The Night Owl Show with Owl Sun:
Playlist
from July 15, 2022
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View Owl Sun's profile
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
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| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:24 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:51 (Pop-up) | ||||
| Status Quo |
Shy Fly
|
1970 |
|
0:03:19 (Pop-up) | ||
| Culver Street Playground |
East River Lovers
|
1968 |
|
0:06:59 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
Status - A Haiku Warming summertime A special, first status frost in spite of the frost |
|
0:09:52 (Pop-up) |
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| The Frost |
First Day Of May
|
1969 |
|
0:10:35 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
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Borderline - A Haiku Smoggy summertime A narrow, borderline frost whilst watching the frost |
|
0:14:59 (Pop-up) |
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| MC5 |
Borderline
|
1968 |
|
0:15:19 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
Borderline, Part 2 - A Haiku Heavy summertime A distinct, borderline fish before the country |
|
0:18:37 (Pop-up) |
||
| country joe And The Fish |
Bass Strings
|
1966 |
|
0:19:18 (Pop-up) | ||
| Moondog |
Trees against the sky, fields of plenty, rivers to the sea: this and more spreads before me
|
1956 |
|
0:23:11 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Monkees - A Haiku Darkening summer An other, bass monkees fish after the monkees |
|
0:23:57 (Pop-up) |
||
| The Monkees |
Ditty Diego - War Chant - The Monkees
|
1968 |
|
0:24:29 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Pay attention to the absentee, the absentee is the most poor traveler of all. Down, down, down into the darkness of the absentee, Gently it goes - the mean, the short, the pinched. I saw the the best imperfection of my generation destroyed, How I mourned the failing. A failing is finest. a failing is high-grade, a failing is unsurpassable, however. |
|
0:25:55 (Pop-up) |
||
| George Harrison |
Ski-ing
|
Wonderwall Music | 1968 |
|
0:26:42 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
|
0:28:31 (Pop-up) |
|||
| Eric Burdon And The Animals |
Anything
|
1967 |
|
0:28:55 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
One afternoon I said to myself, "Why aren't alligators more adult?" Do alligators make you shiver? do they? How happy is the gentle creature! Down, down, down into the darkness of the creature, Gently it goes - the blue-blooded, the docile, the noble. Just like a wild holly, is lobsters. |
|
0:31:41 (Pop-up) |
||
| nico |
Frozen Warnings
|
1969 |
|
0:32:29 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
The Frozen And Junior Junior Whose junior is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his junior a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:36:48 (Pop-up) |
||
| Juan & Junior |
A Dos Niñas
|
1967 |
|
0:37:39 (Pop-up) | ||
| Rotomagus |
Madame Wanda
|
1970 |
|
0:40:41 (Pop-up) | ||
| Formula V |
Cenicieta
|
1969 |
|
0:44:02 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Whose junior is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his junior a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:46:12 (Pop-up) |
||
| Bear |
Greetings!
|
1968 |
|
0:47:02 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
|
0:49:28 (Pop-up) |
|||
| Los Pekenikes |
Cerca De Las Estrellas
|
1968 |
|
0:49:51 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
|
0:53:15 (Pop-up) |
|||
| The Fairytale |
Guess I Was Dreaming
|
1967 |
|
0:53:36 (Pop-up) | ||
| Funkadelic |
Music For My Mother (Instrumental)
|
1969 |
|
0:56:31 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
I cannot help but stop and look at the ghastly farce. Down, down, down into the darkness of the farce, Gently it goes - the sepulchral, the gruesome, the grisly. How happy is the vivid fantasy! Are you upset by how clear it is? Does it tear you apart to see the fantasy so realistic? When I think of the adventure, I see a wonderful moment. Down, down, down into the darkness of the adventure, |
|
1:00:25 (Pop-up) |
||
| Hair |
Coming Through
|
1970 |
|
1:01:23 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
Solution - A Haiku Muddy summertime A best, through solution sound under the coming |
|
1:05:58 (Pop-up) |
||
| Sound Solution |
Hide Your Face In Shame
|
1969 |
|
1:06:22 (Pop-up) | ||
| Kim Fowley |
Lights
|
1966 |
|
1:09:15 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Harmonica - A Haiku Heavy summertime A sound harmonica sound near the solution |
|
1:11:31 (Pop-up) |
||
| Laghonia |
The Sand Man
|
1971 |
|
1:12:50 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Devotion - A Haiku Loving summertime An intense, devotion sand a laghonia |
|
1:16:11 (Pop-up) |
||
| Grateful Dead |
The Golden Road (To Unlimited Devotion)
|
Love Is The Song We Sing (San Francisco Nuggets 1965-1970 |
|
1:16:44 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Devotion, Part 2 - A Haiku Smoggy summertime An intense, devotion man beyond the payges |
|
1:18:51 (Pop-up) |
||
| The Yellow Payges |
Im A Man
|
1970 |
|
1:19:45 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Chicks - A Haiku Smoggy summertime A downy, yellow chicks man into the payges |
|
1:23:12 (Pop-up) |
||
| The Zipps |
Kicks And Chicks
|
1966 |
|
1:23:32 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
|
1:26:41 (Pop-up) |
|||
| Velvett Fogg |
Telstar '69
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
1:26:52 (Pop-up) | |
| Les Yper-Sound |
Psyché Rock
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
1:29:34 (Pop-up) | |
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme
|
The workhorse that's really gray, Above all others is the dobbin. A dobbin is old. a dobbin is grayish, a dobbin is leaden, however. downes are not fearful! downes are exceptionally bold. Are you upset by how intrepid they are? Does it tear you apart to see the downes so bold? |
|
1:32:08 (Pop-up) |
||
| Glass Candle |
Light The Glass Candle
|
1969 |
|
1:33:07 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Natural - A Haiku Muddy summertime A more, natural candle above the belvue |
|
1:35:54 (Pop-up) |
||
| The Merry-Go-Round |
Listen, Listen!
|
1968 |
|
1:36:53 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
|
1:39:25 (Pop-up) |
|||
| Spirits And Worm |
You And I Together
|
1969 |
|
1:39:38 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
|
1:42:21 (Pop-up) |
|||
| The Plague |
Looking For The Sun
|
1968 |
|
1:42:34 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
The Man And Hearted Plague Whose plague is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her plague a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:45:05 (Pop-up) |
||
| Bee Gees |
Every Christian Lion hearted man
|
1967 |
|
1:45:45 (Pop-up) | ||
| Keith Relf |
Mr Zero
|
1966 |
|
1:49:16 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Christian - A Haiku Smoggy summertime A true, hearted christian face after the mustache |
|
1:52:02 (Pop-up) |
||
| Pretty |
Mustache In Your Face
|
1969 |
|
1:52:44 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
Chatteaux - A Haiku Hearty summertime suddenly pretty chatteaux on the reference |
|
1:55:21 (Pop-up) |
||
| Chatteaux |
Mr. Reference Man
|
1995 | 1:55:55 (Pop-up) | |||
| Johnny Guitar Watson |
Space Guitar
|
Space Guitar |
|
1:59:06 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
The manus that's really above, Above all others is the left. Does the left make you shiver? does it? How happy is the god forgotten! Does the forgotten make you shiver? does it? When I think of the neglected, I see primary troops. |
|
2:00:25 (Pop-up) |
||
| Tokyo Kid Brothers |
Peace-Daddada
|
1971 |
|
2:01:19 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
The manus that's really above, Above all others is the left. Does the left make you shiver? does it? How happy is the god forgotten! Does the forgotten make you shiver? does it? When I think of the neglected, I see primary troops. |
|
2:07:23 (Pop-up) |
||
| The Electric Prunes |
Sell
|
1969 |
|
2:08:01 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
The Living And Electric Electric Whose electric is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his electric a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:11:08 (Pop-up) |
||
| Keith Shields |
So Hard Living Without You
|
1967 |
|
2:11:54 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
The Hard And Living Living Whose living is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his living a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:16:03 (Pop-up) |
||
| Almendra |
Tema De Pototo (Para saber como es Lla soledad)
|
1968 |
|
2:16:52 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Conclusion - A Haiku Glooming summertime A foregone, conclusion man out of almendra |
|
2:19:21 (Pop-up) |
||
| Wild Man Fischer |
In Conclusion: Circle (Larry's first psychedelic hit)
|
1969 |
|
2:19:47 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
The Silver And Psychedelic Conclusion Whose conclusion is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his conclusion a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:22:38 (Pop-up) |
||
| The Silver Eagle |
The Astor Disaster (The Tragic Ordeal of Theodore Nobbs)
|
1967 |
|
2:23:25 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
The Tragic And Silver Medicine Whose medicine is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his medicine a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:26:06 (Pop-up) |
||
| Dr. West's Medicine Show and Junk Band |
The Eggplant That Ate Chicago
|
1966 |
|
2:27:06 (Pop-up) | ||
| The FUGS |
The National Haiku Contest
|
1968 |
|
2:29:48 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Whose medicine is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his medicine a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:30:11 (Pop-up) |
||
| Melvin Jackson |
Funky Skull - Parts 1 & 2
|
1969 |
|
2:30:56 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
|
2:35:47 (Pop-up) |
|||
| Koobas |
Circus
|
1969 |
|
2:36:00 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
I saw the the upper go away of my generation destroyed, How I mourned the absent. Never forget the superior and high absent. I cannot help but stop and look at the colombian neglected. Does the neglected make you shiver? does it? An omission, however hard it tries, Will always be fat. |
|
2:42:22 (Pop-up) |
||
| The Fire Escape |
Love Special Delivery
|
1967 |
|
2:43:00 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Hurricane - A Haiku Dismal summertime A great, hurricane escape by the familiar |
|
2:45:10 (Pop-up) |
||
| The Red Crayola with the Familiar Ugly |
Hurricane Fighter Plane: "When The Ride Is Over You Can Go To Sleep"
|
1967 |
|
2:45:35 (Pop-up) | ||
| Future |
The Shape Of Things To Come
|
1968 |
|
2:49:07 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Hallelujah - A Haiku Muddy summertime A great, hallelujah plane out of hurricane |
|
2:52:05 (Pop-up) |
||
| Raw Material |
Hi There Hallelujah
|
1970 |
|
2:52:36 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Hallelujah, Part 2 - A Haiku Turbid summertime A black, hallelujah wine a material |
|
2:55:13 (Pop-up) |
||
| Sweet Wine |
Things You Told Me
|
1970 |
|
2:55:36 (Pop-up) | ||
| Velvett Fogg |
Telstar '69
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
2:59:04 (Pop-up) | |
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Things - A Haiku Muddy summertime An important, sweet things wine beyond the pasos |
|
3:00:25 (Pop-up) |
||
| Los Pasos |
Voces De Otro Mundo
|
1968 |
|
3:01:03 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
|
3:03:32 (Pop-up) |
|||
| The Spiders |
Why Don't You Love Me
|
1965 |
|
3:03:58 (Pop-up) | ||
| Group Therapy |
You Haven't Lived (Till You've Loved Someone)
|
1966 |
|
3:05:51 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
|
3:08:09 (Pop-up) |
|||
| The Beggars Opera Co. |
Escape
|
1968 |
|
3:08:58 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
An absence, however hard it tries, Will always be sickness. Does the absence make you shiver? does it? One afternoon I said to myself, "Why isn't the lost more not due?" Down, down, down into the darkness of the lost, Gently it goes - the deserved, the callable, the collectable. |
|
3:11:22 (Pop-up) |
||
| Immediate Family |
Rubiyat
|
Love Is The Song We Sing (San Francisco Nuggets 1965-1970 |
|
3:12:03 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Rubiyat - A Haiku Sunless summertime before rubiyat berry on the family |
|
3:14:29 (Pop-up) |
||
| Dave Berry |
And I Have Learned To Dream
|
1967 |
|
3:14:58 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Dandees - A Haiku Smoggy summertime suddenly learned dandees think betrayed by the think |
|
3:18:02 (Pop-up) |
||
| The Dan-Dees |
Think About It
|
1968 |
|
3:18:32 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
Dandees, Part 2 - A Haiku Turbid summertime suddenly ground dandees ground at the perfect ground |
|
3:21:09 (Pop-up) |
||
| Pussy |
The Open Ground
|
1969 |
|
3:21:45 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Hazlewood - A Haiku Muddy summertime A ground hazlewood summer near the sinatra |
|
3:25:14 (Pop-up) |
||
| Nancy Sinatra & Lee Hazlewood |
Summer Wine
|
1968 |
|
3:25:37 (Pop-up) | ||
| Colors Of Night |
C-O-L-O-R-S
|
1967 |
|
3:29:48 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
I cannot help but stop and look at great crushes. Now big is just the thing, To get me wondering if crushes are important. A round, however hard it tries, Will always be live. Does the round make you shiver? does it? Flap is, in its way, the superior level of aerofoil. |
|
3:31:25 (Pop-up) |
||
| Barry Mason |
Collection Of Recollections
|
1966 |
|
3:33:13 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
I cannot help but stop and look at great crushes. Now big is just the thing, To get me wondering if crushes are important. A round, however hard it tries, Will always be live. Does the round make you shiver? does it? Flap is, in its way, the superior level of aerofoil. |
|
3:35:22 (Pop-up) |
||
| Allmen Joy |
Need Your Love
|
1967 |
|
3:36:06 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
I cannot help but stop and look at great crushes. Now big is just the thing, To get me wondering if crushes are important. A round, however hard it tries, Will always be live. Does the round make you shiver? does it? Flap is, in its way, the superior level of aerofoil. |
|
3:43:01 (Pop-up) |
||
| Juan & Junior |
En San Juan
|
1968 |
|
3:43:49 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
Mummys - A Haiku Heavy summertime before junior mummys game under the junior |
|
3:46:54 (Pop-up) |
||
| The Game |
Help Me, Mummy's Gone
|
2010 |
|
3:47:18 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Gravedigger - A Haiku Nighttime summertime An old, game gravedigger rock out of ensemble |
|
3:49:53 (Pop-up) |
||
| The New York Rock Ensemble |
Gravedigger
|
1971 |
|
3:50:36 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
I cannot help but stop and look at inadvertent omissions. Never forget the accidental and unintended omissions. I will consider my revised. For my revised is questionnaire because it wants to update. Pause to update, like the revised does. Pay attention to the absent, the absent is the most little go away of all. Does the absent make you shiver? |
|
3:55:22 (Pop-up) |
||
| Kippington Lodge |
I Can See Her Face
|
1969 |
|
3:55:53 (Pop-up) | ||
| The Shadows |
36-24-36
|
1996 |
|
3:58:04 (Pop-up) | ||
| Musiche Originali Di Ennio Morricone |
Beat N° 3
|
1968 |
|
3:59:40 (Pop-up) |
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Listener comments!
Owl Sun:
Jan Turkenburg:
David (in London):
Morning Jan.
Jan Turkenburg:
Jan Turkenburg:
David (in London):