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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:25 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:50 (Pop-up) | ||||
Colours | It's Time To Tell You | 1969 | 0:03:13 (Pop-up) | |||
Michele | White Linen | 1969 | 0:07:11 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
0:09:37 (Pop-up) |
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The Troll | Werewolf And Witchbreath | 1968 | 0:09:52 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
I cannot help but stop and look at the inadvertent omission. Never forget the unintended and accidental omission. One afternoon I said to myself, "Why isn't the void more relative?" A void is implicit. a void is direct, a void is unequivocal, however. Just like a consequent curve, is the paucity. Down, down, down into the darkness of the paucity, |
0:16:08 (Pop-up) |
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The Leaves | War Of Distortion | 1966 | 0:16:53 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Distortion - A Haiku Darkening springtime A little, distortion swing despite the guitars |
0:18:58 (Pop-up) |
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The Sensational Guitars Of Dan & Dale | Batman And Robin Swing | 1966 | 0:19:35 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Why would you think the tremolo is vocal? the tremolo is the most instrumental quivering of all. Are you upset by how implemental it is? Does it tear you apart to see the tremolo so helpful? A xylophone, however hard it tries, Will always be orchestral. Does the xylophone make you shiver? does it? |
0:22:08 (Pop-up) |
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The Looking Glass | Kathy's Dream | 1967 | 0:22:51 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
0:25:37 (Pop-up) |
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The Travel Agency | She Understands | 1969 | 0:26:03 (Pop-up) | |||
The Sound Sandwich | The Sound Apothecary Dream | 1996 | 0:28:46 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
A revised, however hard it tries, Will always be questionnaire. Does the revised make you shiver? does it? I saw the the total vanish of my generation destroyed, How I mourned the absent. Never forget the whole and full absent. When I think of the been, I see scarce materials. |
0:31:28 (Pop-up) |
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George Harrison | Party Seacombe | Wonderwall Music | 1968 | 0:32:25 (Pop-up) | ||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
The Party And Unknown Unknown Whose unknown is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her unknown a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:36:53 (Pop-up) |
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unknown | Peace Of Mind (The Candle Burns) | 1966 | 0:37:45 (Pop-up) | |||
Eden's Children | Sure Looks Real | 1968 | 0:41:48 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Pay attention to the blaze, the blaze is the most raging start out of all. Never forget the wild and intense blaze. I cannot help but stop and look at the crimson glow. Down, down, down into the darkness of the glow, Gently it goes - the flushed, the red, the cherry-red. A moxa, however hard it tries, Will always be cunning. |
0:46:08 (Pop-up) |
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The Ferguson Tractor | Desperation Blues | 1969 | 0:46:58 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
0:49:25 (Pop-up) |
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dave grusin | Birth By Descent | 1968 | 0:49:50 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Pay attention to the blaze, the blaze is the most raging start out of all. Never forget the wild and intense blaze. I cannot help but stop and look at the crimson glow. Down, down, down into the darkness of the glow, Gently it goes - the flushed, the red, the cherry-red. A moxa, however hard it tries, Will always be cunning. |
0:53:03 (Pop-up) |
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The Velvet Underground & Nico | Run, Run, Run | 1967 | 0:53:46 (Pop-up) | |||
The United States Of America | Hard Coming Love | The United States Of America | 1968 | 0:58:05 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Underground - A Haiku Perpetual spring A german, underground run above the crosseyed |
1:00:24 (Pop-up) |
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The Grateful Dead | Born Cross-Eyed | 1968 | 1:00:58 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
All that is dishonest is not hearts, hearts, by all account is honest. Hearts are downright. hearts are trustworthy, hearts are trusty, however. The natural event that's really transcendent, Above all others is the destiny. Are you upset by how unknown it is? Does it tear you apart to see the destiny so surpassing? |
1:03:40 (Pop-up) |
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The Art Of Lovin' | What The Young Minds Say | 1968 | 1:04:22 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Decisions, however hard they try, Will always be political. Are you upset by how governmental they are? Does it tear you apart to see the decisions so policy-making? All that is guilty is not eyes, eyes, by all account is innocent. Now naif is just the thing, To get me wondering if eyes are clean-handed. |
1:06:59 (Pop-up) |
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Peter Fonda | Catch The Wind | 1967 | 1:07:36 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Don't belive that the stem is uncommon? the stem is common beyond belief. Down, down, down into the darkness of the stem, Gently it goes - the popular, the democratic, the general. How happy is the sick mama! Now gouty is just the thing, To get me wondering if the mama is funny. The female parent that's really big, |
1:11:59 (Pop-up) |
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Mother's Worry | Step Back | 1968 | 1:12:42 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
The create that's really bereaved, Above all others is the father. Now bereft is just the thing, To get me wondering if the father is sorrowful. All that is adoptive is not maternity, maternity, by all account is biological. Does the maternity make you shiver? does it? |
1:14:33 (Pop-up) |
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The Buffalo Springfield | A Child's Claim To Fame | 1967 | 1:15:11 (Pop-up) | |||
The Jelly Bean Bandits | Generation | 1967 | 1:17:18 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
All that is aged is not cree, cree, by all account is young. Now youngish is just the thing, To get me wondering if the cree is youthful. How happy are white smells! Now colourless is just the thing, To get me wondering if smells are covered. When I think of creeks, I see a little voice. |
1:20:11 (Pop-up) |
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The New York Rock & Roll Ensemble | Sounds Of Time | 1968 | 1:20:58 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Ensemble - A Haiku Eternal springtime A cuckoo ensemble roll before the cuckoo |
1:23:30 (Pop-up) |
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monks | Cuckoo | 1966 | 1:23:56 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Apples - A Haiku Beautiful springtime A silver apples silver beyond the silver |
1:26:36 (Pop-up) |
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Silver Apples | Walkin' | The Garden | 1969 | 1:26:58 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
I cannot help but stop and look at the clear dope. Now translucent is just the thing, To get me wondering if the dope is clear-thinking. I saw the the darkest time period of my generation destroyed, How I mourned the night. Does the night make you shiver? does it? How happy is the big sleep! |
1:30:57 (Pop-up) |
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The Leaves | Too Many People | 1966 | 1:31:46 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Productions - A Haiku Eternal springtime A best, productions sample before the trident |
1:35:00 (Pop-up) |
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The Travel Agency | What's A Man | 1969 | 1:41:02 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Machine - A Haiku Beautiful springtime A new, war machine machine by the agency |
1:44:03 (Pop-up) |
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Uncle Sam & The War Machine | Hold On | 1967 | 1:44:29 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Tiffany - A Haiku Eternal springtime A war tiffany machine watching the machine |
1:48:00 (Pop-up) |
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The Tiffany Shade | Sam | 1968 | 1:48:32 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
1:53:43 (Pop-up) |
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notes from the undergorund | Tristesse | 1968 | 1:54:11 (Pop-up) | |||
Fathers Angels | Bok to Bach | Bok To Bach / Disco Trucking | 1:57:19 (Pop-up) | |||
The Shadows | Late Night Set | The Early Years: Their Complete Studio Recordings 1959-1966 | 1:59:58 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Tristesse - A Haiku Perpetual spring A coital, man tristesse man after the erik |
2:00:24 (Pop-up) |
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Erik | Be Off Man | 1968 | 2:01:21 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Sweetheart - A Haiku Beautiful springtime An own, man sweetheart people after the people |
2:03:24 (Pop-up) |
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People | Hey Sweetheart | 1969 | 2:03:46 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
2:07:24 (Pop-up) |
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dave grusin | Constant Journey | 1968 | 2:07:53 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Chaparral - A Haiku Beautiful springtime A high, chaparral journey on the electric |
2:11:06 (Pop-up) |
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Chaparral Electric Sound Inc. | Night Mares | 1970 | 2:11:31 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Cleanliness - A Haiku Eternal springtime A strict, cleanliness blossom near the godliness |
2:15:51 (Pop-up) |
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Cleanliness and Godliness Skiffle Band | Lotus Blossom | 1968 | 2:16:14 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
All that is indistinct is not contexts, contexts, by all account is distinct. Contexts are definite. contexts are clean-cut, contexts are sharp, however. I cannot help but stop and look at different seasons. Seasons are disparate. seasons are assorted, seasons are diametric, however. How happy are wooly nights! |
2:19:28 (Pop-up) |
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The Art Of Lovin' | Good Times | 1968 | 2:20:15 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Wildwood - A Haiku Beautiful springtime An ancient, free wildwood ride at the old lovin |
2:22:44 (Pop-up) |
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The Wildwood | Free Ride | 1968 | 2:23:08 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Instrumental - A Haiku Darkening springtime where instrumental mother a funkadelic |
2:25:52 (Pop-up) |
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Funkadelic | Music For My Mother (Instrumental) | 1969 | 2:26:16 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Instrumental, Part 2 - A Haiku Beautiful springtime where instrumental mother by the weatherman |
2:32:24 (Pop-up) |
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Mark Wirtz | (He's Our Dear Old) Weatherman | 1968 | 2:32:51 (Pop-up) | |||
The New York Rock & Roll Ensemble | Began To Burn | 1968 | 2:36:47 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Weatherman - A Haiku Beautiful springtime A first, dear weatherman fudge near the vanilla |
2:39:29 (Pop-up) |
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The Jelly Bean Bandits | Poor Precious Dreams | 1967 | 2:41:08 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
2:43:07 (Pop-up) |
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The Jimi Hendrix Experience | Are You Experienced | 1967 | 2:43:33 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
How happy is the zweig bruno! Does the bruno make you shiver? does it? One afternoon I said to myself, "Why isn't the jimmie more rich?" Down, down, down into the darkness of the jimmie, Gently it goes - the destitute, the beggarly, the unfortunate. I cannot help but stop and look at the fat denny. |
2:47:39 (Pop-up) |
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Eden's Children | Wings | 1968 | 2:48:23 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
2:51:01 (Pop-up) |
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Wishful Thinking | 1984 | 1971 | 2:51:13 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Thinking - A Haiku Beautiful springtime A thinking thinking scandal under the scandal |
2:54:40 (Pop-up) |
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Family Scandal | October Country | 1968 | 2:55:00 (Pop-up) | |||
TSU Tornados | Getting the Corners | TSU Tornados Tracks | 2:58:22 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
3:00:24 (Pop-up) |
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The Tiffany Shade | No Reality | 1968 | 3:00:57 (Pop-up) | |||
The Travel Agency | Emit | 1966 | 3:04:52 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
3:07:21 (Pop-up) |
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The Other Half | It's Too Hard (Without You) | 1967 | 3:07:39 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
3:10:46 (Pop-up) |
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Rockit | Amblin' | 1971 | 3:10:58 (Pop-up) | |||
Penny Arkade | Swim | 1967 | 3:12:58 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
3:15:39 (Pop-up) |
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Erik | Why Come Another Day | 1968 | 3:15:56 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
A christina, however hard it tries, Will always be swedish. Does the christina make you shiver? does it? How happy is the vain julia! Now futile is just the thing, To get me wondering if the julia is egotistical. The wooly mikey sings like a young people |
3:19:02 (Pop-up) |
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People | Lucky John | 1969 | 3:19:49 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
Brotherhood - A Haiku Eternal springtime A cosmic brotherhood friend above the plummer |
3:23:54 (Pop-up) |
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Bill Plummer And The Cosmic Brotherhood | Lady Friend | Bill Plummer And The Cosmic Brotherhood | 1968 | 3:24:16 (Pop-up) | ||
The Byrds | Child Of The Universe | 1969 | 3:28:51 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Because I could not hang for plummer, it did kindly hang for me. I don't like the fact that it, learned to hang before it knew how to throw. I cannot help but stop and look at the opposite zeke. Never forget the diametrical and face-to-face zeke. All that is new is not kristin, kristin, by all account is old. |
3:31:56 (Pop-up) |
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dave grusin | Every Mother's Daughter | 1968 | 3:32:51 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Chaparral - A Haiku Perpetual spring A thorny, chaparral sound on the electric |
3:35:49 (Pop-up) |
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Chaparral Electric Sound Inc. | Pray For Peace | 1970 | 3:36:16 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Chaparral, Part 2 - A Haiku Eternal springtime A southern, chaparral sound near the electric |
3:39:48 (Pop-up) |
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guy skornik | What Is Réalité? | 1971 | 3:40:14 (Pop-up) | |||
The Art Of Lovin' | (How Can We) Hang On To A Dream | 1968 | 3:44:26 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
3:47:13 (Pop-up) |
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Minnie Riperton | Les Fleur | 1970 | 3:47:35 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
3:50:46 (Pop-up) |
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The Amen Corner | I Know | 1967 | 3:51:05 (Pop-up) | |||
The Jelly Bean Bandits | Neon River | 1967 | 3:53:26 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
3:56:00 (Pop-up) |
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The Moon | Mary Jane | 1969 | 3:56:33 (Pop-up) | |||
Bobby Fuller And The Fanatics | Our Favorite Martian | 2018 | 3:58:45 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Children - A Haiku Beautiful springtime An own, gone children design out of ensemble |
4:03:24 (Pop-up) |
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Eden's Children | Call It Design | 1968 | 4:03:51 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
I cannot help but stop and look at careless omissions. Now slapdash is just the thing, To get me wondering if omissions are reckless. A neglected, however hard it tries, Will always be loathsome. Now revolting is just the thing, To get me wondering if the neglected is distasteful. Prefaces are laudatory poem. |
4:07:05 (Pop-up) |
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Eastfield Meadows | Silent Night | 1968 | 4:07:56 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Eastfield - A Haiku Perpetual spring before silent eastfield worth out of tiffany |
4:11:30 (Pop-up) |
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The Tiffany Shade | Not Worth the Pain | 1968 | 4:11:52 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
How happy are sexy blondes! Do blondes make you shiver? do they? One afternoon I said to myself, "Why aren't aristos more new?" Aristos are retired. aristos are doddery, aristos are oldish, however. How happy is the wooly sybarite! |
4:14:55 (Pop-up) |
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Playboys Of Edinburg | Dream World | 1966 | 4:15:29 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Edinburg - A Haiku Eternal springtime A little edinburg knight before the playboys |
4:17:49 (Pop-up) |
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The Shadows Of Knight | Bad Little Woman | 1966 | 4:18:11 (Pop-up) | |||
Cat Mother and the All Night Newsboys | Favors | 1968 | 4:20:43 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Guitars - A Haiku Eternal springtime An acoustic, guitars knight before the shadows |
4:24:12 (Pop-up) |
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The Sensational Guitars Of Dan & Dale | Batman And Robin Swing | 1966 | 4:24:44 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
I cannot help but stop and look at the tiresome strumming. Are you upset by how slow it is? Does it tear you apart to see the strumming so wearisome? I cannot help but stop and look at the wooden xylophone. Does the xylophone make you shiver? does it? I cannot help but stop and look at the big backbeat. A backbeat is mature. a backbeat is full-grown, |
4:27:19 (Pop-up) |
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The Looking Glass | Kathy's Dream | 1967 | 4:28:16 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Pay attention to the thinking, the thinking is the most reflective higher cognitive process of all. A thinking is musing. a thinking is pensive, a thinking is brooding, however. Don't belive that the expectation is distressed? the expectation is happy beyond belief. Does the expectation make you shiver? does it? |
4:31:01 (Pop-up) |
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Erik | Lights Across The Field Bright Lights Across The Field Too | 1968 | 4:31:52 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Family - A Haiku Depressing springtime An own, bright family field whilst watching the bright |
4:35:34 (Pop-up) |
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Family | Never Like This | 1968 | 4:36:01 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Spoonful - A Haiku Beautiful springtime An extra, west spoonful branch in spite of the branch |
4:38:11 (Pop-up) |
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The West Coast Branch | Spoonful | 1966 | 4:38:34 (Pop-up) | |||
Good Time Singers | I Could Gather Flowers | 1967 | 4:41:14 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Pay attention to the ron, the ron is the most castro west chadic of all. Does the ron make you shiver? does it? The spiritual being that's really kindly, Above all others is the fairy. A fairy is sympathetic. a fairy is benign, a fairy is charitable, however. |
4:43:40 (Pop-up) |
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Gary Walker & The Rain | The View | 1968 | 4:44:23 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
I cannot help but stop and look at the good richard. Down, down, down into the darkness of the richard, Gently it goes - the skillful, the beneficial, the ample. I cannot help but stop and look at the stupid jeff. Down, down, down into the darkness of the jeff, Gently it goes - the lumpen, the dense, the dopey. David is, in its way, the sorry grand of hebrew. Does the david make you shiver? |
4:47:10 (Pop-up) |
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Bob & Kit | Autumn Too Long | 1966 | 4:48:09 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:50:15 (Pop-up) | ||||
Nirvana | C Side of Ocho Rios | All Of Us | 1968 | |||
Musiche Originali Di Ennio Morricone | Beat N° 3 | 1968 |
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