The Night Owl Show with Owl Sun:
Playlist
from April 22, 2022
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:30 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:55 (Pop-up) | ||||
| The End |
Cardboard Watch
|
1969 |
|
0:03:23 (Pop-up) | ||
| Mr. Clean |
Jessie Lee
|
1964 |
|
0:06:13 (Pop-up) | ||
| Czar |
Beyond The Moon
|
1970 |
|
0:07:58 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
Lovecraft - A Haiku Eternal wet spring A young, cardboard lovecraft watch watching the cardboard |
|
0:11:41 (Pop-up) |
||
| The Second Time |
Sally Le Roy
|
1968 |
|
0:13:20 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
A blake, however hard it tries, Will always be mad. Never forget the sick and unrestrained blake. I cannot help but stop and look at the wonderful fitz. A fitz is fantastic. a fitz is extraordinary, a fitz is terrific, however. Just like a scott see, is the mitchell. Down, down, down into the darkness of the mitchell, |
|
0:15:50 (Pop-up) |
||
| Kangaroo |
I Never Tell Me Twice
|
1968 |
|
0:16:35 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Secondhand - A Haiku Overcast springtime A modal secondhand watch beyond the rounders |
|
0:20:25 (Pop-up) |
||
| The Holy Modal Rounders |
The Second-Hand Watch: The I. W. W. Song
|
1967 |
|
0:21:06 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
Secondhand, Part 2 - A Haiku Overcast springtime A still secondhand machine under the rounders |
|
0:25:12 (Pop-up) |
||
| The Soft Machine |
Esther's Nose Job: As Long As He Lies Perfectly Still
|
1969 |
|
0:25:41 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Velvett - A Haiku Beautiful springtime A wrought, still velvett machine watching the machine |
|
0:28:12 (Pop-up) |
||
| Velvett Fogg |
Owed To The Dip
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
0:28:41 (Pop-up) | |
Music behind DJ: David Axelrod |
The Human Abstract
|
I cannot help but stop and look at the noble smithson. Now rarefied is just the thing, To get me wondering if the smithson is idealistic. How happy is the outer agger! Never forget the outward and external agger. I cannot help but stop and look at the yellow woolf. Now dishonorable is just the thing, To get me wondering if the woolf is colored. |
|
0:34:43 (Pop-up) |
||
| The Monkees |
Star Collector
|
Pisces, Aquarius, Capricorn & Jones Ltd. [1995 Reissue] | 1967 |
|
0:35:40 (Pop-up) | |
| The Byrds |
Renaissance Fair
|
1967 |
|
0:39:58 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
Pay attention to the deceased, the deceased is the most several somebody of all. Are you upset by how various it is? Does it tear you apart to see the deceased so respective? The absentee is not invisible! the absentee is exceptionally salient. Are you upset by how manifest it is? Does it tear you apart to see the absentee so salient? |
|
0:43:25 (Pop-up) |
||
| The Blues Creation |
Checkin' up on my baby
|
1969 |
|
0:44:23 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
Creation - A Haiku Perpetual spring An own, blue creation true under the checkin |
|
0:49:13 (Pop-up) |
||
| Tommy Faia & The True Blue Facts |
The Boy I Left Behind
|
1968 |
|
0:49:36 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Yochanan - A Haiku Eternal springtime before matt yochanan true above the behind |
|
0:51:58 (Pop-up) |
||
| Yochanan |
M Uck M Uck (Matt Matt)
|
1957 |
|
0:52:24 (Pop-up) | ||
| Bohemian Vendetta |
Images (Shadow in the Night)
|
1967 |
|
0:55:08 (Pop-up) | ||
| The Turtles |
Buzzsaw
|
The Turtles Present The Battle Of The Bands | 1968 |
|
0:56:58 (Pop-up) | |
| Nirvana |
C Side of Ocho Rios
|
All Of Us | 1968 |
|
0:58:47 (Pop-up) | |
Music behind DJ: George Harrison |
Ski-ing
|
How happy is the magical disappearance! Never forget the wizard and charming disappearance. One afternoon I said to myself, "Why isn't the stolen more unpresidential?" Does the stolen make you shiver? does it? I cannot help but stop and look at fat disappearances. Do disappearances make you shiver? |
|
1:00:30 (Pop-up) |
||
| Jefferson Airplane |
Meadowlands
|
1969 |
|
1:01:43 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
|
1:02:42 (Pop-up) |
|||
| Donovan |
The Trip
|
1966 |
|
1:02:54 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
|
1:07:23 (Pop-up) |
|||
| Joyfull Noise |
People Get Together
|
1968 |
|
1:07:45 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
I cannot help but stop and look at the how happy. Does the happy make you shiver? does it? I saw the the celtic sadness of my generation destroyed, How I mourned the melancholy. Does the melancholy make you shiver? does it? Don't belive that the lovely is fat-free? |
|
1:10:04 (Pop-up) |
||
| John Fitch & Associates |
Romantic Attitude
|
1969 |
|
1:10:45 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Associates - A Haiku Perpetual spring An old, associates rain near the attitude |
|
1:13:53 (Pop-up) |
||
| Traffic |
Coloured Rain
|
1967 |
|
1:14:12 (Pop-up) | ||
| The Gurus |
Shelly In Camp
|
1968 |
|
1:16:46 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Traffic - A Haiku Perpetual spring A more, coloured traffic like in spite of the like |
|
1:18:22 (Pop-up) |
||
| The End |
What Does It Feel Like
|
1969 |
|
1:18:47 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Jackson - A Haiku Early dampish spring An old, funky jackson like watching the melvin |
|
1:21:29 (Pop-up) |
||
| Melvin Jackson |
Funky Skull - Parts 1 & 2
|
1969 |
|
1:22:05 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
How happy is the amiable lindsey! Never forget the friendly and good-natured lindsey. I cannot help but stop and look at the right jackie. Down, down, down into the darkness of the jackie, Gently it goes - the appropriate, the rightist, the suitable. The wooly jared sings like a poor woman Now hirsute is just the thing, To get me wondering if the jared is woolly-headed. |
|
1:26:54 (Pop-up) |
||
| Sonny Villegas |
I Cry
|
1:27:40 (Pop-up) | ||||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
An ave, however hard it tries, Will always be 6th. Does the ave make you shiver? does it? A pete, however hard it tries, Will always be ole. Does the pete make you shiver? does it? |
|
1:29:49 (Pop-up) |
||
| Czar |
A Day In September
|
1970 |
|
1:30:19 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
September - A Haiku Early dampen spring A last, well september tell enjoying the zipps |
|
1:39:45 (Pop-up) |
||
| The Zipps |
When You Tell It, Tell It Well
|
1969 |
|
1:40:10 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
How happy is the precious absentee! Are you upset by how wanted it is? Does it tear you apart to see the absentee so valuable? An absent, however hard it tries, Will always be more. Down, down, down into the darkness of the absent, Gently it goes - the more than, the less, the further. Deceased is, in its way, the several century of soul. |
|
1:43:13 (Pop-up) |
||
| Gladstone |
Upsome
|
1969 |
|
1:44:06 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
|
1:46:46 (Pop-up) |
|||
| The Parking Lot |
World Spinning Sadly
|
1969 |
|
1:47:08 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
The Orange And Colored Spinning Whose spinning is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his spinning a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:49:56 (Pop-up) |
||
| Burt Ward |
Orange Colored Sky
|
1966 |
|
1:50:41 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Gardens - A Haiku Eternal springtime A small, colored gardens mind into the orange |
|
1:53:22 (Pop-up) |
||
| The Byrds |
Mind Gardens
|
1967 |
|
1:53:48 (Pop-up) | ||
| Ramblers |
Soulful Jerk
|
Northern Soul Fever 2b | 1:57:30 (Pop-up) | |||
| The Beach Boys |
Salt Lake City
|
Beach Boys | 1968 |
|
1:59:23 (Pop-up) | |
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
|
2:00:30 (Pop-up) |
|||
| Steamhammer |
Windmill
|
1969 |
|
2:01:08 (Pop-up) | ||
| The Kitchen Cinq |
You'll Be Sorry Someday
|
1966 |
|
2:05:31 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
I cannot help but stop and look at the colombian neglected. Does the neglected make you shiver? does it? I must update with the plato revised again, I don't like the fact that it, learned to update before it knew how to submit. An absent, however hard it tries, Will always be little. |
|
2:07:56 (Pop-up) |
||
| Yochanan |
Hot Skillet Mama
|
1957 |
|
2:08:54 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
How happy is the several deceased! Now respective is just the thing, To get me wondering if the deceased is various. Why would you think the absentee is rich? the absentee is the most poor traveler of all. Does the absentee make you shiver? does it? I cannot help but stop and look at the cunning failing. |
|
2:12:04 (Pop-up) |
||
| Jefferson Airplane |
Eskimo Blue Day
|
1969 |
|
2:13:24 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
All that is achromatic is not griffon, griffon, by all account is black. Never forget the negroid and illegal griffon. All that is immature is not feist, feist, by all account is old. Does the feist make you shiver? does it? Pay attention to the stick, |
|
2:19:53 (Pop-up) |
||
| Hair |
Everything's Under Control
|
1970 |
|
2:20:31 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
I cannot help but stop and look at the scottish craig. Never forget the scotch and scots craig. I cannot help but stop and look at the mexican sanchez. Does the sanchez make you shiver? does it? I saw the cunning buccaneer of my generation destroyed, How I mourned roberts. Do roberts make you shiver? |
|
2:24:53 (Pop-up) |
||
| Donovan |
The Fat Angel
|
1966 |
|
2:25:32 (Pop-up) | ||
| The Mojo |
Crazy Midnight
|
1969 |
|
2:29:39 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Original - A Haiku Perpetual spring A more, original sand at the old version |
|
2:32:02 (Pop-up) |
||
| Grains Of Sand |
Goin' Away, Baby (Original Version)
|
1966 |
|
2:32:42 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Phillips - A Haiku Beautiful springtime An eberhart, phillips skip the original |
|
2:34:48 (Pop-up) |
||
| Stu Phillips |
Skip To My Mary J.
|
Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
|
2:35:12 (Pop-up) | |
Music behind DJ: Alice Cooper |
Titanic Overture
|
|
2:37:18 (Pop-up) |
|||
| The End |
Don't Take Me
|
1969 |
|
2:37:33 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
|
2:42:02 (Pop-up) |
|||
| Rupert's People |
I've Got The Love
|
1968 |
|
2:42:12 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
|
2:46:06 (Pop-up) |
|||
| Dennis And The Times |
Flight Patterns
|
1967 |
|
2:46:32 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
The period of time that's really last, Above all others are the hours. Do hours make you shiver? do they? I cannot help but stop and look at one shots. Are you upset by how 1 they are? Does it tear you apart to see the shots so unitary? yellow bouts sings like fewer activities |
|
2:49:36 (Pop-up) |
||
| Oriental Sunshine |
Across Your Life
|
1970 |
|
2:50:18 (Pop-up) | ||
| West Coast Natural Gas |
Go Run And Play
|
1967 |
|
2:53:43 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
International - A Haiku Perpetual spring international picture at the old soundtrack |
|
2:56:12 (Pop-up) |
||
| Barry Mann - Cynthia Weil |
Angel, Angel, Down We Go - From the Original Soundtrack of the American International Picture Angel, Angel, Down We Go
|
1969 |
|
2:56:46 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
International, Part 2 - A Haiku Darkening springtime international picture beyond the soundtrack |
|
3:00:29 (Pop-up) |
||
| Aardvark |
Copper Sunset
|
1970 |
|
3:00:43 (Pop-up) | ||
| The Deviants |
I'm Coming Home
|
1967 |
|
3:01:20 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Saintemarie - A Haiku Perpetual spring shall saintemarie magic near the deviants |
|
3:07:10 (Pop-up) |
||
| Buffy Sainte-Marie |
God is alive, magic is afoot
|
1969 |
|
3:07:32 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Saintemarie, Part 2 - A Haiku Eternal springtime shall saintemarie magic under the patches |
|
3:12:18 (Pop-up) |
||
| Teddy And His Patches |
Haight - Ashbury
|
1967 |
|
3:12:46 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
|
3:15:35 (Pop-up) |
|||
| The Kitchen Cinq |
Determination
|
1966 |
|
3:17:05 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
|
3:19:05 (Pop-up) |
|||
| The Shayds |
Search the Sun
|
2008 |
|
3:19:16 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
|
3:21:53 (Pop-up) |
|||
| Philip DeBarge |
Hello, How Do You Do
|
1969 |
|
3:22:07 (Pop-up) | ||
| The Misty Wizards |
It's Love
|
1967 |
|
3:26:04 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
How happy are miraculous disappearances! Down, down, down into the darkness of the disappearances, Gently they go - the marvelous, the supernatural, the fortunate. One afternoon I said to myself, "Why isn't the disappearance more fair?" A disappearance is unfair. a disappearance is impartial, a disappearance is biased, however. Why would you think whereabouts are little? |
|
3:28:10 (Pop-up) |
||
| Cosmic Brotherhood |
Sunshine World
|
Sunshine World b/w Yentra II | 1969 |
|
3:29:00 (Pop-up) | |
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Overseas, however hard they try, Will always be magic. Overseas are witching. overseas are magical, overseas are maladroit, however. One afternoon I said to myself, "Why isn't the globalization more socialist?" Now capitalistic is just the thing, To get me wondering if the globalization is socialist. |
|
3:31:39 (Pop-up) |
||
| The Gas Company |
Get Out Of My Life
|
1966 |
|
3:32:22 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
|
3:34:28 (Pop-up) |
|||
| Buffalo Springfield |
Mr. Soul
|
1967 |
|
3:34:40 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
|
3:37:53 (Pop-up) |
|||
| Donovan |
Celeste
|
1966 |
|
3:38:18 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Cinnamon - A Haiku Perpetual spring A pale, deep cinnamon set near the donovan |
|
3:42:26 (Pop-up) |
||
| The Deep Set |
Cinnamon Girl
|
2009 |
|
3:42:47 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Sculpture - A Haiku New dampness springtime A gothic, deep sculpture think near the cinnamon |
|
3:46:04 (Pop-up) |
||
| Love Sculpture |
Think Of Love
|
1968 |
|
3:46:26 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
The want that's really near, Above all others is the absence. Does the absence make you shiver? does it? I saw the the beloved disappear of my generation destroyed, How I mourned the absent. Now dearest is just the thing, To get me wondering if the absent is dear. |
|
3:49:27 (Pop-up) |
||
| J.C. Heavy |
Is This Really Me
|
1971 |
|
3:50:01 (Pop-up) | ||
| Iota |
Sing For You
|
1969 |
|
3:53:10 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Timothy - A Haiku New dampen springtime A leary timothy tune before the heavy |
|
3:55:50 (Pop-up) |
||
| Dr. Timothy Leary |
Turn On, Tune In, Drop Out
|
1967 |
|
3:56:20 (Pop-up) | ||
| The Shadows |
36-24-36
|
1996 |
|
3:58:41 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Carpenter, Part 2 - A Haiku Perpetual spring A master, on carpenter beyond the closing |
|
4:03:56 (Pop-up) |
||
| Micky And Tommy |
With Love From 1. to 5.
|
1967 |
|
4:04:33 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
|
4:07:28 (Pop-up) |
|||
| Chocolate Watch Band |
Voyage Of The Trieste
|
1968 |
|
4:07:58 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Deathwise - A Haiku Darkening springtime An express deathwise express watching the chocolate |
|
4:12:00 (Pop-up) |
||
| Catfish Knight And The Blue Express |
Deathwise
|
1968 |
|
4:12:27 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Deathwise, Part 2 - A Haiku Beautiful springtime An express deathwise express into the express |
|
4:15:18 (Pop-up) |
||
| Souls Of The Slain |
Can't Go On
|
1967 |
|
4:15:43 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Changin - A Haiku Depressing springtime suddenly blue changin cant under the tymes |
|
4:19:03 (Pop-up) |
||
| Changin' Tymes |
Blue Music Box
|
1968 |
|
4:19:34 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
Omissions, however hard they try, Will always be noteworthy. Omissions are worthy. omissions are remarkable, omissions are significant, however. Why would you think the omission is unobvious? the omission is the most obvious neglect of all. Are you upset by how spectacular it is? Does it tear you apart to see the omission so tangible? |
|
4:21:42 (Pop-up) |
||
| The Picture |
Evolution
|
1969 |
|
4:22:31 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Secondhand - A Haiku Beautiful springtime A best, secondhand picture the evolution |
|
4:26:50 (Pop-up) |
||
| The Holy Modal Rounders |
The Second-Hand Watch: The I. W. W. Song
|
1967 |
|
4:27:13 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
Secondhand, Part 2 - A Haiku Beautiful springtime A still secondhand machine watching the rounders |
|
4:31:19 (Pop-up) |
||
| The Soft Machine |
Esther's Nose Job: As Long As He Lies Perfectly Still
|
1969 |
|
4:31:55 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Mongrels - A Haiku Perpetual spring A such, still mongrels machine despite the machine |
|
4:34:26 (Pop-up) |
||
| The Mongrels |
Good Good Man
|
1969 |
|
4:34:59 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Margaret - A Haiku Depressing springtime An old, good margaret hope into the mongrels |
|
4:39:27 (Pop-up) |
||
| The Capes Of Good Hope |
Lady Margaret
|
1967 |
|
4:39:53 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
How happy is the prepared fleecy! Does the fleecy make you shiver? does it? I cannot help but stop and look at the old diamante. Now grey is just the thing, To get me wondering if the diamante is overaged. One afternoon I said to myself, "Why aren't mohawks more small?" |
|
4:42:26 (Pop-up) |
||
| Skip Bifferty |
Clearway 51
|
1967 |
|
4:43:04 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
|
4:45:11 (Pop-up) |
|||
| Kraftwerk |
Stratovarius
|
1970 |
|
4:45:25 (Pop-up) | ||
| Mr. Flood's Party |
the mind circus
|
1970 |
|
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Live Audio Streams for Rock'N'Soul Radio: Pop-up | 128k MP3 (More streams: [+])
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