The Night Owl Show with Owl Sun:
Playlist
from November 18, 2022
 |
View Owl Sun's profile
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:17 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:43 (Pop-up) | ||||
| Wild Man Fischer |
Some Historical Notes: The Taster (Fancy Version)
|
1969 |
|
0:03:08 (Pop-up) | ||
| J.C. Heavy |
Is This Really Me
|
1971 |
|
0:06:03 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
Evening - A Haiku Last frigid autumn A pleasant, evening light at the old fischer |
|
0:09:11 (Pop-up) |
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| Nico |
Evening Of Light
|
1968 |
|
0:09:46 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
Electric - A Haiku Darkening autumn A piezo, electric light before the evening |
|
0:15:16 (Pop-up) |
||
| The Frost |
First Day Of May
|
1969 |
|
0:16:50 (Pop-up) | ||
| The Sandals |
House Of Painted Glass
|
1967 |
|
0:20:14 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
The First And Sound Sound Whose sound is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his sound a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:22:38 (Pop-up) |
||
| Simon Dupree And The Big Sound |
Sleep
|
1968 |
|
0:23:40 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Changes - A Haiku Glorious autumn A sudden, sound changes sound into the dupree |
|
0:26:37 (Pop-up) |
||
| The FUGS |
When the Mode Of Music Changes
|
1968 |
|
0:27:07 (Pop-up) | ||
| Musiche Originali Di Ennio Morricone |
Beat N° 3
|
1968 |
|
0:31:00 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
|
0:33:41 (Pop-up) |
|||
| Sagittarius |
Pisces
|
Another Time / Pisces | 1968 |
|
0:34:03 (Pop-up) | |
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
|
0:36:52 (Pop-up) |
|||
| nico |
Lawns Of Dawns
|
1969 |
|
0:37:07 (Pop-up) | ||
| The Monkees |
Ditty Diego - War Chant - The Monkees
|
1968 |
|
0:40:59 (Pop-up) | ||
| The Soul Benders |
Petals
|
1968 |
|
0:42:25 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
A giovanni, however hard it tries, Will always be dead. Are you upset by how fallen it is? Does it tear you apart to see the giovanni so inactive? How happy is the guide joanne! Now lead is just the thing, To get me wondering if the joanne is direct. Don't belive that the juana is little? |
|
0:45:05 (Pop-up) |
||
| Juan & Junior |
A Dos Niñas
|
1967 |
|
0:45:58 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
How happy is the handsome jeff! Are you upset by how bighearted it is? Does it tear you apart to see the jeff so well-favoured? One afternoon I said to myself, "Why isn't the joan more rich?" A joan is unfortunate. a joan is inadequate, a joan is impecunious, however. A jerry, however hard it tries, |
|
0:48:59 (Pop-up) |
||
| Morgen |
Of Dreams
|
Morgen |
|
0:49:41 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
All that is dry is not tropics, tropics, by all account is wet. Down, down, down into the darkness of the tropics, Gently they go - the crocked, the steaming, the blind drunk. I cannot help but stop and look at next years. Never forget the following and close years. All that is little is not snowstorm, snowstorm, by all account is big. |
|
0:52:59 (Pop-up) |
||
| Winter's Green |
Are You A Monkey?
|
1968 |
|
0:53:49 (Pop-up) | ||
| Big Jim Sullivan |
Translove Airways (Fat Angel)
|
Sitar Beat | 1968 |
|
0:57:23 (Pop-up) | |
| Les Yper-Sound |
Psyché Rock (outro)
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
0:59:25 (Pop-up) | |
| The Shadows |
Late Night Set
|
The Early Years: Their Complete Studio Recordings 1959-1966 |
|
0:59:42 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
I saw the warmer climatic zone of my generation destroyed, How I mourned tropics. Do tropics make you shiver? do they? I saw the the vicious storm of my generation destroyed, How I mourned the snowstorm. Are you upset by how venomous it is? Does it tear you apart to see the snowstorm so malevolent? |
|
1:00:16 (Pop-up) |
||
| Conception |
Babylon
|
1969 |
|
1:01:29 (Pop-up) | ||
| Formula V |
Cenicieta
|
1969 |
|
1:04:29 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
|
1:06:39 (Pop-up) |
|||
| Los Pekenikes |
Cerca De Las Estrellas
|
1968 |
|
1:06:56 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Capilouto - A Haiku Late arctic autumn before capilouto glass the pekenikes |
|
1:10:20 (Pop-up) |
||
| Meadow |
Fighting Today (Must Be A Better Way)
|
1970 |
|
1:12:39 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Mountain - A Haiku Late icy autumn A silver mountain silver watching the apples |
|
1:15:28 (Pop-up) |
||
| Silver Apples |
Misty Mountain
|
1968 |
|
1:15:50 (Pop-up) | ||
| Wild Man Fischer |
In Conclusion: Ugly Beautiful Girl
|
1969 |
|
1:18:28 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Mountain, Part 2 - A Haiku Late frigid autumn A small, through mountain silver beyond the coming |
|
1:19:40 (Pop-up) |
||
| Hair |
Coming Through
|
1970 |
|
1:20:24 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
America - A Haiku Beautiful autumn A through america love whilst watching the states |
|
1:24:59 (Pop-up) |
||
| The United States Of America |
Hard Coming Love
|
The United States Of America | 1968 |
|
1:25:20 (Pop-up) | |
Music behind DJ: Alice Cooper |
Titanic Overture
|
Invention - A Haiku Early chilled autumn An own, invention trouble at the old mothers |
|
1:29:58 (Pop-up) |
||
| The Mothers Of Invention |
Trouble Comin' Every Day
|
Trouble Comin' Every Day b/w Who Are The Brain Police? | 1966 |
|
1:30:26 (Pop-up) | |
| Sound Solution |
Hide Your Face In Shame
|
1969 |
|
1:32:54 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
|
1:35:48 (Pop-up) |
|||
| The Yellow Payges |
Im A Man
|
1970 |
|
1:36:37 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
American - A Haiku Previous autumn A young, american man despite the payges |
|
1:40:05 (Pop-up) |
||
| Tiny Tim |
What Kind Of American Are You?
|
1970 |
|
1:40:31 (Pop-up) | ||
| The FUGS |
The National Haiku Contest
|
1968 |
|
1:42:07 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
Butterfly - A Haiku Late glacial autumn A big, butterfly iron an american |
|
1:42:31 (Pop-up) |
||
| Iron Butterfly |
Are You Happy
|
1968 |
|
1:43:01 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Butterfly, Part 2 - A Haiku Glorious autumn A big, butterfly iron enjoying the chicks |
|
1:47:27 (Pop-up) |
||
| The Zipps |
Kicks And Chicks
|
1966 |
|
1:47:51 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
I will consider my revised. For my revised is basic because it wants to update. Down, down, down into the darkness of the revised, Gently it goes - the radical, the primary, the first. One afternoon I said to myself, "Why isn't the omission more unimportant?" An omission is momentous. an omission is operative, an omission is pregnant, however. |
|
1:50:59 (Pop-up) |
||
| The Clock-Work Orange |
Image Of You
|
1968 |
|
1:52:00 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
I saw the the complete lack of my generation destroyed, How I mourned the absence. Now stark is just the thing, To get me wondering if the absence is total. I saw the the noticeable traveller of my generation destroyed, How I mourned the absentee. Now obtrusive is just the thing, To get me wondering if the absentee is pronounced. |
|
1:54:42 (Pop-up) |
||
| FUGS |
Caca Rocka
|
1967 |
|
1:55:24 (Pop-up) | ||
| TSU Toronados |
Play the Music Toronadoes
|
Play The Music Toronados |
|
1:56:50 (Pop-up) | ||
| the Electric Flag, an American Music Band |
M-23
|
Original Motion Picture Sound Track: The Trip | 1967 |
|
1:59:19 (Pop-up) | |
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
|
2:00:16 (Pop-up) |
|||
| Zekes |
Leaving You
|
1970 |
|
2:00:47 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
|
2:03:30 (Pop-up) |
|||
| Kim Fowley |
Lights
|
1966 |
|
2:03:42 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
One afternoon I said to myself, "Why isn't the stolen more won?" Never forget the forfeit and unoriented stolen. I saw the the surprising traveller of my generation destroyed, How I mourned the absentee. Never forget the unexpected and startling absentee. All that is big is not disappearances, disappearances, by all account is little. |
|
2:05:57 (Pop-up) |
||
| Glass Candle |
Light The Glass Candle
|
1969 |
|
2:06:36 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
One afternoon I said to myself, "Why isn't the stolen more won?" Never forget the forfeit and unoriented stolen. I saw the the surprising traveller of my generation destroyed, How I mourned the absentee. Never forget the unexpected and startling absentee. All that is big is not disappearances, disappearances, by all account is little. |
|
2:10:09 (Pop-up) |
||
| Los Pasos |
Lluvia En La Estacion
|
1968 |
|
2:10:51 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
Estacion - A Haiku Previous autumn suddenly estacion shock by the initial |
|
2:14:27 (Pop-up) |
||
| The Initial Shock |
You've Been A Long Time Comin'
|
1967 |
|
2:14:50 (Pop-up) | ||
| The Merry-Go-Round |
Listen, Listen!
|
1968 |
|
2:17:31 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
Looking - A Haiku Glorious autumn An initial looking plague near the initial |
|
2:20:02 (Pop-up) |
||
| The Plague |
Looking For The Sun
|
1968 |
|
2:20:50 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
|
2:23:21 (Pop-up) |
|||
| The American Four |
Lucy Baines
|
1964 |
|
2:23:34 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
|
2:26:02 (Pop-up) |
|||
| Eric Burdon And The Animals |
Sky Pilot Part 2
|
1968 |
|
2:26:15 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Conclusion - A Haiku Late wintry autumn A same, conclusion pilot under the fischer |
|
2:29:04 (Pop-up) |
||
| Wild Man Fischer |
In Conclusion: Circle (Larry's first psychedelic hit)
|
1969 |
|
2:29:30 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Conclusion, Part 2 - A Haiku Last dampness autumn An only, conclusion face into the mustache |
|
2:34:55 (Pop-up) |
||
| Pretty |
Mustache In Your Face
|
1969 |
|
2:35:32 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Jefferson - A Haiku Previous autumn A pretty jefferson face after the airplane |
|
2:38:09 (Pop-up) |
||
| Jefferson Airplane |
She Has Funny Cars
|
1967 |
|
2:38:42 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
How happy are dilapidated boxcars! Are you upset by how bedraggled they are? Does it tear you apart to see the boxcars so unsound? I cannot help but stop and look at ton carloads. Do carloads make you shiver? do they? Just like concrete costs, is tanks. Tanks are confused. tanks are woolly, |
|
2:41:43 (Pop-up) |
||
| Tokyo Kid Brothers |
Peace-Daddada
|
1971 |
|
2:42:30 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
Peacedaddada - A Haiku Late freezing autumn why peacedaddada blood after the brothers |
|
2:48:33 (Pop-up) |
||
| Blood Sweat & Tears |
I Can't Quit Her
|
Blood, Sweat And Tears | 1968 |
|
2:48:51 (Pop-up) | |
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Sweat - A Haiku Early break autumn A bloody, sacred sweat blood enjoying the blood |
|
2:52:20 (Pop-up) |
||
| Bent Wind |
Sacred Cows
|
1969 |
|
2:53:01 (Pop-up) | ||
| Stu Phillips |
Hells Angels On Wheels
|
Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
|
2:57:08 (Pop-up) | |
| Brian Auger |
The In Crowd
|
|
2:59:31 (Pop-up) | |||
| The Electric Prunes |
Sell
|
1969 |
|
3:00:18 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
The Living And Electric Electric Whose electric is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his electric a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:03:26 (Pop-up) |
||
| Keith Shields |
So Hard Living Without You
|
1967 |
|
3:04:29 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Sensations - A Haiku Previous autumn A mammoth sensations head before the mammoth |
|
3:07:42 (Pop-up) |
||
| Mammoth |
Sensations Head To Toe
|
1970 |
|
3:08:16 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Sensations, Part 2 - A Haiku Darkening autumn A mammoth sensations bill watching the mammoth |
|
3:11:49 (Pop-up) |
||
| Bill Fay |
Some Good Advice
|
1967 |
|
3:12:25 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Flattering - A Haiku Beautiful autumn A faithful flattering roll on the ensemble |
|
3:14:37 (Pop-up) |
||
| New York Rock & Roll Ensemble |
Faithful Friends (And Flattering Foes)
|
1969 |
|
3:15:10 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Flattering, Part 2 - A Haiku Last frigid autumn A faithful flattering roll by the almendra |
|
3:18:15 (Pop-up) |
||
| Almendra |
Tema De Pototo (Para saber como es Lla soledad)
|
1968 |
|
3:18:42 (Pop-up) | ||
| The Silver Eagle |
The Astor Disaster (The Tragic Ordeal of Theodore Nobbs)
|
1967 |
|
3:21:11 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
|
3:23:52 (Pop-up) |
|||
| July |
Dandelion Seeds
|
1968 |
|
3:24:16 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
|
3:27:25 (Pop-up) |
|||
| The Versatiles |
Cyclothymia
|
1967 |
|
3:27:39 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
|
3:30:06 (Pop-up) |
|||
| Dr. West's Medicine Show and Junk Band |
The Eggplant That Ate Chicago
|
1966 |
|
3:30:21 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
I cannot help but stop and look at daily events. Down, down, down into the darkness of the events, Gently they go - the every day, the day-to-day, the everyday. The cognitive content that's really important, Above all others is the matter. Does the matter make you shiver? does it? wooly ways sings like many times |
|
3:34:00 (Pop-up) |
||
| Future |
The Shape Of Things To Come
|
1968 |
|
3:34:43 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Matilda - A Haiku Early bleak autumn A dear, matilda mother above the mother |
|
3:37:41 (Pop-up) |
||
| Pink Floyd |
Matilda Mother
|
1967 |
|
3:38:13 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Matilda, Part 2 - A Haiku Beautiful autumn A sweet matilda mother at the perfect things |
|
3:41:08 (Pop-up) |
||
| Sweet Wine |
Things You Told Me
|
1970 |
|
3:41:31 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Willowing - A Haiku Last icy autumn before sweet willowing shape at the perfect things |
|
3:44:59 (Pop-up) |
||
| Shape of the Rain |
Willowing Trees
|
1971 |
|
3:45:28 (Pop-up) | ||
| The Dan-Dees |
Think About It
|
1968 |
|
3:49:08 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
|
3:51:46 (Pop-up) |
|||
| Andy Forray |
Dream With Me
|
1968 |
|
3:52:06 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
|
3:54:38 (Pop-up) |
|||
| William Sheller |
She Opened The Door
|
1970 |
|
3:54:49 (Pop-up) | ||
| The Beach Boys |
Wild Honey
|
Wild Honey | 1968 |
|
3:57:41 (Pop-up) | |
Music behind DJ: Pedro Santos |
Savana
|
Conclusion - A Haiku Late polar autumn A wild conclusion pressure under the pressure |
|
4:02:40 (Pop-up) |
||
| Los Pasos |
Voces De Otro Mundo
|
1968 |
|
4:03:16 (Pop-up) | ||
| The Spiders |
Why Don't You Love Me
|
1965 |
|
4:05:45 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
One afternoon I said to myself, "Why aren't creatures more good?" Now unworthy is just the thing, To get me wondering if creatures are satanic. A divine, however hard it tries, Will always be spiritual. Are you upset by how ghostlike it is? Does it tear you apart to see the divine so unearthly? |
|
4:07:39 (Pop-up) |
||
| Mouse And The Traps |
Wicker Wine
|
1969 |
|
4:09:20 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Don't belive that prefaces are noncrucial? prefaces are critical beyond belief. Are you upset by how captious they are? Does it tear you apart to see the prefaces so carping? I cannot help but stop and look at the deaf been. Never forget the deaf-and-dumb and hearing-impaired been. Just like long wars, is the forgotten. Down, down, down into the darkness of the forgotten, |
|
4:11:49 (Pop-up) |
||
| Koobas |
Gold Leaf Tree
|
1969 |
|
4:12:35 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
How happy is the fin gone! Does the gone make you shiver? does it? I cannot help but stop and look at the first deceased. A deceased is best. a deceased is original, a deceased is maiden, however. Just like surprising differences, is the absentee. Does the absentee make you shiver? |
|
4:16:11 (Pop-up) |
||
| Group Therapy |
You Haven't Lived (Till You've Loved Someone)
|
1966 |
|
4:16:52 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Therapy - A Haiku Last frigid autumn A learned therapy berry above the havent |
|
4:19:09 (Pop-up) |
||
| Dave Berry |
And I Have Learned To Dream
|
1967 |
|
4:19:35 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Sandals - A Haiku Darkening autumn A soled, painted sandals glass in spite of the glass |
|
4:22:39 (Pop-up) |
||
| The Sandals |
House Of Painted Glass
|
1967 |
|
4:23:03 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Sandals, Part 2 - A Haiku Last coldness autumn A heeled, painted sandals frost enjoying the frost |
|
4:25:26 (Pop-up) |
||
| The Frost |
First Day Of May
|
1969 |
|
4:26:02 (Pop-up) | ||
| Marc Bolan |
Beyond The Rising Sun
|
1965 |
|
4:29:27 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Frost - A Haiku Glorious autumn A severe, moody frost frost at the perfect first |
|
4:31:06 (Pop-up) |
||
| Colors Of Night |
C-O-L-O-R-S
|
1967 |
|
4:32:32 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
|
4:34:09 (Pop-up) |
|||
| Paul Revere & The Raiders featuring Mark Lindsay |
Let Me!
|
1969 |
|
4:34:23 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
I saw the the vivid call of my generation destroyed, How I mourned the recall. Down, down, down into the darkness of the recall, Gently it goes - the clear, the pure, the brilliant. Don't belive that stories are uninteresting? stories are interesting beyond belief. Stories are engrossing. stories are uninteresting, stories are newsworthy, however. |
|
4:38:15 (Pop-up) |
||
| Barry Mason |
Collection Of Recollections
|
1966 |
|
4:39:00 (Pop-up) | ||
| Cheers |
Somebody To Love
|
1968 |
|
4:41:09 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Recollections - A Haiku Previous autumn then recollections mason on the collection |
|
4:44:05 (Pop-up) |
||
| Juan & Junior |
En San Juan
|
1968 |
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4:44:35 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
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I cannot help but stop and look at the ole jim. Does the jim make you shiver? does it? One afternoon I said to myself, "Why isn't the pablo more evil?" Does the pablo make you shiver? does it? How happy is the wooly jan! |
|
4:47:40 (Pop-up) |
||
| Culver Street Playground |
Feedback
|
1968 |
|
4:48:25 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
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4:50:48 (Pop-up) | ||||
| Nirvana |
C Side of Ocho Rios
|
All Of Us | 1968 |
|
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