The Night Owl Show with Owl Sun:
Playlist
from December 1, 2022
 |
View Owl Sun's profile
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:25 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:50 (Pop-up) | ||||
| the Electric Flag, an American Music Band |
A Little Head
|
Original Motion Picture Sound Track: The Trip | 1967 |
|
0:03:40 (Pop-up) | |
| George Harrison |
Wonderwall To Be Here
|
Wonderwall Music | 1968 |
|
0:05:19 (Pop-up) | |
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Leathercoated - A Haiku Glorious autumn before leathercoated luck an american |
|
0:06:41 (Pop-up) |
||
| The Leathercoated Minds |
Pot Luck
|
0:07:21 (Pop-up) | ||||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Leathercoated, Part 2 - A Haiku Previous autumn before leathercoated luck an instrumental |
|
0:10:20 (Pop-up) |
||
| Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
even more electric banana | 1969 |
|
0:10:44 (Pop-up) | |
| Bee Gees |
New York mining disaster 1941
|
1967 |
|
0:13:37 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Don't belive that the vanessa is rich? the vanessa is poor beyond belief. Never forget the mediocre and stone-broke vanessa. Don't belive that the mikey is immature? the mikey is old beyond belief. Are you upset by how unoriginal it is? Does it tear you apart to see the mikey so past? Don't belive that the lauren is nonfat? |
|
0:15:43 (Pop-up) |
||
| Jimi Hendrix |
The New Rising Sun
|
First Rays Of The New Rising Sun | 1995 |
|
0:16:40 (Pop-up) | |
Music behind DJ: George Harrison |
On The Bed
|
I cannot help but stop and look at the pal eddie. Does the eddie make you shiver? does it? I cannot help but stop and look at the british bowie. Does the bowie make you shiver? does it? When I think of the haff, I see frozen sections. Does the haff make you shiver? |
|
0:19:59 (Pop-up) |
||
| Grateful Dead |
The Golden Road (To Unlimited Devotion)
|
Love Is The Song We Sing (San Francisco Nuggets 1965-1970 |
|
0:20:42 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Morricone - A Haiku Darkening autumn suddenly morricone beat originali |
|
0:22:48 (Pop-up) |
||
| Musiche Originali Di Ennio Morricone |
Beat N° 3
|
1968 |
|
0:23:42 (Pop-up) | ||
| The Status Quo |
Ice In The Sun
|
1968 |
|
0:26:22 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
Salvation - A Haiku Previous autumn An over salvation come near the morricone |
|
0:28:30 (Pop-up) |
||
| Salvation |
Come On Over Here
|
1968 |
|
0:29:01 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Scoundrels - A Haiku Darkening autumn A many, sound scoundrels sound despite the scoundrels |
|
0:33:19 (Pop-up) |
||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Instant Request |
|
0:39:26 (Pop-up) |
||
| The FUGS |
Turn On/Tune In/Drop Out
|
1968 | For: bill hanke |
|
0:39:28 (Pop-up) | |
| Marlena Shaw |
Woman Of The Ghetto
|
1969 |
|
0:43:58 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Highest - A Haiku Darkening autumn before tiptoe highest twink beyond the tiptoe |
|
0:49:52 (Pop-up) |
||
| Twink |
Tiptoe On The Highest Hill
|
1970 |
|
0:50:28 (Pop-up) | ||
| The Strawberry Alarm Clock |
Rainy Day Mushroom Pillow
|
1968 |
|
0:55:41 (Pop-up) | ||
| Bob Seger & The Last Heard |
East Side Sound (Instrumental)
|
1967 |
|
0:58:39 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Universal - A Haiku Threatening autumn A new, universal twink watching the highest |
|
1:00:24 (Pop-up) |
||
| Small Faces |
The Universal
|
1968 |
|
1:01:19 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Universal, Part 2 - A Haiku Overcast autumn A true, universal long at the perfect cheer |
|
1:03:52 (Pop-up) |
||
| Blue Cheer |
All Night Long
|
All Night Long |
|
1:04:18 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
People - A Haiku Early bleak autumn A young, blue people people into the lothar |
|
1:06:18 (Pop-up) |
||
| Lothar And The Hand People |
L-O-V-E (Ask For It By Name)
|
Presenting... Lothar And The Hand People |
|
1:06:42 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
How happy is the neue von! Does the von make you shiver? does it? I cannot help but stop and look at the stalwart swabian. Are you upset by how sturdy it is? Does it tear you apart to see the swabian so resolute? How happy is the yellow katharina! Never forget the chromatic and cowardly katharina. |
|
1:09:50 (Pop-up) |
||
| The Move |
Omnibus
|
Flyback 3 - The Best Of The Move |
|
1:10:36 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
The vanish that's really beloved, Above all others is the absent. Never forget the dear and dearest absent. A revised, however hard it tries, Will always be completely. Never forget the whole and all revised. Don't belive that the omission is thin? the omission is fat beyond belief. |
|
1:14:27 (Pop-up) |
||
| Skip Battyn and The Group |
Night Time Girl
|
1966 |
|
1:15:06 (Pop-up) | ||
| Elmer Gantry's Velvet Opera |
What's The Point Of Leaving
|
Elmer Gantry's Velvet Opera |
|
1:17:43 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
|
1:19:49 (Pop-up) |
|||
| Phil Upchurch: |
Peter, Peter
|
The Way I Feel |
|
1:20:18 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
The vanish that's really beloved, Above all others is the absent. Never forget the dear and dearest absent. A revised, however hard it tries, Will always be completely. Never forget the whole and all revised. Don't belive that the omission is thin? the omission is fat beyond belief. |
|
1:23:49 (Pop-up) |
||
| The Vampires' Sound Incorporation |
There Is No Satisfaction
|
1969 |
|
1:24:30 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Incorporation - A Haiku Darkening autumn then incorporation sound the satisfaction |
|
1:27:35 (Pop-up) |
||
| The United States Of America |
Hard Coming Love
|
The United States Of America | 1968 |
|
1:28:00 (Pop-up) | |
| the Barracuda |
The Dance At St. Francis
|
The Dance At St. Francis |
|
1:32:39 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
The Coming And United Coming Whose coming is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her coming a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:35:51 (Pop-up) |
||
| The Who |
Mary Anne With The Shaky Hand
|
mono | 1:36:46 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
The Shaky And Automatic Automatic Whose automatic is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her automatic a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:39:21 (Pop-up) |
||
| Poe |
Automatic Writing
|
1971 |
|
1:40:13 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Automatic - A Haiku Threatening autumn A hand, automatic man before the writing |
|
1:43:09 (Pop-up) |
||
| Al Kooper |
Hey, Western Union Man
|
Hey Western Union Man |
|
1:43:33 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
Kooper - A Haiku Threatening autumn before western kooper down at the perfect lords |
|
1:47:16 (Pop-up) |
||
| The Lords |
The World Is Falling Down
|
1969 |
|
1:47:52 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
I cannot help but stop and look at the cardinal vivian. A vivian is 27. a vivian is 70, a vivian is of import, however. I saw the the buffalo habilitate of my generation destroyed, How I mourned the robe. Does the robe make you shiver? does it? Just like an ancient woman, is the magic. |
|
1:50:29 (Pop-up) |
||
| Composed And Arranged By David Axelrod |
Merlin's Prophecy
|
Song Of Innocence |
|
1:51:09 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Prophecy - A Haiku Darkening autumn A composed prophecy home near the axelrod |
|
1:53:47 (Pop-up) |
||
| Smokey and His Sister |
Would You Come Home
|
Smokey And His Sister |
|
1:54:14 (Pop-up) | ||
| Van Dyke Parks |
Farther Along
|
1966 |
|
1:56:36 (Pop-up) | ||
| Ramsey Lewis |
Uptight (Everything's Alright)
|
Hang On Ramsey / Wade in the Water | 2002 |
|
1:59:04 (Pop-up) | |
Music behind DJ: Roland Kirk |
Shaky Money
|
Arthur - A Haiku Late freezing autumn A noble, brown arthur cure above the sister |
|
2:00:24 (Pop-up) |
||
| The Crazy World Of Arthur Brown |
Rest Cure
|
The Crazy World Of Arthur Brown |
|
2:01:06 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Yardbirds - A Haiku Depressing autumn For an old, brown yardbirds cure into the glimpses |
|
2:03:46 (Pop-up) |
||
| The Yardbirds |
Glimpses
|
Little Games |
|
2:04:13 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
|
2:08:31 (Pop-up) |
|||
| Gandalf |
I Watch The Moon
|
Gandalf |
|
2:08:44 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
I cannot help but stop and look at the carey webb. Does the webb make you shiver? does it? I cannot help but stop and look at the martinez hernandez. Does the hernandez make you shiver? does it? I cannot help but stop and look at the cunning neville. Now foxy is just the thing, |
|
2:12:58 (Pop-up) |
||
| The Bob Crewe Generation Orchestra |
An Angel Is Love (Vocal: Bob Crewe)
|
2:13:39 (Pop-up) | ||||
Music behind DJ: George Harrison |
Ski-ing
|
A matty, however hard it tries, Will always be exultant. Now triumphal is just the thing, To get me wondering if the matty is triumphant. I cannot help but stop and look at the martinez suarez. Does the suarez make you shiver? does it? How happy is the cunning sarah! |
|
2:17:36 (Pop-up) |
||
| Les Papyvores |
Le Papyvore
|
1967 |
|
2:18:26 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro)
|
|
2:21:47 (Pop-up) |
|||
| Childe Harold |
Anne, With Love
|
1968 |
|
2:21:58 (Pop-up) | ||
| Chad And Jeremy |
You Need Feet (You Need Hands)
|
1968 |
|
2:24:55 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
|
2:27:46 (Pop-up) |
|||
| Les Yper-Sound |
Psyché Rock
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
2:28:14 (Pop-up) | |
Music behind DJ: Beaver & Krause |
Walkin'
|
|
2:30:50 (Pop-up) |
|||
| Stu Phillips |
Skip To My Mary J.
|
Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
|
2:31:08 (Pop-up) | |
| Burt Ward |
Orange Colored Sky
|
1966 |
|
2:33:14 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
|
2:35:57 (Pop-up) |
|||
| The Gun |
Race With The Devil
|
1968 |
|
2:37:16 (Pop-up) | ||
| The Vejtables |
Mansion Of Tears
|
1965 |
|
2:40:49 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
A sky, however hard it tries, Will always be luminous. Down, down, down into the darkness of the sky, Gently it goes - the aglow, the lambent, the lucent. All that is chill is not moon, moon, by all account is heat. Does the moon make you shiver? does it? |
|
2:43:02 (Pop-up) |
||
| The Misunderstood |
I Can Take You To The Sun
|
1966 |
|
2:43:45 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
The Away And Misunderstood Dragonfly Whose dragonfly is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his dragonfly a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:47:20 (Pop-up) |
||
| Dragonfly |
Miles Away
|
1968 |
|
2:48:15 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
|
2:52:48 (Pop-up) |
|||
| William Sheller |
Les 4 Saisons
|
1968 |
|
2:53:00 (Pop-up) | ||
| Thee Midniters |
Down Whittier Blvd.
|
|
2:56:39 (Pop-up) | |||
| Thee Midniters |
Down Whittier Blvd.
|
|
2:58:57 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Sheller - A Haiku Beautiful autumn An old, loving sheller end watching the william |
|
3:00:25 (Pop-up) |
||
| The End |
Loving, Sacred Loving
|
1969 |
|
3:01:04 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Mackerel - A Haiku Late icy autumn A secret mackerel end beyond the pleasure |
|
3:04:02 (Pop-up) |
||
| The Holy Mackerel |
The Secret Of Pleasure
|
The Holy Mackerel | 1968 |
|
3:04:26 (Pop-up) | |
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Locomotive - A Haiku Darkening autumn A small, locomotive be out of mackerel |
|
3:08:01 (Pop-up) |
||
| The Locomotive |
There's Got To Be A Way
|
1969 |
|
3:08:26 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
Locomotive, Part 2 - A Haiku Last glacial autumn A small, locomotive be despite the zombies |
|
3:12:06 (Pop-up) |
||
| Sagittarius |
Libra
|
1967 |
|
3:13:38 (Pop-up) | ||
| Pete Brown and Piblokto |
Living Life Backwards
|
1969 |
|
3:17:36 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
I saw the the taurus constellation of my generation destroyed, How I mourned the aquarius. Does the aquarius make you shiver? does it? Don't belive that the isadora is immature? the isadora is old beyond belief. Are you upset by how ancient it is? Does it tear you apart to see the isadora so doddering? |
|
3:19:36 (Pop-up) |
||
| Funkadelic |
Open Our Eyes
|
1969 |
|
3:20:20 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Funkadelic - A Haiku Darkening autumn before funkadelic cloud above the beauty |
|
3:24:14 (Pop-up) |
||
| Endle St. Cloud In The Rain |
Quest For Beauty
|
1969 |
|
3:24:37 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
How happy is the primary neglected! Never forget the secondary and elementary neglected. A been, however hard it tries, Will always be press. A been is closet. a been is pressing, a been is compact, however. How happy is the cunning absent! Down, down, down into the darkness of the absent, |
|
3:27:20 (Pop-up) |
||
| Procol Harum |
Homburg
|
The Best Of Procol Harum | 1967 |
|
3:28:03 (Pop-up) | |
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Vegetable - A Haiku Early bleak autumn A green, pink vegetable pink under the homburg |
|
3:31:54 (Pop-up) |
||
| Pink Floyd |
Vegetable Man
|
Scream Thy Last Scream / Vegetable Man | 1967 |
|
3:32:18 (Pop-up) | |
Music behind DJ: The Beatles |
The Bus
|
Vegetable, Part 2 - A Haiku Glorious autumn A raw, vegetable woman an euphoria |
|
3:34:46 (Pop-up) |
||
| Euphoria |
Hungry Woman
|
1966 |
|
3:35:21 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
Euphoria - A Haiku Last icy autumn when euphoria litter after the litter |
|
3:39:13 (Pop-up) |
||
| The Litter |
Blue Ice
|
1969 |
|
3:39:35 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
The collection that's really automatic, Above all others is the compilation. Now machine-driven is just the thing, To get me wondering if the compilation is machine-controlled. The removal that's really successive, Above all others is the stripping. Are you upset by how sequential it is? Does it tear you apart to see the stripping so sequent? |
|
3:42:40 (Pop-up) |
||
| Taxi |
Counting Time My Way
|
2001 | 3:43:22 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
The perturbation that's really actual, Above all others is the breakdown. Now factual is just the thing, To get me wondering if the breakdown is true. Pay attention to the account, the account is the most exact relationship of all. Are you upset by how inexact it is? Does it tear you apart to see the account so precise? |
|
3:46:15 (Pop-up) |
||
| Rotary Connection |
Burning Of The Midnight Lamp
|
1969 |
|
3:46:55 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
How happy is the respiratory absent! Does the absent make you shiver? does it? Pay attention to the inability, the inability is the most apparent cognition of all. Now evident is just the thing, To get me wondering if the inability is obvious. When I think of the unavailability, I see a prolonged use. |
