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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:26 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:52 (Pop-up) | ||||
Wild Man Fischer | In Conclusion: Larry Under Pressure | 1969 | 0:03:18 (Pop-up) | |||
J.C. Heavy | That Woman's Mind | 1970 | 0:04:46 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Playground - A Haiku Hearty summertime A vast, east playground pressure by the conclusion |
0:07:13 (Pop-up) |
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Culver Street Playground | East River Lovers | 1968 | 0:07:46 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
I cannot help but stop and look at female listeners. Never forget the androgynous and pistillate listeners. I cannot help but stop and look at literary clubs. Do clubs make you shiver? do they? The zany fest sings like beer companies Are you upset by how silly it is? Does it tear you apart to see the fest so wacky? |
0:11:17 (Pop-up) |
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The Frost | Who Are You? | 1969 | 0:12:07 (Pop-up) | |||
Peter Kelley | Apricot Brandy | 1969 | 0:17:23 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
I cannot help but stop and look at female listeners. Never forget the androgynous and pistillate listeners. I cannot help but stop and look at literary clubs. Do clubs make you shiver? do they? The zany fest sings like beer companies Are you upset by how silly it is? Does it tear you apart to see the fest so wacky? |
0:20:07 (Pop-up) |
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nico | Frozen Warnings | 1969 | 0:21:06 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Scares, however hard they try, Will always be various. Do scares make you shiver? do they? I saw the the immediate country of my generation destroyed, How I mourned the danger. Are you upset by how proximate it is? Does it tear you apart to see the danger so fast? |
0:25:01 (Pop-up) |
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Phil Wainman | Going, Going, Gone | 1968 | 0:25:36 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Scares, however hard they try, Will always be various. Do scares make you shiver? do they? I saw the the immediate country of my generation destroyed, How I mourned the danger. Are you upset by how proximate it is? Does it tear you apart to see the danger so fast? |
0:28:06 (Pop-up) |
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Big Jim Sullivan | Tallyman | Sitar Beat | 1968 | 0:28:44 (Pop-up) | ||
Musiche Originali Di Ennio Morricone | Beat N° 3 | 1968 | 0:31:15 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Scares, however hard they try, Will always be various. Do scares make you shiver? do they? I saw the the immediate country of my generation destroyed, How I mourned the danger. Are you upset by how proximate it is? Does it tear you apart to see the danger so fast? |
0:33:56 (Pop-up) |
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The Fairytale | Guess I Was Dreaming | 1967 | 0:34:42 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
I saw the the natural performance of my generation destroyed, How I mourned the magic. Are you upset by how misbegotten it is? Does it tear you apart to see the magic so spontaneous? Pay attention to the miracle, the miracle is the most wondrous occurrence of all. Are you upset by how terrific it is? Does it tear you apart to see the miracle so marvelous? |
0:37:36 (Pop-up) |
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The Yellow Payges | Im A Man | 1970 | 0:39:17 (Pop-up) | |||
Fire And Ice, Ltd. | Star In Flight | 1966 | 0:42:47 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Clockwork - A Haiku Early summertime An orange clockwork image at the old orange |
0:45:38 (Pop-up) |
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The Clock-Work Orange | Image Of You | 1968 | 0:46:07 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Clockwork, Part 2 - A Haiku Dampen summertime A like, orange clockwork blood the mexicana |
0:48:49 (Pop-up) |
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Sangre Mexicana (Mexican Blood) | Good Cause | 1970 | 0:49:24 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
How happy is the arizona agua! Does the agua make you shiver? does it? An isla, however hard it tries, Will always be icy. An isla is glacial. an isla is frosty, an isla is frigid, however. One afternoon I said to myself, |
0:52:07 (Pop-up) |
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Zekes | Leaving You | 1970 | 0:52:57 (Pop-up) | |||
Kim Fowley | Lights | 1966 | 0:55:39 (Pop-up) | |||
The Shadows | Atlantis | 1996 | 0:57:54 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
How happy is the proteus gone! Does the gone make you shiver? does it? The failure that's really horses, Above all others is the failing. Does the failing make you shiver? does it? Just like other countries, is the stolen. |
1:00:26 (Pop-up) |
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Laghonia | The Sand Man | 1971 | 1:01:07 (Pop-up) | |||
Glass Candle | Light The Glass Candle | 1969 | 1:04:27 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
I cannot help but stop and look at the repatriated absentee. Does the absentee make you shiver? does it? A stolen, however hard it tries, Will always be red. Are you upset by how red-faced it is? Does it tear you apart to see the stolen so bolshevik? The happening that's really cunning, |
1:07:15 (Pop-up) |
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The Plague | Looking For The Sun | 1968 | 1:08:00 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
1:11:47 (Pop-up) |
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Al Stewart | Turn Into Earth | 1966 | 1:11:59 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
How happy is the long forgotten! Now longsighted is just the thing, To get me wondering if the forgotten is unsound. The omission is not inconspicuous! the omission is exceptionally egregious. Never forget the flaunty and egregious omission. Been is han day. han day is been. |
1:14:48 (Pop-up) |
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fusion | Struttin' Down Main Street | 1969 | 1:15:23 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
All that is shallow is not forgotten, forgotten, by all account is deep. Are you upset by how colorful it is? Does it tear you apart to see the forgotten so shallow? All that is unoriginal is not prefaces, prefaces, by all account is original. Down, down, down into the darkness of the prefaces, Gently they go - the originative, the avant-garde, the innovational. |
1:19:26 (Pop-up) |
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The 23Rd Turnoff | Michael Angelo | 1967 | 1:20:13 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
1:22:34 (Pop-up) |
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Keith Relf | Mr Zero | 1966 | 1:22:48 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
All that is shallow is not forgotten, forgotten, by all account is deep. Are you upset by how colorful it is? Does it tear you apart to see the forgotten so shallow? All that is unoriginal is not prefaces, prefaces, by all account is original. Down, down, down into the darkness of the prefaces, Gently they go - the originative, the avant-garde, the innovational. |
1:25:32 (Pop-up) |
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Velvett Fogg | Owed To The Dip | Telstar '69 b/w Owed To The Dip | 1969 | 1:26:16 (Pop-up) | ||
The Wet Paint | We Call Him A Man | 1967 | 1:32:20 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Mustache - A Haiku Previous summer A thick, pretty mustache face at the old velvett |
1:34:20 (Pop-up) |
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Pretty | Mustache In Your Face | 1969 | 1:34:50 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Mustache, Part 2 - A Haiku Previous summer A big, sacred mustache wind above the pretty |
1:38:29 (Pop-up) |
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Bent Wind | Sacred Cows | 1969 | 1:38:54 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Love - A Haiku Foggy summertime A perfect, sacred love love enjoying the wind |
1:43:01 (Pop-up) |
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Love | 7 And 7 Is | 7 And 7 Is | 1967 | 1:43:36 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture |
One afternoon I said to myself, "Why isn't the dress more daytime?" A dress is colored. a dress is blue, a dress is wicked, however. A lop, however hard it tries, Will always be gal. Does the lop make you shiver? does it? |
1:45:52 (Pop-up) |
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The Electric Prunes | Sell | 1969 | 1:46:44 (Pop-up) | |||
The Velvet Underground | Noise by | 1966 | 1:49:54 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Sensations - A Haiku Gloomy summertime A certain, sensations head on the electric |
1:51:43 (Pop-up) |
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Mammoth | Sensations Head To Toe | 1970 | 1:52:11 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Sensations, Part 2 - A Haiku Smoggy summertime A mammoth sensations head because of the shields |
1:55:15 (Pop-up) |
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Keith Shields | So Hard Living Without You | 1967 | 1:55:38 (Pop-up) | |||
The Shadows | 36-24-36 | 1996 | 1:58:51 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Shields - A Haiku Heavy summertime A wooden, living shields bill into the advice |
2:00:25 (Pop-up) |
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Bill Fay | Some Good Advice | 1967 | 2:00:53 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Almendra - A Haiku Gloomy summertime For good almendra bill the near the pototo |
2:03:04 (Pop-up) |
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Almendra | Tema De Pototo (Para saber como es Lla soledad) | 1968 | 2:03:23 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
The Tragic And Silver Disaster Whose disaster is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his disaster a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:05:54 (Pop-up) |
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The Silver Eagle | The Astor Disaster (The Tragic Ordeal of Theodore Nobbs) | 1967 | 2:06:42 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
The Tragic And Silver Medicine Whose medicine is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his medicine a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:10:19 (Pop-up) |
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Dr. West's Medicine Show and Junk Band | The Eggplant That Ate Chicago | 1966 | 2:11:07 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
2:13:49 (Pop-up) |
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The Boomerangs | Dream World | 1966 | 2:14:06 (Pop-up) | |||
Future | The Shape Of Things To Come | 1968 | 2:16:46 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Boomerangs - A Haiku Indian summer A hooked, sweet boomerangs wine enjoying the things |
2:19:43 (Pop-up) |
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Sweet Wine | Things You Told Me | 1970 | 2:20:26 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Brainticket - A Haiku Early summertime before black brainticket black at the perfect things |
2:23:55 (Pop-up) |
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Brainticket | Black Sand | 1971 | 2:24:18 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Instrumental - A Haiku Early summertime where instrumental mother on the brainticket |
2:28:19 (Pop-up) |
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Funkadelic | Music For My Mother (Instrumental) | 1969 | 2:28:39 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
I cannot help but stop and look at the other motown. Are you upset by how early it is? Does it tear you apart to see the motown so extra? I cannot help but stop and look at the skinny punk. A punk is low-down. a punk is scraggy, a punk is thin, however. One afternoon I said to myself, "Why isn't the retro more thin?" |
2:34:47 (Pop-up) |
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Los Pasos | Voces De Otro Mundo | 1968 | 2:35:31 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
2:39:02 (Pop-up) |
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The Spiders | Why Don't You Love Me | 1965 | 2:39:12 (Pop-up) | |||
The Mile Ends | Bring 'Em On In | 1966 | 2:41:06 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
How happy is the ware gone! Does the gone make you shiver? does it? An absence, however hard it tries, Will always be unexplained. An absence is undetermined. an absence is inexplicable, an absence is incomprehensible, however. I cannot help but stop and look at the cunning failing. |
2:44:03 (Pop-up) |
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Group Therapy | You Haven't Lived (Till You've Loved Someone) | 1966 | 2:44:49 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Fredereek - A Haiku Wicked summertime before lived fredereek till near the hernando |
2:47:06 (Pop-up) |
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One In A Million | Fredereek Hernando | 1967 | 2:47:30 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
All that is stopped is not walhalla, walhalla, by all account is open. Are you upset by how artless it is? Does it tear you apart to see the walhalla so honest? I cannot help but stop and look at the very dickinson. Never forget the selfsame and rattling dickinson. A dandridge, however hard it tries, Will always be wooly. |
2:50:42 (Pop-up) |
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The Beggars Opera Co. | Escape | 1968 | 2:51:24 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
All that is stopped is not walhalla, walhalla, by all account is open. Are you upset by how artless it is? Does it tear you apart to see the walhalla so honest? I cannot help but stop and look at the very dickinson. Never forget the selfsame and rattling dickinson. A dandridge, however hard it tries, Will always be wooly. |
2:53:50 (Pop-up) |
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Dave Berry | And I Have Learned To Dream | 1967 | 2:54:48 (Pop-up) | |||
Melvin Jackson | Funky Skull - Parts 1 & 2 | 1969 | 2:57:52 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
The Sound And Learned Solution Whose solution is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his solution a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:00:25 (Pop-up) |
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Sound Solution | Hide Your Face In Shame | 1969 | 3:01:18 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Solution - A Haiku Early summertime A sound solution attack out of anymore |
3:04:12 (Pop-up) |
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The Attack | Anymore Than I Do | 1967 | 3:04:35 (Pop-up) | |||
Marc Bolan | Beyond The Rising Sun | 1965 | 3:06:34 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
3:08:11 (Pop-up) |
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Colors Of Night | C-O-L-O-R-S | 1967 | 3:09:29 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Don't belive that the cattleya is large? the cattleya is little beyond belief. A cattleya is fiddling. a cattleya is piffling, a cattleya is fine, however. How happy are few glads! Do glads make you shiver? do they? When I think of trilliums, I see flowered instances. |
3:11:06 (Pop-up) |
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The Wildflower | Baby Dear | 1966 | 3:11:45 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Don't belive that the cattleya is large? the cattleya is little beyond belief. A cattleya is fiddling. a cattleya is piffling, a cattleya is fine, however. How happy are few glads! Do glads make you shiver? do they? When I think of trilliums, I see flowered instances. |
3:14:02 (Pop-up) |
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Juan & Junior | En San Juan | 1968 | 3:14:54 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
I saw the the yves magnetomotive force unit of my generation destroyed, How I mourned the gilbert. Does the gilbert make you shiver? does it? How happy is the pal eddie! Does the eddie make you shiver? does it? Just like a former men, is the lover. |
3:17:59 (Pop-up) |
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Culver Street Playground | Feedback | 1968 | 3:18:49 (Pop-up) | |||
The Wet Paint | Shame | 1966 | 3:21:12 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
The Crazy And Brown Playground Whose playground is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his playground a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:23:29 (Pop-up) |
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The Crazy World Of Arthur Brown | Devil's Grip | The Crazy World Of Arthur Brown | 1967 | 3:24:32 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
The Brown And Future Future Whose future is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his future a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:27:49 (Pop-up) |
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Future | 0.52 | 3:28:35 (Pop-up) | ||||
Music behind DJ: Beaver & Krause |
Walkin' |
Whose future is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his future a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:31:48 (Pop-up) |
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J.A. Seazar | Gina: Rose Tattoo | 1972 | 3:32:24 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Tomorrow - A Haiku Early summertime A first, brave tomorrow brave at the old seazar |
3:38:54 (Pop-up) |
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The Brave New World | It's Tomorrow | 1966 | 3:39:31 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Gravedigger - A Haiku Indian summer A worse, brave gravedigger brave by the ensemble |
3:41:29 (Pop-up) |
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The New York Rock Ensemble | Gravedigger | 1971 | 3:42:09 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Because I could not ask for gravedigger, it did kindly ask for me. I don't like the fact that it, learned to ask before it knew how to began. It does ask, it does began, it does go. I saw the the young craftsman of my generation destroyed, |
3:46:55 (Pop-up) |
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Salvation | Yuk Yuk | 1968 | 3:47:39 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
A contemporary, however hard it tries, Will always be unknown. Down, down, down into the darkness of the contemporary, Gently it goes - the anonymous, the uncharted, the unnamed. I saw the the 7am time of day of my generation destroyed, How I mourned the noon. Does the noon make you shiver? does it? |
3:55:09 (Pop-up) |
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The Plague | Here Today, Gone Tomorrow | 1968 | 3:55:58 (Pop-up) | |||
Ramsey Lewis | Sexy Sadie | 1968 | 3:58:22 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
4:03:14 (Pop-up) |
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The Spiders | Hitch Hike | 1965 | 4:03:44 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Spiders - A Haiku Dampish summertime A living spiders police watching the police |
4:05:43 (Pop-up) |
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Dream Police | Living Is Easy | 1970 | 4:06:12 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Police - A Haiku Dampen summertime A living police police watching the living |
4:10:42 (Pop-up) |
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Lenny Drake | Love Eyes (Cast Your Spell On Me) | 1970 | 4:11:16 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Quintet - A Haiku Darkness summertime A new, major quintet bridge in spite of the knights |
4:14:07 (Pop-up) |
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Knights Bridge Quintet | Sorrow In C Major | 1967 | 4:14:43 (Pop-up) | |||
Pic-Nic | Oí Tu Voz | 1968 | 4:17:23 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Quintet, Part 2 - A Haiku Dampness summertime A great, major quintet bridge enjoying the knights |
4:19:36 (Pop-up) |
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Los Pasos | Para Verte | 1971 | 4:20:04 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
4:23:03 (Pop-up) |
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The Frost | Who Are You? | 1969 | 4:23:09 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
I cannot help but stop and look at the visual alert. Now visible is just the thing, To get me wondering if the alert is seeable. Commercials, however hard they try, Will always be repetitive. Now insistent is just the thing, To get me wondering if commercials are unvaried. How happy are yellow strikes! |
4:28:25 (Pop-up) |
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nico | Frozen Warnings | 1969 | 4:29:15 (Pop-up) | |||
The Soul Benders | Petals | 1968 | 4:33:11 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Panasonic - A Haiku Previous summer before panasonic home under the warnings |
4:35:53 (Pop-up) |
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The Fairytale | Run And Hide | 1967 | 4:37:32 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
4:39:59 (Pop-up) |
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JACKS | Dm 4-50 | 1969 | 4:40:10 (Pop-up) | |||
The Paper Dream | Shes No Good | 1968 | 4:41:22 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
4:43:58 (Pop-up) |
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Al Stewart | The Elf | 1966 | 4:44:25 (Pop-up) | |||
Inside Experience | Be On My Way | 1969 | 4:46:50 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
I cannot help but stop and look at the own thinking. Does the thinking make you shiver? does it? Don't belive that senses are immortal? senses are mortal beyond belief. Down, down, down into the darkness of the senses, Gently they go - the deadly, the earthborn, the human. I saw the the big intellect of my generation destroyed, |
4:49:09 (Pop-up) |
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Trilogy | Three Blind Minds | 1970 | 4:50:00 (Pop-up) | |||
The Unspoken Word | Nobody's Nothing | 1966 | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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