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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:29 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:55 (Pop-up) | ||||
The Triangle | Love Me Thru The Night | 1969 | 0:03:21 (Pop-up) | |||
The Six Deep | Girl It's Over | 1967 | 0:08:06 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Fraternity - A Haiku Indian summer A non, fraternity love by the triangle |
0:10:13 (Pop-up) |
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Fraternity Of Man | Wispy Paisley Skies | 1968 | 0:10:43 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Fraternity, Part 2 - A Haiku Loving summertime A whole, fraternity man into the jameson |
0:13:58 (Pop-up) |
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Bobby Jameson | Know Yourself | 1967 | 0:14:23 (Pop-up) | |||
The Motherhood | Soul Town | 1969 | 0:17:38 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
How happy is the fish gotta! Does the gotta make you shiver? does it? A sloan, however hard it tries, Will always be detective. Does the sloan make you shiver? does it? Don't belive that the basketball is large? |
0:19:39 (Pop-up) |
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The Undesyded | Baby, I Need You | 1968 | 0:20:18 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
How happy are unexplainable disappearances! Down, down, down into the darkness of the disappearances, Gently they go - the incomprehensible, the unaccountable, the inexplicable. A gone, however hard it tries, Will always be mouthed. Does the gone make you shiver? does it? I cannot help but stop and look at the big disappearance. |
0:22:31 (Pop-up) |
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Thorinshield | Life Is A Dream | 1967 | 0:23:16 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
0:25:17 (Pop-up) |
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The Moles | We Are The Moles (Part 1) | We Are The Moles (Part 1) | 1968 | 0:25:48 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract |
Instant Request |
0:30:10 (Pop-up) |
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Them | Gloria | Requested by: spodiodi | 0:30:12 (Pop-up) | |||
George Harrison | Ski-ing | Wonderwall Music | 1968 | 0:32:48 (Pop-up) | ||
The Alan Bown! | Technicolour Dream | 1967 | 0:34:37 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
How happy are unexplainable disappearances! Down, down, down into the darkness of the disappearances, Gently they go - the incomprehensible, the unaccountable, the inexplicable. A gone, however hard it tries, Will always be mouthed. Does the gone make you shiver? does it? I cannot help but stop and look at the big disappearance. |
0:38:10 (Pop-up) |
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The Chambers Brothers | Uptown | 1967 | 0:39:18 (Pop-up) | |||
Sounds Unlimited | A Girl As Sweet As You | 1967 | 0:42:04 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
The family line that's really honest, Above all others are the people. Down, down, down into the darkness of the people, Gently they go - the veracious, the guileless, the dishonorable. I cannot help but stop and look at the cuban chum. Does the chum make you shiver? does it? little homies sings like a big boy |
0:44:21 (Pop-up) |
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The Shindogs | Who Do You Think You Are | 1966 | 0:45:06 (Pop-up) | |||
The Del-Vetts | That's the Way it is | 1966 | 0:47:27 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
0:49:32 (Pop-up) |
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The Grammy Fones | Now He's Here | 1967 | 0:49:57 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
How happy is the other stolen! Now unusual is just the thing, To get me wondering if the stolen is different. Pay attention to the whereabouts, whereabouts are the most being location of all. Do whereabouts make you shiver? do they? yellow disappearances sings like unresolved circumstances |
0:52:11 (Pop-up) |
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Cream | Strange Brew | 1967 | 0:52:52 (Pop-up) | |||
Chris Carpenter | This World (Is Closing In On Me) | 1967 | 0:55:36 (Pop-up) | |||
L. J. Reynolds & the Chocolate Syrup | The Penguin Break Down | L. J. Reynolds | 0:58:19 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
While - A Haiku Dampish summertime How a little, strange while while in spite of the cream |
1:00:28 (Pop-up) |
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Big Joe Long | Just For A While | 1966 | 1:01:18 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Recognition - A Haiku Dour summertime A long recognition while near the liberty |
1:03:52 (Pop-up) |
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The Liberty Bell | Recognition | 1969 | 1:04:23 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
1:07:04 (Pop-up) |
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The Exceptions | As Far As I Can See | 1966 | 1:07:18 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
1:10:30 (Pop-up) |
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The David | Tell Me More | 1968 | 1:10:51 (Pop-up) | |||
Sunlights' Seven | Judy In Disguise | 1969 | 1:13:18 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
A daniel, however hard it tries, Will always be georges. Does the daniel make you shiver? does it? All that is gradual is not alan, alan, by all account is sudden. Are you upset by how explosive it is? Does it tear you apart to see the alan so abrupt? |
1:15:44 (Pop-up) |
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The Triangle | Magic Touch | 1969 | 1:16:40 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Mushrooms - A Haiku Early summertime A chopped, magic mushrooms touch out of hydrogen |
1:19:35 (Pop-up) |
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Bedlam Four | Hydrogen Atom (Or Mushrooms Are In) | 1967 | 1:19:56 (Pop-up) | |||
Pepper & the Shakers | Semi-Psychedelic (It Is) | 1996 | 1:22:02 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
1:24:10 (Pop-up) |
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Eric Burdon And The Animals | Ain't That So | Monterey / Ain't That So | 1967 | 1:24:45 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture |
1:28:02 (Pop-up) |
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Pinocchio & The Puppets | Fusion | 1967 | 1:28:19 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
1:31:15 (Pop-up) |
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The Flock | I Like You | 1967 | 1:31:27 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Eighty - A Haiku Early summertime A nineteen, stray eighty stray whilst watching the stray |
1:33:40 (Pop-up) |
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Stray | around the world in eighty days | 1970 | 1:34:21 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Angels - A Haiku Hearty summertime A good, fallen angels stray beyond the eighty |
1:38:12 (Pop-up) |
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The Fallen Angels | Room At The Top | 1967 | 1:38:43 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Screams - A Haiku Dismal summertime A little, fallen screams bill at the old angels |
1:41:18 (Pop-up) |
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Bill Fay | Screams In The Ears | 1967 | 1:41:42 (Pop-up) | |||
Layne Martine Jr. | Surabian Lament | 1:44:59 (Pop-up) | ||||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Screams, Part 2 - A Haiku Glooming summertime A terrible, same screams bill betrayed by the grimm |
1:46:37 (Pop-up) |
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Bob Grimm | Never Stays The Same | 1:47:18 (Pop-up) | ||||
Music behind DJ: David Axelrod |
The Human Abstract |
One afternoon I said to myself, "Why isn't the weller more dishonorable?" Does the weller make you shiver? does it? How happy is the antoinette gabrielle! Does the gabrielle make you shiver? does it? An aguilera, however hard it tries, |
1:50:18 (Pop-up) |
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The Merry-Go-Round | Listen, Listen! | 1968 | 1:50:55 (Pop-up) | |||
The Candymen | Go And Tell The People | 1968 | 1:53:27 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
1:55:52 (Pop-up) |
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Charlie Och Esdor | Dagen Är Över | 1970 | 1:56:12 (Pop-up) | |||
The Answers | Fool Turn Around | 1965 | 2:00:19 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
2:00:29 (Pop-up) |
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Candy Store Prophets | The Time Of Day | 1966 | 2:00:50 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
2:02:45 (Pop-up) |
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Jerry Corbitt | Out Of The Question | 1969 | 2:02:58 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro) |
Question - A Haiku Previous summer A real, painted question out beyond the corbitt |
2:07:49 (Pop-up) |
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The Painted Faces | Anxious Color | 1967 | 2:08:11 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
I cannot help but stop and look at huge mouths. Are you upset by how big they are? Does it tear you apart to see the mouths so large? How happy is the left side! Now unexpended is just the thing, To get me wondering if the side is right. Don't belive that eyes are nonfat? eyes are fat beyond belief. |
2:11:11 (Pop-up) |
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Frantic | Baby | 1970 | 2:12:02 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Beefheart - A Haiku Early summertime A frantic beefheart captain by the veterans |
2:15:11 (Pop-up) |
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Captain Beefheart & His Magic Band | Veteran's Day Poppy | 1970 | 2:15:32 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Beefheart, Part 2 - A Haiku Nighttime summertime A magic beefheart captain near the veterans |
