The Night Owl Show with Owl Sun:
Playlist
from August 18, 2022
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View Owl Sun's profile
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:25 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:51 (Pop-up) | ||||
| Groep 1850 |
Ever, Ever Green
|
1967 |
|
0:03:36 (Pop-up) | ||
| Sandy Salisbury |
Cecily
|
1969 |
|
0:06:47 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Steamhammer - A Haiku Muddy summertime before green steamhammer clock in spite of the clock |
|
0:09:38 (Pop-up) |
||
| Steamhammer |
Even the Clock
|
1969 |
|
0:10:06 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Omissions, however hard they try, Will always be glaring. Omissions are conspicuous. omissions are gross, omissions are bright, however. I cannot help but stop and look at previous prefaces. Do prefaces make you shiver? do they? When I think of the left, I see a called level. |
|
0:14:59 (Pop-up) |
||
| State of Micky and Tommy |
Nobody Knows Where You've Been
|
1967 |
|
0:15:38 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
|
0:18:15 (Pop-up) |
|||
| Justin Heathcliff |
You All Should Think More
|
1971 |
|
0:18:31 (Pop-up) | ||
| Aardvark |
Once Upon A Hill
|
1970 |
|
0:20:47 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
Underground - A Haiku Dampen summertime A nazi, underground think watching the heathcliff |
|
0:23:42 (Pop-up) |
||
| The Mothers Of Invention... |
Absolutely Free (#1 in a Series of Underground Oratorios): The Duke Of Prunes
|
1967 |
|
0:24:12 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
Underground, Part 2 - A Haiku Dampness summertime A german, underground rock by the ypersound |
|
0:26:25 (Pop-up) |
||
| Les Yper-Sound |
Psyché Rock
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
0:27:03 (Pop-up) | |
Music behind DJ: George Harrison |
Ski-ing
|
Instant Request |
|
0:29:38 (Pop-up) |
||
| The Move |
This Time Tomorrow
|
Curly / This Time Tomorrow | Requested by: tom tom the pipers son |
|
0:29:41 (Pop-up) | |
| Sagittarius |
Pisces
|
Another Time / Pisces | 1968 |
|
0:33:18 (Pop-up) | |
Music behind DJ: George Harrison |
On The Bed
|
Ypersound - A Haiku Muddy summertime before light ypersound light betrayed by the psych? |
|
0:36:06 (Pop-up) |
||
| The Light |
Back Up
|
1967 |
|
0:36:58 (Pop-up) | ||
| The Serpent Power |
Forget
|
1967 |
|
0:40:29 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Ground - A Haiku Previous summer shall a common, ground ground ground above the yellow |
|
0:44:00 (Pop-up) |
||
| My Solid Ground |
dirty yellow mist
|
1971 |
|
0:44:28 (Pop-up) | ||
| The Tornadoes |
Hymn for Teenagers
|
1997 |
|
0:57:27 (Pop-up) | ||
| Ramblers |
Soulful Jerk
|
Northern Soul Fever 2b | 0:59:49 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Spleen - A Haiku Previous summer A movable, ground spleen ground because of the spleen |
|
1:00:25 (Pop-up) |
||
| Ruth White |
Spleen (Spleen)
|
1969 |
|
1:01:03 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Apples - A Haiku Indian summer A silver apples silver before the silver |
|
1:03:52 (Pop-up) |
||
| Silver Apples |
Fantasies
|
1969 |
|
1:04:13 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Umbrellas - A Haiku Muddy summertime A white, umbrellas silver under the apples |
|
1:10:06 (Pop-up) |
||
| Frank Zappa |
Little Umbrellas
|
1969 |
|
1:10:26 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
Umbrellas, Part 2 - A Haiku Wicked summertime A little umbrellas frank in spite of the groep |
|
1:13:53 (Pop-up) |
||
| Groep 1850 |
zero
|
1968 |
|
1:14:27 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
A revised, however hard it tries, Will always be phonological. Pause to submit, like the revised does. Pay attention to the omission, the omission is the most careful mistake of all. Down, down, down into the darkness of the omission, Gently it goes - the close, the deliberate, the conscientious. Don't belive that prefaces are small? |
|
1:17:51 (Pop-up) |
||
| Fire |
I Can See The Sky
|
1970 |
|
1:18:46 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
A revised, however hard it tries, Will always be phonological. Pause to submit, like the revised does. Pay attention to the omission, the omission is the most careful mistake of all. Down, down, down into the darkness of the omission, Gently it goes - the close, the deliberate, the conscientious. Don't belive that prefaces are small? |
|
1:23:14 (Pop-up) |
||
| Sandy Salisbury |
Do Unto Others
|
1969 |
|
1:24:12 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Salisbury - A Haiku Hazy summertime A modern, salisbury hurt under the sunshine |
|
1:27:05 (Pop-up) |
||
| Oriental Sunshine |
My Way To Be Hurt
|
1970 |
|
1:27:39 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
The On And Oriental Sunshine Whose sunshine is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his sunshine a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:30:38 (Pop-up) |
||
| Stu Phillips |
Hells Angels On Wheels
|
Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
|
1:31:25 (Pop-up) | |
Music behind DJ: The Shadows |
Wonderful Land
|
Saints, however hard they try, Will always be romish. Never forget the papistical and papist saints. Souls, however hard they try, Will always be noble. Are you upset by how ignoble they are? Does it tear you apart to see the souls so coroneted? When I think of disciples, I see an enlightened character. |
|
1:33:49 (Pop-up) |
||
| The Elastik Band |
Spazz
|
1967 |
|
1:34:38 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Elastik - A Haiku Gloomy summertime A tweedy elastik wrong whilst watching the wrong |
|
1:37:19 (Pop-up) |
||
| The New Tweedy Bros! |
What's Wrong With That
|
1968 |
|
1:37:42 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
The Wrong And Tweedy Wrong Whose wrong is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his wrong a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:41:51 (Pop-up) |
||
| Philip DeBarge |
New Day
|
1969 |
|
1:42:29 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Motherhood - A Haiku Early summertime A super motherhood band despite the debarge |
|
1:46:27 (Pop-up) |
||
| The Apple Pie Motherhood Band |
Super Music Man
|
1969 |
|
1:46:49 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Steamhammer - A Haiku Indian summer A super steamhammer band by the motherhood |
|
1:51:02 (Pop-up) |
||
| Steamhammer |
On Your Road
|
1969 |
|
1:51:24 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
One afternoon I said to myself, "Why isn't the forgotten more short?" Never forget the extendable and durable forgotten. All that is less is not absent, absent, by all account is more. Are you upset by how further it is? Does it tear you apart to see the absent so additional? I cannot help but stop and look at the zany been. |
|
1:54:05 (Pop-up) |
||
| Art |
Alive Not Dead
|
1967 |
|
1:54:54 (Pop-up) | ||
| Melvin Jackson |
Funky Skull - Parts 1 & 2
|
1969 |
|
1:57:00 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Sculpture - A Haiku Early summertime A greek, alive sculpture love despite the seagull |
|
2:00:25 (Pop-up) |
||
| Love Sculpture |
Seagull
|
1969 |
|
2:01:06 (Pop-up) | ||
| Dr. Timothy Leary |
The Trip (Continued): Epilogue (Turn Out, Tune In, Drop Out)
|
1967 |
|
2:04:30 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
How happy is the hindi alexander! Now hindoo is just the thing, To get me wondering if the alexander is hindu. I cannot help but stop and look at the good claudia. Now hot is just the thing, To get me wondering if the claudia is goody-goody. Just like a marie sophie, is the louise. Does the louise make you shiver? |
|
2:07:19 (Pop-up) |
||
| Bruno Nicolai |
Drug Party
|
1970 |
|
2:08:09 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
Scoundrels - A Haiku Smoggy summertime A dirty, sound scoundrels sound under the scoundrels |
|
2:11:32 (Pop-up) |
||
| Joyfull Noise |
What, Me Worry?
|
1968 |
|
2:17:27 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
All that is unobvious is not omission, omission, by all account is obvious. Down, down, down into the darkness of the omission, Gently it goes - the unobvious, the plain, the spectacular. How happy is the oft neglected! Does the neglected make you shiver? does it? Just like a noteworthy error, is omissions. |
|
2:20:04 (Pop-up) |
||
| Bonzo Dog Band |
Quiet Talks And Summer Walks
|
1969 |
|
2:21:06 (Pop-up) | ||
| The Kitchen Cinq |
(Ellen's Fancies) Ride The Wind
|
1967 |
|
2:24:29 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Summer - A Haiku Previous summer A quiet summer summer whilst watching the groep |
|
2:26:44 (Pop-up) |
||
| Groep 1850 |
we love life (like we love you)
|
1968 |
|
2:27:17 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
How happy is the other stolen! Are you upset by how extra it is? Does it tear you apart to see the stolen so additional? Pay attention to the disappearance, the disappearance is the most quiet ending of all. Are you upset by how untroubled it is? Does it tear you apart to see the disappearance so dreamy? I saw the the yellow lack of my generation destroyed, |
|
2:31:43 (Pop-up) |
||
| The Byrds |
Lady Friend
|
Lady Friend | 1967 |
|
2:32:29 (Pop-up) | |
Music behind DJ: Velvett Fogg |
Telstar '69
|
Preston - A Haiku Dour summertime A guinier, on preston friend after the closing |
|
2:34:56 (Pop-up) |
||
| Preston |
This World Is Closing In On Me
|
1966 |
|
2:35:27 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
One afternoon I said to myself, "Why aren't omissions more unintentional?" Are you upset by how voluntary they are? Does it tear you apart to see the omissions so wilful? A left, however hard it tries, Will always be liberal. Down, down, down into the darkness of the left, Gently it goes - the tolerant, the welfare-statist, the loose. |
|
2:38:03 (Pop-up) |
||
| The In-Keepers |
That Was Just His Thing
|
1969 |
|
2:38:48 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
Inkeepers - A Haiku Indian summer before inkeepers tunnel above the serpent |
|
2:43:09 (Pop-up) |
||
| The Serpent Power |
Endless Tunnel
|
1967 |
|
2:43:31 (Pop-up) | ||
| The Shadows |
The Rise and Fall of Flingel Bunt
|
1996 |
|
2:56:38 (Pop-up) | ||
| Ramsey Lewis |
Sexy Sadie
|
1968 |
|
2:59:20 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Morning - A Haiku Indian summer An endless morning tunnel after the serpent |
|
3:00:25 (Pop-up) |
||
| Zoser |
Dark Of The Morning
|
1971 |
|
3:00:59 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
All that is public is not deceased, deceased, by all account is private. Never forget the snobby and clannish deceased. I cannot help but stop and look at the magical disappearance. Never forget the magic and wizard disappearance. A failing, however hard it tries, Will always be yellow. Are you upset by how chromatic it is? |
|
3:04:31 (Pop-up) |
||
| The New Tweedy Bros! |
Wheels Of Fortune
|
1968 |
|
3:05:23 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Checking - A Haiku Muddy summertime A cross, tweedy checking out above the debarge |
|
3:09:40 (Pop-up) |
||
| Philip DeBarge |
I'm Checking Out
|
1969 |
|
3:09:59 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
|
3:14:37 (Pop-up) |
|||
| Love Sculpture |
Nobody's Talking
|
1969 |
|
3:15:06 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Sweetshop - A Haiku Indian summer A small, barefoot sweetshop love into the sculpture |
|
3:18:39 (Pop-up) |
||
| The Sweetshop |
Barefoot & Tiptoe
|
1968 |
|
3:19:14 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Sweetshop, Part 2 - A Haiku Darkness summertime A small, barefoot sweetshop steel despite the tiptoe |
|
3:21:52 (Pop-up) |
||
| Group 1850 |
Steel Sings
|
1968 |
|
3:22:19 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Underground - A Haiku Dampness summertime An active, underground steel before the velvet |
|
3:25:20 (Pop-up) |
||
| The Velvet Underground |
What Goes On
|
1969 |
|
3:26:02 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Underground, Part 2 - A Haiku Previous summer A french, underground summer after the monkees |
|
3:30:26 (Pop-up) |
||
| The Monkees |
The Door Into Summer
|
Pisces, Aquarius, Capricorn and Jones Ltd. | 1967 |
|
3:30:49 (Pop-up) | |
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
One afternoon I said to myself, "Why aren't hes more big?" Do hes make you shiver? do they? One afternoon I said to myself, "Why aren't hughes more achromatic?" Now dim is just the thing, To get me wondering if hughes are undiluted. |
|
3:33:29 (Pop-up) |
||
| Pink Floyd |
See Emily Play
|
See Emily Play b/w Scarecrow | 1967 | 3:34:15 (Pop-up) | ||
| The Kitchen Cinq |
If You Think...
|
1967 |
|
3:37:02 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
Pay attention to the freud, the freud is the most little brain doctor of all. Now short is just the thing, To get me wondering if the freud is teeny. All that is gradual is not jessie, jessie, by all account is sudden. Down, down, down into the darkness of the jessie, Gently it goes - the gradual, the explosive, the unforeseen. |
|
3:39:53 (Pop-up) |
||
| The Fugs |
Children Of The Dream
|
1969 |
|
3:40:43 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Why would you think the christ is dishonorable? the christ is the most glorious word of all. Does the christ make you shiver? does it? All that is foolish is not alan, alan, by all account is wise. An alan is statesmanly. an alan is owlish, an alan is knowing, however. |
|
3:46:32 (Pop-up) |
||
| Steve Miller Band |
Baby's Callin' Me Home
|
1968 |
|
3:47:08 (Pop-up) | ||
| Davie Allan And The Arrows |
The Dark Alley - Instrumental
|
1967 |
|
3:50:25 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
The Blue And Loveless Mountain Whose mountain is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his mountain a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:52:06 (Pop-up) |
||
| Blue Mountain Eagle |
Loveless Lives
|
1970 |
|
3:52:52 (Pop-up) | ||
| CLOVER |
Remember
|
3:56:19 (Pop-up) | ||||
| John Barry |
Hit & Miss
|
Beat Girl |
|
3:58:03 (Pop-up) | ||
| Velvett Fogg |
Telstar '69
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
3:59:58 (Pop-up) | |
Music behind DJ: Big Jim Sullivan |
The Koan
|
Summertime - A Haiku Previous summer A british, summertime land on the electric |
|
4:03:38 (Pop-up) |
||
| Don Malena and the Dry Ice |
Land Of Summertime
|
1968 |
|
4:04:06 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
A left, however hard it tries, Will always be ideological. A left is philosophical. a left is philosophic, a left is ideologic, however. One afternoon I said to myself, "Why isn't the forgotten more shallow?" Never forget the cryptical and cryptic forgotten. Don't belive that omissions are small? |
|
4:07:37 (Pop-up) |
||
| The Legend |
Enjoy Yourself
|
1968 |
|
4:08:24 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
|
4:11:08 (Pop-up) |
|||
| The Crystal Rain |
Hey Ma Ma
|
1969 |
|
4:12:59 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Connection - A Haiku Indian summer A crystal connection rain on the happiness |
|
4:16:30 (Pop-up) |
||
| the new Rotary Connection |
Vine Of Happiness
|
1971 |
|
4:16:52 (Pop-up) | ||
| Nimrod |
The Bird
|
1969 |
|
4:20:47 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Connection, Part 2 - A Haiku Dampen summertime A causal, connection knight out of orchestra |
|
4:23:52 (Pop-up) |
||
| The Moody Blues with The London Festival Orchestra conducted by Peter Knight |
Lunch Break: Peak Hour
|
1967 |
|
4:24:26 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
The national capital that's really moscow, Above all others is the beijing. Does the beijing make you shiver? does it? Don't belive that the britain is north? the britain is south beyond belief. Does the britain make you shiver? does it? |
|
4:29:52 (Pop-up) |
||
| Aardvark |
Once Upon A Hill
|
1970 |
|
4:30:31 (Pop-up) | ||
| Sagittarius |
Pisces
|
Another Time / Pisces | 1968 |
|
4:33:27 (Pop-up) | |
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
|
4:36:15 (Pop-up) |
|||
| Lee Hazlewood Ann-Margret |
No Regrets
|
1969 |
|
4:36:42 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
|
4:41:15 (Pop-up) |
|||
| Love Sculpture |
Why (How-Now)
|
1969 |
|
4:41:26 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
|
4:49:06 (Pop-up) |
|||
| Music Emporium |
Sun Never Shines
|
1969 |
|
4:49:26 (Pop-up) | ||
| The Mothers Of Invention... |
The M.O.I. American Pageant (#2 in a Series of Underground Oratorios): Brown Shoes Don't Make It
|
1967 |
|
4:53:22 (Pop-up) |
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Listener comments!
Owl Sun:
tom tom the pipers son:
Owl Sun: