The Night Owl Show with Owl Sun:
Playlist
from August 11, 2022
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Midnight - 5am
(EST)
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August 11, 2022: Due to technical problems the archive starts in progress a short way into the show
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| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:20 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:46 (Pop-up) | ||||
| Syd Barrett |
Maisie [Take 2]
|
1970 |
|
0:03:14 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Omissions, however hard they try, Will always be inadvertent. Are you upset by how accidental they are? Does it tear you apart to see the omissions so unintended? I cannot help but stop and look at the divine been. Never forget the sacred and inspired been. All that is fat-free is not neglected, neglected, by all account is fat. |
|
0:05:59 (Pop-up) |
||
| Pink Floyd |
A Saucerful Of Secrets
|
1968 |
|
0:06:52 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Saucerful - A Haiku Loving summertime A large, pink saucerful grab beyond the kingsley |
|
0:18:18 (Pop-up) |
||
| Gershon Kingsley |
Have It - Or Grab It - Or Go
|
1970 |
|
0:18:42 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
The Or And Iron Butterfly Whose butterfly is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his butterfly a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:25:05 (Pop-up) |
||
| Iron Butterfly |
My Mirage
|
1968 |
|
0:26:08 (Pop-up) | ||
| Band Of Wyndand |
Day-Time Nite-Time
|
0:30:58 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Visitation - A Haiku Dampish summertime A white visitation noise out of butterfly |
|
0:33:50 (Pop-up) |
||
| White Noise |
The Visitation
|
1969 |
|
0:34:18 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
I saw the the latter turn of my generation destroyed, How I mourned the left. Does the left make you shiver? does it? One afternoon I said to myself, "Why isn't the omission more fair?" Are you upset by how colored it is? Does it tear you apart to see the omission so fond? |
|
0:45:23 (Pop-up) |
||
| Ruben And The Jets |
Jelly Roll Gum Drop
|
1968 |
|
0:46:19 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
I saw the the latter turn of my generation destroyed, How I mourned the left. Does the left make you shiver? does it? One afternoon I said to myself, "Why isn't the omission more fair?" Are you upset by how colored it is? Does it tear you apart to see the omission so fond? |
|
0:48:38 (Pop-up) |
||
| the Electric Flag, an American Music Band |
Peter's Trip
|
Original Motion Picture Sound Track: The Trip | 1967 |
|
0:49:17 (Pop-up) | |
| The Dovers |
The Third Eye
|
1996 | 0:51:46 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout
|
All that is impermanent is not presence, presence, by all account is permanent. A presence is impermanent. a presence is indissoluble, a presence is everlasting, however. I saw the the apparent mistake of my generation destroyed, How I mourned the omission. An omission is plain. an omission is manifest, an omission is evident, however. |
|
0:54:00 (Pop-up) |
||
| SRC |
Interval
|
1968 |
|
0:54:54 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
|
1:00:21 (Pop-up) |
|||
| The Mothers Of Invention |
Cheap Thrills
|
1968 |
|
1:00:34 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
Invention - A Haiku Dampen summertime A new, cheap invention pink above the mothers |
|
1:02:48 (Pop-up) |
||
| The Deep |
Pink Ether
|
1966 |
|
1:03:10 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Rainbow - A Haiku Dampish summertime A perfect, deep rainbow sing above the ffolly |
|
1:06:01 (Pop-up) |
||
| Rainbow Ffolly |
Sun Sing
|
1968 |
|
1:06:24 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
Daylight - A Haiku Hearty summertime A bright, randy daylight sing before the rainbow |
|
1:11:50 (Pop-up) |
||
| Randy Burns |
When Daylight Comes in Everything
|
1968 |
|
1:12:13 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
Daylight, Part 2 - A Haiku Muddy summertime A better daylight better into the taylor |
|
1:16:04 (Pop-up) |
||
| Raul Danks - Jon Taylor |
You Better Go
|
1967 |
|
1:16:28 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
I cannot help but stop and look at the coral forgotten. Never forget the chromatic and colored forgotten. A neglected, however hard it tries, Will always be long. Down, down, down into the darkness of the neglected, Gently it goes - the abundant, the longsighted, the farsighted. The cunning left sings like a turkish part Does the left make you shiver? |
|
1:19:12 (Pop-up) |
||
| Syd Barrett |
Gigolo Aunt [Take 15]
|
1970 |
|
1:20:04 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
I cannot help but stop and look at the manco johnson. Does the johnson make you shiver? does it? The anderson is not ugly! the anderson is exceptionally dazzling. Does the anderson make you shiver? does it? Pay attention to the armstrong, |
|
1:25:46 (Pop-up) |
||
| Pink Floyd |
Jugband Blues
|
1968 |
|
1:26:35 (Pop-up) | ||
| Stu Phillips |
Skip To My Mary J.
|
Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
|
1:29:29 (Pop-up) | |
Music behind DJ: Pedro Santos |
Savana
|
A marquez, however hard it tries, Will always be lara. Does the marquez make you shiver? does it? A dani, however hard it tries, Will always be other. A dani is some other. a dani is opposite, a dani is strange, however. |
|
1:31:35 (Pop-up) |
||
| Pepper & the Shakers |
Semi-Psychedelic (It Is)
|
1996 | 1:32:21 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Noodles, however hard they try, Will always be round. Now orbicular is just the thing, To get me wondering if noodles are coccoid. The cheek is not shaven! the cheek is exceptionally mustached. A cheek is whiskered. a cheek is mustached, a cheek is bewhiskered, however. |
|
1:34:31 (Pop-up) |
||
| Small Faces |
(Tell Me) Have You Ever Seen Me
|
1967 |
|
1:35:28 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Quicksilver - A Haiku Heavy summertime A much, quicksilver service out of messenger |
|
1:38:17 (Pop-up) |
||
| Quicksilver Messenger Service |
The Fool
|
1968 |
|
1:38:43 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Quicksilver, Part 2 - A Haiku Sunless summertime A more, quicksilver service on the messenger |
|
1:50:43 (Pop-up) |
||
| Cream |
In The Studio: Passing The Time
|
1968 |
|
1:51:26 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
Lightnin - A Haiku Darkness summertime before passing lightnin cream after the hopkins |
|
1:55:55 (Pop-up) |
||
| Lightnin' Hopkins |
Got Her Letter This Morning
|
1968 |
|
1:56:14 (Pop-up) | ||
| New York Rock & Roll Ensemble |
City
|
1969 |
|
2:01:09 (Pop-up) | ||
| The Electric Prunes |
Wind-Up Toys
|
1967 |
|
2:04:22 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Lightnin, Part 2 - A Haiku Warming summertime before crazy lightnin man on the josefus |
|
2:06:49 (Pop-up) |
||
| Josefus |
Crazy Man
|
1970 |
|
2:07:29 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
The Man And Crazy Velvet Whose velvet is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his velvet a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:11:00 (Pop-up) |
||
| Elmer Gantry's Velvet Opera |
Mary Jane
|
1968 |
|
2:11:44 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
|
2:15:10 (Pop-up) |
|||
| The Mothers Of Invention |
No. No. No.
|
1968 |
|
2:15:24 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
|
2:17:47 (Pop-up) |
|||
| Graffiti |
He's Got The Knack
|
1968 |
|
2:17:58 (Pop-up) | ||
| The Deep |
When Rain Is Black
|
1966 |
|
2:20:37 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
|
2:22:42 (Pop-up) |
|||
| Rainbow Ffolly |
No
|
1968 |
|
2:22:59 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
A rockabilly, however hard it tries, Will always be white. A rockabilly is livid. a rockabilly is light-skinned, a rockabilly is blank, however. How happy is the nazi retro! Does the retro make you shiver? does it? When I think of the punk, I see a goofy example. |
|
2:25:57 (Pop-up) |
||
| Funkadelic |
Music For My Mother (Instrumental)
|
1969 |
|
2:26:43 (Pop-up) | ||
| The Koobas |
The First Cut Is The Deepest
|
1968 |
|
2:32:52 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
A retro, however hard it tries, Will always be latin. Now romance is just the thing, To get me wondering if the retro is emotional. Pay attention to the punk, the punk is the most rebellious felon of all. Are you upset by how insubordinate it is? Does it tear you apart to see the punk so disloyal? |
|
2:35:52 (Pop-up) |
||
| Syd Barrett |
Wined and Dined
|
1989 |
|
2:36:41 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
|
2:39:40 (Pop-up) |
|||
| Pink Floyd |
Let There Be More Light
|
1968 |
|
2:40:22 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
Cromagnon - A Haiku Warming summertime before light cromagnon light caledonia |
|
2:45:36 (Pop-up) |
||
| Cromagnon |
Caledonia
|
1969 |
|
2:46:09 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
I cannot help but stop and look at the usual unavailability. Does the unavailability make you shiver? does it? A dearth, however hard it tries, Will always be utter. Never forget the consummate and express dearth. The disregard that's really zany, Above all others is the omission. |
|
2:50:25 (Pop-up) |
||
| Skip Bifferty |
On Love
|
1967 |
|
2:51:02 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Accompaniment - A Haiku Dampen summertime before accompaniment skip near the electric |
|
2:53:37 (Pop-up) |
||
| electric banana |
Vocal Version with Accompaniment: I See You
|
1968 |
|
2:53:59 (Pop-up) | ||
| Brainticket |
Black Sand
|
1971 |
|
2:57:40 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Accompaniment, Part 2 - A Haiku Warm up summertime before accompaniment fool near the tomorrows |
|
3:00:21 (Pop-up) |
||
| The Apryl Fool |
Tomorrow's Child
|
1969 |
|
3:00:54 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Quicksilver - A Haiku Loving summertime A pure, quicksilver service out of messenger |
|
3:05:08 (Pop-up) |
||
| The Quicksilver Messenger Service |
Codine
|
1968 |
|
3:05:35 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Quicksilver, Part 2 - A Haiku Dour summertime A pure, quicksilver service out of messenger |
|
3:10:51 (Pop-up) |
||
| The Move |
Yellow Rainbow
|
1968 |
|
3:11:15 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
All that is black-and-white is not bitmap, bitmap, by all account is color. Now panchromatic is just the thing, To get me wondering if the bitmap is black-and-white. A prefix, however hard it tries, Will always be correct. Are you upset by how wrong it is? Does it tear you apart to see the prefix so straight? |
|
3:14:44 (Pop-up) |
||
| SRC |
Eye Of The Storm
|
1969 |
|
3:15:23 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
The affix that's really common, Above all others is the prefix. Down, down, down into the darkness of the prefix, Gently it goes - the frequent, the popular, the ordinary. A gif, however hard it tries, Will always be harvard. Does the gif make you shiver? does it? |
|
3:20:08 (Pop-up) |
||
| Heavy Balloon |
32,000: Barnyard Blues
|
1969 |
|
3:20:46 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
|
3:26:35 (Pop-up) |
|||
| dorothy ashby |
For Some We Loved
|
1970 |
|
3:26:49 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
The affix that's really common, Above all others is the prefix. Down, down, down into the darkness of the prefix, Gently it goes - the frequent, the popular, the ordinary. A gif, however hard it tries, Will always be harvard. Does the gif make you shiver? does it? |
|
3:30:49 (Pop-up) |
||
| The Mothers Of Invention |
Later That Night
|
1968 |
|
3:31:25 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
Brotherhood - A Haiku Dampish summertime A cosmic brotherhood friend on the invention |
|
3:34:23 (Pop-up) |
||
| Bill Plummer And The Cosmic Brotherhood |
Lady Friend
|
Bill Plummer And The Cosmic Brotherhood | 1968 |
|
3:34:46 (Pop-up) | |
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
Brotherhood, Part 2 - A Haiku Warm up summertime A true, cosmic brotherhood near the carpenter |
|
3:39:21 (Pop-up) |
||
| Chris Carpenter |
This World (Is Closing In On Me)
|
1967 |
|
3:39:54 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
The On And Left Carpenter Whose carpenter is that? I think I know. Its owner is quite angry though. She was cross like a dark potato. I watch her pace. I cry hello. She gives her carpenter a shake, And screams I've made a bad mistake. The only other sound's the break, Of distant waves and birds awake. |
|
3:42:38 (Pop-up) |
||
| SMASH |
I Left You
|
1969 |
|
3:43:26 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
The Left And Lang Smash Whose smash is that? I think I know. Its owner is quite angry though. He was cross like a dark potato. I watch him pace. I cry hello. He gives his smash a shake, And screams I've made a bad mistake. The only other sound's the break, Of distant waves and birds awake. |
|
3:46:54 (Pop-up) |
||
| Syd Barrett |
Swan Lee (Silas Lang)
|
1989 |
|
3:47:37 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
How happy is the london macmillan! Does the macmillan make you shiver? does it? Don't belive that the harriet is old? the harriet is young beyond belief. Does the harriet make you shiver? does it? A lindstrom, however hard it tries, |
|
3:50:44 (Pop-up) |
||
| terence |
The Emperor
|
1969 |
|
3:51:31 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Controls - A Haiku Darkness summertime A social, pink controls pink out of emperor |
|
3:55:55 (Pop-up) |
||
| Pink Floyd |
Set The Controls For The Heart Of The Sun
|
1968 |
|
3:56:17 (Pop-up) | ||
| Pesky Gee! |
Where Is My Mind
|
1969 |
|
4:02:13 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
The Pink And Moody Heart Whose heart is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his heart a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
4:04:29 (Pop-up) |
||
| The Moody Blues |
Higher and Higher.
|
1969 |
|
4:05:20 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
Rainbow - A Haiku Warming summertime A white, moody rainbow game into the sighing |
|
4:09:21 (Pop-up) |
||
| Rainbow Ffolly |
Sighing Game
|
1968 |
|
4:09:44 (Pop-up) | ||
| Skip Bifferty |
Cover Girl
|
1967 |
|
4:12:50 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
Natural - A Haiku Darkness summertime A very, natural coast beyond the rainbow |
|
4:15:34 (Pop-up) |
||
| The Peanut Butter Conspiracy |
One-Nine-Six-Seven
|
1967 |
|
4:16:40 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
|
4:18:36 (Pop-up) |
|||
| Joe |
Dhoop
|
1969 |
|
4:18:47 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
|
4:22:36 (Pop-up) |
|||
| The Ashes |
Every Little Prayer
|
1967 |
|
4:22:56 (Pop-up) | ||
| Jefferson Airplane |
Somebody To Love
|
1967 |
|
4:24:59 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
Kingsley - A Haiku Warming summertime before little kingsley grab after the gershon |
|
4:27:52 (Pop-up) |
||
| Gershon Kingsley |
Have It - Or Grab It - Or Go
|
1970 |
|
4:28:20 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Nitetime - A Haiku Heavy summertime before or nitetime band above the kingsley |
|
4:33:42 (Pop-up) |
||
| Band Of Wyndand |
Day-Time Nite-Time
|
4:34:21 (Pop-up) | ||||
| Josefus |
Situation
|
1970 |
|
4:37:14 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Documentary - A Haiku Muddy summertime How documentary trip at the old excerpts |
|
4:39:05 (Pop-up) |
||
| Montage |
I Shall Call Her Mary
|
1969 |
|
4:43:13 (Pop-up) | ||
| The Ventures |
Vibrations
|
1967 |
|
4:45:30 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
|
4:48:26 (Pop-up) |
|||
| Ennio Morricone |
Dies Irae Psichedelico (Versione Lunga)
|
1968 |
|
4:48:45 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
4:51:09 (Pop-up) | ||||
| The United States Of America |
Hard Coming Love
|
The United States Of America | 1968 |
|
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