2:19:57 (Pop-up) |
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Pee White and the magic strangers | Balla Balla | 1965 | 2:20:33 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Starlites - A Haiku Indian summer before starlites magic watching the magic |
2:22:51 (Pop-up) |
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The Starlites | I Can't See You | 1966 | 2:23:13 (Pop-up) | |||
The Wet Paint | Shame | 1966 | 2:25:56 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Kaleidoscope - A Haiku Indian summer How kaleidoscope further near the reflections |
2:28:13 (Pop-up) |
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Kaleidoscope | (Further Reflections) In The Room Of Percussion | Tangerine Dream | 2:28:42 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Kaleidoscope, Part 2 - A Haiku Indian summer why kaleidoscope further on the reflections |
2:31:56 (Pop-up) |
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The Motherhood | Soul Tiger | 1969 | 2:32:23 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
2:34:58 (Pop-up) |
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The Triangle | Try Harder | 1969 | 2:35:18 (Pop-up) | |||
The Avengers | Daniel The Postman | 1968 | 2:37:50 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Triangle - A Haiku Dampish summertime A small, jagged triangle edge before the harder |
2:39:52 (Pop-up) |
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Stoney & The Jagged Edge | Can't Find The Key | 1968 | 2:40:21 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Lovecraft - A Haiku Previous summer A later, jagged lovecraft edge into the madness |
2:46:33 (Pop-up) |
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H.P. Lovecraft | at the mountains of madness | Original Lp - Phillips Records PHS 600-279 | 1968 | 2:46:58 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
The Low And Man Madness Whose madness is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his madness a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:51:48 (Pop-up) |
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Don Norman and the Other Four | Low Man | 1966 | 2:52:52 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Elliott - A Haiku Previous summer A late, elliott middle beyond the middle |
2:54:56 (Pop-up) |
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Ron Elliott | Molly In The Middle | 1969 | 2:55:19 (Pop-up) | |||
Walter Carlos Performing On The Moog Synthesizer | Brandenburg Concerto No. 3 in G Major: I. Allegro | 1968 | 2:59:25 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Weavers - A Haiku Previous summer A middle weavers answer by the elliott |
3:05:50 (Pop-up) |
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Family | The Weavers Answer | 1969 | 3:06:19 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
3:11:17 (Pop-up) |
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Euphoria | There Is Now | 1968 | 3:11:42 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
3:15:54 (Pop-up) |
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francoise hardy | Song Of Winter | 1969 | 3:16:05 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
3:19:51 (Pop-up) |
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Colors of Night | C-O-L-O-R-S | 1967 | 3:20:13 (Pop-up) | |||
People | Riding High | 1967 | 3:21:53 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
The cut that's really primal, Above all others is the sirloin. Now of import is just the thing, To get me wondering if the sirloin is primaeval. One afternoon I said to myself, "Why isn't the hambone more immature?" Never forget the grey-haired and honest-to-goodness hambone. I cannot help but stop and look at the little steak. |
3:24:03 (Pop-up) |
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Captain Beefheart and His Magic Band | Don't Start Me Talkin' | 1966 | 3:24:58 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Beefheart - A Haiku Early summertime before sweet beefheart captain despite the captain |
3:27:10 (Pop-up) |
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Ginger Baker's Air Force | Sweet Wine | 1970 | 3:27:33 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
I cannot help but stop and look at the corn flour. Does the flour make you shiver? does it? desserts are not nonsweet! desserts are exceptionally nonsweet. Desserts are sugarless. desserts are nonsweet, desserts are honied, however. Cakes, however hard they try, |
3:31:07 (Pop-up) |
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The Aardvarks | I'm Higher Than I'm Down | 1966 | 3:31:57 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
I cannot help but stop and look at the corn flour. Does the flour make you shiver? does it? desserts are not nonsweet! desserts are exceptionally nonsweet. Desserts are sugarless. desserts are nonsweet, desserts are honied, however. Cakes, however hard they try, |
3:34:06 (Pop-up) |
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Ramsey Lewis | Sexy Sadie | 1968 | 3:34:48 (Pop-up) | |||
The Northwest Company | Get Away From It All | 1967 | 3:37:30 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
3:40:16 (Pop-up) |
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Love Live Life + One | Love Will Make A Better You | 1971 | 3:42:35 (Pop-up) | |||
The Travel Agency | Emit | 1966 | 3:46:50 (Pop-up) | |||
The Triangle | Rolling Stone | 1969 | 3:49:19 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
3:52:05 (Pop-up) |
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The Waters | Mother Samwell | 1969 | 3:52:23 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Pay attention to the sea, the sea is the most turbulent body of water of all. Does the sea make you shiver? does it? How happy are threatening calls! Calls are minacious. calls are minatory, calls are alarming, however. Just like a sea shore, is the coast. |
3:55:00 (Pop-up) |
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The Motherhood | I Feel Free | 1969 | 3:55:36 (Pop-up) | |||
The Tingling Mother's Circus | Act I: New York Mining Disaster 1941 | 1968 | 3:59:36 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
The Light And Frantic Light Whose light is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his light a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:02:54 (Pop-up) |
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White Light | William | 1969 | 4:03:51 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
Cleanliness - A Haiku Previous summer A strict, light cleanliness light by the godliness |
4:05:49 (Pop-up) |
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Cleanliness and Godliness Skiffle Band | Chinese New Year Waltz | 1968 | 4:06:24 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
How happy is the wei chu! Does the chu make you shiver? does it? The spicery that's really spicy, Above all others is the tang. Never forget the peppery and savoury tang. Qian is greater writer. greater writer is qian. |
4:10:11 (Pop-up) |
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Ron Elliott | To The City, To The Sea | 1969 | 4:10:58 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
The Dead And Grateful Dead Whose dead is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his dead a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:13:46 (Pop-up) |
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The Grateful Dead | Cold Rain and Snow | 1967 | 4:14:29 (Pop-up) | |||
Bit 'A Sweet | 2086 | 1968 | 4:16:55 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Family - A Haiku Dampness summertime A grateful family down betrayed by the down |
4:20:03 (Pop-up) |
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Family | Hung Up Down | 1969 | 4:20:33 (Pop-up) | |||
Bobby Jameson | Know Yourself | 1967 | 4:23:43 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Fraternity - A Haiku Previous summer A non, fraternity man under the paisley |
4:26:58 (Pop-up) |
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Fraternity Of Man | Wispy Paisley Skies | 1968 | 4:27:18 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Fraternity, Part 2 - A Haiku Indian summer A jagged fraternity edge at the old rainbows |
4:29:33 (Pop-up) |
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Stoney & The Jagged Edge | Rainbows | 1968 | 4:30:16 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
The Stoney And Jagged Gipper Whose gipper is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his gipper a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:35:22 (Pop-up) |
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Captain Beefheart and His Magic Band | The Sun Is Shining | 1966 | 4:37:28 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
One afternoon I said to myself, "Why isn't the greenheart more worst?" Are you upset by how unsurpassable it is? Does it tear you apart to see the greenheart so prizewinning? I cannot help but stop and look at frenzied beeves. Are you upset by how manic they are? Does it tear you apart to see the beeves so frenetic? A hambone, however hard it tries, |
4:40:06 (Pop-up) |
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T.I.M.E. | You Changed It All | 1968 | 4:40:59 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
4:43:27 (Pop-up) |
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Jeremy & The Satyrs | The Do It | 1968 | 4:43:40 (Pop-up) | |||
Whatt Four | You're Wishin' I Was Someone Else | 1967 | 4:46:35 (Pop-up) | |||
Ginger Baker's Air Force | We Free Kings | 1970 | 4:48:57 (Pop-up) | |||
bonnie dobson | Winter's Going | 1969 | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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Listener comments!
Owl Sun:
Owl Sun:
spodiodi:
you play the songs and i'll listen to them.
Owl Sun:
spodiodi:
spodiodi:
Owl Sun: