The Night Owl Show with Owl Sun:
Playlist
from April 6, 2022
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:28 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:53 (Pop-up) | ||||
| Sagittarius |
Virgo
|
1967 |
|
0:03:21 (Pop-up) | ||
| Captain Beefheart and His Magic Band |
Frying Pan
|
1966 |
|
0:05:42 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Sagittarius - A Haiku Eternal springtime For sagittarius light by the electric |
|
0:07:39 (Pop-up) |
||
| The Electric Banana |
(Vocal Tracks): What's Good For The Goose (Light pop vocal)
|
1969 |
|
0:08:11 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Electric - A Haiku Beautiful springtime A solar, electric light despite the procol |
|
0:11:04 (Pop-up) |
||
| Procol Harum |
Quite Rightly So
|
1968 |
|
0:11:36 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
County - A Haiku Beautiful springtime A county county lower despite the lemons |
|
0:15:05 (Pop-up) |
||
| Linn County |
Lower Lemons
|
1968 |
|
0:15:36 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Millennium - A Haiku Darkening springtime A 3rd, millennium prelude above the prelude |
|
0:19:33 (Pop-up) |
||
| The Millennium |
Prelude
|
1968 |
|
0:19:54 (Pop-up) | ||
| The Yardbirds |
Goodnight Sweet Josephine
|
1968 |
|
0:21:08 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
All that is matriarchal is not andrea, andrea, by all account is patriarchal. Never forget the patricentric and patriarchic andrea. One afternoon I said to myself, "Why isn't the gallagher more early?" Now tardy is just the thing, To get me wondering if the gallagher is belated. The cunning eddie sings like an okay fellow |
|
0:23:44 (Pop-up) |
||
| Big Jim Sullivan |
Tallyman
|
Sitar Beat | 1968 |
|
0:24:30 (Pop-up) | |
Music behind DJ: Velvett Fogg |
Telstar '69
|
The Big And Double Question Whose question is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his question a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:27:02 (Pop-up) |
||
| The Two Dollar Question |
Aunt Matilda's Double Yummy Blow Your Mind Out Brownies
|
1969 |
|
0:27:46 (Pop-up) | ||
| Aorta |
Shape Of Things To Come
|
1968 |
|
0:30:00 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
All that is absent is not absent, absent, by all account is present. Down, down, down into the darkness of the absent, Gently it goes - the absent, the ever-present, the ubiquitous. An inability, however hard it tries, Will always be consequent. Now sequent is just the thing, To get me wondering if the inability is resultant. |
|
0:33:01 (Pop-up) |
||
| The 13th Floor Elevators |
You're Gonna Miss Me
|
1966 |
|
0:33:57 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
|
0:36:18 (Pop-up) |
|||
| The Mind Garage |
Asphalt Mother
|
1968 |
|
0:36:49 (Pop-up) | ||
| Tim Buckley |
Pleasant Street
|
1967 |
|
0:41:49 (Pop-up) | ||
| Lord Sitar |
Have You Seen Your Mother, Baby, Standing In The Shadow
|
1967 |
|
0:46:59 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Asphalt - A Haiku New dampen springtime A black, well asphalt asphalt before the garage |
|
0:48:59 (Pop-up) |
||
| Ars Nova |
Well, Well, Well
|
1969 |
|
0:49:35 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
One afternoon I said to myself, "Why isn't the argon more pure?" An argon is debased. an argon is untouchable, an argon is dirty, however. How happy is the ful ure! Does the ure make you shiver? does it? The yellow nir sings like an ava science |
|
0:52:32 (Pop-up) |
||
| Art |
Supernatural Fairy Tale
|
1967 |
|
0:53:06 (Pop-up) | ||
| Fifty Foot Hose |
Red The Signpost
|
0:56:35 (Pop-up) | ||||
| BOOKER T. & THE MG'S |
SOUL SANCTION
|
0:58:59 (Pop-up) | ||||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Supernatural - A Haiku Inclement springtime For supernatural peace at the old bluecheer |
|
1:00:28 (Pop-up) |
||
| BlueCheer |
Peace Of Mind
|
1969 |
|
1:01:03 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
|
1:08:16 (Pop-up) |
|||
| Alice Cooper |
Refrigerator Heaven
|
1970 |
|
1:08:42 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Refrigerator - A Haiku Eternal springtime when live refrigerator before the cooper |
|
1:10:25 (Pop-up) |
||
| Dave Clark Five |
Live in the Sky
|
2000 |
|
1:11:00 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Purple - A Haiku Showery springtime A light, purple purple live betrayed by the clark |
|
1:14:31 (Pop-up) |
||
| Deep Purple |
Bird has Flown
|
1969 |
|
1:15:06 (Pop-up) | ||
| John Wonderling |
Midway Down
|
1968 |
|
1:20:32 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
The Purple And Insane Purple Whose purple is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his purple a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:22:56 (Pop-up) |
||
| Kevin Ayers |
Song For Insane Times
|
1969 |
|
1:23:44 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
I cannot help but stop and look at numerous instances. Do instances make you shiver? do they? The time interval that's really same, Above all others is the period. Are you upset by how duplicate it is? Does it tear you apart to see the period so other? How happy is the zany often! |
|
1:27:38 (Pop-up) |
||
| Stained Glass |
My Buddy Sin
|
Love Is The Song We Sing (San Francisco Nuggets 1965-1970 |
|
1:28:17 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
America - A Haiku Eternal springtime A white, america glass in spite of the stained |
|
1:31:07 (Pop-up) |
||
| The United States Of America |
Hard Coming Love
|
The United States Of America | 1968 |
|
1:31:37 (Pop-up) | |
Music behind DJ: David Axelrod |
The Fly
|
Phillips - A Haiku Perpetual spring An united phillips skip the america |
|
1:36:16 (Pop-up) |
||
| Stu Phillips |
Skip To My Mary J.
|
Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
|
1:36:49 (Pop-up) | |
Music behind DJ: George Harrison |
Party Seacombe
|
Phillips, Part 2 - A Haiku Showery springtime A patron, blue phillips skip enjoying the cups |
|
1:38:55 (Pop-up) |
||
| Ace of Cups |
Afro Blue
|
2004 |
|
1:39:36 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Brings - A Haiku Showery springtime How a proper, blue brings rain whilst watching the world |
|
1:47:07 (Pop-up) |
||
| The Can |
She Brings The Rain (aus dem thomas schamoni film: ein garu blauer world)
|
2017 |
|
1:47:31 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
|
1:51:34 (Pop-up) |
|||
| These Vizitors |
For Mary's Sake
|
1968 |
|
1:51:58 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
|
1:54:14 (Pop-up) |
|||
| Coven |
Dignitaries of Hell
|
1969 |
|
1:54:28 (Pop-up) | ||
| The Shadows |
Kon-Tiki
|
1996 |
|
1:58:24 (Pop-up) | ||
| Velvett Fogg |
Owed To The Dip
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
2:00:15 (Pop-up) | |
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
|
2:00:27 (Pop-up) |
|||
| Dream |
Ain't No Use
|
1967 |
|
2:00:52 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Beefheart - A Haiku Showery springtime A magic beefheart captain watching the captain |
|
2:09:08 (Pop-up) |
||
| Captain Beefheart & His Magic Band |
Son Of Mirror Man - Mere Man
|
1968 |
|
2:09:31 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Beefheart, Part 2 - A Haiku Beautiful springtime A magic beefheart captain by the mystery |
|
2:14:48 (Pop-up) |
||
| Mystery Trend |
Carl Street
|
Love Is The Song We Sing (San Francisco Nuggets 1965-1970 |
|
2:15:13 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
A push, however hard it tries, Will always be wage. Does the push make you shiver? does it? A steve, however hard it tries, Will always be virtual. Does the steve make you shiver? does it? |
|
2:19:00 (Pop-up) |
||
| Created by Bruce Haack |
Cherubic Hymn
|
1970 |
|
2:19:52 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Philamore - A Haiku Eternal springtime suddenly philamore wind despite the lincoln |
|
2:22:08 (Pop-up) |
||
| Philamore Lincoln |
The North Wind Blew South
|
1970 |
|
2:22:41 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Philamore, Part 2 - A Haiku Early cloudy spring before south philamore peace watching the lincoln |
|
2:25:44 (Pop-up) |
||
| Chad Stuart And Jeremy Clyde |
Rest In Peace
|
1967 |
|
2:26:20 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Axelrod - A Haiku New cloudy springtime A dear, fly axelrod peace by the jeremy |
|
2:33:00 (Pop-up) |
||
| David Axelrod |
The Fly
|
1969 |
|
2:33:25 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
The Fly And Wayfaring Wayfaring Whose wayfaring is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his wayfaring a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:38:08 (Pop-up) |
||
| H.P. Lovecraft |
Wayfaring Stranger
|
H.P. Lovecraft | 1967 |
|
2:39:03 (Pop-up) | |
Music behind DJ: 101 Strings |
Flameout
|
Whose wayfaring is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his wayfaring a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:41:34 (Pop-up) |
||
| The Ones |
Love Of Mine
|
2:42:13 (Pop-up) | ||||
Music behind DJ: Velvett Fogg |
Telstar '69
|
|
2:45:14 (Pop-up) |
|||
| The CAN |
Father Cannot Yell
|
1969 |
|
2:45:27 (Pop-up) | ||
| The Southwest F.O.B. |
Smell of Incense
|
2004 |
|
2:53:39 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
|
2:56:17 (Pop-up) |
|||
| Eric Burdon & The Animals |
Hotel Hell
|
1967 |
|
2:56:58 (Pop-up) | ||
| Great Society |
Somebody To Love
|
Love Is The Song We Sing (San Francisco Nuggets 1965-1970 |
|
3:01:07 (Pop-up) | ||
| Smokestack Lightnin' |
Look What You've Done
|
2004 |
|
3:05:22 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Don't belive that the veterinary is improper? the veterinary is proper beyond belief. Are you upset by how square-toed it is? Does it tear you apart to see the veterinary so puritanical? How happy are anesthetized dogs! Do dogs make you shiver? do they? Just like a biological way, is the physical. |
|
3:08:09 (Pop-up) |
||
| Velvet Illusions |
Acid Head
|
Where the Action Is! Los Angeles Nuggets 1965-1968 |
|
3:09:29 (Pop-up) | ||
| Bear |
Greetings!
|
1968 |
|
3:12:30 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
The Acid And Lang Velvet Whose velvet is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his velvet a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:15:35 (Pop-up) |
||
| Syd Barrett |
Swan Lee (Silas Lang)
|
1969 |
|
3:16:46 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
Barrett - A Haiku Darkening springtime A common barrett people into the people |
|
3:19:53 (Pop-up) |
||
| The Common People |
Look Around
|
1967 |
|
3:20:20 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Orange - A Haiku Darkening springtime An orange orange people watching the people |
|
3:22:43 (Pop-up) |
||
| mad river |
Orange Fire
|
1967 |
|
3:23:18 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
Holiday - A Haiku Perpetual spring A short, orange holiday under the orange |
|
3:26:46 (Pop-up) |
||
| Bee Gees |
Holiday
|
1967 |
|
3:27:07 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Because I could not hang for plummer, it did kindly hang for me. Plummer, plummer, every where, Yet not a drop to hang. How happy is the splendid ernie! Does the ernie make you shiver? does it? Don't belive that the musta is immature? |
|
3:29:58 (Pop-up) |
||
| Bill Plummer And The Cosmic Brotherhood |
Lady Friend
|
Bill Plummer And The Cosmic Brotherhood | 1968 |
|
3:30:32 (Pop-up) | |
Music behind DJ: George Harrison |
Ski-ing
|
How happy is the methodological prob! Does the prob make you shiver? does it? How happy is the edith mae! Does the mae make you shiver? does it? Why would you think the message is fatless? the message is the most fat communication of all. |
|
3:35:07 (Pop-up) |
||
| The Shadows Of Knight |
I'm Gonna Make You Mine
|
1966 |
|
3:35:49 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
The imaginary place that's really imaginary, Above all others is the dreamworld. Does the dreamworld make you shiver? does it? All that is penetrable is not dark, dark, by all account is impenetrable. A dark is heavy. a dark is incomprehensible, a dark is penetrable, however. |
|
3:38:12 (Pop-up) |
||
| The Byrds |
Bad Night At The Whiskey
|
1969 |
|
3:38:54 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Hollins, however hard they try, Will always be celebrated. Down, down, down into the darkness of the hollins, Gently they go - the illustrious, the noted, the notable. Because I could not flow for foyle, it did kindly flow for me. Are you upset by how last it is? Does it tear you apart to see the foyle so least? |
|
3:43:10 (Pop-up) |
||
| The Zombies |
One Day I'll Say Goodbye
|
1997 |
|
3:43:52 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
I cannot help but stop and look at the relentless annihilator. An annihilator is unrelenting. an annihilator is implacable, an annihilator is grim, however. One afternoon I said to myself, "Why aren't hellions more big?" Hellions are stingy. hellions are midget, hellions are trivial, however. How happy are yellow monsters! |
|
3:46:40 (Pop-up) |
||
| dorothy ashby |
For Some We Loved
|
1970 |
|
3:47:25 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
An electricity, however hard it tries, Will always be animal. Does the electricity make you shiver? does it? A spain, however hard it tries, Will always be coastal. A spain is seaward. a spain is inland, a spain is coastwise, however. |
|
3:51:24 (Pop-up) |
||
| It's a Beautiful Day |
White Bird
|
Love Is The Song We Sing (San Francisco Nuggets 1965-1970 |
|
3:52:10 (Pop-up) | ||
| Ronnie McNeir |
Sitting in My Class (Instr.)
|
The Northern Soul Story 10 (Instrumentals) |
|
3:58:14 (Pop-up) | ||
| Common Cold |
Come Down
|
Where the Action Is! Los Angeles Nuggets 1965-1968 |
|
4:02:05 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
The Cold And Common Streetcar Whose streetcar is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his streetcar a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
4:03:44 (Pop-up) |
||
| Hamilton Streetcar |
I See I Am
|
Original Lp - Dot Records DLP 25939 | 1969 |
|
4:04:34 (Pop-up) | |
| Sagittarius |
Another Time
|
1968 |
|
4:09:11 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Streetcar - A Haiku Early dampish spring An electric streetcar rave out of electric |
|
4:11:56 (Pop-up) |
||
| The Electric Banana |
(Vocal Tracks): Rave Up (Up tempo - freaky)
|
1969 |
|
4:12:39 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Accompaniment - A Haiku Perpetual spring before accompaniment love by the reginald |
|
4:14:36 (Pop-up) |
||
| electric banana; Arranged and Directed By Reginald Tilsley |
Vocal Versions with Accompaniment: Free Love (Strident - rhythmic - harmony vocal)
|
1967 |
|
4:15:05 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Accompaniment, Part 2 - A Haiku Perpetual spring How accompaniment captain under the beefheart |
|
4:17:50 (Pop-up) |
||
| Captain Beefheart and His Magic Band with Frank Zappa |
Alley Cat
|
1969 |
|
4:18:27 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Experience - A Haiku Beautiful springtime religious experience by the religious |
|
4:21:10 (Pop-up) |
||
| Kevin Ayers |
Religious Experience
|
1969 |
|
4:21:33 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
All that is large is not justin, justin, by all account is little. A justin is undersized. a justin is elflike, a justin is weensy, however. A jeff, however hard it tries, Will always be dear. Now sincere is just the thing, To get me wondering if the jeff is close. |
|
4:26:12 (Pop-up) |
||
| William Sheller |
She Opened The Door
|
1970 |
|
4:26:53 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
|
4:29:45 (Pop-up) |
|||
| The Yardbirds |
Goodnight Sweet Josephine
|
1968 |
|
4:30:10 (Pop-up) | ||
| Aorta |
Ode To Missy Mxyzosptlk
|
1969 |
|
4:32:47 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
Millennium - A Haiku Inclement springtime A 3rd, millennium paper under the yardbirds |
|
4:35:54 (Pop-up) |
||
| The 13th Floor Elevators |
Fire Engine
|
1966 |
|
4:37:32 (Pop-up) | ||
| Gershon Kingsley |
Have It - Or Grab It - Or Go
|
1970 |
|
4:40:49 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Hallucinations - A Haiku Darkening springtime why hallucinations grab beyond the kingsley |
|
4:46:10 (Pop-up) |
||
| Tim Buckley |
Hallucinations
|
1967 |
|
4:46:35 (Pop-up) | ||
| The Vampires' Sound Incorporation |
Psycho Contact - Part One
|
1969 |
|
4:51:24 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
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Listener comments!
Owl Sun:
Mokka Matti:
tom tom the pipers son:
tom tom the pipers son:
Owl Sun:
tom tom the pipers son:
tom tom the pipers son:
Owl Sun: