WFMU: The Stork Club with Stork: Playlist from October 16, 2022

Listener comments!
	11:56am Mr. Oxford: Guten Abend, Stork!
	11:57am Stork: Hey, swillers and killer-dillers! Welcome to another Wet Sabbath!!
	11:58am Stork: Hey, Mr. Oxford! First to break the tape!
	11:59am Robm: Hello fellow stork club listeners
	12:00pm Andrew in Toronto: Happy Sunday Stork and all other listeners!
	12:00pm doctorjazz: Hello, Stork! Need a booth away from other clubbers, looking forward to the show!
	12:01pm TDK60: Hey, Stork. Tabla for two?
	12:02pm Mr. Oxford: TDK60, that was good. I chuckled.
	12:03pm chresti: Hello Stork and esteamed guests!
	12:04pm doctorjazz: One of these days you have to rebroadcast some or all of that Sex Mob set! (The Millenial Territory Orchestra released a few albums recently that are wonderful; I believe it's a series of 4 albums, I have 3 so far, wonderful. Also got to see them last year, Brooklyn club on Atlantic (short lived, gone now), they are definitely a great show to catch).
	12:06pm Stork: What a crowd, as Rodney Dangerfield would say! Hello hello, all stamped hands on deck thus far: Mr. Oxford, Robm, Andrew in Toronto, doctorjazz, TDK60 (first tabla pun of the day!), and chresti dearest!!
	🥁 12:08pm Michael 98145: Hands are scrubbed; ready for the show. Hello, Friends.
	🥁 12:08pm listener james from westwood: Good Sunday, Stork and all!
	12:09pm Rodney: During sex my wife likes to talk to me. The other night she called me from a motel.
	12:10pm Stork: Michael 98145 - you fussed?!
	12:11pm Rodney: I told my wife when I die I want to be cremated. She's planning a barbeque.
	12:11pm TDK60: Love Hassell. The cuica instrument on this fooled me; thought it was a neighbor's dog.
	12:11pm Stork: listener james from westwood - a hailstorm of hails!
	12:12pm Stork: Totes thought it was a dog barky sample when I first heard this, TDK60!
	12:12pm Rodney II: I have good-looking kids. Thank goodness my wife cheats on me
	12:13pm Rodney: I tried group sex. That didn't work out either. I don't know who to thank.
	12:14pm Jeff Golick: This Lookout Farm is great -- a less featured ECM title.
	12:14pm Dean: Guess which stand-up comedian I'm going to be for Halloween.
	12:15pm Rodney II: My father carries around the picture of the kid who came with his wallet
	12:18pm Dean/Rodney: Last week I found a guy's wallet. Inside was a picture of my two kids.
	12:19pm Sem: Hello, Your Heavenly Storkatude, and nestlings. Who does a thirsty guy have to importune for a smash of the elixir of given-up-on-life, aka, Glen Passiac?
	12:19pm adamdoesit: Hi Stork, swells, and bad bad Badal Roy.
	12:19pm chresti: I think I met Rodney's daughter back when my ex was working on a Rodney special.
	🥁 12:20pm Michael 98145: @Sem, here help yourself. This bottle ain't gonna drink itself.
	12:22pm Stork: Hey Sem! One Daquiri of Despair coming right up (just as soon as adamdoesit invents it)!
	12:23pm doctorjazz: Hi, Adamdoesit, is the Zoom conference over, or was it just intolerable? (hopefully it was interesting and ended).
	🥁 12:25pm Revolution Rabbit Nov63: Afternoonz
	12:26pm adamdoesit: One recipe for Daiquiri of Despair coming up! Daiquiri of Despair 2oz Glen Passaic 2oz rum of regret 1oz lime juice of loss 3/4oz simple syrup of sadness Shake rum, lime juice, and simple vigorously over ice. Crack open shaker, decide that you can't go on, and toss back the Glen Passaic instead.
	12:27pm Sem: Delicious! Please sir, may I have another?
	12:28pm adamdoesit: doc, the Zoom conference ended on the early side. Interesting paper and discussion, bracketed by a lot of throat clearing and "is this thing on?" type zoom antics.
	12:28pm Stork: Thank you mixmasterdoesit! We knew we could count on you. Stand back everyone! He's creating!
	12:29pm Stork: doctorjazz and that that pizzazz!
	12:30pm doctorjazz: Great set!
	12:30pm Andrew in Toronto: Hi Sem!
	12:31pm Stork: and ALL that pizzazz, sez Mr. Butterfingers.
	12:35pm doctorjazz: I'd order one of those Daiquiris, but is it really worth it? Is anything really worth it...?
	12:39pm coelacanth∅: Greetings Stork and Storkles
	12:40pm Stork: coelacanth∅: - come in and Despair! (see above)
	12:42pm adamdoesit: It's like Beckett liked to say, "I can't go on, I'll go on." Then he'd look significantly at the barkeep, who'd mix him another Daiquiri of Despair. This he'd reject ("Who am I, Hemingway?") and down another Glen Passaic, neat.
	12:43pm coelacanth∅: mmm this is right up my alley. very tasty
	12:43pm Dean: It depends on what the meaning of "it" is.
	12:44pm Sem: Andrew! Hello, just down at the shore briefly checking my haul of seaweed (for the garden.) Fascinating to learn you owned a record store, on Gina's show yesterday evening.
	12:47pm doctorjazz: Hey Andrew (iT)!
	12:47pm Andrew in Toronto: Hey doc Get better soon!
	12:48pm Andrew in Toronto: Tone diaing is excellent!
	12:49pm Stork: doctorjazz: then try our Martini of Morbidity
	12:50pm Dean: I've heard Anderson two or three times, once in Seattle's Pioneer Square at a New Orleans-themed bar. After his show wrapped up, I strolled across the Square to Colourbox to hear speed-punk wonders Zeke. Heckuva night that was.
	12:53pm Dean: Like I said, a New Orleans-themed bar.
	12:55pm Stork: I dance to this like my back has no bone - and my feet have no aptitude.
	12:57pm adamdoesit: Martini of Morbidity 2oz Glen Passaic 2oz London dry gin of last dying gasps 1/4oz dry vermouth of depleted vitality strip of zestless lemon rind Stir gin and vermouth over ice, strain, overstrain, fall back, twitch, and self-embalm in Glen Passaic for later study.
	12:59pm doctorjazz: Got to see Anderson as part of BassDrumBone just before the Pandemic, Zurcher Gallery (umlat over the u) in 2019. Positives of the show: intimate room, maybe 20-30 fold out seats. It was supposed to be 1 set, but the set went over so well they played an unscheduled second set. Sweet. Negatives of the show: My wife came along, not a big free jazz fan... intimate room, maybe 20-30 fold out seats (in a bigger venue, she'll read a book or play on her phone, but it was too intimate, right in front of the performers to do those things politely). It was supposed to be 1 set, but the set went over so well they played an unscheduled second set (she was a sport and we stayed, but obviously not what she would have hoped for. I had expected the set to be not as "out" as it was, Anderson and crew can go in many different places, as this set is demonstrating...)
	1:02pm Stork: adamdoesit makes me Danny Thomas my tea, as usual. Nooo, I'm not suggesting that he spontaneously invent The Danny Thomas - a drink so foul you'll spit it out, no matter what. I wouldn't (need to) do that.
	1:05pm Stork: Your wife is a real trouper, doctorjazz! Elena would simply say "have a nice time."
	1:07pm Sem: I understand a true Danny Thomas has a distinct nose, Your Storkness.
	🥁 1:09pm Listening Out There: Have always liked Ray Anderson's "You Be" recording...
	1:10pm Stork: Hey, Listening Out There - I've heard that one elsewhere, but don't have a copy, unfortunately.
	1:11pm Stork: Affirmative, Sem. A pronounced proboscus has he.
	🥁 1:11pm Listening Out There: On ebay, I recently saw a German CD of You Be for $120-130 US. I bought MP3s off Bandcamp for ten bucks...
	1:12pm doctorjazz: Stork; as she would have had to hitchike from NYC to Joisey (or I'd have had to...)...
	1:13pm Sem: This is bitchin'.
	1:14pm Stork: Sem, Dennerlein is still a pretty well-kept secret outside of Germany - which I just don't get. She's a monstah!
	1:15pm doctorjazz: LOT, checked my racks ("not the rack..."), have 2 vinyl copies of You Be (which brings me back to Andrew in Toronto...). (Wonder what they're worth...)
	1:15pm doctorjazz: Haden TWICE in one WFMU day, lucky We Be!
	1:16pm adamdoesit: Stork, you'd never ask me for a third recipe in one day. That would be cruel and unusual and unprecedented, too. Danny Thomas Mai Tai 2oz Glen Passaic 1 1/2oz light rum 3/4oz lime juice 3/4oz orange curaçao 1/2oz oregat 1/2oz dark rum slice of lime Shake light rum, lime juice, curaçao together over ice. Remember the oregat. Look for and fail to find it. Ask, "What the hell is oregat anyway?" Decide no place of mine is going to serve stuff I've never heard of. Knock back the Glen Passaic, and, using lime slice as monocle, go about the bar doing impressions of an English lord, and offering to float patrons a loan; if accepted, pour dark rum over their heads.
	1:16pm adamdoesit: (I'm clueless on Danny Thomas, so I'm spitballing here.)
	1:16pm Stork: My stars, what a lineup on this Charlie Haden rekkid!
	1:18pm doctorjazz: All the Liperation Music Orchestra albums are fabulous! Got to see them once (Haden behind a plexiglass wall, separated from the band because he had tinnitis, and the loud volume would cause him pain and more hearing loss). It was nevertheless a great show (if an odd presentation).
	1:22pm doctorjazz: Adam, classic Danny Thomas. www.youtube.com...
	1:22pm Stork: Danny Thomas kind of patented the spit-take. Like in a hokey comedy it would go like: "The king is dead, long live the king!" Takes a long dram from goblet, during which a courier enters, stage right and proclaims "The king yet lives!" -Spit take-
	1:22pm chresti: Danny Thomas liked to drink pee
	1:22pm Dean: Also saw LMO once w/ the plexiglass. For me a special treat was the evening's pianist, Alan Broadbent.
	1:23pm Stork: Sorry - chresti - whaaat?
	1:23pm doctorjazz: Since Carla Bley had a feature here, let me recommend a recent CD of Carla Bley's music: Healing Power: The Music of Carla Bley (Ben Allison, Steve Cardenas, Ted Nash)
	1:23pm adamdoesit: chresti, I mean, that would seem to lead naturally to the invention of the spit take.
	1:24pm Sem: hahaha.
	1:25pm Stork: Wow, Dean and doc - great that you got to see any old version of the LMO!
	1:28pm doctorjazz: Isn't pee part of some versions of Glenn Passaic (the one sold in Brooklyn)?
	1:28pm Andrew in Toronto: Thanks for the tip doc!
	1:29pm Dean: Oh, oh, chresti. Urine trouble!
	1:29pm Stork: That's correct. doc. It was also a proposed slogan for Glenn Passaic at one point: "Glenn Passaic: because who needs urine therapy?"
	1:29pm doctorjazz: Old joke, Mohel works for tips...
	1:29pm Stork: I got wasted, peed on my wallet whilst singing "urine the money"
	1:30pm doctorjazz: (Mohel=Ritual circumciser)
	1:31pm doctorjazz: Then there's the one about the wallet that becomes a suitcase when you rub it...(Hemy Youngman, where are you?)
	1:31pm adamdoesit: Experienced buyers know it's best to avoid the bottles with the lower-case p in "passaic," unless they're making Danny Thomas Old Fashioneds, I suppose.
	1:32pm Dean: Micturition Syncope was the name of my first (i.e., number one) band in high school.
	1:35pm doctorjazz: This is a take on Ellington.
	1:35pm Henny: He said, "I love you terribly." She said, "You certainly do."
	1:36pm Stork: Dean - you WILL tell us the name of your "number two" band, yes? Oh, pleeeeze!
	1:37pm Henny: In fact I was in a short-lived duet dubbed Shit Church.
	1:37pm doctorjazz: Anderson must have listened to Tricky Sam Nanton quite a bit.
	1:37pm Dean: Er, forgot to switch identities.
	1:38pm Stork: Lew Soloff and Ray Anderson are just amaze-balls.
	1:38pm adamdoesit: I hear that, Doc. I'm loving the vocal brass sounds today, Stork.
	1:38pm Sem: Doctor: Look, you have a week to live. Rodney: I want a second opinion. Doctor: Well, you're ugly, too.
	1:40pm Dean: More Henny-- Walked into a store and said, "This is my wife's birthday. I'd like to buy her a beautiful fountain pen." The clerk winked at me and said, "A little surprise, huh?" I said, "Yes, she's expecting a Cadillac."
	1:41pm chresti: Haha Dean. My ex told me about DT and pee-one of those crazy Hollywood fad diets
	1:43pm doctorjazz: Black and Tan Fantasy, if I remember correctly (had trouble pulling the name out), very reminiscent (the Sweet Suite)
	1:44pm Stork: Jeff G. has actually met Ray Anderson at a gig he was involved in setting up - said he was maximally nice.
	1:47pm Stork: And this trio - so-called ABD - are telepathically connected.
	1:48pm doctorjazz: There's Bennink, very soft, in the back, comes and goes. Really like Bennink...
	1:50pm adamdoesit: If Sweet Chicago Suite is Anderson's Ellington, Raven-a-Ning is his Monk.
	1:51pm Stork: Me too, doc. I chose a quiet ballad there, but stay tuned!
	1:51pm doctorjazz: You-be right, @adamdoesit, pour that man another Glenn Passaic!
	1:52pm Stork: Oh, yeah, adamdoesit! This is definitely quoting Rhythm-A_Ning Raven is Ray's wife's name also.
	1:52pm doctorjazz: Monk had Rhythm-a-ning
	1:54pm doctorjazz: That was great (as was the set)!
	1:59pm Dean: Anderson was p.o.'d with me at the Seattle bar, because I kept requesting Monk.
	2:03pm Dean: Needless to say, I did not request Monk at the Zeke show.
	🥁 2:07pm Michael 98145: @Dean, sadly all those venues are long gone. Needless to say.
	2:09pm Jan Turkenburg: Good evening, Stork. Hi fellow listeners.
	2:11pm Dean: Indeed, they are. I think New Orleans stuck around for some time, a good deal longer than Colourbox. Oooh, I have this Ban/Hébert (and a lot of the Anderson so far played). Picked up this one for Hébert and the ensemble, which seemed likely to deliver at least several minutes of great music.
	2:17pm Stork: Jan Turkenburg, Groeten! Jan does multiple shows on Sheena's Jungle Room. and is doing a lots-of-versions-of Hall of the Mountain King special on Monday noon to 2 Eastern (I'll bill you, Jan)
	2:20pm Jan Turkenburg: :-) thanks for the shoutout, Stork.
	🥁 2:32pm Revolution Rabbit Nov63: ...listening for sure tho distracted by sustenance & various such pesky considerations...
	2:34pm Stork: Revolution Rabbit Nov63 - good day, your Swankness!
	🥁 2:36pm Michael 98145: distraction is the spice of life
	2:36pm rw: Good morning/afternoon/evening!
	2:37pm Stork: friend rw!
	2:38pm Sem: Delight, sheer delight.
	2:41pm Brian in UK: Hello Stork & those that might know something. Can you remember the first time you heard the tabla & thought that is so fundamental?
	2:45pm rw: I've lost track of which shows I've contributed. Could be the Glen Passssaic gone to my head. Another round please...
	2:47pm Stork: That's a sign of great generosity, rw. Of wet-brain too, perhaps, but thank you most profuse-like.
	2:55pm adamdoesit: Wait a sec. Waking up to feed the cat is the punishment for losing? I’ve been had.
	2:55pm doctorjazz: Some extended technique, getting 2 tones from 1 breath in his 'bone.
	2:57pm doctorjazz: And he can do it vocally as well, amazing!
	2:58pm doctorjazz: What was that, Tuvan throat singing, me'thinks?
	2:59pm Stork: Must be somehow technically related, doc. Just startling and fabulous.
	3:00pm doctorjazz: I have this on vinyl, haven't heard it in ages...(Big smile on my face...)
	3:01pm Jan Turkenburg: ability to control the vocal cords seperately?
	3:02pm adamdoesit: Wow. Get that man a Glen Passaic and milk.
	3:03pm Stork: Woulda worked for Miles, adamdoesit
	3:03pm doctorjazz: Here's an explanation, though I have to say I don't quite understand the explanation (I think 1 sound is from the vocal cords, the other by shaping your mouth is such a way that she vibrations make a second, resonant tone from the mouth. But I could be all wrong here).
	3:04pm doctorjazz: en.wikipedia.org... (I forgot to post the explanation i was 'splainin')
	3:05pm Stork: Yeah, good question, Jan. Like strings on an instrument.
	3:06pm Stork: We need Dan Bodah in on this question.
	3:08pm Stork: Thurman Barker, everybody!
	3:08pm Jan Turkenburg: It reminds me of the things Greetje Bijma does..
	3:09pm Stork: Don't know the name, Jan. Will poke around.
	3:09pm doctorjazz: Trombone players and tuba players are able to do this as well. Sax and flute players get a similar effect, but I think they "cheat", and just sing a note in harmony to the note the instrument plays.
	3:10pm rw: d-jazz, that was what I was thinking. You can change the pitch of the horn by changing the buzz of your lips in the mouthpiece. Add a separate pulse from the vocal cords to create a double tone.
	3:10pm chresti: www.oberton.org...
	3:11pm chresti: *about two-tone singing and other vocal techniques
	3:12pm Stork: Wow, chresti, that looks very cool! Will check!!! Thanks🤪
	3:14pm doctorjazz: Though I think he's talking about other techniques that aren't "overtone singing". That is what I linked earler in the Wiki, using the shape of the mouth to get a second tone from the vibrations of the vocal cords.
	3:15pm Jan Turkenburg: thanks chresti. "multiphone vocal chord technique" ... yes, it sounds to me as if both tones are coming from the vocal chords...
	3:17pm Jan Turkenburg: doctor Jazz: But doesn't using the shape of the mouth imply overtone singing?
	3:17pm Dean: Bijma has worked with Crispell and Dresser, possibly Anderson, too, then?
	3:19pm doctorjazz: I did mean that using the mouth to shape other notes is using overtones. Seems there are other ways to get the effect, though. (It's all magic to me).
	🥁 3:19pm Revolution Rabbit Nov63: No doubt first really heard Tabla via them Beatles - & growing up seeing 'MontereyPop' on TV with RaviShankar : these films would come on our few channels like once a year ...I always maintain that PsychedelicRawk was a marvelous intro to Avant & International - indeed even Jazz & Classical Musics... Certainly Indian music familiar to any filthy Hippie after all.
	3:19pm chresti: My pleasure :) Jan! I had to investigate after hearing Ray Anderson sing like that. Thank YOU Stork!
	3:19pm Jan Turkenburg: That second tone formed in the shape of the mouuth would have to be within the natural overtone build up.
	3:20pm coelacanth∅: Ian Anderson is (was?) a master of playing the melody while humming in unison, or in harmony. don't know how related that is (and unfortunately for me didn't hear the piece that brought on this discussion. had to do something else)
	3:20pm Jan Turkenburg: and here it wasn't. However the lips could be used as a second pair of vocal chords.
	3:21pm doctorjazz: Makes sense (also why it sounds in harmony with the primary tone). Ian Anderson made a career out of it-Rahsaan Roland Kirk did it earlier.
	3:21pm Jan Turkenburg: (If I'm speed reading chresti's link right ;-) )
	3:22pm Stork: Yeah, me too, RevRabb - had to be Sgt Pepper or Tomorrow Never Knows. When I was about 20, an Indian guy at work brought in his tabla, which he was studying, into the factory where we worked and gave me a demo. I was hooked.
	3:22pm Dean: Glenn Gould and Keith Jarrett also did it, but that's kinda different.
	3:22pm coelacanth∅: ...and good shakuhachi playing is completely dependent on mouth position and breath control, as there are very few notes to work with without these techniques
	🥁 3:22pm Revolution Rabbit Nov63: Trying to sit straight - make the lowest note I can vocally deep down ...then with mouth kinda of cycle thru vowel shapes...
	3:22pm coelacanth∅: doc, yes Roland Kirk did it earlier
	🥁 3:24pm Revolution Rabbit Nov63: TomorrowNeverKnows has tambura - but the drums are a Ringo loop. (& a very early Loop for Pop indeed @ that.) 'Love You To' on Revolver 1966 tho has the full Indian instrumentation with electric guitar effects added...
	3:24pm Jan Turkenburg: Ian Anderson and Rahsaan Roland Kirk sing a second tone on top of the one the flute produces. I'm a flute player myself and am able to do that. Takes a little practice at first because you automatically want to sing the same note that you're fluting, but once you're used to it, it's easy.
	3:26pm Stork: Easy for you, Jan! Must be great fun!
	3:28pm coelacanth∅: wish i could do it. ...in fact i wish i could get a note from a metal flute.
	3:28pm doctorjazz: Yup, Jan, a bit different than getting 2 notes out of your voice or instrument. Still a cool effect, though. Gotta run, catch the rest tomorrow, thanks much, Stork, great Birthday Blast!
	3:29pm Stork: doc, thank you as ever! See yer!
	🥁 3:30pm Revolution Rabbit Nov63: Took sax as a kid - so woodwind fingering not unknown to me. Yeah gotta blow across that hole right w/ flute ...& it's so easy to forget but so fundamental : Wind takes Lungs. Electric Gittar - practically get sound of it by looking @ the damn thing.
	3:32pm Dean: Then you get guys like Fred Frith who blow across the strings...
	🥁 3:32pm Revolution Rabbit Nov63: Oh anything.
	🥁 3:33pm Revolution Rabbit Nov63: ...tho yer screwups also amplified. Unless you can incorporate them of course...
	3:34pm adamdoesit: Dug that Braxton. Bit of a Mingus/Neuorleans sound to it… fitting for Anderson.
	3:37pm Stork: This is just 3 people playing, no over-dubs. Come on, now.
	3:37pm Dean: ...and in a phone booth, no less.
	3:38pm Jan Turkenburg: coelacanth∅: I can teach most (!) people how to. A lot of people know how to produce a sound blowing over a beer bottle. It's the same principle. I used to give flute lessons to kids in groups of 12. Most kids were able to produce a sound fairly quickly after the right instruction and sometimes a little help in possitioning the flute on the chin.
	3:38pm coelacanth∅: -while listening to their voicemail
	3:40pm Stork: @Dean :-)))
	3:42pm Dean: I love the hat record label, but I wish they'd figure out a way to clarify exactly what they reissue using the later house style. For instance, I have the Performance (Quartet) 1979 CD packaged in the older style. If I were to see a copy of the one depicted on the accu-list, I'd be inclined to acquire it (again).
	3:43pm coelacanth∅: Jan i don't know why it is. i can get different tones from a bottle or a jug; i can play a recorder; i can whistle in and out. i haven't tried in a few years...
	3:46pm Jan Turkenburg: "i can get different tones from a bottle or a jug" Then I or any other flute teacher could help you to translate that ability to a flute.
	3:46pm Stork: Yeah, Dean. Personally, I find the HatArt/ECM way of packaging music is excessively, self-consciously minimalistic. It signals that this music is spare, severe, SERIOUS - - they really should sex it up, is what I'm saying.
	3:48pm Dean: I agree about those labels' self-conscious minimalism, but I appreciate that aspect. Anyway, the image on the original(?) CD of the 1979 Performance features a Kandinsky, which in my book is sexy.
	3:55pm adamdoesit: I dunno about Ray, but I feel satisfied. My jeep is jumped. Thank you, Stork. That was a lovesome thing.
	3:55pm Stork: HUGEEEEE THANKS TO ALL!! WAS A ANOTHER SWELL-TO-BURSTIN TIME WITCHA!!! NEXT WEEK - COME FOR THE BOOZE, STAY FOR THE MUSIC!!
	3:55pm Dean: Not Kandinsky! It's a work by Constant Könz. https://bit.ly/3S6gdlk
	3:55pm Sem: A splendid time, Your Storkulator, good talk, good music, and much learned. Strong drinks, as well. See you and the assembled next time, if the gods favour that future.
	3:55pm coelacanth∅: Thanks Jan, maybe i'll be able to give it a go sometime. i can't afford lessons nor an instrument right now... and can't afford to take the time to create music either. so not now. but i've imagined a flute adorning the crap that i used to create many many times. maybe to counter the ugliness of it!
	3:56pm Stork: BARBARA DENNERLEIN!!! WOWEE!!
	3:59pm coelacanth∅: Thanks Stork!
	4:00pm chresti: Thanks Stork!
	4:00pm Jan Turkenburg: Great show, thank you!
	4:08pm Stork: THANKS, Coelacanth∅: CHRESTI, JAN - soon, again
	🥁 4:09pm Revolution Rabbit Nov63: ~ TY Always DJ Stork ~

The Stork Club with Stork: Playlist from October 16, 2022

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With billows and blasts from choirs and orchesters
Buskers and talkers
Big bands and squawkers,
the Stork Club has retained its qualities of decaying elegance and dwindling significance since the late 1950s.

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October 16, 2022: The Tabla And The Bone
Tabla player/percussionist Badal Roy would be 83 today, had he not succumbed to Covid in January. Unlike most tabla players, he was largely self-taught, and pursued a career that brought him within jazz and experimental realms, and beyond. Chicago-born trombonist, composer, teacher, vocalizer, and band-leader Ray Anderson cut his teeth with the Chicago Symphony, and went on to play with Anthony Braxton, Charlie Haden, Roscoe Mitchell and so many others, while leading 3 or 4 different bands at the same time.

Listen to this show: Pop-up listen Pop-up player!

Artist	Track	Album	Comments	Approx. start time
DJ Already?	"DJ Already?"			0:00:00 (Pop-up)
Badal Roy & Geoff Warren with Stomu Takeishi	Funky Jhaptal	Kolkata Rose	Bass Guitar – Stomu Takeishi; All compositions by – Badal Roy, Geoff Warren; Soprano Saxophone – Geoff Warren; Tablas, Percussion – Badal Roy; - - - Recorded in East Brunswick, New Jersey in May 1999	0:03:00 (Pop-up)
Jon Hassell	Cobra Moon "Cobra Moon" by "Jon Hassell"	Earthquake Island	Bass – Miroslav Vitous Cuica, Voice, Congas, Percussion – Nana* Guitar – Claudio Ferreira, Ricardo Silveira; Percussion – Dom Um Romao; Trumpet, Synthesizer [Arp & Polymoog] – Jon Hassel; Cuica, Congas – Nana Vasconcelos; Synthesizer [Arp & Polymoog] – Jon Hassel; Tabla – Badal Roy - - Recorded and mixed at Power Station Studios, NYC - 1978	0:07:18 (Pop-up)
Dave Liebman	Pablo's Story "Pablo's Story" by "Dave Liebman"	Lookout Farm	Dave Liebman - soprano saxophone, tenor saxophone, alto flute • John Abercrombie - guitar • Richard Beirach - piano, electric piano • Frank Tusa - bass, electric bass • Jeff Williams - drums • Armen Halburian - percussion • Don Alias - conga, bongos • Badal Roy - tabla • Steve Sattan - cowbell, tambourine • Eleana Sternberg - vocals • Recorded on October 10 and 11, 1973 at Generation Sound Studios	0:11:54 (Pop-up)
Lonnie Liston Smith & The Cosmic Echoes	Astral Traveling	Astral Traveling	Lonnie Liston Smith − piano, electric piano • George Barron − soprano saxophone, tenor saxophone • Joe Beck − guitar • Cecil McBee − bass • David Lee Jr. − drums • James Mtume, Sonny Morgan − congas, percussion • Badal Roy − tabla • Geeta Vashi − tamboura - - 1973	0:25:50 (Pop-up)
Ornette Coleman & Prime Time	Badal	Tone Dialing	Ornette Coleman - alto saxophone, trumpet, violin • Dave Bryant - keyboards • Chris Rosenberg, Ken Wessel - guitar • Bradley Jones, Al MacDowell - bass • Chris Walker - bass, keyboards • Denardo Coleman - drums • Badal Roy - tabla, percussion • Avenda Khadija, Moishe Nalm - vocals • 1995	0:31:15 (Pop-up)
Miles Davis	Black Satin "Black Satin" by "Miles Davis"	On the Corner	SOME BUT NOT ALL OF THE FOLLOWING: Miles Davis – electric trumpet with wah-wah, organ • Michael Henderson – bass guitar with wah-wah • Don Alias – drums, percussion • Jack DeJohnette – drums • Al Foster – drums • Billy Hart – drums • James Mtume – percussion • Carlos Garnett – soprano saxophone, tenor saxophone • Dave Liebman – soprano saxophone, tenor saxophone • Bennie Maupin – bass clarinet • Chick Corea – Fender Rhodes, keyboards • Herbie Hancock – Fender Rhodes, keyboards • Harold Ivory Williams – keyboards • Cedric Lawson – organ • Dave Creamer – guitar • Reggie Lucas – guitar • John McLaughlin – guitar • Khalil Balakrishna – electric sitar • Collin Walcott – electric sitar • Paul Buckmaster – cello • Badal Roy – tabla - -1972	0:35:51 (Pop-up)
Asian Journal - Naná Vasconcelos, Steve Gorn, Badal Roy, Mike Richmond	Bombay Boogie	Asian Journal	Acoustic Bass, Electric Bass – Mike Richmond; Bansuri, Flute, Soprano Saxophone – Steve Gorn; Berimbau, Talking Drum, Shaker – Naná Vasconcelos; Percussion – Murat Verdl; Soprano Saxophone – İsmet Sıral; Tabla, Percussion – Badal Roy - - 1985	0:41:04 (Pop-up)
DJ Pings With Roy, Pongs With Ray	"DJ Pings With Roy, Pongs With Ray"			0:44:35 (Pop-up)
Ray Anderson	Early Morning in the Andersonorious Jungle	Marching On	Ray Anderson - Trombone - - 2022	0:48:04 (Pop-up)
Ray Anderson	Fishin' With Gramps "Fishin' With Gramps" by "Ray Anderson"	It Just So Happens	Ray Anderson – trombone • Stanton Davis – trumpet • Perry Robinson – clarinet • Bob Stewart – tuba • Mark Dresser – bass • Ronnie Burrage – drums • Recorded • January 31 and February 1, 1987 • • Van Gelder Studio, Englewood Cliffs, NJ	0:52:00 (Pop-up)
Bennie Wallace	Refrain "Refrain" by "Bennie Wallace"	Sweeping Through The City	Bass – Dennis Irwin (tracks: 7), Mike Richmond ====Drums – Tom Whaley ====Guitar – John Scofield ====Tenor Saxophone – Bennie Wallace ====Trombone – Ray Anderson - — - Recorded and mixed [...] at Eurosound and Planet Sound, NYC, in March 1984	0:56:56 (Pop-up)
Barry Altschul	Con Alma de Noche "Con Alma de Noche" by "Barry Altschul"	Brahma	Bass, Cello – Mark Helias; Drums, Wood Block, Cymbal, Cuica, Waterphone, Bells, Shaker, Whistling, Cowbell, Percussion – Barry Altschul; Composed by, Tenor Trombone, Trombone [Alto], Sousaphone, Cowbell, Whistling – Ray Anderson - - Recorded at RPM Studios, New York on January 23, 1980	1:01:57 (Pop-up)
Barbara Dennerlein	One for Miss D.	That's Me	Written by Ray Anderson; Drums – Dennis Chambers: Guitar – Mitch Watkins; Organ – Barbara Dennerlein; Tenor Saxophone – Bob Berg; Trombone – Ray Anderson; - - Recorded - March 3, 4, 9, 10, 1992 by Carlos Albrecht, Tonstudio Bauer, Ludwigsburg, Germany	1:08:05 (Pop-up)
Charlie Haden And The Liberation Music Orchestra	Spiritual	Dream Keeper	Tom Harrell – trumpet, flugelhorn • Earl Gardner – trumpet • Dewey Redman – tenor saxophone • Joe Lovano – tenor saxophone, flute • Branford Marsalis – tenor saxophone, flute • Ken McIntyre – alto saxophone • Ray Anderson – trombone • Sharon Freeman – French horn • Joseph Daley – tuba • Juan Lazaro Mendolas – wood flute, pan flute • Amina Claudine Myers – piano • Mick Goodrick – guitar • Charlie Haden – double bass • Paul Motian – drums • Don Alias – percussion • Carla Bley – arranger, conductor • The Oakland Youth Chorus, Elizabeth Min, director • Recorded • April 4–5, 1990 • • Clinton Studios, New York City	1:14:02 (Pop-up)
Brande International Music Workshop Orchestra, Ray Anderson	Tapajack	BIMWO Swing	Alto Saxophone – Karoline Strassmayer, Torbjørn S. Jacobsen; Baritone Saxophone – Stig Naur; Bass – Nicolai Land Hansen; Composed By, Conductor, Trombone – Ray Anderson; Drums – Karsten Bagge; Ensemble – Brande International Music Workshop Orchestra (BIMWO); Guitar – Leivur Thomsen; Music Director – Erik Moseholm; Percussion – Thomas Carlsen; Piano – Makiko Hirabayashi; Synthesizer – Kaisa Hillevi Kulmala; Tenor Saxophone – Jean Michel Cabrol, Simon Rigter; Trombone – Laurent Lair, Mattias Jacobsson, Rafi Malkiel; Trumpet – Kornel Fekete-Kovacs, Luis Alvaro Varona, Peter Kehl, Veigar Margeirsson; Vocals – Aviaja Lumholt - - - - Recorded live in at Copenhagen Jazzhouse, Denmark, on January 7th & 8th, 1997	1:23:01 (Pop-up)
Ray Anderson Pocket Brass Band	Sweet Chicago Suite - Chicago Greys	Sweet Chicago Suite	Drums – Bobby Previte; Sousaphone – Matt Perrine; Trombone, Written-By – Ray Anderson; Trumpet – Lew Soloff - - Recorded on May 27, 2010 at Powerplay Studio, Maur, Switzerland	1:33:23 (Pop-up)
Ray Anderson, Han Bennink, Christy Doran	Azurety	Azurety	Acoustic Guitar, Electric Guitar, Electronics [Delay Devices] – Christy Doran; Drums – Han Bennink; Trombone, Tuba – Ray Anderson - - - Recorded on 21, 22 April 1994 at Radio DRS, Zurich, Switzerland.	1:41:43 (Pop-up)
Ray Anderson	Raven-A-Ning "Raven-A-Ning" by "Ray Anderson"	Big Band Record	Ray Anderson – trombone • George Gruntz – piano • Lew Soloff – trumpet • Ryan Kisor – trumpet • John D'earth – trumpet • Herb Robertson – trumpet • Art Baron – trombone • Dave Bargeron – trombone • Dave Taylor – bass trombone • Howard Johnson – tuba, baritone saxophone • Tim Berne – alto saxophone • Marty Ehrlich – alto saxophone, clarinet, soprano saxophone, bass clarinet • Ellery Eskelin – tenor saxophone • Sal Giorgianni – tenor saxophone • Larry Schneider – tenor saxophone • Mark Feldman – violin • Drew Gress – bass • Tom Rainey – drums • Recorded at Clinton Studios, NYC, January 11-13, 1994	1:48:41 (Pop-up)
DJ Spit-Take	"DJ Spit-Take"			1:53:07 (Pop-up)
Bill Laswell Sacred System	Raag Sohni	Sacred System: Nagual Site	Bass – Jah Wobble ///Cornet – Graham Haynes ///Drums, Frame Drum – Hamid Drake ///Ghatam, Bells – Aiyb Dieng ///Shakuhachi, Khene – Clive Bell ///Tabla – Zakir Hussain ///Tabla, Voice – Badal Roy ///Trombone – Craig Harris ///Voice – Sussan Deyhim ///Guitar, Twelve-String Guitar – Nicky Skopelitis ///Harmonium, Voice – Gulam Mohamed Khanr ///Organ, Electric Piano – Bernie Worrell ///Tabla, Ektare, Drums, Percussion – Bill Buchen //////Soprano Saxophone – Byard Lancaster, Dave Liebman ///Bass, Keyboards, Percussion, Producer – Bill Laswell - - 1998	2:02:20 (Pop-up)
Lucian Ban & John Hebert	Orchestral Suite no. 1 op. 9 (1903) prelude a l'unisson	Enesco Re-Imagined	Bass – John Hébert; Composed By – George Enescu; Design – Christopher Drukker; Drums – Gerald Cleaver; Percussion – Badal Roy; Piano – Lucian Ban; Tenor Saxophone – Tony Malaby; Trumpet – Ralph Alessi; Viola – Mat Maneri; Violin – Albrecht Maurer - - Recorded live at 2009 George Enesco International Festival, Bucharest, Romania, September 20th, 2009	2:08:23 (Pop-up)
Dave Liebman	Satya Dhwani (True Sound)	Drum Ode	Dave Liebman - soprano saxophone, tenor saxophone, alto flute • Richard Beirach - electric piano • Gene Perla - bass, electric bass • John Abercrombie - electric guitar, acoustic guitar • Bob Moses, Jeff Williams - drums • Patato Valdez - congas • Barry Altschul, Steve Sattan - percussion • Badal Roy, Collin Walcott - tabla • Ray Armando - bongos, percussion • Eleana Sternberg - vocals - Recorded May 1974, Record Plant, New York City	2:17:11 (Pop-up)
Badal Roy	Ashirbad (Blessings) "Ashirbad (Blessings)" by "Badal Roy"	Ashirbad	:::::::Tabla [Tablas] – Badal Roy - - - Recorded October 1 & 2, 1975 at Salaam Studios, Tokyo	2:23:36 (Pop-up)
Mahavishnu John McLaughlin	Peace Two	My Goal's Beyond	John McLaughlin – acoustic guitar • Billy Cobham – drums • Charlie Haden – bass • Jerry Goodman – violin • Dave Liebman – flute, soprano saxophone • Airto Moreira – percussion • Badal Roy – tabla • Mahalakshmi (Eve McLaughlin) – tanpura (Indian drone instrument) - - Recorded New York City, March 1971	2:30:27 (Pop-up)
Pharoah Sanders	High Life "High Life" by "Pharoah Sanders"	Wisdom Through Music	Bass – Cecil McBee; Drums – Norman Connors; Flute – James Branch Percussion – Babadal Roy, James Mtume, Lawrence Killian; Piano – Joe Bonner; Tenor Saxophone, Soprano Saxophone, Flute – Pharoah Sanders - - Recorded at A&R Studios, N.Y. and The Village Recorder, Los Angeles, Calif - 1973	2:42:40 (Pop-up)
DJ Bad Al	"DJ Bad Al"			2:47:00 (Pop-up)
Ray Anderson	Intro / I'm Just A Lucky So-And-So	What Because	MARK DRESSER bass; PHEEROAN AKLAFF drums; ALLAN JAFFE guitar; JOHN HICKS piano; RAY ANDERSON trombone, voice - - Recorded November 15, 21 & 22, 1989 at A&R Recording Studios, NYC	2:53:57 (Pop-up)
Anthony Braxton	Part II "Part II" by "Anthony Braxton"	Performance (Quartet) 1979	Alto Saxophone, Soprano Saxophone, Saxophone [B & E], Clarinet, Bass Clarinet – Anthony Braxton; Double Bass – John Lindberg; Percussion, Xylophone, Gong – Thurman Barker; Trombone, Trombone [Alto], Instruments [Little] – Ray Anderson - - Recorded live at Jazz Festival Willisau '79 on Saturday September 1st, 1979	3:01:04 (Pop-up)
Ray Anderson, Han Bennink, Christy Doran	Cheer Up	Cheer Up	Ray Anderson – trombone, tuba • Han Bennink – drums • Christy Doran – guitars • Recorded • March 15 & 16, 1995 • • Schulhaus Oberengstringen, Zürich, Switzerland	3:33:20 (Pop-up)
Ray Anderson	A Flower Is A Lovesome Thing	Blues Bred in the Bone	Recorded • March 27 & 28, 1988 • • A & R Studios, NYC	3:42:01 (Pop-up)
Ray Anderson, Craig Harris, George Lewis & Gary Valente	The Jeep Is Jumping	Slideride	Trombone – Craig Harris, Gary Valente, George Lewis, Ray Anderson - - Recorded at Radio Bremen on August 29/30, 1994	3:48:20 (Pop-up)
Barbara Dennerlein	Satisfaction "Satisfaction" by "Barbara Dennerlein"	Outhipped	Acoustic Bass – James Genus; Electric Guitar – Mitch Watkins; Drums – Jeff "Tain" Watts; Flugelhorn – Alex Sipiagin; Flute, Alto Flute [Alto], Piccolo Flute [Picolo Flute] – Steve Slaggle; Marimba, Vibraphone – Steve Nelson; Percussion – Don Alias; Soprano Saxophone, Alto Saxophone – Antonio Hart; Synthesizer, Pedalboard [Footpedals], Organ [Hammond B3] – Barbara Dennerlein; Tenor Saxophone, Baritone Saxophone – Craig Handy; Trumpet – Darren Barrett; Tuba, Trombone – Ray Anderson - - Recorded at Avatar Studio, NYC in February 1999	3:50:39 (Pop-up)
DJ TablaBone sez, till next time..	"DJ TablaBone sez, till next time.."			3:56:00 (Pop-up)

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Listener comments!
	11:56am Mr. Oxford: Guten Abend, Stork!
	11:57am Stork: Hey, swillers and killer-dillers! Welcome to another Wet Sabbath!!
	11:58am Stork: Hey, Mr. Oxford! First to break the tape!
	11:59am Robm: Hello fellow stork club listeners
	12:00pm Andrew in Toronto: Happy Sunday Stork and all other listeners!
	12:00pm doctorjazz: Hello, Stork! Need a booth away from other clubbers, looking forward to the show!
	12:01pm TDK60: Hey, Stork. Tabla for two?
	12:02pm Mr. Oxford: TDK60, that was good. I chuckled.
	12:03pm chresti: Hello Stork and esteamed guests!
	12:04pm doctorjazz: One of these days you have to rebroadcast some or all of that Sex Mob set! (The Millenial Territory Orchestra released a few albums recently that are wonderful; I believe it's a series of 4 albums, I have 3 so far, wonderful. Also got to see them last year, Brooklyn club on Atlantic (short lived, gone now), they are definitely a great show to catch).
	12:06pm Stork: What a crowd, as Rodney Dangerfield would say! Hello hello, all stamped hands on deck thus far: Mr. Oxford, Robm, Andrew in Toronto, doctorjazz, TDK60 (first tabla pun of the day!), and chresti dearest!!
	🥁 12:08pm Michael 98145: Hands are scrubbed; ready for the show. Hello, Friends.
	🥁 12:08pm listener james from westwood: Good Sunday, Stork and all!
	12:09pm Rodney: During sex my wife likes to talk to me. The other night she called me from a motel.
	12:10pm Stork: Michael 98145 - you fussed?!
	12:11pm Rodney: I told my wife when I die I want to be cremated. She's planning a barbeque.
	12:11pm TDK60: Love Hassell. The cuica instrument on this fooled me; thought it was a neighbor's dog.
	12:11pm Stork: listener james from westwood - a hailstorm of hails!
	12:12pm Stork: Totes thought it was a dog barky sample when I first heard this, TDK60!
	12:12pm Rodney II: I have good-looking kids. Thank goodness my wife cheats on me
	12:13pm Rodney: I tried group sex. That didn't work out either. I don't know who to thank.
	12:14pm Jeff Golick: This Lookout Farm is great -- a less featured ECM title.
	12:14pm Dean: Guess which stand-up comedian I'm going to be for Halloween.
	12:15pm Rodney II: My father carries around the picture of the kid who came with his wallet
	12:18pm Dean/Rodney: Last week I found a guy's wallet. Inside was a picture of my two kids.
	12:19pm Sem: Hello, Your Heavenly Storkatude, and nestlings. Who does a thirsty guy have to importune for a smash of the elixir of given-up-on-life, aka, Glen Passiac?
	12:19pm adamdoesit: Hi Stork, swells, and bad bad Badal Roy.
	12:19pm chresti: I think I met Rodney's daughter back when my ex was working on a Rodney special.
	🥁 12:20pm Michael 98145: @Sem, here help yourself. This bottle ain't gonna drink itself.
	12:22pm Stork: Hey Sem! One Daquiri of Despair coming right up (just as soon as adamdoesit invents it)!
	12:23pm doctorjazz: Hi, Adamdoesit, is the Zoom conference over, or was it just intolerable? (hopefully it was interesting and ended).
	🥁 12:25pm Revolution Rabbit Nov63: Afternoonz
	12:26pm adamdoesit: One recipe for Daiquiri of Despair coming up! Daiquiri of Despair 2oz Glen Passaic 2oz rum of regret 1oz lime juice of loss 3/4oz simple syrup of sadness Shake rum, lime juice, and simple vigorously over ice. Crack open shaker, decide that you can't go on, and toss back the Glen Passaic instead.
	12:27pm Sem: Delicious! Please sir, may I have another?
	12:28pm adamdoesit: doc, the Zoom conference ended on the early side. Interesting paper and discussion, bracketed by a lot of throat clearing and "is this thing on?" type zoom antics.
	12:28pm Stork: Thank you mixmasterdoesit! We knew we could count on you. Stand back everyone! He's creating!
	12:29pm Stork: doctorjazz and that that pizzazz!
	12:30pm doctorjazz: Great set!
	12:30pm Andrew in Toronto: Hi Sem!
	12:31pm Stork: and ALL that pizzazz, sez Mr. Butterfingers.
	12:35pm doctorjazz: I'd order one of those Daiquiris, but is it really worth it? Is anything really worth it...?
	12:39pm coelacanth∅: Greetings Stork and Storkles
	12:40pm Stork: coelacanth∅: - come in and Despair! (see above)
	12:42pm adamdoesit: It's like Beckett liked to say, "I can't go on, I'll go on." Then he'd look significantly at the barkeep, who'd mix him another Daiquiri of Despair. This he'd reject ("Who am I, Hemingway?") and down another Glen Passaic, neat.
	12:43pm coelacanth∅: mmm this is right up my alley. very tasty
	12:43pm Dean: It depends on what the meaning of "it" is.
	12:44pm Sem: Andrew! Hello, just down at the shore briefly checking my haul of seaweed (for the garden.) Fascinating to learn you owned a record store, on Gina's show yesterday evening.
	12:47pm doctorjazz: Hey Andrew (iT)!
	12:47pm Andrew in Toronto: Hey doc Get better soon!
	12:48pm Andrew in Toronto: Tone diaing is excellent!
	12:49pm Stork: doctorjazz: then try our Martini of Morbidity
	12:50pm Dean: I've heard Anderson two or three times, once in Seattle's Pioneer Square at a New Orleans-themed bar. After his show wrapped up, I strolled across the Square to Colourbox to hear speed-punk wonders Zeke. Heckuva night that was.
	12:53pm Dean: Like I said, a New Orleans-themed bar.
	12:55pm Stork: I dance to this like my back has no bone - and my feet have no aptitude.
	12:57pm adamdoesit: Martini of Morbidity 2oz Glen Passaic 2oz London dry gin of last dying gasps 1/4oz dry vermouth of depleted vitality strip of zestless lemon rind Stir gin and vermouth over ice, strain, overstrain, fall back, twitch, and self-embalm in Glen Passaic for later study.
	12:59pm doctorjazz: Got to see Anderson as part of BassDrumBone just before the Pandemic, Zurcher Gallery (umlat over the u) in 2019. Positives of the show: intimate room, maybe 20-30 fold out seats. It was supposed to be 1 set, but the set went over so well they played an unscheduled second set. Sweet. Negatives of the show: My wife came along, not a big free jazz fan... intimate room, maybe 20-30 fold out seats (in a bigger venue, she'll read a book or play on her phone, but it was too intimate, right in front of the performers to do those things politely). It was supposed to be 1 set, but the set went over so well they played an unscheduled second set (she was a sport and we stayed, but obviously not what she would have hoped for. I had expected the set to be not as "out" as it was, Anderson and crew can go in many different places, as this set is demonstrating...)
	1:02pm Stork: adamdoesit makes me Danny Thomas my tea, as usual. Nooo, I'm not suggesting that he spontaneously invent The Danny Thomas - a drink so foul you'll spit it out, no matter what. I wouldn't (need to) do that.
	1:05pm Stork: Your wife is a real trouper, doctorjazz! Elena would simply say "have a nice time."
	1:07pm Sem: I understand a true Danny Thomas has a distinct nose, Your Storkness.
	🥁 1:09pm Listening Out There: Have always liked Ray Anderson's "You Be" recording...
	1:10pm Stork: Hey, Listening Out There - I've heard that one elsewhere, but don't have a copy, unfortunately.
	1:11pm Stork: Affirmative, Sem. A pronounced proboscus has he.
	🥁 1:11pm Listening Out There: On ebay, I recently saw a German CD of You Be for $120-130 US. I bought MP3s off Bandcamp for ten bucks...
	1:12pm doctorjazz: Stork; as she would have had to hitchike from NYC to Joisey (or I'd have had to...)...
	1:13pm Sem: This is bitchin'.
	1:14pm Stork: Sem, Dennerlein is still a pretty well-kept secret outside of Germany - which I just don't get. She's a monstah!
	1:15pm doctorjazz: LOT, checked my racks ("not the rack..."), have 2 vinyl copies of You Be (which brings me back to Andrew in Toronto...). (Wonder what they're worth...)
	1:15pm doctorjazz: Haden TWICE in one WFMU day, lucky We Be!
