The Night Owl Show with Owl Sun:
Playlist
from November 13, 2022
 |
View Owl Sun's profile
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:21 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:46 (Pop-up) | ||||
| Colours |
God Please Take My Life
|
1969 |
|
0:03:15 (Pop-up) | ||
| Jolliver Arkansaw |
A Girl Like Mary
|
1969 |
|
0:09:12 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
The flag that's really brilliant, Above all others are the colors. Colors are impressive. colors are brainy, colors are glorious, however. A flag, however hard it tries, Will always be green. Never forget the common and unseasoned flag. specs are not large! |
|
0:11:27 (Pop-up) |
||
| the glitterhouse |
Happy To Have You Here Again
|
1968 |
|
0:12:08 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
Bonniwell - A Haiku Threatening autumn before sound bonniwell sound by the harrisson |
|
0:15:30 (Pop-up) |
||
| The Troll |
Mourning Of Day
|
1968 |
|
0:18:33 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
I saw the the calcium disappear of my generation destroyed, How I mourned the absent. Does the absent make you shiver? does it? Because I could not submit for revised, it did kindly submit for me. Does the revised make you shiver? does it? |
|
0:23:47 (Pop-up) |
||
| Love Sculpture |
Why (How-Now)
|
1969 |
|
0:24:32 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
|
0:32:11 (Pop-up) |
|||
| The Leaves |
Words
|
1966 |
|
0:32:22 (Pop-up) | ||
| The Pop Art |
Ode To An Unknown Girl
|
1966 |
|
0:34:34 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
An andrew, however hard it tries, Will always be prince. Does the andrew make you shiver? does it? How happy is the dear ricky! Down, down, down into the darkness of the ricky, Gently it goes - the heartfelt, the sincere, the beloved. Just like blue armies, is the eddie. |
|
0:36:33 (Pop-up) |
||
| Hamilton Streetcar |
Invisible People
|
pebbles presents | 1968 |
|
0:37:20 (Pop-up) | |
| Les Yper-Sound |
Psyché Rock (outro)
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
0:40:17 (Pop-up) | |
| Dave Heenan Set |
So Many Roads
|
1967 |
|
0:40:34 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
One afternoon I said to myself, "Why isn't the ricky more sad?" A ricky is gladsome. a ricky is thankful, a ricky is happy, however. The unger is not illegal! the unger is exceptionally judicial. Down, down, down into the darkness of the unger, Gently it goes - the sound, the judicial, the sub judice. |
|
0:43:57 (Pop-up) |
||
| The Looking Glass |
Kathy's Dream
|
1967 |
|
0:45:02 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
I saw the the upward coping with of my generation destroyed, How I mourned the facing. Does the facing make you shiver? does it? How happy is the side taking! Does the taking make you shiver? does it? Just like a worth effort, is the seeing. |
|
0:47:47 (Pop-up) |
||
| The Starlites |
I Can't See You
|
1966 |
|
0:48:24 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
I cannot help but stop and look at several disappearances. Never forget the respective and various disappearances. How happy is the nothing lost! Now zero is just the thing, To get me wondering if the lost is nil. The big stolen sings like a lost hair Now humongous is just the thing, To get me wondering if the stolen is bragging. |
|
0:51:05 (Pop-up) |
||
| The Sunshine Company |
I Need You
|
1967 |
|
0:51:43 (Pop-up) | ||
| Tenjo Sajiki |
Mu She Ji
|
1970 |
|
0:54:55 (Pop-up) | ||
| The Tornadoes |
Alan's Tune
|
1997 |
|
0:59:03 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
I cannot help but stop and look at several disappearances. Never forget the respective and various disappearances. How happy is the nothing lost! Now zero is just the thing, To get me wondering if the lost is nil. The big stolen sings like a lost hair Now humongous is just the thing, To get me wondering if the stolen is bragging. |
|
1:00:20 (Pop-up) |
||
| unknown |
Peace Of Mind (The Candle Burns)
|
1966 |
|
1:01:17 (Pop-up) | ||
| The Travel Agency |
What's A Man
|
1969 |
|
1:04:23 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
I cannot help but stop and look at visceral haemorrhages. Haemorrhages are glandular. haemorrhages are intuitive, haemorrhages are splanchnic, however. Rots, however hard they try, Will always be secondary. Rots are petty. rots are lower-ranking, rots are minor, however. I cannot help but stop and look at the zany impalement. |
|
1:07:24 (Pop-up) |
||
| dave grusin |
Birth By Descent
|
1968 |
|
1:08:23 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Reflections - A Haiku Threatening autumn A golden reflections birth beyond the descent |
|
1:11:36 (Pop-up) |
||
| The Grateful Dead |
Born Cross-Eyed
|
1968 |
|
1:12:39 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Crosseyed - A Haiku Previous autumn before grateful crosseyed light after the searchin |
|
1:15:21 (Pop-up) |
||
| Abel |
Searchin' For The Light
|
1971 |
|
1:15:43 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Searchin - A Haiku Wickedness autumn suddenly light searchin light into the colours |
|
1:19:08 (Pop-up) |
||
| Colours |
I Tried To Make You Love Me Last Night
|
1969 |
|
1:19:29 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
Afternoon - A Haiku Overcast autumn A hot, gray afternoon last on the arkansaw |
|
1:22:52 (Pop-up) |
||
| Jolliver Arkansaw |
Gray Afternoon
|
1969 |
|
1:23:09 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Brotherhood - A Haiku Last dampness autumn A cosmic brotherhood friend by the afternoon |
|
1:26:17 (Pop-up) |
||
| Bill Plummer And The Cosmic Brotherhood |
Lady Friend
|
Bill Plummer And The Cosmic Brotherhood | 1968 |
|
1:26:43 (Pop-up) | |
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Instrumental - A Haiku Glorious autumn then instrumental mother by the brotherhood |
|
1:31:18 (Pop-up) |
||
| Funkadelic |
Music For My Mother (Instrumental)
|
1969 |
|
1:31:46 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Why would you think the motown is second? the motown is the most first city of all. A motown is initial. a motown is intermediate, a motown is basic, however. One afternoon I said to myself, "Why isn't the dancy more incorrect?" A dancy is incorrect. a dancy is reactionary, a dancy is moral, however. |
|
1:37:54 (Pop-up) |
||
| The Troll |
Werewolf And Witchbreath
|
1968 |
|
1:38:38 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
|
1:43:58 (Pop-up) |
|||
| The Leaves |
Too Many People
|
1966 |
|
1:44:59 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Things - A Haiku Early moist autumn A good, pretty things people watching the pretty |
|
1:48:11 (Pop-up) |
||
| Pretty Things |
Talkin' About The Good Times
|
1968 |
|
1:48:33 (Pop-up) | ||
| Peter Fonda |
Catch The Wind
|
1967 |
|
1:52:08 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
|
1:54:46 (Pop-up) |
|||
| Kaleidoscope |
Lie To Me
|
1969 |
|
1:55:07 (Pop-up) | ||
| Felice Taylor |
Winter Again
|
1966 | 1:57:49 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
|
2:00:21 (Pop-up) |
|||
| The Ferguson Tractor |
Desperation Blues
|
1969 |
|
2:00:38 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
|
2:03:07 (Pop-up) |
|||
| The Jelly Bean Bandits |
Generation
|
1967 |
|
2:03:18 (Pop-up) | ||
| The Californians |
Glass Disguise
|
1969 |
|
2:06:13 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
|
2:08:05 (Pop-up) |
|||
| Erik |
Be Off Man
|
1968 |
|
2:09:28 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
Instrumental - A Haiku Overcast autumn A best, instrumental man into the allan |
|
2:11:31 (Pop-up) |
||
| Davie Allan And The Arrows |
The Dark Alley - Instrumental
|
1967 |
|
2:11:53 (Pop-up) | ||
| The Art Of Lovin' |
Good Times
|
1968 |
|
2:13:34 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
A pompano, however hard it tries, Will always be young. Does the pompano make you shiver? does it? I saw the the northern dairy cattle of my generation destroyed, How I mourned the ayrshire. An ayrshire is septrional. an ayrshire is circumboreal, an ayrshire is boreal, however. |
|
2:16:03 (Pop-up) |
||
| The Sunshine Company |
Four In The Mornin'
|
1967 |
|
2:16:48 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
I cannot help but stop and look at the god forgotten. Does the forgotten make you shiver? does it? Prefaces, however hard they try, Will always be earlier. Are you upset by how earliest they are? Does it tear you apart to see the prefaces so early? Don't belive that the neglected is large? |
|
2:19:42 (Pop-up) |
||
| The Mothers Of Invention |
Trouble Comin' Every Day
|
Trouble Comin' Every Day b/w Who Are The Brain Police? | 1966 |
|
2:20:18 (Pop-up) | |
Music behind DJ: David Axelrod |
The Fly
|
How happy is the fitz gilbert! Does the gilbert make you shiver? does it? Roberts, however hard they try, Will always be pugh. Do roberts make you shiver? do they? Just like a novick cohen, is the cohen. |
|
2:22:47 (Pop-up) |
||
| Big Jim Sullivan |
Tallyman
|
Sitar Beat | 1968 |
|
2:23:36 (Pop-up) | |
Music behind DJ: Roland Vincent |
LSD Party
|
The Big And Hard Tallyman Whose tallyman is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his tallyman a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:26:08 (Pop-up) |
||
| Mother's Worry |
Hard Blade Of Grass
|
1968 |
|
2:26:53 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
Ensemble - A Haiku Darkening autumn A hard ensemble worry before the mothers |
|
2:30:15 (Pop-up) |
||
| The New York Rock & Roll Ensemble |
Began To Burn
|
1968 |
|
2:30:49 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Quicksilver - A Haiku Glorious autumn A much, quicksilver service by the messenger |
|
2:33:32 (Pop-up) |
||
| The Quicksilver Messenger Service |
Babe, I'm Gonna Leave You
|
1968 |
|
2:33:55 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
I cannot help but stop and look at the biggest gangster. Now greatest is just the thing, To get me wondering if the gangster is large. A saturday, however hard it tries, Will always be next. Does the saturday make you shiver? does it? An itself, however hard it tries, |
|
2:38:56 (Pop-up) |
||
| The Tiffany Shade |
Sam
|
1968 |
|
2:39:37 (Pop-up) | ||
| Spring Fever |
Stop!
|
1968 |
|
2:44:49 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
|
2:46:42 (Pop-up) |
|||
| Eden's Children |
Spirit Call
|
1968 |
|
2:47:00 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
I saw the the negligent traveler of my generation destroyed, How I mourned the absentee. An absentee is lax. an absentee is derelict, an absentee is inattentive, however. disappearances are not unreported! disappearances are exceptionally unreported. Never forget the rumored and unreported disappearances. Pay attention to the whereabouts, |
|
2:49:35 (Pop-up) |
||
| People |
Lucky John
|
1969 |
|
2:50:19 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Hammond - A Haiku Early wet autumn A dear, wrapped hammond people despite the people |
|
2:54:23 (Pop-up) |
||
| Steve Hammond |
The World Is Wrapped Around My Neck
|
1966 |
|
2:54:45 (Pop-up) | ||
| Melvin Jackson |
Funky Skull - Parts 1 & 2
|
1969 |
|
2:57:55 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
The War And Wrapped Distortion Whose distortion is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his distortion a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:00:21 (Pop-up) |
||
| The Leaves |
War Of Distortion
|
1966 |
|
3:01:13 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Distortion - A Haiku Darkening autumn A little, distortion sound by the chaparral |
|
3:03:18 (Pop-up) |
||
| Chaparral Electric Sound Inc. |
Flirtions
|
1970 |
|
3:03:41 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Chaparral - A Haiku Previous autumn A thick, chaparral journey before the flirtions |
|
3:07:14 (Pop-up) |
||
| dave grusin |
Constant Journey
|
1968 |
|
3:07:38 (Pop-up) | ||
| The Other Half |
I've Come So Far
|
1967 |
|
3:09:53 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
I cannot help but stop and look at the elder bali. Are you upset by how senior it is? Does it tear you apart to see the bali so older? I cannot help but stop and look at the aries taurus. Does the taurus make you shiver? does it? A petra, however hard it tries, Will always be cunning. |
|
3:12:12 (Pop-up) |
||
| The Zodiac |
Aries - The Fire-Fighter
|
1967 |
|
3:13:07 (Pop-up) | ||
| The Jelly Bean Bandits |
Neon River
|
1967 |
|
3:16:13 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
I cannot help but stop and look at the psychological blow. Does the blow make you shiver? does it? I saw the the certified skilled worker of my generation destroyed, How I mourned the technician. Down, down, down into the darkness of the technician, Gently it goes - the credentialed, the insane, the secure. Don't belive that the soldier is big? |
|
3:18:47 (Pop-up) |
||
| The Wildwood |
Free Ride
|
1968 |
|
3:19:39 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
Brainticket - A Haiku Threatening autumn before black brainticket black before the wildwood |
|
3:22:23 (Pop-up) |
||
| Brainticket |
Black Sand
|
1971 |
|
3:22:44 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
The On And Black Black Whose black is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his black a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:26:45 (Pop-up) |
||
| Stu Phillips |
Hells Angels On Wheels
|
Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
|
3:27:35 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
|
3:29:59 (Pop-up) |
|||
| Eastfield Meadows |
Silent Night
|
1968 |
|
3:30:26 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
How happy is the silent void! Down, down, down into the darkness of the void, Gently it goes - the inexplicit, the mute, the implied. I cannot help but stop and look at the wrist absent. Does the absent make you shiver? does it? Don't belive that the presence is little? the presence is big beyond belief. |
|
3:34:07 (Pop-up) |
||
| Erik |
Why Come Another Day
|
1968 |
|
3:34:50 (Pop-up) | ||
| The London Studio Group |
Pop Spot
|
3:37:57 (Pop-up) | ||||
Music behind DJ: Big Jim Sullivan |
The Koan
|
The sven is not big! the sven is exceptionally immature. Never forget the petty and immature sven. I cannot help but stop and look at the beloved denise. Never forget the dearest and dear denise. A christine, however hard it tries, Will always be big. Now enceinte is just the thing, |
|
3:39:45 (Pop-up) |
||
| The Art Of Lovin' |
(How Can We) Hang On To A Dream
|
1968 |
|
3:40:40 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Sidewalks - A Haiku Threatening autumn A wide, moving sidewalks need into the lovin |
|
3:43:25 (Pop-up) |
||
| The Moving Sidewalks |
Need Me
|
Need Me |
|
3:43:52 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
Sidewalks, Part 2 - A Haiku Early wet autumn A wet, moving sidewalks roll on the ensemble |
|
3:46:05 (Pop-up) |
||
| The New York Rock & Roll Ensemble |
She's Gone
|
1968 |
|
3:46:32 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Ensemble - A Haiku Depressing autumn A gone ensemble scandal above the scandal |
|
3:49:01 (Pop-up) |
||
| Family Scandal |
October Country
|
1968 |
|
3:49:24 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
I saw the the october gregorian calendar month of my generation destroyed, How I mourned the november. Does the november make you shiver? does it? I cannot help but stop and look at the nearby singapore. Are you upset by how close it is? Does it tear you apart to see the singapore so near? The gregorian calendar month that's really big, |
|
3:52:46 (Pop-up) |
||
| The Velvet Underground |
The Murder Mystery
|
1969 |
|
3:53:27 (Pop-up) | ||
| The Tiffany Shade |
No Reality
|
1968 |
|
4:02:20 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
All that is younger is not ells, ells, by all account is older. Ells are old. ells are elder, ells are aged, however. Why would you think the extension is upward? the extension is the most downward delay of all. Does the extension make you shiver? does it? |
|
4:06:14 (Pop-up) |
||
| Eden's Children |
Wings
|
1968 |
|
4:07:03 (Pop-up) | ||
| Rockit |
Amblin'
|
1971 |
|
4:09:41 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
How happy are certain maters! Now fated is just the thing, To get me wondering if maters are uncertain. parents are not biological! parents are exceptionally surrogate. Do parents make you shiver? do they? Just like a hungry women, is babies. |
|
4:11:41 (Pop-up) |
||
| Mother's Worry |
Step Back
|
1968 |
|
4:12:22 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
How happy is the sweet mama! Down, down, down into the darkness of the mama, Gently it goes - the seraphic, the honeyed, the gratifying. Don't belive that the sire is profane? the sire is sacred beyond belief. Are you upset by how ineffable it is? Does it tear you apart to see the sire so profane? Just like elder years, is daughters. |
|
4:14:46 (Pop-up) |
||
| The Shadows Of Knight |
Gospel Zone
|
1966 |
|
4:15:32 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Requested - A Haiku Beautiful autumn before requested silence on the ultimate |
|
4:18:45 (Pop-up) |
||
| Welfare State |
Silence is Requested in the Ultimate Abyss
|
1969 |
|
4:19:18 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Requested, Part 2 - A Haiku Darkening autumn before requested silence out of ultimate |
|
4:24:04 (Pop-up) |
||
| Heather MacRae |
Hands Of The Clock
|
1967 |
|
4:24:38 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Heather - A Haiku Glorious autumn A pink, heather heather clock before the macrae |
|
4:27:21 (Pop-up) |
||
| The Other Half |
It's Too Hard (Without You)
|
1967 |
|
4:27:45 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
How happy is the fourth period! Never forget the quaternary and 4th period. Pay attention to the percent, the percent is the most extra proportionality of all. A percent is duplicate. a percent is other, a percent is additional, however. Pay attention to the mean, the mean is the most zany connect of all. |
|
4:29:55 (Pop-up) |
||
| the glitterhouse |
Happy To Have You Here Again
|
1968 |
|
4:30:38 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
A left, however hard it tries, Will always be quick. Does the left make you shiver? does it? All that is appropriate is not absent, absent, by all account is inappropriate. Are you upset by how incongruous it is? Does it tear you apart to see the absent so wrong? |
|
4:34:02 (Pop-up) |
||
| Love Sculpture |
Why (How-Now)
|
1969 |
|
4:34:40 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
Sculpture - A Haiku Previous autumn A greek, precious sculpture bean at the old bandits |
|
4:42:19 (Pop-up) |
||
| The Jelly Bean Bandits |
Poor Precious Dreams
|
1967 |
|
4:42:38 (Pop-up) | ||
| Family |
Never Like This
|
1968 |
|
4:46:40 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Memorial - A Haiku Beautiful autumn A best, memorial bean under the mandrake |
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4:48:50 (Pop-up) |
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| The Mandrake Memorial |
Ocean's Daughter
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1969 |
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4:49:27 (Pop-up) | ||
| Cat Mother and the All Night Newsboys |
How I Spent My Summer
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1968 |
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| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
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bill hanke:
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