The Night Owl Show with Owl Sun:
Playlist
from February 25, 2022
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
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On
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Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
|
1967 | 0:00:25 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:52 (Pop-up) | ||||
| Faine Jade |
Dont Hassle Me
|
1968 |
|
0:03:20 (Pop-up) | ||
| Frumious Bandersnatch |
Misty Cloudy
|
1968 |
|
0:05:59 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
|
0:07:53 (Pop-up) |
|||
| Amon Düül |
Paramechanical World
|
1970 |
|
0:08:11 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
Paramechanical - A Haiku Turbid wintertime paramechanical face by the twentieth |
|
0:14:46 (Pop-up) |
||
| Twentieth Century Zoo |
Love In Your Face
|
1968 |
|
0:15:09 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
Cardboard - A Haiku Darkness wintertime A light, cardboard cardboard face on the twentieth |
|
0:17:09 (Pop-up) |
||
| The Aquarian Age |
10,000 Words In A Cardboard Box
|
1968 |
|
0:17:43 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
The Aquarian And Cardboard Cardboard Whose cardboard is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her cardboard a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:21:01 (Pop-up) |
||
| Peter Kelley |
The Man Is Dead
|
1969 |
|
0:21:59 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
The Dead And Black Crest Whose crest is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his crest a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:28:47 (Pop-up) |
||
| Jason Crest |
Black Mass
|
1969 |
|
0:29:29 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
American - A Haiku Hazy wintertime A pan, american crest on the electric |
|
0:34:10 (Pop-up) |
||
| the Electric Flag, an American Music Band |
Peter's Trip
|
Original Motion Picture Sound Track: The Trip | 1967 |
|
0:34:38 (Pop-up) | |
| Bob Seger & The Last Heard |
Vagrant Winter
|
1967 |
|
0:37:07 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro)
|
Instant Request |
|
0:39:23 (Pop-up) |
||
| Procol Harum |
The Dead Man's Dream
|
1970 | Requested by: The Ayatolluh of Rock 'n Rolluh |
|
0:39:27 (Pop-up) | |
| JACKS |
Love Generation
|
1968 |
|
0:44:08 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Andromeda - A Haiku Gloomy wintertime shall andromeda winter under the vagrant |
|
0:48:27 (Pop-up) |
||
| Andromeda |
Go Your Way
|
1969 |
|
0:49:26 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
I cannot help but stop and look at the ware gone. Does the gone make you shiver? does it? One afternoon I said to myself, "Why isn't the absentee more unobtrusive?" Never forget the marked and pronounced absentee. The little absence sings like a curious variance An absence is insignificant. an absence is weeny, |
|
0:52:29 (Pop-up) |
||
| Manfred Mann |
Ha! Ha! Said The Clown
|
1967 |
|
0:53:09 (Pop-up) | ||
| The Lovin' Spoonful |
Full Measure (instrumental version)
|
1966 |
|
0:55:32 (Pop-up) | ||
| the Electric Flag, an American Music Band |
Peter's Trip
|
Original Motion Picture Sound Track: The Trip | 1967 |
|
0:58:07 (Pop-up) | |
Music behind DJ: Big Jim Sullivan |
The Koan
|
The Lay And Said Goodbye Whose goodbye is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her goodbye a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:00:27 (Pop-up) |
||
| Alice Cooper |
Lay Down and Die, Goodbye
|
1970 |
|
1:01:45 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
The Lay And Rotary Connection Whose connection is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her connection a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:09:20 (Pop-up) |
||
| Rotary Connection |
Trip I (cont.) : Didn't Want To Have To Do It
|
1967 |
|
1:10:04 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
I cannot help but stop and look at the harriet louise. Does the louise make you shiver? does it? I saw the the sensual candy of my generation destroyed, How I mourned the kiss. Down, down, down into the darkness of the kiss, Gently it goes - the hot, the physical, the sultry. Pay attention to the march, |
|
1:13:08 (Pop-up) |
||
| Jefferson Airplane |
Martha
|
1967 |
|
1:13:55 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
|
1:18:17 (Pop-up) |
|||
| The Lewis and Clarke Expedition |
Blue Revelations
|
1967 |
|
1:18:30 (Pop-up) | ||
| Denis And The Times |
Flight Patterns
|
1967 |
|
1:20:48 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Revelations - A Haiku Nighttime wintertime A such, revelations sound out of expression |
|
1:23:52 (Pop-up) |
||
| The Human Expression |
Optical Sound
|
1967 |
|
1:24:31 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Expression - A Haiku Icy wintertime A flaming expression sound in spite of the floyd |
|
1:27:03 (Pop-up) |
||
| Pink Floyd |
Flaming
|
1967 |
|
1:27:25 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
Accompaniment - A Haiku Icy wintertime before accompaniment beat on the electric |
|
1:30:09 (Pop-up) |
||
| Electric Banana |
Vocal Versions with Accompaniment: Walking Down The Street (Rhythmic beat number in the 'Pop' idiom)
|
Electric Banana | 1967 |
|
1:30:41 (Pop-up) | |
| Kaleidoscope |
Holiday Maker
|
Tangerine Dream | 1967 |
|
1:33:28 (Pop-up) | |
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Accompaniment, Part 2 - A Haiku Polar wintertime before accompaniment beat near the happiness |
|
1:35:49 (Pop-up) |
||
| Small Faces |
Happiness Stan: Happiness Stan
|
1968 |
|
1:36:35 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Constitine - A Haiku Dampen wintertime before small constitine line by the happiness |
|
1:40:09 (Pop-up) |
||
| Lewis & Clarke |
Daddy's Plastic Child
|
1968 |
|
1:41:49 (Pop-up) | ||
| The Fortunes |
The Idol
|
1967 |
|
1:44:47 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
|
1:47:37 (Pop-up) |
|||
| Popera Cosmic |
Aurore Cosmic
|
1969 |
|
1:47:54 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Kensington - A Haiku Icy wintertime An old, kensington forest beyond the forest |
|
1:55:11 (Pop-up) |
||
| Kensington Forest |
Movin' On
|
1967 |
|
1:55:34 (Pop-up) | ||
| The Shadows |
Atlantis
|
1996 |
|
1:58:28 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
The need that's really inherent, Above all others is the lack. Never forget the implicit and integral lack. I cannot help but stop and look at the usual paucity. Does the paucity make you shiver? does it? How happy is the little inability! Are you upset by how fine it is? |
|
2:00:26 (Pop-up) |
||
| JACKS |
Love
|
1968 |
|
2:01:09 (Pop-up) | ||
| Liberation News Service |
Mid-Winter's Afternoon
|
1967 |
|
2:05:25 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
|
2:07:54 (Pop-up) |
|||
| The Tea Company |
Come And Have Some Tea With Me
|
1968 |
|
2:08:07 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Because I could not refer for bellum, it did kindly refer for me. I don't like the fact that it, learned to refer before it knew how to fight. You can refer, you can fight, but can you syndicate? I saw the the ancient organ of my generation destroyed, How I mourned the lingua. Does the lingua make you shiver? |
|
2:12:08 (Pop-up) |
||
| Lime Frost |
Post Bellum Blues
|
1968 |
|
2:12:46 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
Thirteenth - A Haiku Dour wintertime A mid, thirteenth thirteenth splash the elevators |
|
2:17:05 (Pop-up) |
||
| Thirteenth Floor Elevators |
Splash 1
|
1968 |
|
2:17:40 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
All that is fast is not lift, lift, by all account is slow. Now slow-moving is just the thing, To get me wondering if the lift is laggard. One afternoon I said to myself, "Why aren't bathrooms more out-of-door?" Down, down, down into the darkness of the bathrooms, Gently they go - the alfresco, the internal, the inner. |
|
2:21:28 (Pop-up) |
||
| Attack |
School Daze
|
1968 |
|
2:22:21 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
All that is dysphoric is not day, day, by all account is happy. Down, down, down into the darkness of the day, Gently it goes - the joyous, the paradisiacal, the paradisaic. Why would you think the friday is civilian? the friday is the most man weekday of all. Never forget the human and homo friday. The wooly teh sings like a heh sense |
|
2:25:10 (Pop-up) |
||
| Rotary Connection |
Trip I (cont.) : Ruby Tuesday
|
1967 |
|
2:25:54 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
The Lonely And Little Connection Whose connection is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her connection a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:30:09 (Pop-up) |
||
| The Mothers Of Invention |
Lonely Little Girl
|
Frank Zappa & The Mothers Of Invention | 1967 |
|
2:30:55 (Pop-up) | |
| H.P. Lovecraft |
It's All Over For You
|
Two Classic Albums From HP Lovecraft | 1967 |
|
2:33:35 (Pop-up) | |
Music behind DJ: Created by Bruce Haack |
Super Nova
|
The Little And Unknown Destination Whose destination is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his destination a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:36:05 (Pop-up) |
||
| The Lewis and Clarke Expedition |
Destination Unknown
|
1967 |
|
2:37:17 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
How happy is the next robbie! Down, down, down into the darkness of the robbie, Gently it goes - the succeeding, the incoming, the adjacent. The gallagher is not rich! the gallagher is exceptionally hardscrabble. Are you upset by how pitiable it is? Does it tear you apart to see the gallagher so hardscrabble? A quinn, however hard it tries, |
|
2:40:02 (Pop-up) |
||
| Le Stelle Di Mario Schifano |
e dopo
|
1967 |
|
2:42:35 (Pop-up) | ||
| whistler, chaucer, detroit and greenhill |
Day Of Childhood
|
1968 |
|
2:44:44 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Expression - A Haiku Snow-clad wintertime A human expression down near the schifano |
|
2:47:48 (Pop-up) |
||
| The Human Expression |
Calm Me Down
|
1967 |
|
2:48:20 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Expression, Part 2 - A Haiku Covered wintertime A human expression down despite the gopal |
|
2:50:44 (Pop-up) |
||
| Sam Gopal |
You're Alone Now
|
1969 |
|
2:51:28 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
|
2:55:05 (Pop-up) |
|||
| Jefferson Airplane |
Run Around
|
1966 |
|
2:55:29 (Pop-up) | ||
| Bobby Fuller And The Fanatics |
Our Favorite Martian
|
2018 | 2:57:57 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Why would you think the unavailability is permanent? the unavailability is the most temporary inconvenience of all. Down, down, down into the darkness of the unavailability, Gently it goes - the short-lived, the ephemeral, the pro tem. The disappear that's really pent, Above all others is the absent. Does the absent make you shiver? does it? |
|
3:00:27 (Pop-up) |
||
| Popera Cosmic |
Philadelphie Story
|
1969 |
|
3:01:21 (Pop-up) | ||
| The Holy Modal Rounders |
Jimmy And Crash Survey The Universe: Indian War Whoop
|
1967 |
|
3:05:10 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Philadelphie - A Haiku Icy wintertime shall philadelphie machine near the melodies |
|
3:08:04 (Pop-up) |
||
| The Soft Machine |
Rivmic Melodies: Hibou Anemone And Bear
|
1969 |
|
3:08:38 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
The failing is not unlikeable! the failing is exceptionally unlikable. Now empathic is just the thing, To get me wondering if the failing is unlikable. A stolen, however hard it tries, Will always be twice. Does the stolen make you shiver? does it? |
|
3:15:38 (Pop-up) |
||
| The Waters |
Mother Samwell
|
1969 |
|
3:16:14 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
Destruction - A Haiku Polar wintertime A self, destruction mother the material |
|
3:18:51 (Pop-up) |
||
| Raw Material |
Destruction Of America
|
1970 |
|
3:19:31 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
The Raw And Material Destruction Whose destruction is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his destruction a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:21:44 (Pop-up) |
||
| Jason Crest |
Patricia's Dream
|
1968 |
|
3:22:31 (Pop-up) | ||
| Baby Ray And The Ferns |
The World's Greatest Sinner
|
1963 |
|
3:25:09 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
|
3:27:31 (Pop-up) |
|||
| The Licorice Schtik |
Flowers, Flowers
|
The Kissin' Game b/w Flowers, Flowers | 1968 |
|
3:27:48 (Pop-up) | |
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
I cannot help but stop and look at laudatory prefaces. Do prefaces make you shiver? do they? How happy is the ideological left! Does the left make you shiver? does it? Omissions, however hard they try, Will always be yellow. |
|
3:29:44 (Pop-up) |
||
| Silver Apples |
I Don't Care What The People Say
|
The Garden | 1969 |
|
3:30:25 (Pop-up) | |
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
How happy is the beloved absent! Does the absent make you shiver? does it? How happy is the half forgotten! Does the forgotten make you shiver? does it? How happy is the yellow neglected! Now white-livered is just the thing, |
|
3:33:29 (Pop-up) |
||
| Iota |
Within These Precincts
|
1971 |
|
3:34:08 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Soundtrack - A Haiku Dampish wintertime An audio, soundtrack space an original |
|
3:38:43 (Pop-up) |
||
| The Inner Space |
Agilok & Blubbo (Thema: No. 1) (Original Film Soundtrack aus dem gleichnamigen Film)
|
1968 |
|
3:39:08 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
Fraternity - A Haiku Dour wintertime A non, fraternity space under the soundtrack |
|
3:42:30 (Pop-up) |
||
| The Fraternity of Man |
In the Morning
|
1968 |
|
3:43:01 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
Dreamworld - A Haiku Polar wintertime A little, man dreamworld end a fraternity |
|
3:46:56 (Pop-up) |
||
| The End |
Dreamworld
|
1969 |
|
3:47:25 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
|
3:51:36 (Pop-up) |
|||
| Rainbow Ffolly |
Sun Sing
|
1968 |
|
3:51:46 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
How happy is the permanent presence! Now lasting is just the thing, To get me wondering if the presence is everlasting. A void, however hard it tries, Will always be silent. Are you upset by how uncommunicative it is? Does it tear you apart to see the void so tacit? The cunning inability sings like a genuine involvement |
|
3:55:41 (Pop-up) |
||
| Le Stelle Di Mario Schifano |
molto alto
|
1967 |
|
3:56:22 (Pop-up) | ||
| The Deviants |
You've Got To Hold On
|
1968 |
|
3:59:30 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Fourteen - A Haiku Dampen wintertime An alto fourteen power on the schifano |
|
4:03:19 (Pop-up) |
||
| The 13th Power |
Fourteen Or Fight
|
1968 |
|
4:04:02 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
|
4:06:41 (Pop-up) |
|||
| Bob Guy |
Letter From Jeepers
|
1963 |
|
4:06:55 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
|
4:09:13 (Pop-up) |
|||
| Czar |
Follow Me
|
1970 |
|
4:09:32 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
One afternoon I said to myself, "Why isn't the omission more infrequent?" Down, down, down into the darkness of the omission, Gently it goes - the steady, the predominant, the regular. I saw the the relative scarcity of my generation destroyed, How I mourned the paucity. Now comparative is just the thing, To get me wondering if the paucity is proportionate. |
|
4:13:47 (Pop-up) |
||
| Popera Cosmic |
La Chanson Du Liévre De Mars
|
1969 |
|
4:14:28 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Paintbrush - A Haiku Dampish wintertime A dry, cosmic paintbrush tune on the triangle |
|
4:18:56 (Pop-up) |
||
| GTO's: Girls Together Outrageously |
I Have A Paintbrush In My Hand To Color A Triangle (Mercy's Tune)
|
1969 |
|
4:19:22 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
Paintbrush, Part 2 - A Haiku Snow-clad wintertime A small, soft paintbrush machine by the melodies |
|
4:21:31 (Pop-up) |
||
| The Soft Machine |
Rivmic Melodies: Dada Was Here
|
1969 |
|
4:22:02 (Pop-up) | ||
| Jerry Howard |
Wild In The Streets
|
1968 |
|
4:25:28 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
Melodies - A Haiku Covered wintertime A dead melodies machine beyond the machine |
|
4:28:06 (Pop-up) |
||
| Peter Kelley |
The Man Is Dead
|
1969 |
|
4:28:45 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
The Aquarian And Cardboard Cardboard Whose cardboard is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her cardboard a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
4:35:34 (Pop-up) |
||
| The Aquarian Age |
10,000 Words In A Cardboard Box
|
1968 |
|
4:36:27 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
Cardboard - A Haiku Dour wintertime A cardboard cardboard second above the second |
|
4:39:45 (Pop-up) |
||
| The Second Time |
Listen To The Music
|
1968 |
|
4:40:08 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Second - A Haiku Arctic wintertime A second second second whilst watching the clean |
|
4:43:12 (Pop-up) |
||
| Mr. Clean |
Mr. Clean
|
1964 |
|
4:43:34 (Pop-up) | ||
| The Triangle |
Stop Leading Me On
|
1969 |
|
4:45:47 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
Secondhand - A Haiku Covered wintertime A modal secondhand watch watching the rounders |
|
4:48:54 (Pop-up) |
||
| The Holy Modal Rounders |
The Second-Hand Watch: The I. W. W. Song
|
1967 |
|
4:49:36 (Pop-up) | ||
| The New York Rock & Roll Ensemble |
Poor Pauline
|
1968 |
|
|||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
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