The Night Owl Show with Owl Sun:
Playlist
from July 24, 2022
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:25 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:51 (Pop-up) | ||||
| Kaleidoscope |
Music
|
1969 |
|
0:03:18 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
|
0:09:14 (Pop-up) |
|||
| Moby Grape |
Indifference
|
1967 |
|
0:09:32 (Pop-up) | ||
| Greg Robbins |
Virginia Creeper
|
2009 |
|
0:13:44 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
The Animal And Underground Indifference Whose indifference is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her indifference a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:15:55 (Pop-up) |
||
| Iron Cross |
All of the Time
|
2009 |
|
0:17:45 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Looking - A Haiku Dismal summertime A forward, cross looking cross beyond the status |
|
0:20:48 (Pop-up) |
||
| Status Quo |
You're Just What I Was Looking For Today
|
1969 |
|
0:21:10 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Looking, Part 2 - A Haiku Heating summertime An outward, just looking steel into the status |
|
0:24:53 (Pop-up) |
||
| Steel Mill |
Get on the Line
|
2009 |
|
0:25:20 (Pop-up) | ||
| Syd Barrett |
Rats
|
1970 |
|
0:29:32 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Grains - A Haiku Misty summertime A pollen, sometime grains steel in spite of the steel |
|
0:32:19 (Pop-up) |
||
| Grains Of Sand |
Drop Down Sometime
|
1967 |
|
0:33:03 (Pop-up) | ||
| Bedpost Oracle |
The Break Of Dawn
|
0:35:08 (Pop-up) | ||||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Grains, Part 2 - A Haiku Warming summertime A smaller, sometime grains live above the salem |
|
0:37:56 (Pop-up) |
||
| The Live Five |
Yes You're Mine (Salem, OR, U.S.A.)
|
2002 | 0:38:25 (Pop-up) | |||
| Big Walter |
Breakfast in Bed
|
2008 |
|
0:41:47 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
The Live And Underground Underground Whose underground is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his underground a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:44:08 (Pop-up) |
||
| The Velvet Underground |
The Murder Mystery
|
1969 |
|
0:44:59 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
The Sweet And Underground Underground Whose underground is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her underground a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:53:50 (Pop-up) |
||
| Frankie & Johnny |
Sweet Thang
|
2008 |
|
0:54:48 (Pop-up) | ||
| Les Yper-Sound |
Psyché Rock
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
0:57:06 (Pop-up) | |
| Ramsey Lewis |
Sexy Sadie
|
1968 |
|
0:59:40 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Frankie - A Haiku Glooming summertime A legged, found frankie found before the johnny |
|
1:00:26 (Pop-up) |
||
| Lost and Found |
25 MPH
|
2008 |
|
1:01:11 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Immortal - A Haiku Scorching summertime A mortal, immortal found in spite of the loves |
|
1:02:59 (Pop-up) |
||
| The Sleepy |
Love's Immortal Fire
|
1968 |
|
1:03:32 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Thirteenth - A Haiku Indian summer A yard, thirteenth thirteenth floor an elevators |
|
1:06:37 (Pop-up) |
||
| Thirteenth Floor Elevators |
Baby Blue
|
1967 |
|
1:07:01 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Thirteenth, Part 2 - A Haiku Scorching summertime A late, thirteenth thirteenth floor the elevators |
|
1:12:06 (Pop-up) |
||
| Steve Miller Band |
In My First Mind
|
1968 |
|
1:13:27 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Papyvores - A Haiku Muddy summertime A first papyvores band by the papyvore |
|
1:21:02 (Pop-up) |
||
| Les Papyvores |
Le Papyvore
|
1967 |
|
1:21:25 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
|
1:24:46 (Pop-up) |
|||
| The Jimi Hendrix Experience |
1983... (A Merman I Should Turn to Be)
|
1968 |
|
1:25:12 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
Experience - A Haiku Sunless summertime A long, through experience watching the hendrix |
|
1:30:58 (Pop-up) |
||
| Lost & Found |
When Will You Come Through
|
1968 |
|
1:31:27 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
Medena - A Haiku Gloomy summertime before through medena found into the anan |
|
1:33:45 (Pop-up) |
||
| Anan |
Medena
|
1968 |
|
1:34:10 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Dupree - A Haiku Heavy summertime A hunter, sound dupree sound out of medena |
|
1:36:36 (Pop-up) |
||
| Simon Dupree And The Big Sound |
Kites
|
Kites | 1967 |
|
1:36:56 (Pop-up) | |
| Syd Barrett |
Word Song
|
1989 |
|
1:40:32 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Documentary - A Haiku Indian summer For documentary sound near the religion |
|
1:43:48 (Pop-up) |
||
| SRC |
Paragon Council
|
1968 |
|
1:46:34 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
States, however hard they try, Will always be neutral. Now negative is just the thing, To get me wondering if states are positive. An united, however hard it tries, Will always be nigeria. Does the united make you shiver? does it? |
|
1:50:28 (Pop-up) |
||
| The Express |
You Gotta Understand (Oklahoma City, OK, U.S.A.)
|
2002 | 1:51:04 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Don't belive that the stolen is same? the stolen is other beyond belief. Never forget the unusual and some other stolen. Pay attention to the absent, the absent is the most upper disappear of all. Are you upset by how superior it is? Does it tear you apart to see the absent so high? Don't belive that whereabouts are fatless? |
|
1:53:48 (Pop-up) |
||
| Rotomagus |
Fightin' Cock
|
1971 |
|
1:54:42 (Pop-up) | ||
| John Barry |
Hit & Miss
|
Beat Girl |
|
1:58:07 (Pop-up) | ||
| Brainticket |
Black Sand
|
1971 |
|
2:00:02 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Don't belive that the stolen is same? the stolen is other beyond belief. Never forget the unusual and some other stolen. Pay attention to the absent, the absent is the most upper disappear of all. Are you upset by how superior it is? Does it tear you apart to see the absent so high? Don't belive that whereabouts are fatless? |
|
2:00:26 (Pop-up) |
||
| The Strawberry Alarm Clock |
The World's On Fire
|
1968 |
|
2:01:17 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
Quicksilver - A Haiku Dampness summertime A crude, quicksilver service out of strawberry |
|
2:04:45 (Pop-up) |
||
| The Quicksilver Messenger Service |
Babe, I'm Gonna Leave You
|
1968 |
|
2:05:12 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Pay attention to the day, the day is the most glorious era of all. A day is storied. a day is blest, a day is blessed, however. The cheat that's really italian, Above all others is the cook. Does the cook make you shiver? does it? |
|
2:10:13 (Pop-up) |
||
| Lightnin' Hopkins |
Mr. Dittas' Grocery Store
|
1968 |
|
2:10:49 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Lightnin - A Haiku Scorching summertime A broken lightnin mirror above the hopkins |
|
2:17:21 (Pop-up) |
||
| JACKS |
In The Broken Mirror
|
1968 |
|
2:17:46 (Pop-up) | ||
| Blue Wood |
Turn Around
|
2008 | 2:21:05 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Twentieth - A Haiku Indian summer before twentieth mirror by the century |
|
2:23:17 (Pop-up) |
||
| Twentieth Century Zoo |
It's All in My Head
|
1969 |
|
2:23:50 (Pop-up) | ||
| Iron Butterfly |
Termination
|
1968 |
|
2:28:52 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
Twentieth, Part 2 - A Haiku Dampen summertime suddenly twentieth trip by the ultimate |
|
2:31:36 (Pop-up) |
||
| Ultimate Spinach |
Ego Trip
|
1968 |
|
2:32:07 (Pop-up) | ||
| the Electric Flag, an American Music Band |
M-23
|
Original Motion Picture Sound Track: The Trip | 1967 |
|
2:35:12 (Pop-up) | |
| G.F. Fitz-Gerald |
Political Machine
|
1970 |
|
2:36:18 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Butterfly - A Haiku Early summertime A small, butterfly iron the american |
|
2:40:02 (Pop-up) |
||
| The Deep |
Trip #76
|
1966 |
|
2:41:03 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
Orchestra - A Haiku Dampness summertime A moody orchestra knight out of afternoon |
|
2:43:41 (Pop-up) |
||
| The Moody Blues with The London Festival Orchestra conducted by Peter Knight |
The Afternoon: Forever Afternoon (Tuesday?) : Time to get away
|
1967 |
|
2:44:06 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
The Away And Moody Invention Whose invention is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her invention a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:52:27 (Pop-up) |
||
| The Mothers Of Invention |
Stuff Up The Cracks
|
1968 |
|
2:53:20 (Pop-up) | ||
| The T-Bones |
No Matter What Shape
|
AM Gold: Mid '60s Classics | 1995 |
|
2:57:47 (Pop-up) | |
| Rivieras |
H.B. Goose Step
|
California Sun-The Best Of The Rivieras | 2000 |
|
2:59:57 (Pop-up) | |
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
|
3:00:26 (Pop-up) |
|||
| Syd Barrett |
Let's Split
|
1989 |
|
3:01:18 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
The Great And Electric Electric Whose electric is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his electric a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:03:38 (Pop-up) |
||
| The Electric Prunes |
The Great Banana Hoax
|
1967 |
|
3:04:24 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Electric - A Haiku Dour summertime A solar, electric care enjoying the pearls |
|
3:07:36 (Pop-up) |
||
| Pearls Before Swine |
I Shall Not Care
|
1967 |
|
3:07:59 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
Beads, however hard they try, Will always be carnelian. Do beads make you shiver? do they? The band that's really luminous, Above all others is the armlet. Does the armlet make you shiver? does it? |
|
3:14:26 (Pop-up) |
||
| Ancient Grease |
Time To Die
|
1970 |
|
3:14:59 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
How happy is the french gary! Does the gary make you shiver? does it? How happy are dainty trims! Are you upset by how overnice they are? Does it tear you apart to see the trims so nice? I cannot help but stop and look at the cunning dixon. Never forget the sly and cute dixon. |
|
3:18:58 (Pop-up) |
||
| Tim Buckley |
Morning Glory
|
1967 |
|
3:19:38 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Expression - A Haiku Dampness summertime A facial, expression love a velocity |
|
3:22:24 (Pop-up) |
||
| The Human Expression |
Love At Psychedelic Velocity
|
1966 |
|
3:22:46 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Expression, Part 2 - A Haiku Indian summer A verbal, expression free a velocity |
|
3:25:19 (Pop-up) |
||
| Mij |
Never Be Free
|
1969 |
|
3:25:45 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Phillips - A Haiku Indian summer A british, free phillips free under the angels |
|
3:30:04 (Pop-up) |
||
| Stu Phillips |
Hells Angels On Wheels
|
Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
|
3:30:33 (Pop-up) | |
| The Monkees |
The Door Into Summer
|
Pisces, Aquarius, Capricorn and Jones Ltd. | 1967 |
|
3:32:56 (Pop-up) | |
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
|
3:35:36 (Pop-up) |
|||
| JACKS |
Marianne
|
1968 |
|
3:36:18 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
I cannot help but stop and look at the latter omission. Down, down, down into the darkness of the omission, Gently it goes - the former, the later, the last. I saw the the relative inconvenience of my generation destroyed, How I mourned the unavailability. Never forget the absolute and proportionate unavailability. Void is immense effect. immense effect is void. |
|
3:41:56 (Pop-up) |
||
| Finch |
Nothing In The Sun
|
1968 |
|
3:42:42 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
Dandees - A Haiku Indian summer before about dandees think at the old nothing |
|
3:46:49 (Pop-up) |
||
| The Dan-Dees |
Think About It
|
1968 |
|
3:47:11 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Dandees, Part 2 - A Haiku Indian summer before about dandees think into the ballad |
|
3:49:50 (Pop-up) |
||
| Faine Jade |
Ballad Of The Bad Guys
|
1968 |
|
3:50:12 (Pop-up) | ||
| Circus |
Wishing
|
1970 |
|
3:54:32 (Pop-up) | ||
| George Harrison |
Party Seacombe
|
Wonderwall Music | 1968 |
|
3:57:51 (Pop-up) | |
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
|
4:00:27 (Pop-up) |
|||
| Tuesday's Children |
She
|
1968 |
|
4:00:45 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
An absentee, however hard it tries, Will always be only. Does the absentee make you shiver? does it? Pay attention to the lost, the lost is the most get people of all. Does the lost make you shiver? does it? |
|
4:03:30 (Pop-up) |
||
| Bob Guy |
Dear Jeepers
|
1963 |
|
4:04:15 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Machine - A Haiku Smoggy summertime A man, soft machine machine into the esthers |
|
4:06:37 (Pop-up) |
||
| The Soft Machine |
Esther's Nose Job: Pig
|
1969 |
|
4:06:59 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Why would you think the void is full? the void is the most empty eject of all. Now bare is just the thing, To get me wondering if the void is void. I saw the the utter demand of my generation destroyed, How I mourned the lack. Now sodding is just the thing, To get me wondering if the lack is complete. |
|
4:09:32 (Pop-up) |
||
| Tintern Abbey |
Beeside
|
1967 |
|
4:10:11 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
Tintern - A Haiku Heavy summertime before wild tintern butter at the old beeside |
|
4:13:29 (Pop-up) |
||
| Wild Butter |
Come Fly With Me
|
1970 |
|
4:13:46 (Pop-up) | ||
| Bruno Nicolai |
De Sade '70
|
1970 |
|
4:17:00 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Nohead - A Haiku Tropic summertime before wild nohead mother after the mother |
|
4:19:16 (Pop-up) |
||
| Groep 1850 |
Mother No-Head
|
1967 |
|
4:19:44 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
|
4:23:05 (Pop-up) |
|||
| Greg Robbins |
Virginia Creeper
|
2009 |
|
4:23:16 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
An absentee, however hard it tries, Will always be reluctant. Down, down, down into the darkness of the absentee, Gently it goes - the uneager, the unwilling, the disinclined. The location that's really exact, Above all others are the whereabouts. Never forget the rigorous and literal whereabouts. Just like mysterious cures, is disappearances. |
|
4:25:28 (Pop-up) |
||
| Status Quo |
You're Just What I Was Looking For Today
|
1969 |
|
4:26:15 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
One afternoon I said to myself, "Why isn't the dearth more inconspicuous?" Now open is just the thing, To get me wondering if the dearth is marked. The unavailability is not unusual! the unavailability is exceptionally unusual. Down, down, down into the darkness of the unavailability, Gently it goes - the common, the unusual, the habitual. |
|
4:29:59 (Pop-up) |
||
| the stooges |
1969
|
1969 |
|
4:30:43 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
I cannot help but stop and look at the strange disappearance. Now weird is just the thing, To get me wondering if the disappearance is curious. Pay attention to the whereabouts, whereabouts are the most being location of all. Do whereabouts make you shiver? do they? I saw the the wooly traveler of my generation destroyed, |
|
4:35:42 (Pop-up) |
||
| The 13th Power |
Free Lovin'
|
1968 |
|
4:36:28 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
An absent, however hard it tries, Will always be suggestive. Down, down, down into the darkness of the absent, Gently it goes - the indicative, the connotative, the implicative. Because I could not submit for revised, it did kindly submit for me. Now non-automatic is just the thing, To get me wondering if the revised is automatic. |
|
4:38:50 (Pop-up) |
||
| Thunderclap Newman |
Accidents
|
1970 |
|
4:39:32 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
|
4:43:11 (Pop-up) |
|||
| Iota |
R.I.P.
|
1969 |
|
4:43:28 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
|
4:46:40 (Pop-up) |
|||
| 3rd Power |
Snow
|
1968 |
|
4:46:51 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
4:49:38 (Pop-up) | ||||
| The United States Of America |
Hard Coming Love
|
The United States Of America | 1968 |
|
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