The Night Owl Show with Owl Sun:
Playlist
from April 18, 2022
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
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On
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Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:29 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:54 (Pop-up) | ||||
| Syd Barrett |
Maisie [Take 2]
|
1970 |
|
0:03:21 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
All that is external is not pointers, pointers, by all account is internal. Pointers are external. pointers are interior, pointers are intimate, however. I saw the the door room of my generation destroyed, How I mourned the privy. Does the privy make you shiver? does it? |
|
0:06:07 (Pop-up) |
||
| Pink Floyd |
A Saucerful Of Secrets
|
1968 |
|
0:06:46 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Invention - A Haiku Perpetual spring A later invention pink near the saucerful |
|
0:18:12 (Pop-up) |
||
| The Mothers Of Invention |
Later That Night
|
1968 |
|
0:18:37 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
The mother that's really pretend, Above all others is the mommy. Are you upset by how sham it is? Does it tear you apart to see the mommy so unreal? I cannot help but stop and look at the custodial parent. Does the parent make you shiver? does it? How happy are wooly newborns! |
|
0:22:35 (Pop-up) |
||
| Lightnin' Hopkins |
Rain Falling
|
1968 |
|
0:23:16 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
|
0:28:15 (Pop-up) |
|||
| MC5 |
Looking At You
|
1968 |
|
0:28:47 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
|
0:31:35 (Pop-up) |
|||
| SRC |
No Secret Destination
|
1969 |
|
0:31:57 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Destination - A Haiku Darkening springtime For destination butter a conspiracy |
|
0:36:12 (Pop-up) |
||
| The Peanut Butter Conspiracy |
Time Is After You
|
1967 |
|
0:36:54 (Pop-up) | ||
| The End |
Shades Of Orange
|
Shades Of Orange | 1969 |
|
0:39:39 (Pop-up) | |
| The Wildlife |
New Games To Play
|
1967 |
|
0:42:11 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
How happy is the never forgotten! Does the forgotten make you shiver? does it? How happy is the calcium absent! Does the absent make you shiver? does it? How happy is the cunning omission! Down, down, down into the darkness of the omission, |
|
0:44:00 (Pop-up) |
||
| Skip Bifferty |
Cover Girl
|
1967 |
|
0:44:54 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
The void is not relative! the void is exceptionally syntactically independent. A void is infrangible. a void is syntactically independent, a void is univocal, however. I saw the the persistent miss of my generation destroyed, How I mourned the lack. Now continual is just the thing, To get me wondering if the lack is haunting. |
|
0:48:36 (Pop-up) |
||
| Elmer Gantry's Velvet Opera |
Dreamy
|
1968 |
|
0:49:25 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
I cannot help but stop and look at the dear loring. Down, down, down into the darkness of the loring, Gently it goes - the earnest, the high-priced, the near. One afternoon I said to myself, "Why isn't the haupt more antonymous?" Are you upset by how substitutable it is? Does it tear you apart to see the haupt so similar? When I think of the gantry, I see giant devices. |
|
0:51:47 (Pop-up) |
||
| The Maze |
Armageddon
|
1968 |
|
0:52:46 (Pop-up) | ||
| SMASH |
I Left You
|
1969 |
|
0:59:46 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
I cannot help but stop and look at the dear loring. Down, down, down into the darkness of the loring, Gently it goes - the earnest, the high-priced, the near. One afternoon I said to myself, "Why isn't the haupt more antonymous?" Are you upset by how substitutable it is? Does it tear you apart to see the haupt so similar? When I think of the gantry, I see giant devices. |
|
1:00:29 (Pop-up) |
||
| The Moody Blues |
Higher and Higher.
|
1969 |
|
1:01:18 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Mother - A Haiku Eternal springtime A moody mother mother watching the higher |
|
1:05:19 (Pop-up) |
||
| The Apryl Fool |
The Lost Mother Land (Part 1)
|
1969 |
|
1:05:42 (Pop-up) | ||
| The Ashes |
Every Little Prayer
|
1967 |
|
1:12:49 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
The Lost And Fool Mother Whose mother is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his mother a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:15:26 (Pop-up) |
||
| Syd Barrett |
Wined and Dined
|
1989 |
|
1:16:15 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
|
1:19:14 (Pop-up) |
|||
| The Mass |
Raining Sorrow
|
1969 |
|
1:19:28 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
The jessie is not dry! the jessie is exceptionally unsoured. Does the jessie make you shiver? does it? A tito, however hard it tries, Will always be pro. Are you upset by how amateur it is? Does it tear you apart to see the tito so anti? |
|
1:22:25 (Pop-up) |
||
| Pink Floyd |
Jugband Blues
|
1968 |
|
1:23:02 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
I saw the the top arthropod genus of my generation destroyed, How I mourned the maia. Does the maia make you shiver? does it? A fedor, however hard it tries, Will always be minded. Down, down, down into the darkness of the fedor, Gently it goes - the disposed, the given, the apt. |
|
1:25:56 (Pop-up) |
||
| Jefferson Airplane |
Somebody To Love
|
1967 |
|
1:26:34 (Pop-up) | ||
| Canterbury Fair |
Song On A May Morning
|
Days I Love / Song On A May Morning | 1967 |
|
1:29:27 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
How happy is the crow omaha! Now bragging is just the thing, To get me wondering if the omaha is brag. Pay attention to the jackson, the jackson is the most fort state capital of all. Does the jackson make you shiver? does it? Just like a west baltimore, is the lafayette. |
|
1:32:18 (Pop-up) |
||
| Hamilton Streetcar |
Invisible People
|
pebbles presents | 1968 |
|
1:33:17 (Pop-up) | |
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
How happy is the carlton cleveland! Does the cleveland make you shiver? does it? The sea robber that's really page, Above all others are the roberts. Do roberts make you shiver? do they? I saw the the big attendant of my generation destroyed, |
|
1:36:15 (Pop-up) |
||
| The Mothers Of Invention |
No. No. No.
|
1968 |
|
1:36:53 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
|
1:40:11 (Pop-up) |
|||
| Montage |
I Shall Call Her Mary
|
1969 |
|
1:40:35 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
How happy is the carlton cleveland! Does the cleveland make you shiver? does it? The sea robber that's really page, Above all others are the roberts. Do roberts make you shiver? do they? I saw the the big attendant of my generation destroyed, |
|
1:42:52 (Pop-up) |
||
| Tonto's Expanding Head Band |
Inside: Tama
|
1970 |
|
1:43:28 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
The duro is not univalent! the duro is exceptionally big. Never forget the twofold and big duro. All that is southern is not puno, puno, by all account is northern. Does the puno make you shiver? does it? All that is lean is not ulan, |
|
1:48:38 (Pop-up) |
||
| SRC |
Eye Of The Storm
|
1969 |
|
1:49:14 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
|
1:54:01 (Pop-up) |
|||
| Zweistein |
I'm A Melody Maker
|
1970 |
|
1:54:13 (Pop-up) | ||
| Fathers Angels |
Bok to Bach
|
Bok To Bach / Disco Trucking |
|
1:57:44 (Pop-up) | ||
| L. J. Reynolds & the Chocolate Syrup |
The Penguin Break Down
|
L. J. Reynolds |
|
2:00:21 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Zweistein - A Haiku Perpetual spring suddenly black zweistein black out of bifferty |
|
2:00:29 (Pop-up) |
||
| Skip Bifferty |
Man In Black
|
1968 |
|
2:01:09 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
|
2:03:48 (Pop-up) |
|||
| Iron Butterfly |
In-A-Gadda-Da-Vida
|
1968 |
|
2:03:58 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
|
2:20:58 (Pop-up) |
|||
| SMASH |
One Hopeless Whisper
|
1969 |
|
2:21:09 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
The Lang And Hopeless Whisper Whose whisper is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his whisper a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:26:55 (Pop-up) |
||
| Syd Barrett |
Swan Lee (Silas Lang)
|
1989 |
|
2:27:37 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
Versatiles - A Haiku Depressing springtime A like versatiles like under the somethin |
|
2:30:44 (Pop-up) |
||
| The Versatiles |
Somethin' Like A Man
|
1968 |
|
2:31:05 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Versatiles, Part 2 - A Haiku Beautiful springtime A quick versatiles like at the old somethin |
|
2:33:38 (Pop-up) |
||
| Elmer Gantry's Velvet Opera |
a quick "b"
|
1969 |
|
2:34:06 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Controls - A Haiku Depressing springtime A social, quick controls pink under the gantrys |
|
2:37:06 (Pop-up) |
||
| Pink Floyd |
Set The Controls For The Heart Of The Sun
|
1968 |
|
2:37:32 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
Controls, Part 2 - A Haiku Darkening springtime A direct, west controls branch because of the branch |
|
2:42:49 (Pop-up) |
||
| West Coast Branch |
Where Is the Door?
|
1967 |
|
2:43:13 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
All that is designed is not omissions, omissions, by all account is unintentional. Down, down, down into the darkness of the omissions, Gently they go - the unwilled, the unwitting, the intentional. The go away that's really total, Above all others is the absent. Down, down, down into the darkness of the absent, Gently it goes - the absolute, the entire, the unconditional. |
|
2:45:52 (Pop-up) |
||
| Blood Sweat & Tears |
My Days Are Numbered
|
Blood, Sweat And Tears | 1968 |
|
2:46:43 (Pop-up) | |
| The Ashes |
Is There Anything I Can Do
|
1967 |
|
2:49:55 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
|
2:52:16 (Pop-up) |
|||
| Josefus |
Situation
|
1970 |
|
2:53:33 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
|
2:55:25 (Pop-up) |
|||
| Young Flowers |
The Moment Life Appeared / Stk. 2
|
1968 |
|
2:55:37 (Pop-up) | ||
| The Lovin' Spoonful |
Full Measure (instrumental version)
|
1966 |
|
2:57:48 (Pop-up) | ||
| The Chocolate Watchband |
Expo 2000
|
The Best Of The Chocolate Watch Band | 1967 |
|
3:00:22 (Pop-up) | |
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
I cannot help but stop and look at floral wreaths. Do wreaths make you shiver? do they? I cannot help but stop and look at yellow chrysanthemums. Down, down, down into the darkness of the chrysanthemums, Gently they go - the white-livered, the jaundiced, the cowardly. Just like lovely blossoms, is roses. Do roses make you shiver? |
|
3:00:28 (Pop-up) |
||
| Ennio Morricone |
Dies Irae Psichedelico (Versione Lunga)
|
1968 |
|
3:01:35 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Psichedelico - A Haiku Shivering springtime when psichedelico found by the morricone |
|
3:03:59 (Pop-up) |
||
| Lost & Found |
Let Me Be
|
1967 |
|
3:04:23 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
Montage - A Haiku Darkening springtime A photo, grand montage found near the pianist |
|
3:07:05 (Pop-up) |
||
| Montage |
Grand Pianist
|
1969 |
|
3:07:27 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
Montage, Part 2 - A Haiku Perpetual spring A rapid, grand montage man on the pianist |
|
3:10:44 (Pop-up) |
||
| Elephant's Memory |
Hot Dog Man
|
1969 |
|
3:11:09 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Invention - A Haiku Shivering springtime A pure, invention lumber watching the mothers |
|
3:14:36 (Pop-up) |
||
| The Mothers Of Invention |
Oh No / The Orange County Lumber Truck / Weasles Ripped My Flesh
|
1970 | 3:15:02 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Invention, Part 2 - A Haiku Eternal springtime A pure, invention lumber by the bifferty |
|
3:22:09 (Pop-up) |
||
| Skip Bifferty |
Mr. Money Man
|
1968 |
|
3:22:39 (Pop-up) | ||
| The Chambers Brothers |
(She Don't Want To) Tie Me Down
|
1967 |
|
3:25:19 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
The follow that's really agreeable, Above all others is the cox. Never forget the concordant and compatible cox. I saw the the british hunter of my generation destroyed, How I mourned the fowler. Does the fowler make you shiver? does it? The fare that's really yellow, |
|
3:27:21 (Pop-up) |
||
| The Byrds |
Child Of The Universe
|
1969 |
|
3:28:12 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
I cannot help but stop and look at the marble adamson. Does the adamson make you shiver? does it? How happy is the veiga cunha! Does the cunha make you shiver? does it? Just like a young man, is the denby. Now wooly-minded is just the thing, |
|
3:31:17 (Pop-up) |
||
| Funkadelic |
I'Ll Bet You
|
1969 |
|
3:31:55 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
I saw the the electrode introduce of my generation destroyed, How I mourned the implant. Does the implant make you shiver? does it? Don't belive that the con is unlogical? the con is logical beyond belief. Down, down, down into the darkness of the con, Gently it goes - the lucid, the discursive, the ratiocinative. |
|
3:36:02 (Pop-up) |
||
| The Maze |
I'm So Sad
|
1968 |
|
3:36:55 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
Maze - A Haiku Darkening springtime An intricate, cut maze cut at the perfect cut |
|
3:43:53 (Pop-up) |
||
| Syd Barrett |
Waving My Arms in the Air [Take 1]
|
1970 |
|
3:45:11 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
A fren, however hard it tries, Will always be southern. Are you upset by how austral it is? Does it tear you apart to see the fren so south-central? How happy is the lovely wilkinson! Down, down, down into the darkness of the wilkinson, Gently it goes - the beautiful, the lovable, the adorable. Meyers are american society. |
|
3:47:19 (Pop-up) |
||
| The Weirdos and the voice of Mr. Gasser |
Hey, Rat Fink
|
1964 |
|
3:48:16 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Corporal - A Haiku Eternal springtime A german, corporal voice above the gasser |
|
3:50:11 (Pop-up) |
||
| Pink Floyd |
Corporal Clegg
|
1968 |
|
3:50:49 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Millennium - A Haiku Shivering springtime A late, millennium pink watching the sequence |
|
3:54:50 (Pop-up) |
||
| The Millennium |
Karmic Dream Sequence #1
|
1968 |
|
3:55:17 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Millennium, Part 2 - A Haiku Darkening springtime A 3rd, millennium mother before the sequence |
|
4:03:41 (Pop-up) |
||
| The Apryl Fool |
The Lost Mother Land (Part 2)
|
1969 |
|
4:04:13 (Pop-up) | ||
| SRC |
Up All Night
|
1969 |
|
4:06:16 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
|
4:09:20 (Pop-up) |
|||
| Velvet Opera |
Money By
|
1970 |
|
4:09:34 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
Pay attention to the forefinger, the forefinger is the most left finger of all. Are you upset by how liberal it is? Does it tear you apart to see the forefinger so left-of-center? I cannot help but stop and look at the arched forehead. Are you upset by how arcuate it is? Does it tear you apart to see the forehead so arciform? Pay attention to the pinkie, |
|
4:14:16 (Pop-up) |
||
| dorothy ashby |
The Moving Finger
|
1970 |
|
4:15:02 (Pop-up) | ||
| Erik |
Why Come Another Day
|
1968 |
|
4:20:37 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Living - A Haiku Darkening springtime A living living finger despite the finger |
|
4:23:43 (Pop-up) |
||
| Lost & Found |
Living Eye
|
1967 |
|
4:24:10 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
Memory - A Haiku Perpetual spring A living memory found under the willow |
|
4:31:42 (Pop-up) |
||
| Elephant's Memory |
Old Man Willow
|
1969 |
|
4:32:03 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Lightnin - A Haiku Shivering springtime suddenly man lightnin rain at the old hopkins |
|
4:39:05 (Pop-up) |
||
| Lightnin' Hopkins |
Rain Falling
|
1968 |
|
4:39:31 (Pop-up) | ||
| The End |
Shades Of Orange
|
Shades Of Orange | 1969 |
|
4:44:30 (Pop-up) | |
| The Chambers Brothers |
Don't Lose Your Cool
|
1967 |
|
4:47:02 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
A crawford, however hard it tries, Will always be bray. Does the crawford make you shiver? does it? Spinks, however hard they try, Will always be miserable. Spinks are scurvy. spinks are pathetic, spinks are pitiful, however. |
|
4:48:47 (Pop-up) |
||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
4:50:46 (Pop-up) | ||||
| Thee Midniters |
Whittier Blvd.
|
Grandson of Frat Rock, Volume 3 |
|
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Listener comments!
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