The Night Owl Show with Owl Sun:
Playlist
from March 18, 2022
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
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On
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Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
|
1967 | 0:00:23 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:49 (Pop-up) | ||||
| Eire Apparent |
Mr. Guy Fawkes
|
1969 |
|
0:03:15 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Yesterdays - A Haiku Dampen wintertime A many, yesterdays guy above the children |
|
0:08:59 (Pop-up) |
||
| Yesterday's Children |
She's Easy
|
1969 |
|
0:09:22 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Yesterdays, Part 2 - A Haiku Severe wintertime An extra yesterdays roll under the children |
|
0:16:06 (Pop-up) |
||
| Hearts and Flowers |
Extra, Extra / Rock and Roll Gypsies
|
1968 |
|
0:16:30 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Tangerine - A Haiku Gloomy wintertime An extra tangerine roll under the flowers |
|
0:21:02 (Pop-up) |
||
| the tangerine ZOO |
Gloria
|
Venenos do Rock | 1968 |
|
0:21:32 (Pop-up) | |
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
|
0:27:36 (Pop-up) |
|||
| The Teddy Boys |
La La
|
1966 |
|
0:27:48 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Concern - A Haiku Severe wintertime A growing concern concern beyond the teddy |
|
0:31:11 (Pop-up) |
||
| The Growing Concern |
Hard Hard Year
|
1968 |
|
0:32:06 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Standing - A Haiku Wicked wintertime A standing standing concern under the concern |
|
0:36:30 (Pop-up) |
||
| The Rolling Stones |
Have You Seen Your Mother, Baby, Standing In The Shadow?
|
1966 |
|
0:37:02 (Pop-up) | ||
| Big Jim Sullivan |
Tallyman
|
Sitar Beat | 1968 |
|
0:39:32 (Pop-up) | |
| Ramsey Lewis |
Sexy Sadie
|
1968 |
|
0:42:05 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Standing, Part 2 - A Haiku Early wintertime A standing standing shadow after the helping |
|
0:44:46 (Pop-up) |
||
| Moloch |
Helping Hand
|
1969 |
|
0:45:43 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Helping - A Haiku Previous winter A second, game helping trust at the old insect |
|
0:49:53 (Pop-up) |
||
| The Insect Trust |
The Skin Game
|
1968 |
|
0:50:17 (Pop-up) | ||
| Silver Apples |
I Don't Care What The People Say
|
The Garden | 1969 |
|
0:54:21 (Pop-up) | |
| Egyptian Combo |
Gale Winds
|
Greaser Instrumentals 03 |
|
0:57:25 (Pop-up) | ||
| Brian Auger |
The In Crowd
|
|
0:59:57 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Memorial - A Haiku Severe wintertime A best, memorial trust despite the mandrake |
|
1:00:23 (Pop-up) |
||
| The Mandrake Memorial |
Hiding
|
1969 |
|
1:01:46 (Pop-up) | ||
| The Superfine Dandelion |
Mr. and Mrs. Potato Head
|
1967 |
|
1:04:47 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
One afternoon I said to myself, "Why isn't the presence more impermanent?" A presence is enduring. a presence is temporary, a presence is lasting, however. I saw the the absolute alter of my generation destroyed, How I mourned the void. Does the void make you shiver? does it? |
|
1:07:29 (Pop-up) |
||
| Womb |
My Baby Thinks About The Good
|
1968 |
|
1:08:09 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Flowers - A Haiku Dampish wintertime A blue, about flowers ward because of the hearts |
|
1:11:54 (Pop-up) |
||
| Hearts And Flowers |
The View From Ward 3
|
1967 |
|
1:12:17 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
|
1:15:09 (Pop-up) |
|||
| The Shiver |
No Time
|
1969 |
|
1:15:37 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
I saw the the prosperous island of my generation destroyed, How I mourned the ireland. Never forget the golden and comfortable ireland. All that is aged is not pavarotti, pavarotti, by all account is young. Down, down, down into the darkness of the pavarotti, Gently it goes - the puppyish, the adolescent, the aged. I cannot help but stop and look at yellow cowes. |
|
1:18:21 (Pop-up) |
||
| Eire Apparent |
Rock 'N Roll Band
|
1969 |
|
1:19:46 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
The indo-european that's really romanian, Above all others is the albanian. Now rumanian is just the thing, To get me wondering if the albanian is roumanian. Samaras, however hard they try, Will always be red. Do samaras make you shiver? do they? |
|
1:23:03 (Pop-up) |
||
| Yesterday's Children |
Sailing
|
1969 |
|
1:23:51 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
|
1:31:21 (Pop-up) |
|||
| George Harrison |
Party Seacombe
|
Wonderwall Music | 1968 |
|
1:31:33 (Pop-up) | |
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme
|
I will consider my revised. For my revised is 4th because it wants to submit. Does the revised make you shiver? does it? One afternoon I said to myself, "Why isn't the forgotten more shallow?" Now low is just the thing, To get me wondering if the forgotten is inscrutable. |
|
1:36:01 (Pop-up) |
||
| Jefferson Airplane |
Hymn To An Older Generation: rejoyce
|
1967 |
|
1:36:40 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
I cannot help but stop and look at the black haley. Never forget the dim and illegal haley. The lexicographer that's really baldy, Above all others is the webster. Does the webster make you shiver? does it? Just like a post while, is the mitch. Does the mitch make you shiver? |
|
1:40:36 (Pop-up) |
||
| the tangerine ZOO |
Symphonic Psyche
|
Venenos do Rock | 1968 |
|
1:41:46 (Pop-up) | |
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
I cannot help but stop and look at the black haley. Never forget the dim and illegal haley. The lexicographer that's really baldy, Above all others is the webster. Does the webster make you shiver? does it? Just like a post while, is the mitch. Does the mitch make you shiver? |
|
1:46:30 (Pop-up) |
||
| Estelle Levitt |
All I Dream
|
1968 |
|
1:47:12 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
I cannot help but stop and look at the upper absent. Does the absent make you shiver? does it? I saw the the noticeable scarceness of my generation destroyed, How I mourned the paucity. A paucity is pronounced. a paucity is strong, a paucity is perceptible, however. Just like an apparent treatment, is the unavailability. |
|
1:50:08 (Pop-up) |
||
| Thundering Heard |
Daisys Prism
|
1968 |
|
1:50:52 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
Daisys - A Haiku Previous winter A thundering daisys plane because of the plane |
|
1:54:00 (Pop-up) |
||
| The Rolling Stones |
Who's Driving Your Plane
|
1966 |
|
1:54:23 (Pop-up) | ||
| Egyptian Combo |
Gale Winds
|
Greaser Instrumentals 03 |
|
1:57:37 (Pop-up) | ||
| John Barry |
Hit & Miss
|
Beat Girl |
|
2:00:08 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Maverick - A Haiku Brumous wintertime A real, maverick woman after the moloch |
|
2:00:25 (Pop-up) |
||
| Moloch |
Maverick Woman Blues
|
1969 |
|
2:01:43 (Pop-up) | ||
| The Insect Trust |
Brighter Than Day
|
1968 |
|
2:04:43 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Maverick, Part 2 - A Haiku Severe wintertime A true, maverick concern after the concern |
|
2:07:31 (Pop-up) |
||
| The Growing Concern |
What Kind Of Life
|
1968 |
|
2:08:04 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Memorial - A Haiku Severe wintertime Memorial concern needs after the mandrake |
|
2:11:46 (Pop-up) |
||
| The Mandrake Memorial |
Ocean's Daughter
|
1969 |
|
2:12:22 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
Versatiles - A Haiku Previous winter before versatiles like above the somethin |
|
2:15:57 (Pop-up) |
||
| The Versatiles |
Somethin' Like A Man
|
1968 |
|
2:16:19 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
Versatiles, Part 2 - A Haiku Foggy wintertime shall versatiles people a dandelion |
|
2:18:53 (Pop-up) |
||
| The Superfine Dandelion |
People In The Street
|
1967 |
|
2:19:48 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Dandelion - A Haiku Hazy wintertime where dandelion people out of victory |
|
2:23:13 (Pop-up) |
||
| Rex Holman |
Here in the Land of Victory
|
1970 |
|
2:23:36 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Decision - A Haiku Foggy wintertime A quick, free decision free out of victory |
|
2:26:41 (Pop-up) |
||
| The Free |
Decision For Lost Soul Blue
|
1968 |
|
2:27:03 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Accompaniment - A Haiku Previous winter before accompaniment beat out of electric |
|
2:30:32 (Pop-up) |
||
| Electric Banana |
Vocal Versions with Accompaniment: Walking Down The Street (Rhythmic beat number in the 'Pop' idiom)
|
Electric Banana | 1967 |
|
2:30:57 (Pop-up) | |
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Accompaniment, Part 2 - A Haiku Darkening winter before accompaniment beat on the electric |
|
2:33:45 (Pop-up) |
||
| Eire Apparent |
Morning Glory
|
1969 |
|
2:34:49 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
Don't belive that the balkan is western? the balkan is eastern beyond belief. A balkan is southeastern. a balkan is easterly, a balkan is mid-atlantic, however. I cannot help but stop and look at the century catania. Down, down, down into the darkness of the catania, Gently it goes - the hundred, the 100, the centred. Heineken is dutch time. |
|
2:39:05 (Pop-up) |
||
| Yesterday's Children |
Hunter's Moon
|
1969 |
|
2:39:53 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
|
2:46:00 (Pop-up) |
|||
| Gun |
Race With The Devil
|
1968 |
|
2:46:10 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
One afternoon I said to myself, "Why isn't the con more open?" Never forget the closemouthed and confidential con. How happy is the many non! Does the non make you shiver? does it? Modification is oxidative stress. oxidative stress is modification. |
|
2:49:42 (Pop-up) |
||
| Womb |
Hang On (Look Around, I'm Upside Down)
|
1968 |
|
2:50:35 (Pop-up) | ||
| deviled ham |
Port Of Ghost Ships
|
1969 |
|
2:53:11 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
I cannot help but stop and look at the possible imputation. Imputation, imputation, every where, Yet not a drop to exist. You can exist, you can impute, but can you frank? How happy is the many non! Never forget the numerous and umteen non. I saw the the fat force of my generation destroyed, How I mourned the impact. |
|
2:55:34 (Pop-up) |
||
| the tangerine ZOO |
Trip To The Zoo
|
Venenos do Rock | 1968 |
|
2:57:03 (Pop-up) | |
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
|
3:00:24 (Pop-up) |
|||
| The Sugar Townes |
Billy Sunshine
|
1969 |
|
3:00:41 (Pop-up) | ||
| Hearts And Flowers |
Rock And Roll Gypsies
|
1967 |
|
3:00:52 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
|
3:03:37 (Pop-up) |
|||
| stone country |
Love Psalm
|
1968 |
|
3:03:50 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
|
3:06:13 (Pop-up) |
|||
| The Tangerine Zoo |
Birth
|
1968 |
|
3:06:25 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
|
3:11:23 (Pop-up) |
|||
| Barbara Keith |
Fisherman King
|
1969 |
|
3:12:06 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
|
3:14:34 (Pop-up) |
|||
| Rotomagus |
Madame Wanda
|
1970 |
|
3:14:57 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
|
3:18:17 (Pop-up) |
|||
| The Insect Trust |
Miss Fun City
|
1968 |
|
3:18:32 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
|
3:23:35 (Pop-up) |
|||
| Moloch |
Dance Chaney Dance
|
1969 |
|
3:23:46 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Yardbirds - A Haiku Hazy wintertime when an old, still yardbirds still before the moloch |
|
3:26:33 (Pop-up) |
||
| The Yardbirds |
Still I'm Sad
|
1997 |
|
3:27:26 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Yardbirds, Part 2 - A Haiku Cloudy wintertime then an old, still yardbirds still after the velvett |
|
3:31:06 (Pop-up) |
||
| Velvett Fogg |
Telstar '69
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
3:31:31 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
|
3:34:12 (Pop-up) |
|||
| Tom Parrott |
Groovy And Linda
|
1968 |
|
3:34:40 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
How happy is the wicked becky! Never forget the loathsome and offensive becky. I cannot help but stop and look at antoine alexis. Do alexis make you shiver? do they? The dessert apple that's really fat, Above all others is the baldwin. Are you upset by how oily it is? |
|
3:38:52 (Pop-up) |
||
| Rex Holman |
Today is Almost Here
|
1970 |
|
3:39:32 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
I cannot help but stop and look at the british butterfield. Does the butterfield make you shiver? does it? I cannot help but stop and look at the young brice. A brice is puppyish. a brice is girlish, a brice is youngish, however. When I think of the christensen, I see gutierrez ramos. Now goofy is just the thing, |
|
3:42:35 (Pop-up) |
||
| The Byrds |
John Riley
|
The Byrds |
|
3:43:59 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Concern - A Haiku Severe wintertime A growing concern concern at the perfect byrds |
|
3:46:52 (Pop-up) |
||
| The Growing Concern |
Other Side Of Life
|
1968 |
|
3:47:14 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Cymbaline - A Haiku Dampness wintertime why cymbaline concern needs despite the concern |
|
3:52:12 (Pop-up) |
||
| played and composed by the pink floyd |
Cymbaline
|
1969 |
|
3:52:37 (Pop-up) | ||
| The T-Bones |
No Matter What Shape
|
AM Gold: Mid '60s Classics | 1995 |
|
3:57:15 (Pop-up) | |
| Brian Auger |
The In Crowd
|
|
3:59:25 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Melancholy - A Haiku Early wintertime A sweet, melancholy tomb a dandelion |
|
4:03:49 (Pop-up) |
||
| Sapphire Thinkers |
Melancholy Baby
|
1969 |
|
4:04:51 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
The Baby And Melancholy Melancholy Whose melancholy is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his melancholy a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
4:07:03 (Pop-up) |
||
| Dino Valenti |
Birdses
|
1965 |
|
4:07:50 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
|
4:10:44 (Pop-up) |
|||
| the tangerine ZOO |
The Flight
|
Venenos do Rock | 1968 |
|
4:10:56 (Pop-up) | |
Music behind DJ: David Axelrod |
The Human Abstract
|
I cannot help but stop and look at the martinez suarez. Does the suarez make you shiver? does it? One afternoon I said to myself, "Why isn't the defoe more unsaturated?" Down, down, down into the darkness of the defoe, Gently it goes - the saturated, the virtuous, the simple. The ferdinand is not lean! |
|
4:15:14 (Pop-up) |
||
| Raul Danks - Jon Taylor |
You Better Go
|
1967 |
|
4:16:11 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
Carnivour - A Haiku Hazy wintertime before carnivour better under the flowers |
|
4:18:55 (Pop-up) |
||
| Hearts And Flowers |
1-2-3 Rhyme In Carnivour Thyme
|
1967 |
|
4:19:57 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Don't belive that prefaces are descriptive? prefaces are historical beyond belief. Do prefaces make you shiver? do they? I cannot help but stop and look at the great been. Are you upset by how nifty it is? Does it tear you apart to see the been so keen? How happy is the cunning omission! |
|
4:22:06 (Pop-up) |
||
| Plus |
Avarice: "Daddy's Thing"
|
1969 |
|
4:22:57 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Flowers - A Haiku Early wintertime A fresh, extra flowers roll above the gypsies |
|
4:25:22 (Pop-up) |
||
| Hearts and Flowers |
Extra, Extra / Rock and Roll Gypsies
|
1968 |
|
4:25:46 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Yesterdays - A Haiku Early wintertime An extra yesterdays roll at the old children |
|
4:29:33 (Pop-up) |
||
| Yesterday's Children |
She's Easy
|
1969 |
|
4:30:10 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Yesterdays, Part 2 - A Haiku Cloudy wintertime A special yesterdays trust before the children |
|
4:36:54 (Pop-up) |
||
| The Insect Trust |
Special Rider Blues
|
1968 |
|
4:38:08 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
|
4:47:16 (Pop-up) |
|||
| Moloch |
Mona
|
1969 |
|
4:47:37 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
4:49:38 (Pop-up) | ||||
| Musiche Originali Di Ennio Morricone |
Beat N° 3
|
1968 |
|
|||
| Bill Plummer And The Cosmic Brotherhood |
Lady Friend
|
Bill Plummer And The Cosmic Brotherhood | 1968 |
|
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