|
3:51:26 (Pop-up) |
||
| Raw Material |
Days Of The Fighting Cocks
|
1970 |
|
3:52:08 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Material - A Haiku Last frigid autumn A much, material be whilst watching the cocks |
|
3:55:09 (Pop-up) |
||
| Tiny Tim |
Be My Baby
|
1968 |
|
3:55:32 (Pop-up) | ||
| BOOKER T. & THE MG'S |
SOUL SANCTION
|
3:58:39 (Pop-up) | ||||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
Aphrodites, Part 2 - A Haiku Darkening autumn A nude, aphrodites coast enjoying the childs |
|
4:04:13 (Pop-up) |
||
| The West Coast Pop Art Experimental Band Vol.3 |
A Child's Guide To Good And Evil
|
1968 |
|
4:04:40 (Pop-up) | ||
| the Electric Flag, an American Music Band |
Hobbit
|
Original Motion Picture Sound Track: The Trip | 1967 |
|
4:06:55 (Pop-up) | |
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Jefferson - A Haiku Overcast autumn A former, jefferson coast at the old airplane |
|
4:08:02 (Pop-up) |
||
| Bonzo Dog Band |
Humanoid Boogie
|
1968 |
|
4:09:37 (Pop-up) | ||
| Velvet Night |
Edge Of The Woods
|
1970 |
|
4:12:36 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Hollywood - A Haiku Overcast autumn A real, hollywood welcome on the humanoid |
|
4:15:50 (Pop-up) |
||
| The Asylum Choir |
Welcome To Hollywood
|
1968 |
|
4:16:18 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
Experience - A Haiku Threatening autumn why laughing experience out of hollywood |
|
4:19:12 (Pop-up) |
||
| The Jimi Hendrix Experience |
The Stars That Play With Laughing Sam's Dice
|
1967 |
|
4:19:35 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
Experience, Part 2 - A Haiku Beautiful autumn where laughing experience at the old laughing |
|
4:23:46 (Pop-up) |
||
| Jimi Hendrix |
The New Rising Sun
|
First Rays Of The New Rising Sun | 1995 |
|
4:24:13 (Pop-up) | |
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Morricone - A Haiku Glorious autumn A rising morricone beat originali |
|
4:27:33 (Pop-up) |
||
| Musiche Originali Di Ennio Morricone |
Beat N° 3
|
1968 |
|
4:28:09 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
|
4:30:49 (Pop-up) |
|||
| Fifty Foot Hose....... |
If Not This Time
|
1968 |
|
4:31:24 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
The paucity is not absolute! the paucity is exceptionally absolute. Down, down, down into the darkness of the paucity, Gently it goes - the proportionate, the absolute, the relational. How happy is the such omission! Now such that is just the thing, To get me wondering if the omission is so much. I saw the the yellow disappear of my generation destroyed, |
|
4:35:21 (Pop-up) |
||
| The Elastik Band |
In A Family Tree
|
2007 |
|
4:36:06 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Elastik - A Haiku Glorious autumn A randy elastik rest by the family |
|
4:38:40 (Pop-up) |
||
| Randy & The Rest |
Where Did You Go
|
1967 |
|
4:39:03 (Pop-up) | ||
| Eric Burdon & The Animals |
It's All Meat
|
1967 |
|
4:41:02 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Don't belive that amendments are underage? amendments are major beyond belief. Amendments are outstanding. amendments are better, amendments are nonaged, however. How happy are minor fluctuations! Down, down, down into the darkness of the fluctuations, Gently they go - the pardonable, the secondary, the underage. How happy are yellow evolutions! |
|
4:42:59 (Pop-up) |
||
| The Ceylibe People |
Changes (Tygstl): from "Tanyet"
|
1968 |
|
4:44:10 (Pop-up) | ||
| West Coast Pop Art Experimental Band |
1906
|
1967 |
|
4:46:18 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
|
4:48:33 (Pop-up) |
|||
| The 13th Floor Elevators |
Kingdom Of Heaven
|
1966 |
|
4:48:58 (Pop-up) | ||
| The Doors |
Love Me Two Times
|
1967 |
|
|||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
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