The Night Owl Show with Owl Sun:
Playlist
from May 16, 2022
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
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| Nirvana |
In The Courtyard Of The Stars [Mono]
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1967 | 0:00:27 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:52 (Pop-up) | ||||
| it's all meat |
You Brought Me Back To My Senses
|
1970 |
|
0:03:21 (Pop-up) | ||
| The Troll |
Mourning Of Day
|
1968 |
|
0:06:29 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
All that is light is not faces, faces, by all account is dark. Never forget the saturnine and benighted faces. I cannot help but stop and look at fluorescent paints. Do paints make you shiver? do they? How happy are big tones! Never forget the enceinte and life-size tones. |
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0:11:43 (Pop-up) |
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| Colours |
Cataleptic
|
1968 |
|
0:12:24 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
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Cataleptic - A Haiku Beautiful springtime before cataleptic man watching the colours |
|
0:15:19 (Pop-up) |
||
| goundhogs |
Rich Man, Poor Man
|
1970 |
|
0:15:41 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
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Mecki - A Haiku Eternal wet spring suddenly mecki cycle above the being |
|
0:19:04 (Pop-up) |
||
| Mecki Mark Men |
The Life Cycle: a) Born, b) Different Directions, c) Being Is More Than Life
|
1969 |
|
0:19:39 (Pop-up) | ||
| Michele |
White Linen
|
1969 |
|
0:29:13 (Pop-up) | ||
| Jolliver Arkansaw |
A Girl Like Mary
|
1969 |
|
0:31:37 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Ensemble - A Haiku Beautiful springtime A large, ensemble cycle despite the pauline |
|
0:33:52 (Pop-up) |
||
| The New York Rock & Roll Ensemble |
Poor Pauline
|
1968 |
|
0:34:35 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
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Connection - A Haiku New dampness springtime A causal, connection love by the ensemble |
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0:37:20 (Pop-up) |
||
| Brother Love |
Rotary Connection
|
The Listening Post | 0:38:04 (Pop-up) | |||
| the glitterhouse |
Happy To Have You Here Again
|
1968 |
|
0:39:36 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
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Connection, Part 2 - A Haiku Beautiful springtime A causal, connection love despite the brother |
|
0:43:51 (Pop-up) |
||
| The Leaves |
Girl From The East
|
1966 |
|
0:44:24 (Pop-up) | ||
| Family |
Me My Friend
|
1968 |
|
0:47:16 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
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Heenan - A Haiku Beautiful springtime suddenly east heenan set at the perfect leaves |
|
0:49:16 (Pop-up) |
||
| Dave Heenan Set |
So Many Roads
|
1967 |
|
0:49:46 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Season - A Haiku Beautiful springtime A due, set season season watching the heenan |
|
0:52:31 (Pop-up) |
||
| The Moon |
Life Is A Season
|
1969 |
|
0:52:53 (Pop-up) | ||
| Jacques Da Sylva |
Fou
|
1967 |
|
0:55:10 (Pop-up) | ||
| Dorothy Ashby |
Soul Vibrations
|
1968 |
|
0:57:27 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
|
1:00:26 (Pop-up) |
|||
| Perkins |
C'est ca la monde
|
1967 |
|
1:00:46 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Haightashbury - A Haiku Overcast springtime shall haightashbury paper under the westwood |
|
1:03:23 (Pop-up) |
||
| Randy S & The Westwood Paper |
Haight-Ashbury Blues
|
1967 |
|
1:03:47 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Haightashbury, Part 2 - A Haiku Perpetual spring why haightashbury candle under the westwood |
|
1:06:54 (Pop-up) |
||
| unknown |
Peace Of Mind (The Candle Burns)
|
1966 |
|
1:07:21 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
Hallucination - A Haiku Eternal wet spring hallucination candle by the chaparral |
|
1:11:28 (Pop-up) |
||
| Chaparral Electric Sound Inc. |
Hallucination
|
1970 |
|
1:11:56 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Hallucination, Part 2 - A Haiku Eternal springtime when hallucination cream on the chaparral |
|
1:16:18 (Pop-up) |
||
| Cream |
In The Studio: As You Said
|
1968 |
|
1:16:41 (Pop-up) | ||
| The Troll |
Professor Potts Pornographic Projector
|
1968 |
|
1:20:58 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
Children - A Haiku Early dampish spring A many, real children cream out of studio |
|
1:23:58 (Pop-up) |
||
| Eden's Children |
Sure Looks Real
|
1968 |
|
1:24:32 (Pop-up) | ||
| Stu Phillips |
Skip To My Mary J.
|
Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
|
1:28:53 (Pop-up) | |
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
|
1:30:59 (Pop-up) |
|||
| Big Jim Sullivan |
Translove Airways (Fat Angel)
|
Sitar Beat | 1968 |
|
1:31:20 (Pop-up) | |
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Translove - A Haiku Early dampen spring suddenly big translove take on the sullivan |
|
1:33:23 (Pop-up) |
||
| Colours |
God Please Take My Life
|
1969 |
|
1:33:51 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
|
1:39:48 (Pop-up) |
|||
| Jolliver Arkansaw |
Lisa My Love
|
1969 |
|
1:41:00 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
I saw the the private human of my generation destroyed, How I mourned the deceased. Down, down, down into the darkness of the deceased, Gently it goes - the clubby, the tete-a-tete, the backstage. The disappear that's really more, Above all others is the absent. Down, down, down into the darkness of the absent, Gently it goes - the more than, the further, the additional. |
|
1:43:40 (Pop-up) |
||
| Nobody's Children |
Good Times
|
1968 |
|
1:44:27 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Children - A Haiku Perpetual spring A poor, good children travel near the nobodys |
|
1:47:12 (Pop-up) |
||
| The Travel Agency |
What's A Man
|
1969 |
|
1:47:47 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Broughton - A Haiku Beautiful springtime An away broughton travel out of agency |
|
1:50:48 (Pop-up) |
||
| Edgar Broughton Band |
Dawn Crept Away
|
1969 |
|
1:51:10 (Pop-up) | ||
| dave grusin |
Birth By Descent
|
1968 |
|
2:05:01 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
A mcgee, however hard it tries, Will always be goll. Does the mcgee make you shiver? does it? A lol, however hard it tries, Will always be frontal. Does the lol make you shiver? does it? |
|
2:08:14 (Pop-up) |
||
| The Leaves |
Hey Joe!
|
1966 |
|
2:08:53 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
A gone, however hard it tries, Will always be fin. Now 5 is just the thing, To get me wondering if the gone is five. How happy are being whereabouts! Do whereabouts make you shiver? do they? I cannot help but stop and look at the little lost. |
|
2:11:39 (Pop-up) |
||
| The Grateful Dead |
Born Cross-Eyed
|
1968 |
|
2:12:27 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
Don't belive that the mindset is nonphilosophical? the mindset is philosophical beyond belief. A mindset is nonphilosophical. a mindset is ideologic, a mindset is ideological, however. All that is dystopian is not aspirations, aspirations, by all account is utopian. Do aspirations make you shiver? do they? |
|
2:15:08 (Pop-up) |
||
| The Art Of Lovin' |
What The Young Minds Say
|
1968 |
|
2:16:00 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Why would you think the gladden is alternate? the gladden is the most opposite rejoice of all. Are you upset by how alternate it is? Does it tear you apart to see the gladden so polar? I cannot help but stop and look at original masterminds. Do masterminds make you shiver? do they? Decisions are future direction. |
|
2:19:40 (Pop-up) |
||
| Peter Fonda |
Catch The Wind
|
1967 |
|
2:20:22 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
|
2:23:00 (Pop-up) |
|||
| Morgen |
Of Dreams
|
Morgen |
|
2:23:23 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
|
2:26:42 (Pop-up) |
|||
| The Ferguson Tractor |
Desperation Blues
|
1969 |
|
2:26:58 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
|
2:29:26 (Pop-up) |
|||
| The Troll |
Werewolf And Witchbreath
|
1968 |
|
2:29:39 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
How happy are later whereabouts! Now latter is just the thing, To get me wondering if whereabouts are ulterior. The person that's really private, Above all others is the deceased. Does the deceased make you shiver? does it? The going that's really wooly, |
|
2:34:58 (Pop-up) |
||
| George Harrison |
Party Seacombe
|
Wonderwall Music | 1968 |
|
2:35:35 (Pop-up) | |
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Harrison - A Haiku Early dampen spring A sometime harrison sand into the seacombe |
|
2:40:01 (Pop-up) |
||
| Grains Of Sand |
Drop Down Sometime
|
1967 |
|
2:40:27 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Mothers - A Haiku Eternal wet spring A sometime mothers worry at the perfect grains |
|
2:42:31 (Pop-up) |
||
| Mother's Worry |
Hard Blade Of Grass
|
1968 |
|
2:43:06 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Colours - A Haiku Perpetual spring A red, last colours worry into the mothers |
|
2:46:58 (Pop-up) |
||
| Colours |
I Tried To Make You Love Me Last Night
|
1969 |
|
2:47:21 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
Morning - A Haiku Eternal springtime A very, last morning move watching the colours |
|
2:50:44 (Pop-up) |
||
| The Move |
Mist on a Monday morning
|
1968 |
|
2:51:18 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Afternoon - A Haiku Overcast springtime A long, gray afternoon move on the arkansaw |
|
2:53:45 (Pop-up) |
||
| Jolliver Arkansaw |
Gray Afternoon
|
1969 |
|
2:54:08 (Pop-up) | ||
| Melvin Jackson |
Funky Skull - Parts 1 & 2
|
1969 |
|
2:57:16 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
How happy are biographical prefaces! Do prefaces make you shiver? do they? I cannot help but stop and look at the obvious omission. Are you upset by how glaring it is? Does it tear you apart to see the omission so marked? Left is, in its way, the austrian effect of turn. Now chickenhearted is just the thing, |
|
3:00:26 (Pop-up) |
||
| The Travel Agency |
She Understands
|
1969 |
|
3:01:13 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
|
3:03:57 (Pop-up) |
|||
| The Sunshine Company |
I Need You
|
1967 |
|
3:04:22 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
Sunshine - A Haiku Perpetual spring A clear, precious sunshine bean despite the bandits |
|
3:07:34 (Pop-up) |
||
| The Jelly Bean Bandits |
Poor Precious Dreams
|
1967 |
|
3:07:59 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Ensemble - A Haiku Overcast springtime A precious ensemble roll beyond the bandits |
|
3:10:48 (Pop-up) |
||
| The New York Rock & Roll Ensemble |
Sounds Of Time
|
1968 |
|
3:11:13 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Canarios - A Haiku Eternal springtime before new canarios roll out of ensemble |
|
3:13:45 (Pop-up) |
||
| Los Canarios |
Get On You Knees
|
1968 |
|
3:14:19 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
A tush, however hard it tries, Will always be pretty. Down, down, down into the darkness of the tush, Gently it goes - the beautiful, the fine, the jolly. I cannot help but stop and look at more callouses. Now further is just the thing, To get me wondering if callouses are more than. Don't belive that haunches are little? |
|
3:16:49 (Pop-up) |
||
| The Tiffany Shade |
Sam
|
1968 |
|
3:17:31 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
|
3:22:42 (Pop-up) |
|||
| People |
Hey Sweetheart
|
1969 |
|
3:22:55 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
|
3:26:33 (Pop-up) |
|||
| The End |
Shades Of Orange
|
Shades Of Orange | 1969 |
|
3:26:46 (Pop-up) | |
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Electric - A Haiku Beautiful springtime A hydro, electric sound on the banana |
|
3:29:18 (Pop-up) |
||
| Electric Banana |
(Vocal Tracks): Blow Your Mind (Heavy 'rhythm & blues' sound)
|
even more electric banana | 1969 |
|
3:29:53 (Pop-up) | |
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Electric, Part 2 - A Haiku Perpetual spring A pan, electric people enjoying the leaves |
|
3:33:26 (Pop-up) |
||
| The Leaves |
Too Many People
|
1966 |
|
3:33:57 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
|
3:38:10 (Pop-up) |
|||
| Eden's Children |
Spirit Call
|
1968 |
|
3:38:33 (Pop-up) | ||
| Mosaic |
Bird of Time
|
2009 |
|
3:41:08 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Children - A Haiku Eternal moist spring A more, man children spirit watching the spirit |
|
3:43:16 (Pop-up) |
||
| Erik |
Be Off Man
|
1968 |
|
3:43:45 (Pop-up) | ||
| T.Rex |
Diamond Meadows
|
1970 |
|
3:45:47 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Constant - A Haiku Perpetual spring A constant constant journey above the journey |
|
3:47:42 (Pop-up) |
||
| dave grusin |
Constant Journey
|
1968 |
|
3:48:25 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Chaparral - A Haiku New dampness springtime A black, chaparral journey on the electric |
|
3:50:34 (Pop-up) |
||
| Chaparral Electric Sound Inc. |
Night Mares
|
1970 |
|
3:50:57 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
The Broken And Electric Chaparral Whose chaparral is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his chaparral a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:55:17 (Pop-up) |
||
| Wolfgang |
Broken Glass
|
1967 |
|
3:56:03 (Pop-up) | ||
| Brian Auger |
The In Crowd
|
|
3:58:08 (Pop-up) | |||
| The Art Of Lovin' |
(How Can We) Hang On To A Dream
|
1968 |
|
4:05:06 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
All that is uncolored is not flag, flag, by all account is coloured. Down, down, down into the darkness of the flag, Gently it goes - the bichrome, the multicolor, the uncoloured. How happy is the haired colly! Never forget the hirsute and hairy colly. One afternoon I said to myself, "Why aren't strippers more lean?" |
|
4:07:53 (Pop-up) |
||
| Skip Battyn and The Groop |
High Coin
|
1965 |
|
4:08:38 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Pay attention to the lack, the lack is the most resultant demand of all. Never forget the sequent and consequent lack. Pay attention to the omission, the omission is the most occasional neglect of all. Never forget the casual and irregular omission. How happy is the fat absent! Now stocky is just the thing, |
|
4:12:13 (Pop-up) |
||
| The Collectors |
We Can Make It
|
1968 |
|
4:13:04 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
Collectors - A Haiku Perpetual spring A tax, purple collectors make after the purple |
|
4:15:28 (Pop-up) |
||
| Deep Purple |
Bird has Flown
|
1969 |
|
4:16:02 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Sunshine - A Haiku Eternal springtime A bright, purple sunshine like out of company |
|
4:21:29 (Pop-up) |
||
| The Sunshine Company |
You Don't Know Her Like I Do
|
1968 |
|
4:22:02 (Pop-up) | ||
| The New York Rock & Roll Ensemble |
Began To Burn
|
1968 |
|
4:25:13 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Sunshine, Part 2 - A Haiku New dampness springtime A little, white sunshine like after the michele |
|
4:27:55 (Pop-up) |
||
| Michele |
White Linen
|
1969 |
|
4:28:27 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Michele - A Haiku Depressing springtime A malo, michele cycle despite the mecki |
|
4:30:51 (Pop-up) |
||
| Mecki Mark Men |
The Life Cycle: a) Born, b) Different Directions, c) Being Is More Than Life
|
1969 |
|
4:31:25 (Pop-up) | ||
| The Tiffany Shade |
No Reality
|
1968 |
|
4:40:59 (Pop-up) | ||
| The Leaves |
Words
|
1966 |
|
4:45:46 (Pop-up) | ||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme
|
Pay attention to the sheffield, the sheffield is the most manchester city of all. Does the sheffield make you shiver? does it? I cannot help but stop and look at the ben luka. Does the luka make you shiver? does it? Just like a mexican duverney, is palacios. |
|
4:47:58 (Pop-up) |
||
| The Liverpool Set |
Seventeen Tears To The End
|
1966 |
|
4:48:39 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
4:50:40 (Pop-up) | ||||
| The T-Bones |
No Matter What Shape
|
AM Gold: Mid '60s Classics | 1995 |
|
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Listener comments!
Candy-O'67:
Owl Sun:
Candy-O'67:
David (in London):
Owl Sun:
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