	1:16pm adamdoesit: Stork, you'd never ask me for a third recipe in one day. That would be cruel and unusual and unprecedented, too. Danny Thomas Mai Tai 2oz Glen Passaic 1 1/2oz light rum 3/4oz lime juice 3/4oz orange curaçao 1/2oz oregat 1/2oz dark rum slice of lime Shake light rum, lime juice, curaçao together over ice. Remember the oregat. Look for and fail to find it. Ask, "What the hell is oregat anyway?" Decide no place of mine is going to serve stuff I've never heard of. Knock back the Glen Passaic, and, using lime slice as monocle, go about the bar doing impressions of an English lord, and offering to float patrons a loan; if accepted, pour dark rum over their heads.
	1:16pm adamdoesit: (I'm clueless on Danny Thomas, so I'm spitballing here.)
	1:16pm Stork: My stars, what a lineup on this Charlie Haden rekkid!
	1:18pm doctorjazz: All the Liperation Music Orchestra albums are fabulous! Got to see them once (Haden behind a plexiglass wall, separated from the band because he had tinnitis, and the loud volume would cause him pain and more hearing loss). It was nevertheless a great show (if an odd presentation).
	1:22pm doctorjazz: Adam, classic Danny Thomas. www.youtube.com...
	1:22pm Stork: Danny Thomas kind of patented the spit-take. Like in a hokey comedy it would go like: "The king is dead, long live the king!" Takes a long dram from goblet, during which a courier enters, stage right and proclaims "The king yet lives!" -Spit take-
	1:22pm chresti: Danny Thomas liked to drink pee
	1:22pm Dean: Also saw LMO once w/ the plexiglass. For me a special treat was the evening's pianist, Alan Broadbent.
	1:23pm Stork: Sorry - chresti - whaaat?
	1:23pm doctorjazz: Since Carla Bley had a feature here, let me recommend a recent CD of Carla Bley's music: Healing Power: The Music of Carla Bley (Ben Allison, Steve Cardenas, Ted Nash)
	1:23pm adamdoesit: chresti, I mean, that would seem to lead naturally to the invention of the spit take.
	1:24pm Sem: hahaha.
	1:25pm Stork: Wow, Dean and doc - great that you got to see any old version of the LMO!
	1:28pm doctorjazz: Isn't pee part of some versions of Glenn Passaic (the one sold in Brooklyn)?
	1:28pm Andrew in Toronto: Thanks for the tip doc!
	1:29pm Dean: Oh, oh, chresti. Urine trouble!
	1:29pm Stork: That's correct. doc. It was also a proposed slogan for Glenn Passaic at one point: "Glenn Passaic: because who needs urine therapy?"
	1:29pm doctorjazz: Old joke, Mohel works for tips...
	1:29pm Stork: I got wasted, peed on my wallet whilst singing "urine the money"
	1:30pm doctorjazz: (Mohel=Ritual circumciser)
	1:31pm doctorjazz: Then there's the one about the wallet that becomes a suitcase when you rub it...(Hemy Youngman, where are you?)
	1:31pm adamdoesit: Experienced buyers know it's best to avoid the bottles with the lower-case p in "passaic," unless they're making Danny Thomas Old Fashioneds, I suppose.
	1:32pm Dean: Micturition Syncope was the name of my first (i.e., number one) band in high school.
	1:35pm doctorjazz: This is a take on Ellington.
	1:35pm Henny: He said, "I love you terribly." She said, "You certainly do."
	1:36pm Stork: Dean - you WILL tell us the name of your "number two" band, yes? Oh, pleeeeze!
	1:37pm Henny: In fact I was in a short-lived duet dubbed Shit Church.
	1:37pm doctorjazz: Anderson must have listened to Tricky Sam Nanton quite a bit.
	1:37pm Dean: Er, forgot to switch identities.
	1:38pm Stork: Lew Soloff and Ray Anderson are just amaze-balls.
	1:38pm adamdoesit: I hear that, Doc. I'm loving the vocal brass sounds today, Stork.
	1:38pm Sem: Doctor: Look, you have a week to live. Rodney: I want a second opinion. Doctor: Well, you're ugly, too.
	1:40pm Dean: More Henny-- Walked into a store and said, "This is my wife's birthday. I'd like to buy her a beautiful fountain pen." The clerk winked at me and said, "A little surprise, huh?" I said, "Yes, she's expecting a Cadillac."
	1:41pm chresti: Haha Dean. My ex told me about DT and pee-one of those crazy Hollywood fad diets
	1:43pm doctorjazz: Black and Tan Fantasy, if I remember correctly (had trouble pulling the name out), very reminiscent (the Sweet Suite)
	1:44pm Stork: Jeff G. has actually met Ray Anderson at a gig he was involved in setting up - said he was maximally nice.
	1:47pm Stork: And this trio - so-called ABD - are telepathically connected.
	1:48pm doctorjazz: There's Bennink, very soft, in the back, comes and goes. Really like Bennink...
	1:50pm adamdoesit: If Sweet Chicago Suite is Anderson's Ellington, Raven-a-Ning is his Monk.
	1:51pm Stork: Me too, doc. I chose a quiet ballad there, but stay tuned!
	1:51pm doctorjazz: You-be right, @adamdoesit, pour that man another Glenn Passaic!
	1:52pm Stork: Oh, yeah, adamdoesit! This is definitely quoting Rhythm-A_Ning Raven is Ray's wife's name also.
	1:52pm doctorjazz: Monk had Rhythm-a-ning
	1:54pm doctorjazz: That was great (as was the set)!
	1:59pm Dean: Anderson was p.o.'d with me at the Seattle bar, because I kept requesting Monk.
	2:03pm Dean: Needless to say, I did not request Monk at the Zeke show.
	🥁 2:07pm Michael 98145: @Dean, sadly all those venues are long gone. Needless to say.
	2:09pm Jan Turkenburg: Good evening, Stork. Hi fellow listeners.
	2:11pm Dean: Indeed, they are. I think New Orleans stuck around for some time, a good deal longer than Colourbox. Oooh, I have this Ban/Hébert (and a lot of the Anderson so far played). Picked up this one for Hébert and the ensemble, which seemed likely to deliver at least several minutes of great music.
	2:17pm Stork: Jan Turkenburg, Groeten! Jan does multiple shows on Sheena's Jungle Room. and is doing a lots-of-versions-of Hall of the Mountain King special on Monday noon to 2 Eastern (I'll bill you, Jan)
	2:20pm Jan Turkenburg: :-) thanks for the shoutout, Stork.
	🥁 2:32pm Revolution Rabbit Nov63: ...listening for sure tho distracted by sustenance & various such pesky considerations...
	2:34pm Stork: Revolution Rabbit Nov63 - good day, your Swankness!
	🥁 2:36pm Michael 98145: distraction is the spice of life
	2:36pm rw: Good morning/afternoon/evening!
	2:37pm Stork: friend rw!
	2:38pm Sem: Delight, sheer delight.
	2:41pm Brian in UK: Hello Stork & those that might know something. Can you remember the first time you heard the tabla & thought that is so fundamental?
	2:45pm rw: I've lost track of which shows I've contributed. Could be the Glen Passssaic gone to my head. Another round please...
	2:47pm Stork: That's a sign of great generosity, rw. Of wet-brain too, perhaps, but thank you most profuse-like.
	2:55pm adamdoesit: Wait a sec. Waking up to feed the cat is the punishment for losing? I’ve been had.
	2:55pm doctorjazz: Some extended technique, getting 2 tones from 1 breath in his 'bone.
	2:57pm doctorjazz: And he can do it vocally as well, amazing!
	2:58pm doctorjazz: What was that, Tuvan throat singing, me'thinks?
	2:59pm Stork: Must be somehow technically related, doc. Just startling and fabulous.
	3:00pm doctorjazz: I have this on vinyl, haven't heard it in ages...(Big smile on my face...)
	3:01pm Jan Turkenburg: ability to control the vocal cords seperately?
	3:02pm adamdoesit: Wow. Get that man a Glen Passaic and milk.
	3:03pm Stork: Woulda worked for Miles, adamdoesit
	3:03pm doctorjazz: Here's an explanation, though I have to say I don't quite understand the explanation (I think 1 sound is from the vocal cords, the other by shaping your mouth is such a way that she vibrations make a second, resonant tone from the mouth. But I could be all wrong here).
	3:04pm doctorjazz: en.wikipedia.org... (I forgot to post the explanation i was 'splainin')
	3:05pm Stork: Yeah, good question, Jan. Like strings on an instrument.
	3:06pm Stork: We need Dan Bodah in on this question.
	3:08pm Stork: Thurman Barker, everybody!
	3:08pm Jan Turkenburg: It reminds me of the things Greetje Bijma does..
	3:09pm Stork: Don't know the name, Jan. Will poke around.
	3:09pm doctorjazz: Trombone players and tuba players are able to do this as well. Sax and flute players get a similar effect, but I think they "cheat", and just sing a note in harmony to the note the instrument plays.
	3:10pm rw: d-jazz, that was what I was thinking. You can change the pitch of the horn by changing the buzz of your lips in the mouthpiece. Add a separate pulse from the vocal cords to create a double tone.
	3:10pm chresti: www.oberton.org...
	3:11pm chresti: *about two-tone singing and other vocal techniques
	3:12pm Stork: Wow, chresti, that looks very cool! Will check!!! Thanks🤪
	3:14pm doctorjazz: Though I think he's talking about other techniques that aren't "overtone singing". That is what I linked earler in the Wiki, using the shape of the mouth to get a second tone from the vibrations of the vocal cords.
	3:15pm Jan Turkenburg: thanks chresti. "multiphone vocal chord technique" ... yes, it sounds to me as if both tones are coming from the vocal chords...
	3:17pm Jan Turkenburg: doctor Jazz: But doesn't using the shape of the mouth imply overtone singing?
	3:17pm Dean: Bijma has worked with Crispell and Dresser, possibly Anderson, too, then?
	3:19pm doctorjazz: I did mean that using the mouth to shape other notes is using overtones. Seems there are other ways to get the effect, though. (It's all magic to me).
	🥁 3:19pm Revolution Rabbit Nov63: No doubt first really heard Tabla via them Beatles - & growing up seeing 'MontereyPop' on TV with RaviShankar : these films would come on our few channels like once a year ...I always maintain that PsychedelicRawk was a marvelous intro to Avant & International - indeed even Jazz & Classical Musics... Certainly Indian music familiar to any filthy Hippie after all.
	3:19pm chresti: My pleasure :) Jan! I had to investigate after hearing Ray Anderson sing like that. Thank YOU Stork!
	3:19pm Jan Turkenburg: That second tone formed in the shape of the mouuth would have to be within the natural overtone build up.
	3:20pm coelacanth∅: Ian Anderson is (was?) a master of playing the melody while humming in unison, or in harmony. don't know how related that is (and unfortunately for me didn't hear the piece that brought on this discussion. had to do something else)
	3:20pm Jan Turkenburg: and here it wasn't. However the lips could be used as a second pair of vocal chords.
	3:21pm doctorjazz: Makes sense (also why it sounds in harmony with the primary tone). Ian Anderson made a career out of it-Rahsaan Roland Kirk did it earlier.
	3:21pm Jan Turkenburg: (If I'm speed reading chresti's link right ;-) )
	3:22pm Stork: Yeah, me too, RevRabb - had to be Sgt Pepper or Tomorrow Never Knows. When I was about 20, an Indian guy at work brought in his tabla, which he was studying, into the factory where we worked and gave me a demo. I was hooked.
	3:22pm Dean: Glenn Gould and Keith Jarrett also did it, but that's kinda different.
	3:22pm coelacanth∅: ...and good shakuhachi playing is completely dependent on mouth position and breath control, as there are very few notes to work with without these techniques
	🥁 3:22pm Revolution Rabbit Nov63: Trying to sit straight - make the lowest note I can vocally deep down ...then with mouth kinda of cycle thru vowel shapes...
	3:22pm coelacanth∅: doc, yes Roland Kirk did it earlier
	🥁 3:24pm Revolution Rabbit Nov63: TomorrowNeverKnows has tambura - but the drums are a Ringo loop. (& a very early Loop for Pop indeed @ that.) 'Love You To' on Revolver 1966 tho has the full Indian instrumentation with electric guitar effects added...
	3:24pm Jan Turkenburg: Ian Anderson and Rahsaan Roland Kirk sing a second tone on top of the one the flute produces. I'm a flute player myself and am able to do that. Takes a little practice at first because you automatically want to sing the same note that you're fluting, but once you're used to it, it's easy.
	3:26pm Stork: Easy for you, Jan! Must be great fun!
	3:28pm coelacanth∅: wish i could do it. ...in fact i wish i could get a note from a metal flute.
	3:28pm doctorjazz: Yup, Jan, a bit different than getting 2 notes out of your voice or instrument. Still a cool effect, though. Gotta run, catch the rest tomorrow, thanks much, Stork, great Birthday Blast!
	3:29pm Stork: doc, thank you as ever! See yer!
	🥁 3:30pm Revolution Rabbit Nov63: Took sax as a kid - so woodwind fingering not unknown to me. Yeah gotta blow across that hole right w/ flute ...& it's so easy to forget but so fundamental : Wind takes Lungs. Electric Gittar - practically get sound of it by looking @ the damn thing.
	3:32pm Dean: Then you get guys like Fred Frith who blow across the strings...
	🥁 3:32pm Revolution Rabbit Nov63: Oh anything.
	🥁 3:33pm Revolution Rabbit Nov63: ...tho yer screwups also amplified. Unless you can incorporate them of course...
	3:34pm adamdoesit: Dug that Braxton. Bit of a Mingus/Neuorleans sound to it… fitting for Anderson.
	3:37pm Stork: This is just 3 people playing, no over-dubs. Come on, now.
	3:37pm Dean: ...and in a phone booth, no less.
	3:38pm Jan Turkenburg: coelacanth∅: I can teach most (!) people how to. A lot of people know how to produce a sound blowing over a beer bottle. It's the same principle. I used to give flute lessons to kids in groups of 12. Most kids were able to produce a sound fairly quickly after the right instruction and sometimes a little help in possitioning the flute on the chin.
	3:38pm coelacanth∅: -while listening to their voicemail
	3:40pm Stork: @Dean :-)))
	3:42pm Dean: I love the hat record label, but I wish they'd figure out a way to clarify exactly what they reissue using the later house style. For instance, I have the Performance (Quartet) 1979 CD packaged in the older style. If I were to see a copy of the one depicted on the accu-list, I'd be inclined to acquire it (again).
	3:43pm coelacanth∅: Jan i don't know why it is. i can get different tones from a bottle or a jug; i can play a recorder; i can whistle in and out. i haven't tried in a few years...
	3:46pm Jan Turkenburg: "i can get different tones from a bottle or a jug" Then I or any other flute teacher could help you to translate that ability to a flute.
	3:46pm Stork: Yeah, Dean. Personally, I find the HatArt/ECM way of packaging music is excessively, self-consciously minimalistic. It signals that this music is spare, severe, SERIOUS - - they really should sex it up, is what I'm saying.
	3:48pm Dean: I agree about those labels' self-conscious minimalism, but I appreciate that aspect. Anyway, the image on the original(?) CD of the 1979 Performance features a Kandinsky, which in my book is sexy.
	3:55pm adamdoesit: I dunno about Ray, but I feel satisfied. My jeep is jumped. Thank you, Stork. That was a lovesome thing.
	3:55pm Stork: HUGEEEEE THANKS TO ALL!! WAS A ANOTHER SWELL-TO-BURSTIN TIME WITCHA!!! NEXT WEEK - COME FOR THE BOOZE, STAY FOR THE MUSIC!!
	3:55pm Dean: Not Kandinsky! It's a work by Constant Könz. https://bit.ly/3S6gdlk
	3:55pm Sem: A splendid time, Your Storkulator, good talk, good music, and much learned. Strong drinks, as well. See you and the assembled next time, if the gods favour that future.
	3:55pm coelacanth∅: Thanks Jan, maybe i'll be able to give it a go sometime. i can't afford lessons nor an instrument right now... and can't afford to take the time to create music either. so not now. but i've imagined a flute adorning the crap that i used to create many many times. maybe to counter the ugliness of it!
	3:56pm Stork: BARBARA DENNERLEIN!!! WOWEE!!
	3:59pm coelacanth∅: Thanks Stork!
	4:00pm chresti: Thanks Stork!
	4:00pm Jan Turkenburg: Great show, thank you!
	4:08pm Stork: THANKS, Coelacanth∅: CHRESTI, JAN - soon, again
	🥁 4:09pm Revolution Rabbit Nov63: ~ TY Always DJ Stork ~

The Stork Club with Stork: Playlist from October 16, 2022

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