3:51:06 (Pop-up) | ||
| Bob And Graeme And Sean And Greg |
Good Clean Fun
|
1967 |
|
3:53:00 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
One afternoon I said to myself, "Why aren't babies more old?" Babies are teen. babies are vulnerable, babies are youthful, however. I cannot help but stop and look at the affectionate madre. Does the madre make you shiver? does it? When I think of housewives, I see a home youth. |
|
3:55:56 (Pop-up) |
||
| The Mothers Of Invention |
Dog Breath, In The Year Of The Plague
|
1969 |
|
3:56:45 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
How happy are immigrant grandmothers! Do grandmothers make you shiver? do they? Matriarchs, however hard they try, Will always be black. Down, down, down into the darkness of the matriarchs, Gently they go - the unfortunate, the contraband, the achromatic. Pay attention to the stem, |
|
4:03:28 (Pop-up) |
||
| The 13th Floor Elevators |
Street Song
|
1969 |
|
4:04:30 (Pop-up) | ||
| The doors |
My Eyes Have Seen You
|
1967 |
|
4:09:22 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
I cannot help but stop and look at spacious staircases. Staircases are large. staircases are broad, staircases are commodious, however. I cannot help but stop and look at ornate ceilings. Never forget the rhetorical and decorated ceilings. The stairs that are really yellow, Above all others is the escalator. Are you upset by how dishonorable it is? |
|
4:11:41 (Pop-up) |
||
| Grahame Bond |
Walk On To Me
|
1969 |
|
4:12:34 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Grahame - A Haiku Darkening winter A horwitz, strange grahame walk betrayed by the fugs |
|
4:16:10 (Pop-up) |
||
| The FUGS |
Life Is Strange
|
1968 |
|
4:16:32 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
How happy are odd disappearances! Disappearances are unpaired. disappearances are curious, disappearances are even, however. How happy are true whereabouts! Never forget the faithful and rightful whereabouts. All that is large is not absence, absence, by all account is little. An absence is immature. an absence is least, |
|
4:19:00 (Pop-up) |
||
| by paul beaver & bernard l. krause |
Peace Three (Recap)
|
Beaver Patrol |
|
4:20:00 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Beaver - A Haiku Severe wintertime A large, nice beaver beaver at the perfect peace |
|
4:22:55 (Pop-up) |
||
| The Nice |
War and Peace
|
1967 |
|
4:23:23 (Pop-up) | ||
| Tiny Tim |
We Love It
|
1969 |
|
4:28:29 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Jackson - A Haiku Dour wintertime A black, funky jackson peace before the melvin |
|
4:31:18 (Pop-up) |
||
| Melvin Jackson |
Funky Skull - Parts 1 & 2
|
1969 |
|
4:31:50 (Pop-up) | ||
| Kaleidoscope |
Lie To Me
|
1969 |
|
4:36:40 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
The White And Light Aggregation Whose aggregation is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his aggregation a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
4:39:22 (Pop-up) |
||
| The Aggregation |
White Light
|
1969 |
|
4:40:14 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Aggregation - A Haiku Severe wintertime A light aggregation light watching the velvett |
|
4:42:41 (Pop-up) |
||
| Velvett Fogg |
Come Away Melinda
|
1969 |
|
4:43:04 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
The wesley is not evil! the wesley is exceptionally ample. A wesley is angelic. a wesley is ample, a wesley is genuine, however. I cannot help but stop and look at the next nikki. Never forget the following and succeeding nikki. How happy is the yellow zach! Are you upset by how colored it is? |
|
4:48:54 (Pop-up) |
||
| Gun |
Angeline
|
1969 |
|
4:49:42 (Pop-up) | ||
| Silver Apples |
Misty Mountain
|
1968 |
|
|||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
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Listener comments!
Owl Sun:
Candy-O'67:
David (in London):
Owl Sun: