The Night Owl Show with Owl Sun:
Playlist
from September 11, 2022
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View Owl Sun's profile
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:24 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:50 (Pop-up) | ||||
| The Jelly Bean Bandits |
Neon River
|
1967 |
|
0:03:19 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
|
0:05:53 (Pop-up) |
|||
| Eden's Children |
Call It Design
|
1968 |
|
0:06:06 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
One afternoon I said to myself, "Why isn't the deceased more first?" Down, down, down into the darkness of the deceased, Gently it goes - the instant, the 2d, the forward. I cannot help but stop and look at the noticeable absentee. Now pronounced is just the thing, To get me wondering if the absentee is noted. I cannot help but stop and look at the wooly absent. |
|
0:09:19 (Pop-up) |
||
| The Tiffany Shade |
Not Worth the Pain
|
1968 |
|
0:10:21 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
Tiffany - A Haiku Early summertime A thin, worth tiffany worth at the perfect shade |
|
0:14:23 (Pop-up) |
||
| The Other Half |
I've Come So Far
|
1967 |
|
0:14:39 (Pop-up) | ||
| The Byrds |
Wasn't Born To Follow
|
1967 |
|
0:16:59 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Lovin - A Haiku Indian summer A little, half lovin state because of the state |
|
0:18:55 (Pop-up) |
||
| The Art Of Lovin' |
State Of Mind
|
1968 |
|
0:19:22 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
An img, however hard it tries, Will always be dim. Are you upset by how dark it is? Does it tear you apart to see the img so indistinct? I cannot help but stop and look at the qua atl. Does the atl make you shiver? does it? The zany hyperspace sings like ecological jobs |
|
0:23:00 (Pop-up) |
||
| The New York Rock & Roll Ensemble |
Studeao Atlantis
|
1968 |
|
0:23:41 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Ensemble - A Haiku Dampish summertime A large, wet ensemble paint on the atlantis |
|
0:26:35 (Pop-up) |
||
| The Wet Paint |
Shame
|
1966 |
|
0:27:00 (Pop-up) | ||
| Alice Cooper |
Fields of Regret
|
Pretties For You | 1969 |
|
0:29:18 (Pop-up) | |
| The Shadows Of Knight |
Bad Little Woman
|
1966 |
|
0:34:58 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Constitine - A Haiku Early summertime before wet constitine paint betrayed by the paint |
|
0:37:30 (Pop-up) |
||
| Cat Mother and the All Night Newsboys |
Favors
|
1968 |
|
0:39:21 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
|
0:42:51 (Pop-up) |
|||
| KAK |
Trieulogy: I) Golgotha II) Mirage III) Rain
|
1969 |
|
0:43:06 (Pop-up) | ||
| Heather MacRae |
Hands Of The Clock
|
1967 |
|
0:51:08 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Trieulogy - A Haiku Previous summer How trieulogy wooden near the golgotha |
|
0:53:52 (Pop-up) |
||
| Small Faces |
Up The Wooden Hills
|
1967 |
|
0:54:23 (Pop-up) | ||
| Family |
Mellowing Grey
|
1968 |
|
0:56:19 (Pop-up) | ||
| The Shadows |
Man of Mystery
|
1996 |
|
0:59:02 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Singers - A Haiku Indian summer A wooden singers gather before the flowers |
|
1:00:24 (Pop-up) |
||
| Good Time Singers |
I Could Gather Flowers
|
1967 |
|
1:00:59 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
One afternoon I said to myself, "Why aren't carnations more sour?" Now mellifluous is just the thing, To get me wondering if carnations are angelical. petals are not scentless! petals are exceptionally fragrant. Now sweet is just the thing, To get me wondering if petals are fragrant. |
|
1:03:25 (Pop-up) |
||
| The Amen Corner |
I Know
|
1967 |
|
1:04:04 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
|
1:06:24 (Pop-up) |
|||
| Bob & Kit |
Autumn Too Long
|
1966 |
|
1:06:46 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Battyn - A Haiku Glooming summertime suddenly high battyn skip into the autumn |
|
1:09:56 (Pop-up) |
||
| Skip Battyn and The Groop |
High Coin
|
1965 |
|
1:10:28 (Pop-up) | ||
| Lost and Found |
25 MPH
|
2008 |
|
1:12:56 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
I cannot help but stop and look at the obvious dearth. Does the dearth make you shiver? does it? How happy is the consequent lack! Are you upset by how subsequent it is? Does it tear you apart to see the lack so resultant? The wooly void sings like empty values Never forget the addled and hirsute void. |
|
1:14:44 (Pop-up) |
||
| The Jelly Bean Bandits |
Tapestries
|
1967 |
|
1:15:40 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
|
1:18:02 (Pop-up) |
|||
| Cupid's Inspiration |
Dream
|
1968 |
|
1:18:16 (Pop-up) | ||
| Bram Rigg Set |
Take The Time Be Yourself
|
1967 |
|
1:21:19 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
|
1:23:25 (Pop-up) |
|||
| Dorothy Ashby |
Soul Vibrations
|
1968 |
|
1:23:55 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
|
1:27:06 (Pop-up) |
|||
| Turquoise |
Beautiful Death Dealer
|
1968 |
|
1:27:18 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
|
1:30:50 (Pop-up) |
|||
| The Other Half |
It's Too Hard (Without You)
|
1967 |
|
1:31:20 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Aardvark - A Haiku Indian summer then a young, nice aardvark call at the perfect call |
|
1:33:31 (Pop-up) |
||
| Aardvark |
Very Nice Of You To Call
|
1970 |
|
1:34:06 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
Temperature - A Haiku Previous summer A nice temperature balloon above the question |
|
1:37:35 (Pop-up) |
||
| The Balloon Farm |
A Question of Temperature
|
1967 |
|
1:38:09 (Pop-up) | ||
| The Waters |
Mother Samwell
|
1969 |
|
1:40:45 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Temperature, Part 2 - A Haiku Early summertime A low, temperature balloon watching the laughing |
|
1:43:21 (Pop-up) |
||
| The Laughing Wind |
Don't Take Very Much To See Tomorrow
|
1966 |
|
1:43:49 (Pop-up) | ||
| The Flower Pot Men |
Am I Losing You
|
1967 |
|
1:45:39 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Zacherle - A Haiku Previous summer before laughing zacherle stomp watching the laughing |
|
1:47:35 (Pop-up) |
||
| featuring John Zacherle |
Pistol Stomp
|
Monster Mash |
|
1:48:06 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
A disappearance, however hard it tries, Will always be final. A disappearance is net. a disappearance is inalterable, a disappearance is ultimate, however. One afternoon I said to myself, "Why aren't whereabouts more unlikely?" Are you upset by how unlikely they are? Does it tear you apart to see the whereabouts so likely? |
|
1:50:43 (Pop-up) |
||
| Brother Nigel's Proxy Party |
Dancing Girl
|
1969 |
|
1:51:30 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Whereabouts, however hard they try, Will always be probable. Whereabouts are equiprobable. whereabouts are unlikely, whereabouts are improbable, however. The stolen is not same! the stolen is exceptionally same. Are you upset by how extra it is? Does it tear you apart to see the stolen so same? |
|
1:54:30 (Pop-up) |
||
| Kaleidoscope |
Faintly Blowing
|
Faintly Blowing |
|
1:55:25 (Pop-up) | ||
| Cat Mother and the All Night Newsboys |
Marie
|
1968 |
|
1:59:30 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
|
2:00:24 (Pop-up) |
|||
| The Garden Club |
I Must Love Her
|
1967 |
|
2:00:58 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
|
2:03:37 (Pop-up) |
|||
| Smart & Cole Inc. |
Ashes Ashes (All Fall Down)
|
1968 |
|
2:04:01 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
Hickory - A Haiku Early summertime A hollow hickory home at the old hollow |
|
2:06:46 (Pop-up) |
||
| Hickory Hollow |
Home
|
1968 |
|
2:07:09 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
Hickory, Part 2 - A Haiku Early summertime A hollow hickory friend by the family |
|
2:11:34 (Pop-up) |
||
| Family |
Me My Friend
|
1968 |
|
2:11:54 (Pop-up) | ||
| Neil Christian |
I Like It
|
1966 |
|
2:13:54 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
All that is old is not christina, christina, by all account is young. Are you upset by how puppyish it is? Does it tear you apart to see the christina so immature? Don't belive that the payment is first? the payment is last beyond belief. A payment is inalterable. a payment is modern, a payment is endmost, however. |
|
2:16:03 (Pop-up) |
||
| Kim Fowley |
They're Comming To Take Me Away, Ha Ha!
|
1966 |
|
2:16:45 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Showers - A Haiku Dampness summertime A few, tiny showers take at the old comming |
|
2:18:38 (Pop-up) |
||
| Tiny Tim |
April Showers
|
1966 |
|
2:19:10 (Pop-up) | ||
| The Unwritten Law |
Action Speaks Louder
|
1967 |
|
2:20:53 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
|
2:23:04 (Pop-up) |
|||
| Big Jim Sullivan |
Translove Airways (Fat Angel)
|
Sitar Beat | 1968 |
|
2:23:33 (Pop-up) | |
| Josefus |
Bald Peach
|
1970 |
|
2:25:35 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
|
2:28:11 (Pop-up) |
|||
| It's A Beautiful Day |
Bulgaria
|
1968 |
|
2:29:23 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
Bulgaria - A Haiku Dour summertime Bulgaria cycle the despite the cycle |
|
2:32:00 (Pop-up) |
||
| Ill Wind |
Full Cycle
|
1968 |
|
2:32:27 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Giant - A Haiku Indian summer A giant giant cycle under the cycle |
|
2:38:31 (Pop-up) |
||
| Giant Crab |
E.S.P.
|
1969 |
|
2:39:00 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
|
2:41:20 (Pop-up) |
|||
| Angel Angel Down We Go |
Angel, Angel, Down We Go
|
1969 | 2:41:35 (Pop-up) | |||
| Dana Gillespie |
You Just Gotta Know My Mind
|
1968 |
|
2:45:33 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Ensemble - A Haiku Previous summer A whole, much ensemble roll under the asking |
|
2:47:36 (Pop-up) |
||
| New York Rock & Roll Ensemble |
Asking Too Much
|
1969 |
|
2:48:08 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Ensemble, Part 2 - A Haiku Previous summer A large, half ensemble roll beyond the asking |
|
2:50:48 (Pop-up) |
||
| The Other Half |
Bad Day
|
1968 |
|
2:51:32 (Pop-up) | ||
| Pacific Ocean |
I Can't Stand It
|
1968 |
|
2:53:44 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Gingerbread - A Haiku Early summertime A half gingerbread people on the bloomsbury |
|
2:55:52 (Pop-up) |
||
| Bloomsbury People |
Gingerbread Man
|
1970 |
|
2:56:22 (Pop-up) | ||
| Tripsichord Music Box |
It's Not Good
|
1968 |
|
2:59:25 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Gingerbread, Part 2 - A Haiku Indian summer A man gingerbread flower by the bloomsbury |
|
3:00:24 (Pop-up) |
||
| The Flower Pot Men |
A Walk In The Sky
|
1967 |
|
3:01:06 (Pop-up) | ||
| The Enchanted Forest |
The Word Is Love
|
1968 |
|
3:04:54 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Wonderling - A Haiku Indian summer before wonderling flower despite the midway |
|
3:07:31 (Pop-up) |
||
| John Wonderling |
Midway Down
|
1968 |
|
3:08:18 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Wonderling, Part 2 - A Haiku Dampen summertime before wonderling bramble despite the newsboys |
|
3:11:37 (Pop-up) |
||
| Cat Mother and the All Night Newsboys |
Bramble Bush
|
1968 |
|
3:12:03 (Pop-up) | ||
| Grahame Bond |
Crossroads Of Time
|
1968 |
|
3:17:19 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
Newsboys - A Haiku Early summertime A ragged, newsboys bramble near the animals |
|
3:19:50 (Pop-up) |
||
| Eric Burdon and The Animals |
I'm An Animal
|
1968 |
|
3:20:17 (Pop-up) | ||
| The Hobbits |
Artificial Face
|
1968 |
|
3:25:36 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Animals - A Haiku Previous summer A higher, animals paint before the burdon |
|
3:27:59 (Pop-up) |
||
| The Wet Paint |
We Call Him A Man
|
1967 |
|
3:28:27 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
The Wet And Invisible Streetcar Whose streetcar is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his streetcar a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:30:27 (Pop-up) |
||
| Hamilton Streetcar |
Invisible People
|
pebbles presents | 1968 |
|
3:31:12 (Pop-up) | |
Music behind DJ: The Beatles |
The Bus
|
Whose streetcar is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his streetcar a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:34:10 (Pop-up) |
||
| Family |
Winter
|
1968 |
|
3:34:48 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Whose streetcar is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his streetcar a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:38:10 (Pop-up) |
||
| Kim Fowley |
You Get More For Your Money On The Flipside Of This Record Talking Blues
|
1966 |
|
3:38:58 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Automatic - A Haiku Previous summer A hand, automatic get after the flipside |
|
3:41:26 (Pop-up) |
||
| Poe |
Automatic Writing
|
1971 |
|
3:42:00 (Pop-up) | ||
| Tiny Tim |
What The World Needs Now Is Love
|
1969 |
|
3:45:01 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Connection - A Haiku Previous summer A direct, connection wrong the automatic |
|
3:47:57 (Pop-up) |
||
| Rotary Connection |
We're Going Wrong
|
1969 |
|
3:48:25 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Connection, Part 2 - A Haiku Gloomy summertime A causal, connection wrong by the josefus |
|
3:51:39 (Pop-up) |
||
| Josefus |
Feelin' good
|
1970 |
|
3:52:03 (Pop-up) | ||
| Big Jim Sullivan |
Tallyman
|
Sitar Beat | 1968 |
|
3:58:03 (Pop-up) | |
| The New York Rock & Roll Ensemble |
She's Gone
|
1968 |
|
4:04:49 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
I cannot help but stop and look at lengthy prefaces. Down, down, down into the darkness of the prefaces, Gently they go - the protracted, the drawn-out, the long. I cannot help but stop and look at the language revised. Pause to submit, like the revised does. Why would you think the absent is little? the absent is the most big go away of all. Now handsome is just the thing, |
|
4:07:19 (Pop-up) |
||
| Black Swan |
She Encircles Me
|
1968 |
|
4:08:21 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Documentary - A Haiku Early summertime where documentary black out of encircles |
|
4:10:25 (Pop-up) |
||
| Dana Gillespie |
No! No! No!
|
1968 |
|
4:13:15 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
|
4:16:00 (Pop-up) |
|||
| The 13th Floor Elevators |
Dust
|
1967 |
|
4:16:16 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
How happy is the famous nigel! Now famed is just the thing, To get me wondering if the nigel is known. How happy is the woodward hoffman! Does the hoffman make you shiver? does it? When I think of the gordon, I see a general town. Does the gordon make you shiver? |
|
4:20:12 (Pop-up) |
||
| Bryan Dunkettle |
I don't follow war no more
|
1970 |
|
4:20:53 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
I cannot help but stop and look at the leal bennett. Does the bennett make you shiver? does it? An armstrong, however hard it tries, Will always be late. An armstrong is previous. an armstrong is later, an armstrong is modern, however. When I think of the nigel, I see a clive youth. |
|
4:23:11 (Pop-up) |
||
| Tripsichord Music Box |
Family Song
|
1968 |
|
4:24:00 (Pop-up) | ||
| The Art Of Lovin' |
State Of Mind
|
1968 |
|
4:32:22 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
Tripsichord - A Haiku Depressing summer A little tripsichord knight under the shadows |
|
4:36:00 (Pop-up) |
||
| The Shadows Of Knight |
Bad Little Woman
|
1966 |
|
4:36:28 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Flattering - A Haiku Early summertime A faithful flattering knight near the ensemble |
|
4:39:01 (Pop-up) |
||
| New York Rock & Roll Ensemble |
Faithful Friends (And Flattering Foes)
|
1969 |
|
4:39:34 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Flattering, Part 2 - A Haiku Gloomy summertime A faithful flattering roll out of ensemble |
|
4:43:07 (Pop-up) |
||
| bernard jamet |
raison légale
|
1968 |
|
4:43:37 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Afternoon - A Haiku Early summertime A same, afternoon beacon at the perfect street |
|
4:46:06 (Pop-up) |
||
| Beacon Street Union |
A Not Very August Afternoon
|
1968 |
|
4:46:31 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
4:50:11 (Pop-up) | ||||
| Stu Phillips |
Hells Angels On Wheels
|
Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
|
||
| L. J. Reynolds & the Chocolate Syrup |
The Penguin Break Down
|
L. J. Reynolds |
|
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Owl Sun:
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