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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:24 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:49 (Pop-up) | ||||
The 13th Floor Elevators | Scarlet And Gold | 1969 | 0:03:16 (Pop-up) | |||
Bee Gees | Craise Finton Kirk Royal Acade | 1967 | 0:08:11 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Beefheart - A Haiku Eternal springtime A scarlet beefheart captain before the moonlight |
0:10:25 (Pop-up) |
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Captain Beefheart & His Magic Band | Moonlight On Vermont | 1970 | 0:10:58 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Beefheart, Part 2 - A Haiku Eternal springtime A magic beefheart captain beyond the moonlight |
0:15:01 (Pop-up) |
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Syd Barrett | late night | 1970 | 0:15:27 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Tendency - A Haiku Beautiful springtime A free tendency rabbit despite the barrett |
0:18:34 (Pop-up) |
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Rabbit Mackay | Tendency to Be Free | 1969 | 0:19:08 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Tendency, Part 2 - A Haiku Perpetual spring An eyed tendency spirit after the spirit |
0:21:36 (Pop-up) |
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Spirit | Dark Eyed Woman | 1969 | 0:22:00 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Morning - A Haiku Depressing springtime A cold, eyed morning spirit at the perfect pearls |
0:25:05 (Pop-up) |
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Pearls Before Swine | Morning Song | 1967 | 0:25:27 (Pop-up) | |||
Big Jim Sullivan | Tallyman | Sitar Beat | 1968 | 0:29:24 (Pop-up) | ||
George Harrison | Ski-ing | Wonderwall Music | 1968 | 0:31:57 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe |
0:33:45 (Pop-up) |
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Eric Burdon & The Animals | St. James Infirmary | 1968 | 0:34:12 (Pop-up) | |||
Ultimate Spinach | Fragmentary March Of Green | 1968 | 0:40:04 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Infirmary - A Haiku Perpetual spring An old, through infirmary on the animals |
0:46:39 (Pop-up) |
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The Gentle Soul | Through A Dream | 1968 | 0:47:08 (Pop-up) | |||
The Red Crayola with the Familiar Ugly | Transparent Radiation: "Red Signs Out-Side, Which I Contain" | 1967 | 0:50:58 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Boxkite - A Haiku Eternal springtime before through boxkite gentle despite the bristol |
0:53:28 (Pop-up) |
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Bristol Boxkite | Colors Of Love | 1968 | 0:54:05 (Pop-up) | |||
The Turtles | Buzzsaw | The Turtles Present The Battle Of The Bands | 1968 | 0:57:02 (Pop-up) | ||
Musiche Originali Di Ennio Morricone | Beat N° 3 | 1968 | 0:58:51 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
One afternoon I said to myself, "Why aren't endives more tame?" Never forget the spontaneous and raving endives. How happy are indigenous sloes! Down, down, down into the darkness of the sloes, Gently they go - the autochthonous, the endemic, the autochthonic. Limas are frozen coast. frozen coast are limas. |
1:00:25 (Pop-up) |
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The Electric Prunes | Credo | 1968 | 1:01:37 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
How happy is the rich dress! Never forget the valuable and well-fixed dress. Pay attention to the rosemary, the rosemary is the most garlic herbaceous plant of all. Does the rosemary make you shiver? does it? All that is lean is not apples, apples, by all account is fat. |
1:06:30 (Pop-up) |
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The Mothers of Invention | Who Are The Brain Police? | 1966 | 1:07:06 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
I cannot help but stop and look at home babysitters. Now national is just the thing, To get me wondering if babysitters are internal. The family relationship that's really pediatric, Above all others is the maternity. Does the maternity make you shiver? does it? How happy is the big menfolk! |
1:10:27 (Pop-up) |
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St. John Green | 7th Generation Mutation | 1968 | 1:11:08 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Generation - A Haiku Eternal springtime A third, generation sound near the unfolding |
1:14:42 (Pop-up) |
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Electric Mind Sound By Unfolding | Acid Rock: I've got a Zebra - She can Fly | 1967 | 1:15:08 (Pop-up) | |||
Haymarket Riot | Trip On Out | 1968 | 1:20:15 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Generator - A Haiku Overcast springtime A main, generator sound on the unfolding |
1:22:35 (Pop-up) |
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Van Der Graaf Generator | Afterwards | 1968 | 1:23:05 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
1:27:59 (Pop-up) |
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H.P. Lovecraft | at the mountains of madness | Original Lp - Phillips Records PHS 600-279 | 1968 | 1:28:21 (Pop-up) | ||
Les Yper-Sound | Psyché Rock | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | 1:33:10 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin' |
Lovecraft - A Haiku Depressing springtime A burning lovecraft balloon beyond the burning |
1:35:46 (Pop-up) |
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Pretty Things | Balloon Burning (A Phase In The Life Of S.F. Sorrow) | Private Sorrow | 1968 | 1:36:32 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Burning - A Haiku Depressing springtime A burning burning balloon beyond the balloon |
1:40:15 (Pop-up) |
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Spirit | Taurus | 1968 | 1:40:41 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
I cannot help but stop and look at the father absence. Does the absence make you shiver? does it? How happy is the very absent! Down, down, down into the darkness of the absent, Gently it goes - the real, the selfsame, the identical. A lost, however hard it tries, Will always be yellow. |
1:43:13 (Pop-up) |
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Pink Floyd | Astronomy Domine | 1967 | 1:44:48 (Pop-up) | |||
Justin Heathcliff | Hand In Hand | 1971 | 1:48:53 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Astronomy - A Haiku Overcast springtime A bass astronomy fish after the country |
1:51:08 (Pop-up) |
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country joe And The Fish | Bass Strings | 1966 | 1:51:47 (Pop-up) | |||
Friendsound | Friendsong I: Love Sketch | 1969 | 1:55:41 (Pop-up) | |||
L. J. Reynolds & the Chocolate Syrup | The Penguin Break Down | L. J. Reynolds | 1:59:04 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Friendsound - A Haiku Overcast springtime before friendsound remember watching the friendsong |
2:00:25 (Pop-up) |
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The Red Crayola with the Familiar Ugly | War Sucks: "You Remember What Happened To Hansel and Gretle" | 1967 | 2:01:01 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Familiar - A Haiku Overcast springtime why familiar remember above the happened |
2:04:48 (Pop-up) |
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The FUGS | Crystal Liaison | 1968 | 2:05:13 (Pop-up) | |||
Ultimate Spinach | Ego Trip | 1968 | 2:08:47 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Funkadelic - A Haiku Depressing springtime shall funkadelic follow before the liaison |
2:11:58 (Pop-up) |
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Funkadelic | Free Your Mind And Your Ass Will Follow | 1970 | 2:12:38 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
2:22:35 (Pop-up) |
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Barry McGuire | Inner-Manipulations | Where the Action Is! Los Angeles Nuggets 1965-1968 | 2:22:51 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
2:26:25 (Pop-up) |
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The Mothers of Invention | Help I'm A Rock: I. Okay To Tap Dance II. In Memoriam, Edgar Varèse | 1966 | 2:26:45 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Advancement - A Haiku Beautiful springtime An okay advancement dance on the invention |
2:31:27 (Pop-up) |
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The Advancement | Juliet | 1969 | 2:32:06 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
2:34:56 (Pop-up) |
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The Other Half | Mr. Pharmacist | 1967 | 2:35:09 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
2:37:37 (Pop-up) |
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Royal Aircoach | Wondering Why | 1968 | 2:37:47 (Pop-up) | |||
Clear Light | She's Ready To Be Free | 1967 | 2:40:48 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Lovecraft - A Haiku Depressing springtime A wondering lovecraft trip under the aircoach |
2:43:41 (Pop-up) |
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H.P. Lovecraft | mobius trip | Original Lp - Phillips Records PHS 600-279 | 1968 | 2:44:11 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
I cannot help but stop and look at few crees. Do crees make you shiver? do they? The prevarication that's really familiar, Above all others is the tale. Never forget the close and overfamiliar tale. How happy is the zany fantasy! Never forget the unreasonable and sappy fantasy. |
2:46:52 (Pop-up) |
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The Freedom | Decidedly Man | 1969 | 2:47:37 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Freedom - A Haiku Beautiful springtime A complete, strange freedom man at the perfect man |
2:51:52 (Pop-up) |
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The doors | Strange Days | 1967 | 2:52:26 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
2:55:29 (Pop-up) |
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Dragonfly | Celestial Dreams | 1968 | 2:55:46 (Pop-up) | |||
Grahame Bond | Water, Water | 1969 | 2:59:51 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Dragonfly - A Haiku Darkening springtime A red, dragonfly spirit watching the spirit |
3:03:33 (Pop-up) |
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Spirit | Girl In Your Eye | 1968 | 3:04:09 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Unfolding - A Haiku New dampen springtime A self, unfolding spirit near the electric |
3:07:21 (Pop-up) |
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Electric Mind Sound By Unfolding | Acid Rock: Play your Game | 1967 | 3:07:56 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Unfolding, Part 2 - A Haiku Overcast springtime A fleeting, unfolding sound out of electric |
3:10:44 (Pop-up) |
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Pussy | All Of My Life | 1969 | 3:11:10 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Stainless - A Haiku Eternal springtime A more, stainless stainless guest on the familiar |
3:16:09 (Pop-up) |
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The Red Crayola with the Familiar Ugly | Pink Stainless Tail: "Seven Guest Are Quite new, And Now Not Half So Much" | 1967 | 3:16:32 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Stainless, Part 2 - A Haiku Perpetual spring A stainless stainless sugar by the familiar |
3:19:51 (Pop-up) |
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Sugar Creek | Memory Tree | 1969 | 3:20:22 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
3:25:42 (Pop-up) |
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The FUGS | Turn On/Tune In/Drop Out | 1968 | 3:26:00 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Why would you think the presence is mental? the presence is the most physical spirit of all. Never forget the corporal and fleshly presence. I cannot help but stop and look at the consequent dearth. A dearth is sequent. a dearth is ensuant, a dearth is subsequent, however. The scarceness that's really zany, Above all others is the paucity. |
3:30:30 (Pop-up) |
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The Nice | Azrial (angel of death) | 1967 | 3:31:20 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
3:34:59 (Pop-up) |
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Melvin Jackson | Funky Skull - Parts 1 & 2 | 1969 | 3:35:14 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
A sloan, however hard it tries, Will always be former. Are you upset by how previous it is? Does it tear you apart to see the sloan so other? I cannot help but stop and look at the dear brett. Are you upset by how high-priced it is? Does it tear you apart to see the brett so dearest? Patron is, in its way, the zealous light of client. |
3:40:04 (Pop-up) |
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Mile Ends | Bottle Up And Go | 1966 | 3:40:49 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
3:42:59 (Pop-up) |
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The Who | Boris The Spider | 1966 | 3:43:06 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
3:47:14 (Pop-up) |
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The Mothers of invention | Dog Breath | 1969 | 3:47:28 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
3:50:11 (Pop-up) |
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The Jelly Bean Bandits | September Rain | 1967 | 3:50:24 (Pop-up) | |||
Clear Light | Black Roses | 1967 | 3:52:32 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
3:54:37 (Pop-up) |
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Kaleidoscope | Faintly Blowing | Faintly Blowing | 3:54:55 (Pop-up) | |||
TSU Toronados | Play the Music Toronadoes | Play The Music Toronados | 3:58:59 (Pop-up) | |||
The Advancement | Painful Struggle | 1969 | 4:02:15 (Pop-up) | |||
Pink Floyd | Matilda Mother | 1967 | 4:09:03 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
A talking, however hard it tries, Will always be endless. A talking is perpetual. a talking is eternal, a talking is dateless, however. The watching is not active! the watching is exceptionally nonviolent. Now unresisting is just the thing, To get me wondering if the watching is nonviolent. |
4:11:58 (Pop-up) |
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The 13th Floor Elevators | Street Song | 1969 | 4:13:08 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
4:18:00 (Pop-up) |
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Andwellas Dream | The Days grew longer for love | 1969 | 4:18:12 (Pop-up) | |||
Bee Gees | New York mining disaster 1941 | 1967 | 4:22:01 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Beefheart - A Haiku Overcast springtime A magic beefheart captain on the andwellas |
4:24:07 (Pop-up) |
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Captain Beefheart & His Magic Band | My Human Gets Me Blues | 1970 | 4:24:50 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Beefheart, Part 2 - A Haiku Perpetual spring A magic beefheart captain watching the captain |
4:27:33 (Pop-up) |
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Spirit | Dark Eyed Woman | 1969 | 4:27:58 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
The Dark And Eyed Tallyman Whose tallyman is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his tallyman a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:31:02 (Pop-up) |
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Big Jim Sullivan | Tallyman | Sitar Beat | 1968 | 4:31:43 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
4:34:15 (Pop-up) |
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Van Der Graaf Generator | Running Back | 1968 | 4:34:29 (Pop-up) | |||
The doors | Break On Through (To The Other Side) | 1967 | 4:41:50 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
4:44:13 (Pop-up) |
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the dedikation | Greenburg, Glickstein,Charles, David Smith And Jones | 1969 | 4:44:32 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
4:46:38 (Pop-up) |
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Ultimate Spinach | Pamela | 1968 | 4:46:56 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:50:00 (Pop-up) | ||||
Tempos | Sad, Sad Memories (Instr.) | West Coast Winners | ||||
Ramsey Lewis | Sexy Sadie | 1968 |
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Listener comments!
Owl Sun:
tom tom the pipers son:
Mokka Matti:
Owl Sun: