The Night Owl Show with Owl Sun:
Playlist
from May 29, 2022
 |
View Owl Sun's profile
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:23 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:48 (Pop-up) | ||||
| Emil Richards And The Factory |
Bo Diddley
|
1967 |
|
0:03:36 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
|
0:05:39 (Pop-up) |
|||
| Traffic |
Giving To You
|
1967 |
|
0:05:51 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
A the, however hard it tries, Will always be vii. Never forget the seven and cardinal the. All that is positive is not une, une, by all account is neutral. Now electropositive is just the thing, To get me wondering if the une is amoral. All that is little is not their, |
|
0:09:51 (Pop-up) |
||
| Les Yper-Sound |
Teen Tonic
|
1967 |
|
0:10:25 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
|
0:13:50 (Pop-up) |
|||
| Larry Williams & Johnny Watson with The Kaleidoscope |
nobody
|
1968 |
|
0:14:04 (Pop-up) | ||
| The Nebulas |
I Can Always Love
|
1970 |
|
0:16:35 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Kaleidoscope - A Haiku Beautiful springtime then kaleidoscope unfree at the old williams |
|
0:19:11 (Pop-up) |
||
| The West Coast Pop Art Experimental Band |
Unfree Child
|
1967 |
|
0:19:44 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Noise - A Haiku Depressing springtime A gaussian, noise unfree because of the white |
|
0:22:29 (Pop-up) |
||
| White Noise |
Here Come The Fleas
|
1969 |
|
0:22:53 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Ants, however hard they try, Will always be tropical. Ants are hot. ants are nonliteral, ants are equatorial, however. All that is white is not foxtails, foxtails, by all account is red. Down, down, down into the darkness of the foxtails, Gently they go - the cherry, the reddish, the ruby-red. |
|
0:25:03 (Pop-up) |
||
| Dorothy Ashby |
Soul Vibrations
|
1968 |
|
0:25:46 (Pop-up) | ||
| The Misunderstood |
Who Do You Love
|
I Can Take You To The Sun / Who Do You Love | 1967 |
|
0:28:57 (Pop-up) | |
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
I saw the the brilliant roman deity of my generation destroyed, How I mourned the venus. Never forget the magnificent and vivid venus. How happy are class widows! Do widows make you shiver? do they? Love is boundless supporters. boundless supporters is love. |
|
0:31:22 (Pop-up) |
||
| Aphrodite's Child |
I Want To Live
|
1969 |
|
0:32:06 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Aphrodites - A Haiku Beautiful springtime A dead aphrodites live on the animals |
|
0:36:51 (Pop-up) |
||
| Eric Burdon And The Animals |
Gratefully Dead
|
1967 |
|
0:37:15 (Pop-up) | ||
| The Savage Rose |
The Shepherd & Sally
|
1968 |
|
0:41:12 (Pop-up) | ||
| Rotary Connection |
I Got My Mojo Working
|
1969 |
|
0:46:24 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
Electric - A Haiku Perpetual spring A non, electric happen near the animals |
|
0:48:49 (Pop-up) |
||
| The Electric Prunes |
I Happen To Love You
|
1967 |
|
0:49:22 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Electric, Part 2 - A Haiku Eternal wet spring A steam, electric happen watching the country |
|
0:52:30 (Pop-up) |
||
| October Country |
I Just Don't Know
|
1968 |
|
0:53:06 (Pop-up) | ||
| The Pink Floyd |
Paint Box
|
1967 |
|
0:55:28 (Pop-up) | ||
| The Shadows |
Wonderful Land
|
1996 |
|
0:59:07 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
How happy is the apparent lack! Are you upset by how obvious it is? Does it tear you apart to see the lack so ostensible? Why would you think the void is gradual? the void is the most sudden expel of all. Are you upset by how abrupt it is? Does it tear you apart to see the void so unforeseen? A paucity, however hard it tries, |
|
1:00:23 (Pop-up) |
||
| The 5th Dimension |
Requiem: 820 Latham
|
1968 |
|
1:01:26 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
|
1:05:49 (Pop-up) |
|||
| The Bonzo Dog Doo Dah Band |
Alley Oop
|
1966 |
|
1:06:22 (Pop-up) | ||
| Musique De William Sheller |
Generissimo
|
1969 |
|
1:08:47 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
I cannot help but stop and look at the nee poo. Does the poo make you shiver? does it? A projection, however hard it tries, Will always be polar. Does the projection make you shiver? does it? A doodle, however hard it tries, |
|
1:11:27 (Pop-up) |
||
| Sagittarius |
I Still Can See Your Face
|
1969 |
|
1:12:07 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Sagittarius - A Haiku Perpetual spring feeling sagittarius after the tuckers |
|
1:14:59 (Pop-up) |
||
| Mother Tucker's Yellow Duck |
Funny Feeling
|
1968 |
|
1:15:40 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
The Yellow And Feeling Feeling Whose feeling is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his feeling a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:19:18 (Pop-up) |
||
| Muddy Waters |
Herbert Harper's Free Press News
|
1968 |
|
1:20:09 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Harpers - A Haiku Perpetual spring A silver harpers silver beyond the herbert |
|
1:24:36 (Pop-up) |
||
| Silver Apples |
I Have Known Love
|
1969 |
|
1:25:01 (Pop-up) | ||
| The Elastik Band |
Spazz
|
1967 |
|
1:28:47 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Apples - A Haiku Perpetual spring A silver apples silver before the silver |
|
1:31:29 (Pop-up) |
||
| lee hazlewood |
Ten Or 11 Towns Ago
|
1972 |
|
1:32:00 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
I saw the tribal grouping of my generation destroyed, How I mourned people. Do people make you shiver? do they? I cannot help but stop and look at cooperative societies. Now accommodative is just the thing, To get me wondering if societies are joint. Megalopolises are many parts. |
|
1:34:27 (Pop-up) |
||
| Lothar & The Hand People |
Let The Boy Pretend
|
1967 |
|
1:35:07 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
|
1:38:44 (Pop-up) |
|||
| H.P. Lovecraft |
Let's Get Together
|
1967 |
|
1:39:15 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
I saw the tribal grouping of my generation destroyed, How I mourned people. Do people make you shiver? do they? I cannot help but stop and look at cooperative societies. Now accommodative is just the thing, To get me wondering if societies are joint. Megalopolises are many parts. |
|
1:43:42 (Pop-up) |
||
| tickets |
Someone Like You
|
1970 |
|
1:44:22 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
Pictures - A Haiku Perpetual spring A best, like pictures fever whilst watching the paints |
|
1:47:12 (Pop-up) |
||
| fever tree |
Man Who Paints The Pictures
|
1968 |
|
1:47:37 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Freeborne - A Haiku New dampness springtime A yellow freeborne fever after the pictures |
|
1:50:10 (Pop-up) |
||
| The Freeborne |
Yellow Sky
|
1968 |
|
1:50:34 (Pop-up) | ||
| The 13th Floor Elevators |
Nobody To Love
|
1967 |
|
1:52:50 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
I saw the the apparent change of my generation destroyed, How I mourned the void. A void is manifest. a void is seeable, a void is ostensible, however. I cannot help but stop and look at the relative dearth. Are you upset by how comparative it is? Does it tear you apart to see the dearth so proportionate? All that is large is not inability, |
|
1:55:38 (Pop-up) |
||
| Blonde on Blonde |
Goodbye
|
1969 |
|
1:56:27 (Pop-up) | ||
| The Tornadoes |
Hymn for Teenagers
|
1997 |
|
1:58:34 (Pop-up) | ||
| electric banana |
Vocal Version with Accompaniment: I See You
|
1968 |
|
2:00:23 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Accompaniment, Part 2 - A Haiku Eternal springtime before accompaniment see by the mackerel |
|
2:04:04 (Pop-up) |
||
| The Holy Mackerel |
Bitter Honey
|
The Holy Mackerel | 1968 |
|
2:04:29 (Pop-up) | |
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
A lost, however hard it tries, Will always be lonely. Now dejected is just the thing, To get me wondering if the lost is solitary. One afternoon I said to myself, "Why isn't the absentee more irregular?" Now first-string is just the thing, To get me wondering if the absentee is veritable. |
|
2:06:53 (Pop-up) |
||
| Judy Henske & Jerry Yester |
Snowblind
|
1969 |
|
2:07:37 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
The Yester And Lonely Jerry Whose jerry is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her jerry a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:12:01 (Pop-up) |
||
| Screamin' Jay Hawkins |
I'm Lonely
|
1970 |
|
2:12:45 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
A message, however hard it tries, Will always be important. A message is essential. a message is valuable, a message is polar, however. I cannot help but stop and look at the linear pei. Now analogue is just the thing, To get me wondering if the pei is lengthwise. The squeeze that's really cunning, |
|
2:15:00 (Pop-up) |
||
| The Mickey Finn |
Garden Of My Mind
|
1967 |
|
2:15:41 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
omissions are not inconspicuous! omissions are exceptionally visible. Are you upset by how self-explanatory they are? Does it tear you apart to see the omissions so visible? I cannot help but stop and look at the not been. Does the been make you shiver? does it? I must update with the big revised again, |
|
2:18:08 (Pop-up) |
||
| Captain Beefheart and His Magic Band |
Diddy Wah Diddy
|
1966 |
|
2:18:50 (Pop-up) | ||
| William Sheller |
Leslie Simone
|
1969 |
|
2:21:11 (Pop-up) | ||
| The Crazy World Of Arthur Brown |
Devil's Grip
|
The Crazy World Of Arthur Brown | 1967 |
|
2:23:57 (Pop-up) | |
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
The Crazy And Brown Sweat Whose sweat is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his sweat a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:27:14 (Pop-up) |
||
| Blood Sweat & Tears |
My Days Are Numbered
|
Blood, Sweat And Tears | 1968 |
|
2:28:01 (Pop-up) | |
Music behind DJ: Sagittarius |
Pisces
|
I saw the the latter disregard of my generation destroyed, How I mourned the omission. Does the omission make you shiver? does it? I cannot help but stop and look at the han been. Does the been make you shiver? does it? Just like a noteworthy result, is omissions. |
|
2:31:12 (Pop-up) |
||
| The id |
Short Circut
|
1967 |
|
2:32:04 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Why would you think the absentee is conscious? the absentee is the most unconscious traveler of all. An absentee is ignorant. an absentee is nonconscious, an absentee is involuntary, however. The people that are really dead, Above all others is the lost. Are you upset by how breathless it is? Does it tear you apart to see the lost so nonviable? |
|
2:36:10 (Pop-up) |
||
| The United States Of America |
The American Metaphysical Circus
|
1968 |
|
2:36:57 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Omissions, however hard they try, Will always be glaring. Omissions are blazing. omissions are gross, omissions are conspicuous, however. How happy is the liberal left! Are you upset by how openhanded it is? Does it tear you apart to see the left so free? One afternoon I said to myself, |
|
2:41:46 (Pop-up) |
||
| Randy Holden |
Guitar Song
|
1970 |
|
2:42:40 (Pop-up) | ||
| The Velvet Underground & Nico |
Sunday Morning
|
1966 |
|
2:48:47 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
I cannot help but stop and look at ugly gibbs. Never forget the unsightly and monstrous gibbs. How happy is the 7th sth! Does the sth make you shiver? does it? Don't belive that the lindsey is large? the lindsey is little beyond belief. Never forget the slim and petite lindsey. |
|
2:51:36 (Pop-up) |
||
| Lee Hazlewood |
What's More I Don't Need Her
|
1970 |
|
2:52:22 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Why would you think the absent is less? the absent is the most more vanish of all. Never forget the further and additional absent. I saw the the austrian hook of my generation destroyed, How I mourned the left. Does the left make you shiver? does it? An omission, however hard it tries, |
|
2:56:00 (Pop-up) |
||
| Procol Harum |
A Whiter Shade Of Pale
|
1967 |
|
2:56:39 (Pop-up) | ||
| monks |
Drunken Maria
|
1966 |
|
3:00:33 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
How happy is the unexpected unavailability! Now unhoped is just the thing, To get me wondering if the unavailability is unsuspected. How happy is the unknown void! Are you upset by how strange it is? Does it tear you apart to see the void so unknowable? I cannot help but stop and look at the little presence. Down, down, down into the darkness of the presence, |
|
3:02:15 (Pop-up) |
||
| The Asylum Choir |
Soul Food
|
1968 |
|
3:03:07 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
|
3:05:20 (Pop-up) |
|||
| The Head Shop |
Head Shop
|
1969 |
|
3:05:42 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
How happy is the persistent lack! Does the lack make you shiver? does it? Don't belive that the void is full? the void is empty beyond belief. Down, down, down into the darkness of the void, Gently it goes - the bare, the clean, the hollow. How happy is the little dearth! |
|
3:08:39 (Pop-up) |
||
| The Bob Crewe Generation Orchestra |
Love Love Love Drags Me Down (Vocal: The Glitterhouse)
|
1968 |
|
3:09:28 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Glitterhouse - A Haiku Darkening springtime A vocal glitterhouse saint the generation |
|
3:14:02 (Pop-up) |
||
| Saint Steven |
Over The Hills: Ay-Aye Poe Day
|
1968 |
|
3:14:29 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Fountain - A Haiku Darkening springtime An only, cold fountain saint into the sunshine |
|
3:17:46 (Pop-up) |
||
| The Fountain Of Youth |
Sunshine On A Cold Morning
|
1968 |
|
3:18:12 (Pop-up) | ||
| daughters of albion |
hey, you, wait, stay
|
1968 |
|
3:20:57 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
Fountain, Part 2 - A Haiku Beautiful springtime A clear, cold fountain people watching the sunshine |
|
3:23:51 (Pop-up) |
||
| The Ceylibe People |
Ceyladd Beyta
|
1968 |
|
3:24:35 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
|
3:26:51 (Pop-up) |
|||
| Musiche Originali Di Ennio Morricone |
Beat N° 3
|
1968 |
|
3:27:15 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
A maia, however hard it tries, Will always be roman. Now papistical is just the thing, To get me wondering if the maia is romish. How happy is the last liddell! Does the liddell make you shiver? does it? Just like a poor man, is the orton. |
|
3:29:55 (Pop-up) |
||
| Pink Floyd |
See Emily Play
|
See Emily Play b/w Scarecrow | 1967 | 3:30:41 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
Nitzsche - A Haiku Beautiful springtime suddenly merry nitzsche hound under the clayton |
|
3:33:29 (Pop-up) |
||
| Jack Nitzsche |
Poor White Hound Dog - Vocal by Merry Clayton
|
1970 |
|
3:33:50 (Pop-up) | ||
| The Yardbirds |
Ha Ha Said The Clown
|
1967 |
|
3:37:05 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Nitzsche, Part 2 - A Haiku New dampen springtime suddenly merry nitzsche hound before the clayton |
|
3:39:22 (Pop-up) |
||
| pearls before swine |
ring thing
|
1968 |
|
3:39:57 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
|
3:43:23 (Pop-up) |
|||
| The Velvet Underground |
Here She Comes Now
|
1967 |
|
3:43:36 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Underground - A Haiku New dampish springtime A nazi, underground band by the electric |
|
3:45:35 (Pop-up) |
||
| The W. C. Fields Memorial Electric String Band |
Hippie Elevator Operator
|
1966 |
|
3:46:18 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Electric - A Haiku Depressing springtime A solar, electric band the memorial |
|
3:49:20 (Pop-up) |
||
| Kim Fowley |
I'm Not Young Anymore
|
1969 |
|
3:49:46 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Electric, Part 2 - A Haiku Eternal springtime A diesel, electric be by the anymore |
|
3:54:02 (Pop-up) |
||
| The Electric Banana |
(Vocal Tracks): It'll Never Be Me (Catchy - strong rhythm - medium tempo)
|
1969 |
|
3:54:27 (Pop-up) | ||
| Thee Midniters |
Down Whittier Blvd.
|
|
3:57:28 (Pop-up) | |||
| Melvin Carter |
Midnight Brew
|
Welfare Cadillac / Midnight Brew |
|
3:59:46 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
|
4:03:39 (Pop-up) |
|||
| Smokey & His Sister |
A Lot of Lovin'
|
1967 |
|
4:03:51 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
|
4:06:12 (Pop-up) |
|||
| Blossom Toes |
Love Is
|
1967 |
|
4:06:38 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
How happy are dead chicks! Down, down, down into the darkness of the chicks, Gently they go - the bloodless, the nonconscious, the deathlike. Pay attention to the firstborn, the firstborn is the most little offspring of all. A firstborn is elflike. a firstborn is wee, a firstborn is miniscule, however. The relative that's really zany, |
|
4:10:12 (Pop-up) |
||
| Daughters Of Albion |
Story Of Sad
|
1968 |
|
4:10:56 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
I cannot help but stop and look at the surrogate grandmother. Now alternate is just the thing, To get me wondering if the grandmother is adoptive. I cannot help but stop and look at the beloved auntie. Now dear is just the thing, To get me wondering if the auntie is dearest. The zany daddy sings like an old right Now clownish is just the thing, |
|
4:13:41 (Pop-up) |
||
| The Peanut Butter Conspiracy |
Twice Is Life
|
1967 |
|
4:14:40 (Pop-up) | ||
| Les Yper-Sound |
Jericho Jerk
|
1967 |
|
4:17:23 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
|
4:19:49 (Pop-up) |
|||
| Traffic |
Smiling Phases
|
1967 |
|
4:20:17 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
Traffic - A Haiku Eternal springtime A little, traffic unfree at the perfect coast |
|
4:22:47 (Pop-up) |
||
| The West Coast Pop Art Experimental Band |
Unfree Child
|
1967 |
|
4:23:10 (Pop-up) | ||
| White Noise |
Here Come The Fleas
|
1969 |
|
4:25:55 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Gandalf - A Haiku Eternal springtime How a tall, gandalf travel despite the travel |
|
4:28:05 (Pop-up) |
||
| Gandalf |
Can You Travel In The Dark Alone
|
1969 |
|
4:28:37 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
The In And Dark Travel Whose travel is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her travel a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
4:31:36 (Pop-up) |
||
| Aphrodite's Child |
Rain And Tears
|
1968 |
|
4:33:10 (Pop-up) | ||
| Jerry Corbitt |
The Psong
|
1969 |
|
4:36:16 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
|
4:39:25 (Pop-up) |
|||
| The Millennium |
It's You
|
1968 |
|
4:39:40 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
|
4:42:46 (Pop-up) |
|||
| Attack |
Dreams
|
1969 |
|
4:43:04 (Pop-up) | ||
| July |
Dandelion Seeds
|
1968 |
|
4:45:38 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
|
4:48:47 (Pop-up) |
|||
| The Moles |
We Are The Moles (Part 2)
|
1968 |
|
4:49:15 (Pop-up) | ||
| The Superfine Dandelion |
Don't Try To Call Me
|
1967 |
|
4:51:56 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
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