The Night Owl Show with Owl Sun:
Playlist
from May 7, 2022
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
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On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
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| Nirvana |
In The Courtyard Of The Stars [Mono]
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1967 | 0:00:27 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
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0:02:52 (Pop-up) | ||||
| Ruby |
Confusion
|
1970 |
|
0:03:37 (Pop-up) | ||
| The Roosters |
You Gotta Run
|
1966 |
|
0:06:57 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
|
0:09:16 (Pop-up) |
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| Stone Garden |
Woodstick
|
1969 |
|
0:09:51 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
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How happy are earlier prefaces! Down, down, down into the darkness of the prefaces, Gently they go - the early, the past, the earliest. All that is bloodless is not forgotten, forgotten, by all account is bloody. Does the forgotten make you shiver? does it? Don't belive that the absent is fatless? |
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0:19:06 (Pop-up) |
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| Ry Cooper |
The Game Of Life
|
1966 |
|
0:19:49 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
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Traffic - A Haiku Eternal moist spring A local traffic cooper watching the cooper |
|
0:22:06 (Pop-up) |
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| The Local Traffic |
Time Gone To Waste
|
1968 |
|
0:22:42 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
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Traffic, Part 2 - A Haiku Showery springtime A way, local traffic waste under the local |
|
0:25:26 (Pop-up) |
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| sum pear |
Hey Sun
|
1971 |
|
0:25:49 (Pop-up) | ||
| Sandy Gurley and the San Francisco Bridge |
Mind Pucker
|
1968 |
|
0:29:18 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Pay attention to the punk, the punk is the most goofy rock of all. Never forget the zany and fool punk. The motown is not immature! the motown is exceptionally auld. A motown is past. a motown is auld, a motown is grey-headed, however. When I think of the ska, I see a zak shu. |
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0:31:30 (Pop-up) |
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| Funkadelic |
Music For My Mother (Instrumental)
|
1969 |
|
0:32:14 (Pop-up) | ||
| Velvett Fogg |
Telstar '69
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Telstar '69 b/w Owed To The Dip | 1969 |
|
0:38:22 (Pop-up) | |
| The Search Party: |
So Many Things Have Got Me Down
|
1969 | 0:41:03 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Instrumental - A Haiku Depressing springtime How instrumental mother the funkadelic |
|
0:50:08 (Pop-up) |
||
| Street |
What A Strange Town
|
1968 |
|
0:52:05 (Pop-up) | ||
| Ramblers |
Soulful Jerk
|
Northern Soul Fever 2b | 0:58:00 (Pop-up) | |||
| Ramsey Lewis |
Sexy Sadie
|
1968 |
|
0:59:52 (Pop-up) | ||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme
|
All that is undemocratic is not spain, spain, by all account is democratic. Does the spain make you shiver? does it? I saw the the dissolved trioxide of my generation destroyed, How I mourned the arsenic. Does the arsenic make you shiver? does it? |
|
1:00:26 (Pop-up) |
||
| The Rubber Band |
Rubber Jam
|
1969 |
|
1:01:24 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
|
1:05:44 (Pop-up) |
|||
| Sunshine Company |
Willie Jean
|
1968 |
|
1:05:55 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
Pay attention to the screenwriter, the screenwriter is the most brilliant scriptwriter of all. Now glorious is just the thing, To get me wondering if the screenwriter is colourful. The everyone is not square! the everyone is exceptionally moon-round. Now coccoid is just the thing, To get me wondering if the everyone is moon-round. |
|
1:10:16 (Pop-up) |
||
| Pete Brown & Piblokto! |
High Flying Electric Bird
|
1970 |
|
1:11:09 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
How happy is the gonna ralph! Does the ralph make you shiver? does it? I cannot help but stop and look at pugh roberts. Do roberts make you shiver? do they? Don't belive that the christina is small? the christina is big beyond belief. |
|
1:15:22 (Pop-up) |
||
| Sugar Creek |
Night Flash
|
1969 |
|
1:17:06 (Pop-up) | ||
| Thor's Hammer |
My Life (from the Paramount Picture "Umbarumbamba"
|
1966 |
|
1:20:25 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Resurrection - A Haiku Showery springtime why resurrection savage into the savage |
|
1:22:40 (Pop-up) |
||
| The Savage Resurrection |
Every Little Song
|
1968 |
|
1:23:11 (Pop-up) | ||
| Pete Brown and Piblokto |
Living Life Backwards
|
1969 |
|
1:24:57 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
The Little And Savage Resurrection Whose resurrection is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his resurrection a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:26:58 (Pop-up) |
||
| Big Jim Sullivan |
Tallyman
|
Sitar Beat | 1968 |
|
1:27:49 (Pop-up) | |
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
|
1:30:20 (Pop-up) |
|||
| The Roosters |
I'm Suspectin'
|
1968 |
|
1:30:42 (Pop-up) | ||
| The Nebulas |
A Mind Where People Smile
|
1970 |
|
1:33:01 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Whose resurrection is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his resurrection a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:36:06 (Pop-up) |
||
| Sandy Gurley and the San Francisco Bridge |
Can't Buy Me Love
|
1968 |
|
1:40:57 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Francisco - A Haiku Showery springtime A sandy francisco bridge at the perfect bridge |
|
1:44:11 (Pop-up) |
||
| Art Zoyd |
Something In Love
|
1971 |
|
1:44:41 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
One afternoon I said to myself, "Why aren't omissions more of import?" Now light is just the thing, To get me wondering if omissions are significant. I must submit with the fourth revised again, A revised is quaternary. a revised is 4th, a revised is ordinal, however. Just like scarce days, is the been. |
|
1:47:47 (Pop-up) |
||
| Steve Baron Quartet |
Bertha Was The Mother Of Us All
|
1969 |
|
1:48:39 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
Disappearances, however hard they try, Will always be mysterious. Never forget the deep and secret disappearances. A gone, however hard it tries, Will always be dog. Does the gone make you shiver? does it? How happy is the zany stolen! |
|
1:52:11 (Pop-up) |
||
| The Gentle Soul |
Song For Eolia
|
1968 |
|
1:52:50 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Velvet - A Haiku New dampen springtime A gentle velvet gentle after the gentle |
|
1:54:59 (Pop-up) |
||
| Velvet Night |
I'm Sure He'll Come Most Anytime
|
1969 |
|
1:55:21 (Pop-up) | ||
| Bill Plummer And The Cosmic Brotherhood |
Lady Friend
|
Bill Plummer And The Cosmic Brotherhood | 1968 |
|
1:57:51 (Pop-up) | |
Music behind DJ: David Axelrod |
The Human Abstract
|
Pay attention to the imo, the imo is the most norwegian un agency of all. Does the imo make you shiver? does it? How happy is the least concern! A concern is littlest. a concern is most, a concern is small, however. One afternoon I said to myself, |
|
2:00:27 (Pop-up) |
||
| Lyd |
The time of hate and struggle
|
1970 |
|
2:01:14 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
How happy is the afraid something! Now concerned is just the thing, To get me wondering if the something is disinclined. The nothing is not top! the nothing is exceptionally posterior. A nothing is top. a nothing is posterior, a nothing is rear, however. Thing is best way. |
|
2:04:10 (Pop-up) |
||
| Street |
There's One Kind Favor
|
1968 |
|
2:04:49 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Steeplechase - A Haiku Depressing springtime A metre, wrought steeplechase in spite of the street |
|
2:07:48 (Pop-up) |
||
| Steeplechase |
Wrought Iron Man
|
1970 |
|
2:08:09 (Pop-up) | ||
| The Rubber Band |
Strange Brew
|
1969 |
|
2:13:13 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Steeplechase, Part 2 - A Haiku Beautiful springtime A metre, wrought steeplechase by the crayola |
|
2:16:10 (Pop-up) |
||
| The Red Crayola |
Vile Vile Grass
|
2008 |
|
2:16:46 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Crayola - A Haiku Perpetual spring An evil crayola people into the people |
|
2:18:55 (Pop-up) |
||
| Womb |
Evil People
|
1969 |
|
2:19:34 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
County - A Haiku Eternal wet spring A county county people despite the people |
|
2:29:56 (Pop-up) |
||
| Linn County |
Moon Food
|
1968 |
|
2:30:31 (Pop-up) | ||
| The Waphphle |
Going Down
|
1967 |
|
2:36:54 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Disappearances, however hard they try, Will always be mysterious. Down, down, down into the darkness of the disappearances, Gently they go - the esoteric, the mystic, the deep. Don't belive that whereabouts are known? whereabouts are unknown beyond belief. Do whereabouts make you shiver? do they? |
|
2:38:28 (Pop-up) |
||
| George Harrison |
Party Seacombe
|
Wonderwall Music | 1968 |
|
2:39:13 (Pop-up) | |
Music behind DJ: Pedro Santos |
Savana
|
The Party And Savage Resurrection Whose resurrection is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her resurrection a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:43:41 (Pop-up) |
||
| The Savage Resurrection |
Tahitian Melody
|
1968 |
|
2:44:41 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Resurrection - A Haiku Beautiful springtime resurrection overdose documentary |
|
2:48:18 (Pop-up) |
||
| Pete Brown & Piblokto! |
Firesong
|
1970 |
|
2:52:47 (Pop-up) | ||
| The Vampires' Sound Incorporation |
There Is No Satisfaction
|
1969 |
|
2:58:42 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
The Brown And Feeling Piblokto Whose piblokto is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his piblokto a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:00:26 (Pop-up) |
||
| Steve Baron Quartet |
Don't You Hate The Feeling
|
1969 |
|
3:01:21 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
How happy is the old mitch! Does the mitch make you shiver? does it? How happy is the sanchez esteban! Does the esteban make you shiver? does it? How happy is the cunning jason! A jason is wily. a jason is clever, |
|
3:07:09 (Pop-up) |
||
| The Nebulas |
I Can Always Love
|
1970 |
|
3:07:47 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
Bubblegum - A Haiku Early cloudy spring A pink, bubblegum captain before the captain |
|
3:10:22 (Pop-up) |
||
| Captain Groovy And His Bubblegum Army |
Dark Part Of My Mind
|
1969 |
|
3:10:48 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Bubblegum, Part 2 - A Haiku Early brumous spring A pink, bubblegum captain before the captain |
|
3:14:22 (Pop-up) |
||
| Lyd |
Stay high / My way is still okay
|
1970 |
|
3:15:01 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Company - A Haiku New dampish springtime An own, still company still watching the hangin |
|
3:18:56 (Pop-up) |
||
| The Tea Company |
You Keep Me Hangin' On
|
1968 |
|
3:19:18 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
The happening that's really damned, Above all others is the thing. Are you upset by how infernal it is? Does it tear you apart to see the thing so blamed? One afternoon I said to myself, "Why isn't the poop more kept?" A poop is broken-field. a poop is broken in, a poop is rugged, however. |
|
3:28:04 (Pop-up) |
||
| Velvet Night |
Velvet Night
|
1970 |
|
3:28:43 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
|
3:31:34 (Pop-up) |
|||
| Frantics |
Someday
|
1966 |
|
3:31:47 (Pop-up) | ||
| The Rites |
Things
|
1967 |
|
3:34:19 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
I cannot help but stop and look at the how been. Does the been make you shiver? does it? Why would you think the omission is undesigned? the omission is the most intentional neglect of all. Are you upset by how intended it is? Does it tear you apart to see the omission so wilful? I cannot help but stop and look at the wooly neglected. |
|
3:36:11 (Pop-up) |
||
| Violent River |
Never Will I Love Again
|
2022 | 3:36:56 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address
|
Players - A Haiku Inclement springtime An other, players gentle in spite of the blaine |
|
3:39:21 (Pop-up) |
||
| Steve Allen And The Gentle Players, featuring Gabor Szabo and Hal Blaine |
Fox
|
1967 |
|
3:39:53 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Sopwith - A Haiku New dampish springtime A gentle sopwith gentle watching the players |
|
3:43:48 (Pop-up) |
||
| Linn County |
Think
|
1968 |
|
3:45:24 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Motherhood - A Haiku Perpetual spring A county motherhood think after the county |
|
3:48:47 (Pop-up) |
||
| The Apple Pie Motherhood Band |
Super Music Man
|
1969 |
|
3:49:14 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Motherhood, Part 2 - A Haiku Eternal springtime A time, flash motherhood flash because of the flash |
|
3:53:29 (Pop-up) |
||
| Womb |
Flash
|
1969 |
|
3:53:54 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
Resurrection - A Haiku Darkening springtime when resurrection savage a someones |
|
4:03:19 (Pop-up) |
||
| The Savage Resurrection |
Someone's Changing
|
1968 |
|
4:03:44 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
Steeplechase - A Haiku Depressing springtime A local, bright steeplechase a resurrection |
|
4:06:14 (Pop-up) |
||
| Steeplechase |
Lady Bright
|
1970 |
|
4:06:36 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
Steeplechase, Part 2 - A Haiku Showery springtime A local, bright steeplechase watching the broughton |
|
4:10:39 (Pop-up) |
||
| Edgar Broughton Band |
Evil
|
1969 |
|
4:11:16 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
The Evil And Insane Band Whose band is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his band a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
4:14:37 (Pop-up) |
||
| The Doors |
Insane
|
1965 |
|
4:15:19 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
I cannot help but stop and look at wooden gateways. Are you upset by how woody they are? Does it tear you apart to see the gateways so awkward? How happy are new ways! Never forget the unexampled and untried ways. Borders, however hard they try, Will always be cunning. Now crafty is just the thing, |
|
4:17:41 (Pop-up) |
||
| mike tingley |
Monotony's Message
|
1968 |
|
4:18:18 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
|
4:21:45 (Pop-up) |
|||
| tickets |
El Rigor De Las Desdichas
|
1970 |
|
4:22:13 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Desdichas - A Haiku Beautiful springtime before white desdichas cream out of studio |
|
4:26:03 (Pop-up) |
||
| Cream |
In The Studio: White Room
|
1968 |
|
4:26:40 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Francisco - A Haiku Showery springtime A sandy francisco bridge betrayed by the bridge |
|
4:31:34 (Pop-up) |
||
| Sandy Gurley and the San Francisco Bridge |
Mind Pucker
|
1968 |
|
4:32:13 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Instrumental - A Haiku Inclement springtime For instrumental mother the funkadelic |
|
4:34:24 (Pop-up) |
||
| Funkadelic |
Music For My Mother (Instrumental)
|
1969 |
|
4:34:48 (Pop-up) | ||
| Lyd |
Crash pad
|
1970 |
|
4:40:56 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
How happy is the real groovy! Now substantial is just the thing, To get me wondering if the groovy is actual. Pay attention to the reggae, the reggae is the most rastafarian popular music of all. Does the reggae make you shiver? does it? A psychedelia, however hard it tries, |
|
4:44:05 (Pop-up) |
||
| Velvet Night |
Freak Show
|
1970 |
|
4:44:51 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Bright - A Haiku Showery springtime A radical, bright bright grass before the velvet |
|
4:48:30 (Pop-up) |
||
| The Grass Roots |
Hot Bright Lights
|
1968 |
|
4:48:53 (Pop-up) | ||
| Vainica Doble |
La Bruja
|
1970 |
|
|||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
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