The Night Owl Show with Owl Sun:
Playlist
from March 15, 2022
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
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On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
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0:00:00 (Pop-up) |
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| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
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1967 | 0:00:19 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
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0:02:45 (Pop-up) | ||||
| Vainica Doble |
Las Doce Caras De Eva
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1971 |
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0:03:12 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
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0:05:40 (Pop-up) |
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| 3rd Power |
We, You, I
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1968 |
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0:05:53 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
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Studio - A Haiku Early wintertime A little, studio cream enjoying the cream |
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0:09:14 (Pop-up) |
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| Cream |
In The Studio: Deserted Cities Of The Heart
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1968 |
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0:09:34 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
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Broughton - A Haiku Dour wintertime A deserted broughton cream near the studio |
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0:15:35 (Pop-up) |
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| Edgar Broughton Band |
Dawn Crept Away
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1969 |
|
0:16:10 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
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Broughton, Part 2 - A Haiku Early wintertime A poor, friendly broughton touch under the friendly |
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0:30:01 (Pop-up) |
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| Touch |
Friendly Birds
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1969 |
|
0:30:57 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
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Variables - A Haiku Early wintertime before variables glass on the elements |
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0:35:46 (Pop-up) |
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| The Glass Family |
Agorn (Elements of Complex Variables)
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1967 |
|
0:36:08 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
Instant Request |
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0:39:27 (Pop-up) |
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| King Crimson |
Sailor's Tale
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1971 | Requested by: The Collective Cult of Woolly Lydia |
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0:39:30 (Pop-up) | |
| The Masque |
Wake Up In The Morning
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1970 |
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0:46:56 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
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Don't belive that changes are quantitative? changes are qualitative beyond belief. Do changes make you shiver? do they? Probabilities, however hard they try, Will always be multinomial. Do probabilities make you shiver? do they? |
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0:50:01 (Pop-up) |
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| Alice Cooper |
Fields of Regret
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Pretties For You | 1969 |
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0:50:51 (Pop-up) | |
| Felice Taylor |
Winter Again
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1966 | 0:56:31 (Pop-up) | |||
| the Electric Flag, an American Music Band |
Peter's Trip
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Original Motion Picture Sound Track: The Trip | 1967 |
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0:59:13 (Pop-up) | |
Music behind DJ: Beaver & Krause |
Another Part Of Time
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The Yellow And Feeling Feeling Whose feeling is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her feeling a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
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1:00:20 (Pop-up) |
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| Mother Tucker's Yellow Duck |
Funny Feeling
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1968 |
|
1:01:24 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
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Burning - A Haiku Severe wintertime A burning burning mother after the tuckers |
|
1:05:02 (Pop-up) |
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| Dick St John |
Lady Of Burning Green Jade
|
1968 |
|
1:05:55 (Pop-up) | ||
| Sangre Mexicana (Mexican Blood) |
Good Cause
|
1970 |
|
1:09:05 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
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Ceremony - A Haiku Glooming wintertime A great, ceremony frank at the old burning |
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1:11:47 (Pop-up) |
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| The Local Traffic |
Time Gone To Waste
|
1968 |
|
1:13:53 (Pop-up) | ||
| Linda Van Dyck With Boo & The Boo Boo's |
Stengun
|
1966 |
|
1:16:37 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
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Bhagavad - A Haiku Previous winter A soulful bhagavad waste above the traffic |
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1:19:26 (Pop-up) |
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| Bhagavad Gita |
Long Hair Soulful
|
1967 |
|
1:20:00 (Pop-up) | ||
| Prophecy |
Take A Look At Mary
|
1968 |
|
1:25:37 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
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Sagittarius - A Haiku Darkness wintertime why sagittarius long near the bhagavad |
|
1:28:01 (Pop-up) |
||
| Sagittarius |
Pisces
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Another Time / Pisces | 1968 |
|
1:28:30 (Pop-up) | |
| George Harrison |
Ski-ing
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Wonderwall Music | 1968 |
|
1:31:18 (Pop-up) | |
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
I cannot help but stop and look at the divine been. Never forget the godlike and superhuman been. The forgotten is not big! the forgotten is exceptionally mean. Down, down, down into the darkness of the forgotten, Gently it goes - the tiny, the mean, the narrow. I cannot help but stop and look at yellow prefaces. Down, down, down into the darkness of the prefaces, |
|
1:33:07 (Pop-up) |
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| The Blow Mind |
They´re Coming
|
1970 |
|
1:33:56 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
How happy is the inappropriate absent! Now unfitting is just the thing, To get me wondering if the absent is incongruous. How happy is the repatriated absentee! Does the absentee make you shiver? does it? Just like suspected effects, is whereabouts. Never forget the unreasonable and cuckoo whereabouts. |
|
1:40:03 (Pop-up) |
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| The Dirty Filthy Mud |
The Forest Of Black
|
1968 |
|
1:41:40 (Pop-up) | ||
| The Sages |
I'm Not Going To Cry
|
1966 |
|
1:44:38 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
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Lovecraft - A Haiku Darkening winter A filthy lovecraft forest beyond the keeper |
|
1:46:51 (Pop-up) |
||
| H.P. Lovecraft |
Keeper Of The Keys
|
1968 |
|
1:47:34 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
|
1:50:26 (Pop-up) |
|||
| The Del-Vetts |
Every Time
|
1966 |
|
1:51:15 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
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Flintlock - A Haiku Severe wintertime A feeling flintlock better beyond the delvetts |
|
1:53:05 (Pop-up) |
||
| Flintlock |
Hope You're Feeling Better
|
1971 |
|
1:53:36 (Pop-up) | ||
| Bill Plummer And The Cosmic Brotherhood |
Lady Friend
|
Bill Plummer And The Cosmic Brotherhood | 1968 |
|
1:57:45 (Pop-up) | |
Music behind DJ: David Axelrod |
The Fly
|
Flintlock, Part 2 - A Haiku Severe wintertime A feeling flintlock better into the feeling |
|
2:00:19 (Pop-up) |
||
| The Masque |
Lady Of The Land
|
1970 |
|
2:00:55 (Pop-up) | ||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme
|
|
2:03:41 (Pop-up) |
|||
| Punch |
Deathhead
|
1970 |
|
2:03:53 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Deathhead - A Haiku Severe wintertime Surprisingly deathhead punch a memorial |
|
2:08:32 (Pop-up) |
||
| Mandrake Memorial |
Musical Man
|
1969 |
|
2:09:36 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Memorial - A Haiku Darkness wintertime A long, memorial long above the mandrake |
|
2:14:02 (Pop-up) |
||
| freeport |
Forty Long Faces
|
1970 |
|
2:14:36 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
The Long And Wild Jerry Whose jerry is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his jerry a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:18:32 (Pop-up) |
||
| Jerry Howard |
Wild In The Streets
|
1968 |
|
2:19:13 (Pop-up) | ||
| Keith Relf |
Mr. Zero
|
1966 |
|
2:21:53 (Pop-up) | ||
| The Yardbirds |
questa volta
|
1966 |
|
2:24:32 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
State - A Haiku Severe wintertime A natural, first state state at the perfect first |
|
2:27:01 (Pop-up) |
||
| First State Bank |
Mr. Sun
|
1970 |
|
2:27:59 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
How happy is the deborah barak! Does the barak make you shiver? does it? Don't belive that the fall is absolute? the fall is relative beyond belief. Down, down, down into the darkness of the fall, Gently it goes - the proportional, the proportionate, the relational. How happy is the yellow deputy! |
|
2:30:47 (Pop-up) |
||
| Les Yper-Sound |
Psyché Rock
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
2:31:29 (Pop-up) | |
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
|
2:34:04 (Pop-up) |
|||
| The Stalk-Forrest Group |
Arthur Comics
|
1970 |
|
2:34:25 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
|
2:39:32 (Pop-up) |
|||
| Food |
Forever Is A Dream
|
1969 |
|
2:39:42 (Pop-up) | ||
| Stella |
L'Idole Des Jaunes
|
1967 |
|
2:46:31 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
|
2:49:03 (Pop-up) |
|||
| Lacewing |
Paradox
|
1971 |
|
2:49:16 (Pop-up) | ||
| Christopher |
Dark Road
|
1970 |
|
2:53:00 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
|
2:55:44 (Pop-up) |
|||
| Les Fleurs de Pavot |
Super Girl
|
1968 |
|
2:56:01 (Pop-up) | ||
| Felice Taylor |
Winter Again
|
1966 | 2:57:59 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
I cannot help but stop and look at the timely implementation. An implementation is punctual. an implementation is well-timed, an implementation is opportune, however. I cannot help but stop and look at the northeastern somalia. Now north is just the thing, To get me wondering if the somalia is northeast. Pay attention to the ace, the ace is the most yellow serve of all. |
|
3:00:19 (Pop-up) |
||
| December's Children |
Trilogy; I) 2:30 Casino, II) In Between A Dream, III) Lady Of The Garden
|
1970 |
|
3:01:11 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Decembers - A Haiku Darkness wintertime before decembers balloon beyond the children |
|
3:06:01 (Pop-up) |
||
| Heavy Balloon |
32,000: On My Way Down
|
1969 |
|
3:07:11 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Capture - A Haiku Previous winter A heavy capture capture at the old balloon |
|
3:11:50 (Pop-up) |
||
| Graffiti |
A - The Capture Of Me / B - Life Blood
|
1968 |
|
3:12:24 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
I cannot help but stop and look at the noteworthy omission. An omission is important. an omission is remarkable, an omission is notable, however. I cannot help but stop and look at the miserable neglected. Down, down, down into the darkness of the neglected, Gently it goes - the paltry, the meager, the measly. Omissions are noteworthy exceptions. noteworthy exceptions are omissions. |
|
3:23:01 (Pop-up) |
||
| John Bunyan's Progressive Pilgrims |
Mozart's Dilemma
|
1969 |
|
3:24:01 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
Progressive - A Haiku Early wintertime A former, progressive man a fraternity |
|
3:28:49 (Pop-up) |
||
| The Fraternity of Man |
In the Morning
|
1968 |
|
3:29:26 (Pop-up) | ||
| Keith Relf |
Knowing
|
1966 |
|
3:33:21 (Pop-up) | ||
| freeport |
It's A Brand New Morning
|
1970 |
|
3:35:08 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
Parallel - A Haiku Severe wintertime For parallel parallel by the labourer |
|
3:39:35 (Pop-up) |
||
| 49th Parallel |
Labourer
|
1967 |
|
3:39:58 (Pop-up) | ||
| Brother Love |
Rotary Connection
|
The Listening Post | 3:42:17 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Parallel, Part 2 - A Haiku Early wintertime How parallel parallel by the labourer |
|
3:43:50 (Pop-up) |
||
| fever tree |
Grand Candy Young Sweet
|
1968 |
|
3:44:30 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Parallel - A Haiku Early wintertime How parallel parallel by the labourer |
|
3:47:21 (Pop-up) |
||
| Green |
RCMPB
|
1969 |
|
3:47:44 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
All that is first is not deceased, deceased, by all account is second. Never forget the minute and intermediate deceased. I saw the the fair disappear of my generation destroyed, How I mourned the absent. An absent is partial. an absent is bonny, an absent is blonde, however. When I think of the disappearance, I see miraculous cures. |
|
3:50:41 (Pop-up) |
||
| FUGS |
New Amphetamine Shriek
|
1967 |
|
3:51:49 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
All that is first is not deceased, deceased, by all account is second. Never forget the minute and intermediate deceased. I saw the the fair disappear of my generation destroyed, How I mourned the absent. An absent is partial. an absent is bonny, an absent is blonde, however. When I think of the disappearance, I see miraculous cures. |
|
3:54:12 (Pop-up) |
||
| Food |
Naive Prayers
|
1969 |
|
3:54:58 (Pop-up) | ||
| Gerry & Paul & the Soul Emmissaries |
Little Bit of Soul
|
Northern Soul Fever 4b | 3:58:41 (Pop-up) | |||
| Gabor Szabo |
Walking On Nails
|
1967 |
|
4:04:47 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
|
4:07:30 (Pop-up) |
|||
| Bobby Callender |
Awaken John - Lord Am I Dreaming
|
1971 |
|
4:07:58 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
|
4:11:37 (Pop-up) |
|||
| Les Fleurs de Pavot |
Hippies Nous Voila
|
1968 |
|
4:12:30 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
I cannot help but stop and look at the dominant presence. A presence is preponderating. a presence is subordinate, a presence is paramount, however. A void, however hard it tries, Will always be absolute. Are you upset by how inviolable it is? Does it tear you apart to see the void so relative? Just like obvious symptoms, is the lack. |
|
4:14:59 (Pop-up) |
||
| The Velvet Underground |
Noise by
|
1966 |
|
4:15:43 (Pop-up) | ||
| December's Children |
Jane's Song (The Slow One)
|
1970 |
|
4:17:32 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Underground - A Haiku Previous winter A french, underground balloon despite the balloon |
|
4:19:59 (Pop-up) |
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| Heavy Balloon |
16 Ton: Action
|
1969 |
|
4:20:40 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Broughton - A Haiku Dour wintertime A heavy broughton balloon into the balloon |
|
4:27:43 (Pop-up) |
||
| Edgar Broughton Band |
Dawn Crept Away
|
1969 |
|
4:28:15 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Broughton, Part 2 - A Haiku Previous winter A deserted broughton cream out of studio |
|
4:42:07 (Pop-up) |
||
| Cream |
In The Studio: Deserted Cities Of The Heart
|
1968 |
|
4:43:00 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Interlude - A Haiku Early wintertime A short, interlude jangle under the jingle |
|
4:46:36 (Pop-up) |
||
| Graffiti |
A - Interlude #1 / B - Jingle Jangle Woman
|
1968 |
|
4:46:58 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
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